BY WILLIAM JAMES The Principles of Psychology. 2 vols. 8vo. $5.00 Edcl. net. New York: Henry Holt & Co. 1890. Psychology: Briefer Course. 12mo. $1.60 Edcl. net. New York: Henry Holt & Co. 1892. The Varieties of Religious Experience. $3.20 net. New York: Longmans, Green, & Co. 1902. The Will to Believe, and Other Essays in Popular Philoso- phy. 12mo. $2.00. New York: Longmans, Green. & Co. 1897. Is Life Worth Living ? 18mo. 50 cents net. Philadelphia: S. B. Weston, 1305 Arch Street. 1896. Human Immortality: Two supposed Objections to the Doc- trine. 16mo. $1.00. Boston: Houghton, Mifflin & Co. 1898. Pragmatism. $1.25 net. New York: Longmans, Green, & Co. 1907. The Meaning of Truth: A Sequel to Pragmatism. $1.25 net. New York: Longmans, Green, & Co. 1909. A Pluralistic Universe. $1.50 net. New York: Longmans, Green, & Co. 1909. Memories and Studies. $1.75 net. New York: Longmans, Green, & Co. 1911. Some Problems in Philosophy. $1.25 net. New York: Longmans, Green, & Co. 1911. Essays in Radical Empiricism. $1.25 net. New York: Long- mans, Green, & Co. 1912. Talks to Teachers on Psychology: and to Students on Some of Life’s Ideals. 12mo. $1.50 Edcl. net. New York: Henry Holt & Co. 1899. On Some of Life’s Ideals. “On a Certain Blindness in Human Beings ” and “ What Makes a Life Significant.” Reprinted from Talks to Teachers. 16mo. 50 cents net. New York: Henry Holt & Co. 1912. Habit. Reprinted from The Principles of Psychology. 16mo. 50 cents net. New York: Henry Holt & Co. 1914. The Literary Remains of Henry James. Edited, with an introduction, by William James. With Portrait. Crown 8vo. $2.00. Boston: Houghton, Mifflin & Co. 1885. AMERICAN SCIENCE SERIES-ADVANCED COURSE THE PRINCIPLES OF PSYCHOLOGY BY WILLIAM JAMES PROFESSOR OF PSYCHOLOGY IN HARVARD UNIVERSITY IN TWO VOLUMES VOL. II NEW YORK HENRY HOLT AND COMPANY Copyright, 1890 BT HENRY HOLT & CO. Copyright, 1918 BT ALICE H. JAMES CONTENTS. CHAPTER XVII. rAOB Sensation, 1 Its distinction from perception, 1. Its cognitive function— acquaintance with qualities, 3. No pure sensations after the first days of life, 7. The ‘ relativity of knowledge,’ 9. The law of contrast, 13. The psychological and the physiological theories of it, 17. Hering’s experiments, 20. The 1 eccentric projection’ of sensations, 31. CHAPTER XVIII. Imagination, 44 Our images are usually vague, 45. Vague images not neces- sarily general notions, 48. Individuals differ in imagination; Galton’s researches, 50 The ‘visile’ type, 58. The ‘audile’ type, 00. The ‘ motile ’ type, 61. Tactile images. 65. The neural process of imagination, 68. Its relations to that of sensation, 72. CHAPTER XIX. The Perception of ‘ Things/ 76 Perception and sensation, 76. Perception is of definite and probable things, 82. Illusions, 85of the first type, 86 ;—of the second type, 95. The neural process in perception, 103. ‘Apperception,’ 107. Is perception an unconscious inference? 111. Hallucinations, 114. The neural process in hallucination, 122. Binet’s theory, 129. ‘ Perception-time,’131. CHAPTER XX. The Perception of Space, 134 The feeling of crude extensity, 134. The perception of spatial order, 145. Space-'relations,’ 148. The meaning of localization, 153. ‘Local signs,’ 155. The construction of ‘ real ’ space, 166. The subdivision of the original sense-spaces, 167. The sensation III IV CONTENTS. PA»R of motion over surfaces, 171. The measurement of the sense- spaces by each other, 177. Their summation, 181. Feelings of movement in joints, 189. Feelings of muscular contraction, 197. Summary so far, 202. How the blind perceive space, 203. Visual space, 211. Helmholtz and Reid on the test of a sensation, 216. The theory of identical points, 222. The theory of projection, 228. Ambiguity of retinal impressions, 231;—of eye-movements, 234. The choice of the visual reality, 237. Sensations which we ignore, 240. Sensations which seem suppressed, 243. Dis- cussion of Wundt’s and Helmholtz’s reasons for denying that retinal sensations are of extension, 248. Summary, 268. His- torical remarks, 270. CHAPTER XXL The Perception of Reality, 283 Belief and its opposites, 283. The various orders of reality, 287. ‘ Practical ’ realities, 293. The sense of our own bodily existence is the nucleus of all reality, 297. The paramount reality of sensations, 299. The influence of emotion and active impulse on belief, 307. Belief in theories, 311. Doubt, 318. Relations of belief and will, 320. CHAPTER XXn. Reasoning, 323 * Recepts,’ 327. In reasoning, we pick out essential qualities, 329. What is meant by a mode of conceiving, 332. What is involved in the existence of general propositions, 337. The two factors of reasoning, 340. Sagacity, 343. The part played by association by similarity, 345. The intellectual contrast between brute and man : association by similarity the fundamental human distinction, 348. Different orders of human genius, 360. CHAPTER XXIII. The Production of Movement, 373 The diffusive wave, 373. Every sensation produces reflex effects on the whole organism, 374. CHAPTER XXIV. Instinct, 383 Its definition, 383. Instincts not always blind or invariable, 389. Two principles of non-uniformity in instincts : 1) Their inhibition by habits, 394 ; 2) Their transitoriness, 398. Man has CONTENTS. V PAOK more instincts than any other mammal, 403. Reflex impulses, 404. Imitation, 408. Emulation, 409. Pugnacity, 409. Sym- pathy, 410. The hunting instinct, 411. Fear, 415. Acquisitive- ness, 422. Constructiveness, 426. Play, 427. Curiosity, 429. Sociability and shyness, 430. Secretiveness, 432. Cleanliness, 434. Shame, 435. Love, 437. Maternal love, 439. CHAPTER XXV. The Emotions, 442 Instinctive reaction and emotional expression shade imper- ceptibly into each other, 442. The expression of grief, 443 ; of fear, 446; of hatred, 449. Emotion is a consequence, not the cause, of the bodily expression, 449. Difficulty of testing this view, 454. Objections to it discussed, 456. The subtler emotions, 468. No special brain-centres for emotion, 472. Emotional dif- ferences between individuals, 474. The genesis of the various emotions, 477. CHAPTER XXVI. Will, 486 Voluntary movements: they presuppose a memory of invol- untary movements, 487. Kinsesthetic impressions, 488. No need to assume feelings of innervation, 503. The ‘ mental cue ’ for a movement may be an image of its visual or auditory effects as well as an image of the way it feels, 518. Ideo motor action, 522. Action after deliberation, 528. Five types of decision, 531. The feeling of effort, 535. Unhealthiness of will: 1) The ex- plosive type, 537; 2) The obstructed type, 546. Pleasure and pain are not the only springs of action, 549. All consciousness is impulsive, 551.r What we will depends on what idea dominates in our mind, 559. The idea’s outward effects follow from the cerebral machinery, 560. Effort of attention to a naturally repugnant idea is the essential feature of willing, 562. The free-will controversy, 571. Psychology, as a science, can safely postulate determinism, even if free-will be true, 576. The edu- cation of the Will, 579. Hypothetical brain-schemes, 582. CHAPTER XXVII. Hypnotism, 594-616 Modes of operating and susceptibility, 594. Theories about the hypnotic state, 596. The symptoms of the trance, 601. VI CONTENTS. CHAPTER XXVIII. PA8* JNBCB88ARY TRUTHS AND THE EFFECTS OF EXPERIENCE, . 617 Programme of the chapter, 617. Elementary feelings are innate, 618. The question refers to their combinations, 619. What is meant by ‘experience,’ 620. Spencer on ancestral ex- perience, 620. Two ways in which new cerebral structure arises: the ‘ back-door ’ and the ‘ front-door ’ way, 625. The genesis of the elementary mental categories, 631. The genesis of the natural sciences, 633. Scientific conceptions arise as accidental variations, 636. The genesis of the pure sciences, 641. Series of evenly increasing terms, 644. The principle of mediate compari- son, 645. That of skipped intermediaries, 646. Classification, 646. Predication, 647. Formal logic, 648. Mathematical propositions, 652. Arithmetic, 653. Geometry, 656. Our doc- trine is the same as Locke’s, 661. Relations of ideas v. couplings of things, 663. The natural sciences are inward ideal schemes with which the order of nature proves congruent, 666. Meta- physical principles are properly only postulates, 669. .Esthetic and moral principles are quite incongruent with the order of nature, 672. Summary of what precedes, 675. The origin of instincts, 678. Insufficiency of proof for the transmission to the next generation of acquired habits, 681. Weismann’s views, 683. Conclusion, 688. PSYCHOLOGY. CHAPTER XVII. SENSATION. After inner perception, outer perception! The next three chapters will treat of the processes by which we cog- nize at all times the present world of space and the mate- rial things which it contains. And first, of the process called Sensation. SENSATION AND PERCEPTION DISTINGUISHED. The ivords Sensation and Perception do not carry very definitely discriminated meanings in popular speech, and in Psychology also their meanings run into each other. Both of them name processes in which we cognize an objective world; both (under normal conditions) need the stimula- tion of incoming nerves ere they can occur; Perception always involves Sensation as a portion of itself; and Sensa- tion in turn never takes place in adult life without Percep- tion also being there. They are therefore names for dif- ferent cognitive functions, not for different sorts of mental fact. The nearer the object cognized comes to being a simple quality like ‘hot,’ ‘cold,’ ‘red,’ ‘noise,’ ‘pain,’ap- prehended irrelatively to other things, the more the state of mind approaches pure sensation. The fuller of relations the object is, on the contrary ; the more it is something classed, located, measured, compared, assigned to a func- tion, etc., etc.; the more unreservedly do we call the state of mind a perception, and the relatively smaller is the part in it which sensation plays. Sensation, then, so long as ive take the analytic point of 2 PSYCHOLOGY. view, differs from Perception only in the extreme simplicity of its object or content* Its function is that of mere acquaintance with a fact. Perception’s function, on the other hand, is knowledge about f a fact; and this knowledge admits of numberless degrees of complication. But in both sensa- tion and perception we perceive the fact as an immediately present outward reality, and this makes them differ from ‘ thought ’ and ‘ conception,’ whose objects do not appear present in this immediate physical way. From the physio- * Some persons will say that we never have a really simple object or content. My definition of sensation does not require the simplicity to be absolutely, but only relatively, extreme. It is worth while in passing, however, to warn the reader against a couple of inferences that are often made. One is that because we gradually learn to analyze so many quali- ties we ought to conclude that there are no really indecomposable feelings in the mind. The other is that because the processes that produce our sen- sations are multiple, the sensations regarded as subjective facts must also be compound. To take an example, to a child the taste of lemonade comes at first as a simple quality. He later learns both that many stimuli and many nerves are involved in the exhibition of this taste to his mind, and he also learns to perceive separately the sourness, the coolness, the sweet, the lemon aroma, etc., and the several degrees of strength of each and all of these things,—the experience falling into a large number of aspects, each of which is abstracted, classed, named, etc., and all of which appear to be the elementary sensations into which the original ‘ lemonade flavor ’ is decomposed. It is argued from this that the latter never was tne simple thing which it seemed. I have already criticised this sort of reasoning in Chapter YI (see pp. 170 ff.). The mind of the child enjoying the simple lemonade flavor and that of the same child grown up and analyzing it are in two entirely different conditions. Subjectively considered, the two states of mind are two altogether distinct sorts of fact. The later mental state says 1 this is the same flavor {or fluid) which that earlier state per- ceived as simple,’ but that does not make the two states themselves identical. It is nothing but a case of learning more and more about the same topics of discourse or things.—Many of these topics, however, must be confessed to resist all analysis, the various colors for example. He who sees blue and yellow ‘ in ’ a certain green means merely that when green is confronted with these other colors he sees relations of similarity. He who sees abstract ‘ color ’ in it means merely that he sees a similarity between it and all the other objects known as colors. (Similarity itself cannot ultimately be ac- counted for by an identical abstract element buried in all the similars, as has been already shown, p. 492 ff.) He who sees abstract paleness, inten- sity, purity, in the green means other similarities still. These are all out- ward determinations of that special green, knowledges about it, zufallige An- sichten, as Herbart would say, not elements of its composition. Compare the article by Meinong in the Vierteljahrschrift fiir wiss. Phil., xu. 324. f See above, p. 221. SENSATION. 3 logical point of view both sensations and perceptions differ from ‘ thoughts ’ (in the narrower sense of the word) in the fact that nerve-currents coming in from the periphery are involved in their production. In perception these nerve-currents arouse volumi- nous associative or reproductive processes in the cortex; but when sensation occurs alone, or with a minimum of perception, the ac- companying reproductive processes are at a minimum too. I shall in this chapter discuss some general questions more especially relative to Sensation. In a later chapter perception will take its turn. I shall entirely pass by the classification and natural history of our special ‘sensa- tions,’ such matters finding their proper place, and being sufficiently well treated, in all the physiological books.* THE COGNITIVE FUNCTION OF SENSATION. A 'pure sensation is an abstraction; and when we adults talk of our ‘ sensations ’ we mean one of two things: either certain objects, namely simple qualities or attributes like hard, hot, pain; or else those of our thoughts in which acquaintance with these objects is least combined with knowledge about the relations of them to other things. As we can only think or talk about the relations of objects with which we have acquaintance already, we are forced to postulate a function in our thought whereby we first become aware of the bare immediate natures by which our several objects are distinguished. This function is sensation. And just as logicians always point out the distinction between substantive terms of discourse and relations found to obtain between them, so psychologists, as a rule, are ready to admit this function, of the vision of the terms or matters meant, as something distinct from the knowledge about them and of their relations inter se. Thought with the former function is sensational, with the latter, intellec- tual. Our earliest thoughts are almost exclusively sensa- tional. They merely give us a set of thats, or its, of subjects * Those who wish a fuller treatment than Martin’s Human Body affords may be recommended to Bernstein’s ‘ Five Senses of Man,’ in the Interna- tional Scientific Series, or to Ladd’s or Wundt’s Physiological Psychology The completest compendium is L. Hermann’s Handbuch der Physiologie, ¥©1. in. 4 PSYCHOLOGY of discourse, with their relations not brought out. The first time we see light, in Condillac’s phrase we are it rather rather than see it. But all our later optical knowledge is about what this experience gives. And though we were struck blind from that first moment, our scholarship in the subject would lack no essential feature so long as our mem- ory remained. In training-institutions for the blind they teach the pupils as much about light as in ordinary schools Beflection, refraction, the spectrum, the ether-theory, etc., are all studied. But the best taught born-blind pupil of such an establishment yet lacks a knowledge which the least instructed seeing baby has. They can never show him what light is in its ‘ first intention ’; and the loss of that sensible knowledge no book-learning can replace. All this is so obvious that we usually find sensation ‘ postulated ’ as an element of experience, even by those philosophers who are least inclined to make much of its importance, or to pay respect to the knowledge which it brings.* * “ The sensations which we postulate as the signs or occasions of our perceptions” (A. Seth: Scottish Philosophy, p. 89). “Their existence is supposed only because, without them, it would be impossible to account for the complex phenomena which are directly present in consciousness ” (J. Dewey: Psychology, p. 34). Even as great an enemy of Sensation as T. H. Green has to allow it a sort of hypothetical existence under protest. “ Perception presupposes feeling ” (Contemp. Review, vol. xxxi. p. 747). Cf. also such passages as those in his Prolegomena to Ethics, §§ 48, 49.— Physiologically, the sensory and the reproductive or associative processes may wax and wane independently of each other. Where the part directly due to stimulation of the sense-organ preponderates, the thought has a sensational character, and differs from other thoughts in the sensational direction. Those thoughts which lie farthest in that direction we call sen- sations, for practical convenience, just as we call conceptions those which lie nearer the opposite extreme. But we no more have conceptions pure than we have pure sensations. Our most rarefied intellectual states involve some bodily sensibility, just as our dullest feelings have some intellectual scope. Common-sense and common psychology express this by saying that the mental state is composed of distinct fractional parts, one of which is sensation, the other conception. We, however, who believe every mental state to be an integral thing (p. 276) cannot talk thus, but must speak of the degree of sensational or intellectual character, or function, o2 the mental state. Professor Hering puts, as usual, his finger better upon the truth than any one else. Writing of visual perception, he says: “It is inadmissible in the present state of our knowledge to assert that first and last the same retinal picture arouses exactly the same pure sensation, SENSATION. 5 But the trouble is that most, if not all, of those who admit it, admit it as a fractional part of the thought, in the old-fashioned atomistic sense which we have so often criti- cised. Take the pain called toothache for example. Again and again we feel it and greet it as the same real item in the universe. We must therefore, it is supposed, have a distinct pocket for it in our mind into which it and nothing else will fit. This pocket, when filled, is the sensation of toothache; and must be either filled or half-filled whenever and under whatever form toothache is present to our thought, and whether much or little of the rest of the mind be filled at the same time. Thereupon of course comes up the paradox and mystery: If the knowledge of toothache be pent up in this separate mental pocket, how can it be known cum alio or brought into one view with anything else ? This pocket knows nothing else ; no other part of the mind knows toothache. The knowing of tooth- ache cum alio must be a miracle. And the miracle must have an Agent. And the Agent must be a Subject or Ego ‘ out of time,’—and all the rest of it, as we saw in Chapter X. And then begins the well-worn round of recrimination between the sensationalists and the spiritualists, from which we are saved by our determination from the outset to accept the psychological point of view, and to admit knowledge whether of simple toothaches or of philosophic systems as an ultimate fact. There are realities and there are ‘ states of mind,’ and the latter know the former; and it is just as wonderful for a state of mind to be a ‘ sensation ’ and know a simple pain as for it to be a thought and know a system but that this sensation, in consequence of practice and experience, is differ- ently interpreted the last time, and elaborated into a different perception from the first. For the only real data are, on the one hand, the physical picture on the retina,—and that is both times the same; and, on the other hand, the resultant state of consciousness (ausgeloste Empfindungscomplex) —and that is both times distinct. Of any third thing, namely, a pure sen- sation thrust between the retinal and the mental pictures, we know nothing. We can then, if we wish to avoid all hypothesis, only say that the nervous appa- ratus reacts upon the same stimulus differently the last time from the first, and that in consequence the consciousness is different too.” (Hermann’s Hdbch., m. i. 567-8.) 6 PSYCHOLOGY. of related things.* But there is no reason to suppose that when different states of mind know different things about the same toothache, they do so by virtue of their all con- taining faintly or vividly the original pain. Quite the re- verse. The by-gone sensation of my gout was painful, as Reid somewhere says; the thought of the same gout as by- gone is pleasant, and in no respect resembles the earlier mental state. Sensations, then, first make us acquainted with innu- merable things, and then are replaced by thoughts which know the same things in altogether other ways. And Locke’s main doctrine remains eternally true, however hazy some of his language may have been, that ‘ ‘ though there be a great number of considerations wherein things may be compared one with another, and so a multitnde of relations; yet they all terminate in, and are concerned about, those simple ideas f either of sensation or reflection, which I think to be the whole materials of all our knowledge. . . . The simple ideas we receive from sensation and reflection are the boundaries of our thoughts ; beyond which, the mind whatever efforts it would make, is not able to advance one jot; nor can it make any discoveries when it would pry into the nature and hidden causes of those ideas.” j: The nature and hidden causes of ideas will never be unravelled till the nexus between the brain and conscious- ness is cleared up. All we can say now is that sensations are Jirst things in the way of consciousness. Before con- ceptions can come, sensations must have come; but before sensations come, no psychic fact need have existed, a nerve- current is enough. If the nerve-current be not given, nothing else will take its place. To quote the good Locke again: “It is not in the power of the most exalted wit or enlarged under- standing, by any quickness or variety of thoughts, to invent or frame * Yet even writers like Prof. Bain will deny, in the most gratuitous way, that sensations know anything. “It is evident that the lowest or most restricted form of sensation does not contain an element of knowl- edge. The mere state of mind called the sensation of scarlet is not knowl- edge, although a necessary preparation for it.” * Is not knowledge about scarlet ’ is all that Professor Bain- can rightfully say. f By simple ideas of sensation Locke merely means sensations. | Essay c. H. U., bk. u. ch. xxm. § 29 ; ch. xxv. § 9. SENSATION. 7 one new simple idea [i.e. sensation] in the mind. ... I would have any one try to fancy any taste which had never affected his palate, or frame the idea of a scent he had never smelt ; and when he can do this, I will also conclude that a blind man hath ideas of colors, and a deaf man true distinct notions of sounds.” * The brain is so made that all currents in it run one way. Consciousness of some sort goes with all the currents, but it is only when new currents are entering that it has the sensational tang. And it is only then that consciousness directly encounters (to use a word of Mr. Bradley’s) a real- ity outside itself. The difference between such encounter and all concep- tual knowledge is very great. A blind man may know all about the sky’s blueness, and I may know all about your toothache, conceptually ; tracing their causes from primeval chaos, and their consequences to the crack of doom. But so long as he has not felt the blueness, nor I the toothache, our knowledge, wide as it is, of these realities, will be hollow and inadequate. Somebody must feel blueness, somebody must have toothache, to make human knowledge of these matters real. Conceptual systems which neither began nor left off in sensations would be like bridges without piers. Systems about fact must plunge themselves into sensation as bridges plunge their piers into the rock. Sensations are the stable rock, the terminus a quo and the terminus ad quern of thought. To find such termini is our aim with all our theories—to conceive first when and where a certain sensa- tion may be had, and then to have it. Finding it stops dis- cussion. Failure to find it kills the false conceit of knowledge. Only when you deduce a possible sensation for me from your theory, and give it to me when and where the theory requires, do I begin to be sure that your thought has anything to do with truth. Pure sensations can only be realized in the earliest days of life. They are all but impossible to adults with memories and stores of associations acquired. Prior to all impressions on sense-organs the brain is plunged in deep sleep and con- sciousness is practically non-existent. Even the first weeks * Op. cit. bk. ii. ch. n. § 2. 8 PSYCHOLOGY. after birth are passed in almost unbroken sleep by human infants. It takes a strong message from the sense-organs to break this slumber. In a new-born brain this gives rise to an absolutely pure sensation. But the experience leaves its ‘ unimaginable touch ’ on the matter of the convolutions, and the next impression which a sense-organ transmits produces a cerebral reaction in which the awakened vestige of the last impression plays its part. Another sort of feel- ing and a higher grade of cognition are the consequence ; and the complication goes on increasing till the end of life, no two successive impressions falling on an identical brain, and no two successive thoughts being exactly the same. (See above, p. 230 ff.) The first sensation which an infant gets is for him the Uni- verse. And the Universe which he later comes to know is nothing but an amplification and an implication of that first simple germ which, by accretion on the one hand and in- tussusception on the other, has grown so big and complex and articulate that its first estate is unrememberable. In his dumb awakening to the consciousness of something there, a mere this as yet (or something for which even the term this would perhaps be too discriminative, and the intellec- tual acknowledgment of which would be better expressed by the bare interjection ‘ lo ! ’), the infant encounters an ob- ject in which (though it be given in a pure sensation) all the * categories of the understanding ’ are contained. It has objectivity, unity, substantiality, causality, in the full sense in which any later object or system of objects has these things. Here the young knower meets and greets his world; and the miracle of knowledge bursts forth, as Voltaire says, as much in the infant’s lowest sensation as in the highest achievement of a Newton’s brain. The physiological con- dition of this first sensible experience is probably nerve- currents coming in from many peripheral organs at once. Later, the one confused Fact which these currents cause to appear is perceived to be many facts, and to contain many qualities.* For as the currents vary, and the brain-paths * “ So far is it from being true that we necessarily have as many feel- ings in consciousness at one time as there are inlets to the sense then played upon; that it is a fundamental law of pure sensation that each momentary SENSATION. 9 are moulded by them, other thoughts with other ‘ objects * come, and the ‘ same thing ’ which was apprehended as a present this soon figures as a past that, about which many unsuspected things have come to light. The principles of this development have been laid down already in Chapters XII and XIII, and nothing more need here be added to that account. "THE BELATIVITY OP KNOWLEDGE." To the reader who is tired of so much Erkenntnisstheorie I can only say that I am so myself, but that it is indispen- sable, in the actual state of opinions about Sensation, to try to clear up just what the word means. Locke’s pupils seek to do the impossible with sensations, and against them we must once again insist that sensations ‘ clustered together ’ cannot build up our more intellectual states of mind. Plato’s earlier pupils used to admit Sensation’s existence, grudgingly, but they trampled it in the dust as something corporeal, non-cognitive, and vile.* His latest followers state of the organism yields but one feeling, however numerous may be its parts and its exposures. . . . To this original Unity of consciousness it makes no difference that the tributaries to the single feeling are beyond the organ, ism instead of within it, in an outside object with several sensible proper- ties, instead of in the living body with its several sensitive functions. . . . The unity therefore is not made by ‘ association ’ of several components; but the plurality is formed by dissociation of unsuspected varieties within the unity; the substantive thing being no product of synthesis, but the residuum of differentiation.” (J. Martineau : A Study of Religion (1888), p. 192-4.) Compare also F. H. Bradley, Logic, book i. chap. n. * Such passages as the following abound in anti-sensationalist literature: ‘ Sense is a kind of dull, confused, and stupid perception obtruded upon the soul from without, whereby it perceives the alterations and motions within its own body, and takes cognizance of individual bodies existing round about it, but does not clearly comprehend what they are nor pene- trate into the nature of them, it being intended by nature, as Plotinus speaks, not so properly for knowledge as for the use of the body. For the soul suf- fering under that which it perceives by way of passion cannot master or Oonquer it, that is to say, know or understand it. For so Anaxagoras in Aris- totle very fitly expresses the nature of knowledge and intellection under the notion of Conquering. Wherefore it is necessary, since the mind under- stands all things, that it should be free from mixture and passion, for this end, as Anaxagoras speaks, that it may be able to master and conquer its objects, that is to say, to know and understand them. In like manner Plo- tinus, in his book of Sense and Memory, makes to suffer and to be conquered all one, as also to know and to conquer; for which reason he concludes that 10 PSYCHOLOGY. seem to seek to crowd it out of existence altogether. The only reals for the neo-Hegelian writers appear to be rela- tions, relations without terms, or whose terms are only speciously such and really consist in knots, or gnarls of relations finer still in infinitum. ‘ ‘ Exclude from what we have considered real all qualities consti- tuted by relation, we find that none are left.” “ Abstract the many relations from the one thing and there is nothing. . . . Without the relations it would not exist at all.” * “The single feeling is nothing that which suffers doth not know. . . . Sense that suffers from external objects lies as it were prostrate under them, and is overcome by them. . . . Sense therefore is a certain kind of drowsy and somnolent percep- tion of that passive part of the soul which is as it were asleep in the body, and acts concretely with it. . . . It is an energy arising from the body and a certain kind of drowsy or sleeping life of the soul blended together with it. The perceptions of which compound, or of the soul as it were half asleep and half awake, are confused, indistinct, turbid, and encumbered cogitations very different from the energies of the noetical part, . . . which are free, clear, serene, satisfactory, and awakened cogitations. That is to say, knowledges.” Etc., etc., etc. (R. Cudworth: Treatise concerning Eternal and Immutable Morality, bk hi. chap, n.) Similarly Male- branche: ' ‘ Theodore.—Oh, oh, Ariste! God knows pain, pleasure, warmth, and the rest. But he does not feel these things. He knows pain, since he knows what that modification of the soul is in which pain consists. He knows it because he alone causes it in us (as I shall presently prove), and he knows what he does. In a word, he knows it because his knowledge has no bounds. But he does not feel it, for if so he would be unhappy. To know pain, then, is not to feel it. Ariste.—That is true. But to feel it is to know it, is it not ? Theodore.—No indeed, since God does not feel it in the least, and yet he knows it perfectly. But in order not to quibble about terms, if you will have it that to feel pain is to know it, agree at least that it is not to know it clearly, that it is not to know it by light and by evidence—in a word, that it is not to know its nature; in other words and to speak exactly, it is not to know it at all To feel pain, for example, is to feel ourselves unhappy without well knowing either what we are or what is this modality of our being which makes us unhappy. . . . Impose silence on your senses, your imagination, and your passions, and you will hear the pure voice of inner truth, the clear and evident replies of our common mas- ter. Never confound the evidence which results from the comparison of ideas with the liveliness of the sensations which touch and thrill you. The livelier our sensations and feelings (sentiments) are, the more darkness do they shed. The more terrible or agreeable are our phantoms, and the more body and reality they appear to have, the more dangerous are they and fit to lead us astray.” (Entretiens sur la Metaphysique, 3me Entretien, ad vnit.) Malebranche’s Theodore prudently does not try to explain how God’s ‘ infinite felicity ’ is compatible with his not feeling joy. * Green: Prolegomena, §§ 20,28. SENSATION. 11 real.” “ On the recognition of relations as constituting the nature of ideas, rests the possibility of any tenable theory of their reality.” Such quotations as these from the late T. H. Green* would be matters of curiosity rather than of importance, were it not that sensationalist writers themselves believe in a so-called ‘Relativity of Knowledge,’ which, if they only understood it, they would see to be identical with Professor Green’s doctrine. They tell us that the relation of sensa- tions to each other is something belonging to their essence, and that no one of them has an absolute content: “That, e.g., black can only be felt in contrast to white, or at least in distinction from a paler or a deeper black; similarly a tone or a sound only in alternation with others or with silence; and in like manner a smell, a taste, a touch, only, so to speak, in statu nascendi, whilst, when the stimulus continues, all sensation disappears. This all seems at first sight to be splendidly consistent both with itself and with the facts. But looked at more closely, it is seen that neither is the case.” t * Introd. to Hume, §§ 146, 188. It is hard to tell just what this aposto- lic human being but strenuously feeble writer means by relation. Some- times it seems to stand for system of related fact. The ubiquity of the ‘ psychologist’s fallacy ’ (see p. 196) in his pages, his incessant leaning on the confusion between the thing known, the thought that knows it, and the farther things known about that thing and about that thought by later and additional thoughts, make it impossible to clear up his meaning. Compare, however, with the utterances in the text such others as these: “ The wak- ing of Self-consciousness from the sleep of senseis an absolute new begin- ning, and nothing can come within the ‘ crystal sphere ’ of intelligence except as it is determined by intelligence. What sense is to sense is noth- ing for thought. What sense is to thought, it is as determined by thought. There can, therefore, be no ‘reality’in sensation to which the world of thought can be referred.” (Edward Caird’s Philosophy of Kant, 1st ed. pp. 393-4.) “When,” says Green again, “ feeling a pain or pleasure of heat, I perceive it to be connected with the action of approaching the fire, am I not perceiving a relation of which, one constituent, at any rate, is a simple sensationt The true answer is, No.” “Perception, in its simplest form . . . —perception as the first sight or touch of an object in which nothing but what is seen or touched is recognized—neither is nor contains sensation” (Contemp. Rev., xxxi. pp. 746, 750.) “Mere sensation is in truth a phrase that represents no reality.” “ Mere feeling, then, as a mat. ter unformed by thought, has no place in the world of‘facts, in the cosmos of possible experience.” (Prolegomena to Ethics, §§ 46, 50.)—I hav® ex- pressed myself a little more fully on this subject in Mind, x. 27 if. f Stumpf: Tonpsychologie, i. pp. 7, 8. Hobbes’s phrase, sentire semper idem et non sentire ad idem recidunt, is generally treated as the original state- ment of the relativity doctrine. J. b. Mill (Examn. of Hamilton, p. 6) 12 PSYCHOLOGY. The two leading facts from which the doctrine of uni- versal relativity derives its wide-spread credit are these; 1) The psychological fact that so much of our actual knowledge is of the relations of things—even our simplest sensations in adult life are habitually referred to classes as we take them in; and 2) The physiological fact that our senses and brain must have periods of change and repose, else we cease to feel and think. Neither of these facts proves anything about the presence or non-presence to our mind of absolute quali- ties with which we become sensibly acquainted. Surely not the psychological fact; for our inveterate love of relating and comparing things does not alter the intrin- sic qualities or nature of the things compared, or undo their absolute givenness. And surely not the physio- logical fact; for the length of time during which we can feel or attend to a quality is altogether irrelevant to the intrinsic constitution of the quality felt. The time, more- over, is long enough in many instances, as sufferers from neuralgia know.* And the doctrine of relativity, not proved by these facts, is flatly disproved by other facts even more patent. So far are we from not knowing (in the words of Professor Bain) “ any one thing by itself, but only the dif- ference between it and another thing,” that if this were true the whole edifice of our knowledge would collapse. If all we felt were the difference between the C and D, or c and d, on the musical scale, that being the same in the two pairs of notes, the pairs themselves would be the same, and lan- guage could get along without substantives. But Professor Bain does not mean seriously what he says, and we need spend no more time on this vague and popular form of the doctrine, t The facts which seem to hover before the minds and Bain (Senses and Intellect, p. 321; Emotions and Will, pp. 550, 570-2. Logic, i. p. 2; Body and Mind, p. 81) are subscribers to this doctrine. Cf. also J. Milhs Analysis, J. S. Mill’s edition, ii. 11, 12. * We can steadily hear a note for half an hour. The differences be- tween the senses are marked. Smell and taste seem soon to get fatigued. f In the popular mind it is mixed up with that entirely different doc- trine of the ‘ Relativity of Knowledge ' preached by Hamilton and Spencer. This doctrine says that our knowledge is relative to us, and is not of the SENSATION. 13 of its champions are those which are best described under the head of a physiological law. THE LAW OP CONTRAST. I will first enumerate the main facts which fall under this law, and then remark upon what seems to me their sig- nificance for psychology.* [Nowhere are the phenomena of contrast better exhib- ited, and their laws more open to accurate study, than in connection with the sense of sight. Here both kinds— simultaneous and successive—can easily be observed, for they are of constant occurrence. Ordinarily they remain unnoticed, in accordance with the general law of economy which causes us to select for conscious notice only such elements of our object as will serve us for aesthetic or prac- tical utility, and to neglect the rest; just as we ignore the double images, the mouches volantes, etc., which exist for everyone, but which are not discriminated without careful attention. But by attention we may easily discover the general facts involved in contrast. We find that in general the color and brightness of one object always apparently affect the color and brightness of any other object seen simultaneously with it or immediately after. In the first place, if we look for a moment at any surface and then turn our eyes elsewhere, the complementary color and opposite degree of brightness to that of the first surface tend to mingle themselves with the color and the brightness of the second. This is successive contrast. It finds its ex- planation in the fatigue of the organ of sight, causing it to respond to any particular stimulus less and less readily the longer such stimulus continues to act. This is shown clearly in the very marked changes which occur in case of contin- ued fixation of one particular point of any field. The field darkens slowly, becomes more and more indistinct, and finally, if one is practised enough in holding the eye per- object as the latter is in itself. It has nothing to do with the question which we have been discussing, of whether our objects of knowledge con- tain absolute terms or consist altogether of relations. * What follows in brackets, as far as p. 27, is from the pen of my friend and pupil Mr. E. B. Delabarre. 14 PSYCHOLOGY. fectly steady, slight differences in shade and color may entirely disappear. If we now turn aside the eyes, a nega- tive after-image of the field just fixated at once forms, and mingles its sensations with those which may happen to come from anything else looked at. This influence is dis- tinctly evident only when the first surface has been ‘ fixated ’ without movement of the eyes. It is, however, none the less present at all times, even when the eye wanders from point to point, causing each sensation to be modified more or less by that just previously experienced. On this ac- count successive contrast is almost sure to be present in cases of simultaneous contrast, and to complicate the phenomena. A visual image is modified, not only by other sensations just 'previously experienced, but also by all those experienced simul- taneously with it, and especially by such as proceed from con- tiguous portions of the retina. This is the phenomenon of simultaneous contrast. In this, as in successive contrast, both brightness and hue are involved. A bright object appears still brighter when its surroundings are darker than itself, and darker when they are brighter than itself. Two colors side by side are apparently changed by the admixture, with each, of the complement of the other. And lastly, a gray surface near a colored one is tinged with the complement of the latter.* The phenomena of simultaneous contrast in sight are so complicated by other attendant phenomena that it is diffi- * These phenomena have close analogues in the phenomena of contrast presented by the temperature-sense (see W. Preyer in Archiv f. d. ges. Phys., Bd. xxv. p. 79 ff.). Successive contrast here is shown in the fact that a warm sensation appears warmer if a cold one has just previously been experienced ; and a cold one colder, if the preceding one was warm. If a finger which has been plunged in hot water, and another which has been in cold water, be both immersed in lukewarm water, the same water appears cold to the former finger and warm to the latter. In simultaneous contrast, a sensation of warmth on any part of the skin tends to induce the sensation of cold in its immediate neighborhood ; and vice versa. This may be seen if we press with the palm on two metal surfaces of about an inch and a half square and three-fourths inch apart; the skin between them appears distinctly warmer. So also a small object of exactly the tempera- ture of the palm appears warm if a cold object, and cold if a warm object* touch the skin near it. SENSATION. 15 cult to isolate them and observe them in their purity. Yet it is evidently of the greatest importance to do so, if one would conduct his investigations accurately. Neglect of this principle has led to many mistakes being made in accounting for the facts observed. As we have seen, if the eye is allowed to wander here and there about the field as it ordinarily does, successive contrast results and allowance must be made for its presence. It can be avoided only by .carefully fixating with the well-rested eye a point of one field, and by then observing the changes which occur in this field when the contrasting field is placed by its side. Such a course will insure pure simultaneous contrast. But even thus it lasts in its purity for a moment only. It reaches its maximum of effect immediately after the intro- duction of the contrasting field, and then, if the fixation is continued, it begins to weaken rapidly and soon disappears ; thus undergoing changes similar to those observed when any field whatever is fixated steadily and the retina becomes fatigued by unchanging stimuli. If one continues still further to fixate the same point, the color and brightness of one field tend to spread themselves over and mingle with the color and brightness of the neighboring fields, thus substituting ‘ simultaneous induction ’ for simultaneous con- trast. Not only must we recognize and eliminate the effects of successive contrast, of temporal changes due to fixation, and of simultaneous induction, in analyzing the phenomena of simultaneous contrast, but we must also take into account various other influences which modify its effects. Under favor- able circumstances the contrast-effects are very striking, and did they always occur as strongly they could not fail to attract the attention. But they are not always clearly apparent, owing to various disturbing causes which form no exception to the laws of contrast, but which have a modi- fying effect on its phenomena. When, for instance, the ground observed has many distinguishable features—a coarse grain, rough surface, intricate pattern, etc.—the con- trast effect appears weaker. This does not imply that the effects of contrast are absent, but merely that the resulting sensations are overpowered by the many other stronger sen- 16 P8TCE0L0GT. sations which entirely occupy the attention. On such a ground a faint negative after-image—undoubtedly due to retinal modifications—may become invisible ; and even weak objective differences in color may become imper- ceptible. For example, a faint spot or grease-stain on woollen cloth, easily seen at a distance, when the fibres are not distinguishable, disappears when closer examination reveals the intricate nature of the surface. Another frequent cause of the apparent absence of con- trast is the presence of narrow dark intermediate fields, such as are formed by bordering a field with black lines, or by the shaded contours of objects. When such fields interfere with the contrast, it is because black and white can absorb much color without themselves becoming clearly colored ; and because such lines separate other fields too far for them to distinctly influence one another. Even weak objective differences in color may be made imperceptible by such means. A third case where contrast does not clearly appear is where the color of the contrasting fields is too weak or too in- tense, or where there is much difference in brightness between the two fields. In the latter case, as can easily be shown, it is the contrast of brightness which interferes with the color- contrast and makes it imperceptible. For this reason con- trast shows best between fields of about equal brightness. But the intensity of the color must not be too great, for then its very darkness necessitates a dark contrasting field which is too absorbent of induced color to allow the contrast to appear strongly. The case is similar if the fields are too light. To obtain the best contrast-effects, therefore, the contrasting fields should be near together, should not be separated by shadows or black lines, should be of homogeneous texture, and should be of about equal brightness and medium intensity of color. Such conditions do not often occur naturally, the disturbing in- fluences being present in case of almost all ordinary objects, thus making the effects of contrast far less evident. To eliminate these disturbances and to produce the conditions most favorable for the appearance of good contrast-effects, SENSATION. 17 various experiments have been devised, which will be ex- plained in comparing the rival theories of explanation. There are two theories—the psychological and the physio- logical—which attempt to explain the phenomena of con- trast. Of these the psychological one was the first to gain prom- inence. Its most able advocate has been Helmholtz. It explains contrast as a deception of judgment. In ordinary life our sensations have interest for us only so far as they give us practical knowledge. Our chief concern is to recognize objects, and we have no occasion to estimate exactly their absolute brightness and color. Hence we gain no facility in so doing, but neglect the constant changes in their shade, and are very uncertain as to the exact degree of their brightness or tone of their color. When objects are near one another “ we are inclined to consider those differences which are clearly and surely perceived as greater than those which appear uncertain in perception or which must be judged by aid of memory,” * just as we see a medium- sized man taller than he really is when he stands beside a short man. Such deceptions are more easily possible in the judgment of small differences than of large ones; also where there is but one element of difference instead of many. In a large number of cases of contrast, in all of which a whitish spot is surrounded on all sides by a colored surface—Meyer’s experiment, the mirror experi- ment, colored shadows, etc., soon to be described—the contrast is produced, according to Helmholtz, by the fact that “ a colored illumination or a transparent colored cover- ing appears to be spread out over the field, and obser- vation does not show directly that it fails on the white spot.” t We therefore believe that we see the latter through the former color. Now “ Colors have their greatest importance for us in so far as they are properties of bodies and can serve as signs for the recognition of bodies. . . . We have become accustomed, in forming a judgment in regard to the colors of bodies, to eliminate the varying brightness and * Helmholtz, Physiolog. Optik, p. 392. f Loc. cit. p. 407. 18 PB7CHOLOQT. color of the illumination. We have sufficient opportunity to investigate the same colors of objects in full sunshine, in the blue light of the clear sky, in the weak white light of a cloudy day, in the reddish-yellow light of the sinking sun or of the candle. Moreover the colored reflections of surrounding objects are involved. Since we see the same colored objects under these varying illuminations, we learn to form a correct conception of the color of the object in spite of the difference in illumi- nation, i.e. to judge how such an object would appear in white illumi- nation ; and since only the constant color of the object interests us, we do not become conscious of the particular sensations on which our judgment rests. So also we are at no loss, when we see an object through a colored covering, to distinguish what belongs to the color of the covering and what to the object. In the experiments mentioned we do the same also where the covering over the object is not at all colored, because of the deception into which we fall, and in consequence of which we ascribe to the body a false color, the color complementary to the colored portion of the covering.” * We think that we see the complementary color through the colored covering,—for these two colors together would give the sensation of white which is actually experienced. If, however, in any way the white spot is recognized as an independent object, or if it is compared with another ob- ject known to be white, our judgment is no longer deceived and the contrast does not appear. “As soon as the contrasting field is recognized as an independent body which lies above the colored ground, or even through an ade- quate tracing of its outlines is seen to be a separate field, the contrast disappears. Since, then, the judgment of the spatial position, the material independence, of the object in question is decisive for the determination of its color, it follows that the contrast-color arises not through an act of sensation but through an act of judgment.” f In short, the apparent change in color or brightness through contrast is due to no change in excitation of the organ, to no change in sensation; but in consequence of a false judgment the unchanged sensation is wrongly inter- preted, and thus leads to a changed perception of the bright- ness or color. In opposition to this theory has been developed one which attempts to explain all cases of contrast as depend- * Loc. cit. p. 408. f Loc. cit. p. 406. SENSATION. 19 ing purely on physiological action of the terminal apparatus of vision. Hering is the most prominent supporter of this view. By great originality in devising experiments and by insist- ing on rigid care in conducting them, he lias been able to detect the faults in the psychological theory and to practi- cally establish the validity of his own. Every visual sensa- tion, he maintains, is correlated to a physical process in the nervous apparatus. Contrast is occasioned, not by a false idea resulting from unconscious conclusions, but by the fact that the excitation of any portion of the retina—and the consequent sensation—depends not only on its own illumination, but on that of the rest of the retina as well. “ If this psycho-physical process is aroused, as usually happens, by light-rays impinging on the retina, its nature depends not only on the nature of these rays, but also on the constitution of the entire nervous apparatus which is connected with the organ of vision, and on the state in which it finds itself. ” * When a limited portion of the retina is aroused by ex- ternal stimuli, the rest of the retina, and especially the immediately contiguous parts, tends to react also, and in such a way as to produce therefrom the sensation of the opposite degree of brightness and the complementary color to that of the directly-excited portion. When a gray spot is seen alone, and again when it appears colored through contrast, the objective light from the spot is in both cases the same. Helmholtz maintains that the neural process and the corresponding sensation also remain unchanged, but are differently interpreted ; Hering, that the neural process and the sensation are themselves changed, and that the ‘ interpretation ’ is the direct conscious correlate of the altered retinal conditions. According to the one, the con- trast is psychological in its origin; according to the other, it is purely physiological. In the cases cited above where the contrast-color is no longer apparent—on a ground with many distinguishable features, on a field whose borders are traced with black lines, etc.,—the psychological theory, as we have seen, attributes this to the fact that under these circumstances we judge the smaller patch of color to be an * E. Hering, in Hermann’s Handbuch d. Physiologie, in. 1, p. 565. 20 PSYCHOLOGY. independent object on the surface, and are no longer de- ceived in judging it to be something over which the color of the ground is drawn. The physiological theory, on the other hand, maintains that the contrast-effect is still pro- duced, but that the conditions are such that the slight changes in color and brightness which it occasions become imperceptible. The two theories, stated thus broadly, may seem equally plausible. Hering, however, has conclusively proved, by experiments with after-images, that the process on one part of the retina does modify that on neighboring portions, under conditions where deception of judgment is impossi- ble.* A careful examination of the facts of contrast will show that its phenomena must be due to this cause. In all the cases which one may investigate it will be seen that the up- holders of the psychological theory have failed to conduct their experiments with sufficient care. They have not excluded successive contrast, have overlooked the changes due to * Hering : ‘Zur Lehre vom Lichtsinne.’—Of these experiments the fol- lowing (found on p. 24 if.) may be cited as a typical one : “From dark gray paper cut two strips 3-4 cm. long and | cm. wide, and lay them on a background of which one half is white and the other half deep black, in such a way that one strip lies on each side of the border-line and parallel to it, and at least 1 cm. distant from it. Fixate | to 1 minute a point on the border-line between the strips. One strip appears much brighter than the other. Close and cover the eyes, and the negative after-image appears. . . . The difference in brightness of the strips in the after-image is in gen- eral much greater than it appeared in direct vision. . . . This difference in brightness of the strips by no means always increases and decreases with the difference in brightness of the two halves of the background. ... A phase occurs in which the difference in brightness of the two halves of the background entirely disappears, and yet both after-images of the strips are still very clear, one of them brighter and one darker than the back- ground, which is equally bright on both halves. Here can no longer be any question of contrast-effect, because the conditio sine qua non of con- trast, namely, the differing brightness of the ground, is no longer pres- ent. This proves that the different brightness of the after-images of the strips must have its ground in a different state of excitation of the corre- sponding portions of the retina, and from this follows further that both these portions of the retina were differently stimulated during the original observation ; for the different after-effect demands here a different fore- effect. ... In the original arrangement, the objectively similar strips appeared of different brightness, because both corresponding portions of the retina were truly differently excited.” SENSATION. 21 steady fixation, and have failed to properly account for the various modifying influences which have been mentioned above. We can easily establish this if we examine the most striking experiments in simultaneous contrast. Of these one of the best known and most easily arranged is that known as Meyer's experiment. A scrap of gray paper is placed on a colored background, and both are covered by a sheet of transparent white paper. The gray spot then assumes a contrast-color, complementary to that of the background, which shines with a whitish tinge through the paper which covers it. Helmholtz explains the phenome- non thus : “ If the background is green, the covering-paper itself appears to be of a greenish color. If now the substance of the paper extends without apparent interruption over the gray which lies under it, we think that we see an object glimmering through the greenish paper, and such an object must in turn be rose-red, in order to give white light. If, how- ever, the gray spot has its limits so fixed that it appears to be an inde- pendent object, the continuity with the greenish portion of the surface fails, and we regard it as a gray object which lies on this surface. ” * The contrast-color may thus be made to disappear by tracing in black the outlines of the gray scrap, or by plac- ing above the tissue paper another gray scrap of the same degree of brightness, and comparing together the two grays. On neither of them does the contrast-color now appear. Hering f shows clearly that this interpretation is incor- rect, and that the disturbing factors are to be otherwise explained. In the first place, the experiment can be so arranged that we could not possibly be deceived into be- lieving that we see the gray through a colored medium. Out of a sheet of gray paper cut strips 5 mm. wide in such a way that there will be alternately an empty space and a bar of gray, both of the same width, the bars being held to- gether by the uncut edges of the gray sheet (thus presenting an appearance like a gridiron). Lay this on a colored back- ground—e.g. green—cover both with transparent paper, and above all put a black frame which covers all the edges, leaving visible only the bars, which are now alternate! ' * Helmholtz, Physiolog. Optik, p. 407. f In Archiv f. d. ges. Physiol., Bd. xli. S. Iff. 22 PSYCHOLOGY. green and gray. The gray bars appear strongly colored by contrast, although, since they occupy as much space as the green bars, we are not deceived into believing that we see the former through a green medium. The same is true if we weave together into a basket pattern narrow strips of green and gray and cover them with the transparent paper. Why, then, if it is a true sensation due to physiological causes, and not an error of judgment, which causes the contrast, does the color disappear when the outlines of the gray scrap are traced, enabling us to recognize it as an independent object ? In the first place, it does not neces- sarily do so, as will easily be seen if the experiment is tried. The contrast-color often remains distinctly visible in spite of the black outlines. In the second place, there are many adequate reasons why the effect should be modi- fied. Simultaneous contrast is always strongest at the border-line of the two fields ; but a narrow black field now separates the two, and itself by contrast strengthens the whiteness of both original fields, which were already little saturated in color; and on black and on white, contrast- colors show only under the most favorable circumstances. Even weak objective differences in color may be made to disappear by such tracing of outlines, as can be seen if we place on a gray background a scrap of faintly-colored paper, cover it with transparent paper and trace its out- lines. Thus we see that it is not the recognition of the contrasting field as an independent object which interferes with its color, but rather a number of entirely explicable physiological disturbances. The same may be proved in the case of holding above the tissue paper a second gray scrap and comparing it with that underneath. To avoid the disturbances caused by using papers of different brightness, the second scrap should be made exactly like the first by covering the same gray with the same tissue paper, and carefully cutting a piece about 10 mm. square out of both together. To thoroughly guard against successive contrast, which so easily compli cates the phenomena, we must carefully prevent all previ ous excitation of the retina by colored light. This may be done by arranging thus : Place the sheet of tissue paper SENSATION. 23 on a glass pane, which rests on four supports; under the paper put the first gray scrap. By means of a wire, fasten the second gray scrap 2 or 3 cm. above the glass plate. Both scraps appear exactly alike, except at the edges Gaze now at both scraps, with eyes not exactly accommo- dated, so that they appear near one another, with a very narrow space between. Shove now a colored field (green) underneath the glass plate, and the contrast appears at once on both scraps. If it appears less clearly on the upper scrap, it is because of its bright and dark edges, its inequalities, its grain, etc. When the accommodation is exact, there is no essential change, although then on the upper scrap the bright edge on the side toward the light, and the dark edge on the shadow side, disturb somewhat. By continued fixation the contrast becomes weaker and finally yields to simultaneous induction, causing the scraps to become indistinguishable from the ground. Remove the green field and both scraps become green, by succes- sive induction. If the eye moves about freely these last- named phenomena do not appear, but the contrast continues indefinitely and becomes stronger. When Helmholtz found that the contrast on the lower scrap disappeared, it was evidently because he then really held the eye fixed. This experiment may be disturbed by holding the upper scrap wrongly and by the differences in brightness of its edges, or by other inequalities, but not by that recognizing of it ‘ as an independent body lying above the colored ground,’ on which the psychological explanation rests. In like manner the claims of the psychological explana- tion can be shown to be inadequate in other cases of con- trast. Of frequent use are revolving disks, which are especially efficient in showing good contrast-phenomena, because all inequalities of the ground disappear and leave a perfectly homogeneous surface. On a white disk are ar- ranged colored sectors, which are interrupted midway by narrow black fields in such a way that when the disk is re- volved the white becomes mixed with the color and the black, forming a colored disk of weak saturation on which appears a gray ring. The latter is colored by contrast with 24 PSYCHOLOGY. the field which surrounds it. Helmholtz explains the fact thus: “ The difference of the compared colors appears greater than it really is either because this difference, when it is the only existing one and draws the attention to itself alone, makes a stronger impression than when it is one among many, or because the different colors of the sur- face are conceived as alterations of the one ground-color of the surface such as might arise through shadows falling on it, through colored reflexes, or through mixture with colored paint or dust. In truth, to produce an objectively gray spot on a green surface, a reddish coloring would be necessary. ” * This explanation is easily proved false by painting the disk with narrow green and gray concentric rings, and giv- ing each a different saturation. The contrast appears though there is no ground-color, and no longer a single dif- ference, but many. The facts which Helmholtz brings for- ward in support of his theory are also easily turned against him. He asserts that if the color of the ground is too in- tense, or if the gray ring is bordered by black circles, the contrast becomes weaker; that no contrast appears on a white scrap held over the colored field; and that the gray ring when compared with such scrap loses its contrast-color either wholly or in part. Hering points out the inaccuracy of all these claims. Under favorable conditions it is impos- sible to make the contrast disappear by means of black en- closing lines, although they naturally form a disturbing element; increase in the saturation of the field, if disturb- ance through increasing brightness-contrast is to be avoid- ed, demands a darker gray field, on which contrast-colors are less easily perceived ; and careful use of the white scrap leads to.entirely different results. The contrast-color does appear upon it when it is first placed above the colored field; but if it is carefully fixated, the contrast-color di- minishes very rapidly both on it and on the ring, from causes already explained. To secure accurate observation, all complication through successive contrast should be avoided thus : first arrange the white scrap, then interpose a gray screen between it and the disk, rest the eye, set the wheel in motion, fixate the scrap, and then have the screen re- * Helmholtz, loc. cit. p. 412. SENSATION. 25 moved. The contrast at once appears clearly, and its dis- appearance through continued fixation can be accurately watched. Brief mention of a few other cases of contrast must suf- fice. The so-called mirror experiment consists of placing at an angle of 45° a green (or otherwise colored) pane of glass, forming an angle with two white surfaces, one hori- zontal and the other vertical. On each white surface is a black spot. The one on the horizontal surface is seen through the glass and appears dark green, the other is reflected from the surface of the glass to the eye, and appears by contrast red. The experiment may be so arranged that we are not awar6 of the presence of the green glass, but think that we are looking directly at a surface with green and red spots upon it; in such a case there is no deception of judg- ment caused by making allowance for the colored medium through which we think that we see the spot, and therefore the psychological explanation does not apply. On exclud- ing successive contrast by fixation the contrast soon disap- pears as in all similar experiments.* Colored shadows have long been thought to afford a con- vincing proof of the fact that simultaneous contrast is psychological in its origin. They are formed whenever an opaque object is illuminated from two separate sides by lights of different colors. When the light from one source is white, its shadow is of the color of the other light, and the second shadow is of a color complementary to that of the field illuminated by both lights. If now we take a tube, blackened inside, and through it look at the colored shadow, none of the surrounding field being visible, and then have the colored light removed, the shadow still appears colored, although ‘the circumstances which caused it have disap- peared.’ This is regarded by the psychologists as con- clusive evidence that the color is due to deception of judg- ment. It can, however, easily be shown that the persistence of the color seen through the tube is due to fatigue of the retina through the prevailing light, and that when the colored light is removed the color slowly disappears as the * See Hering : A.rchiv. f. d. get. Physiol., Bd. xxj. 8. 368 if. 26 PSYCHOLOGY. equilibrium of tbe retina becomes gradually restored. When successive contrast is carefully guarded against, the simul- taneous contrast, whether seen directly or through the tube, never lasts for an instant on removal of the colored field. The physiological explanation applies throughout to all the phenomena presented by colored shadows. * If we have a small field whose illumination remains con- stant, surrounded by a large field of changing brightness, an increase or decrease in brightness of the latter results in a corresponding apparent decrease or increase respect- ively in the brightness of the former, while the large field seems to be unchanged. Exner says : “ This illusion of sense shows that we are inclined to regard as con- stant the dominant brightness in our field of vision, and hence to refer the changing difference between this and the brightness of a limited field to a change in brightness of the latter.” The result, however, can be shown to depend not on illusion, but on actual retinal changes, which alter the sen- sation experienced. The irritability of those portions of the retina lighted by the large field becomes much reduced in consequence of fatigue, so that the increase in brightness becomes much less apparent than it would be without this diminution in irritability. The small field, however, shows the change by a change in the contrast-effect induced upon it by the surrounding parts of the retina, t The above cases show clearly that physiological processes, and not deception of judgment, are responsible for contrast of color. To say this, however, is not to maintain that our perception of a color is never in any degree modified by our judgment of what the particular colored thing before us may be. We have unquestionable illusions of color due to wrong inferences as to what object is before us. Thus Yon KriesJ speaks of wandering through evergreen forests cov- ered with snow, and thinking that through the interstices of the boughs he saw the deep blue of pine-clad mountains, cov- * Hering: Archiv f. d. ges. Physiol., Bd. xl. S. 172 If. ; Delabarre • American Journal of Psychology, n. 636. f Hering: Archiv f. d. ges. Physiol., Bd. xli. S. 91II. X Die Gesichtsempfindungen u. ihre Analyse, p. 128. SENSATION. 27 ered with snow and lighted by brilliant sunshine ; whereas wrhat he really saw was the white snow on trees near by, lying in shadow]. * Such a mistake as this is undoubtedly of psychological origin. It is a wrong classification of the appearances, due to the arousal of intricate processes of association, amongst which is the suggestion of a different hue from that really before the eyes. In the ensuing chapters such illusions as this will be treated of in considerable detail. But it is a mistake to interpret the simpler cases of con- trast in the light of such illusions as these. These illu- sions can be rectified in an instant, and we then wonder how they could have been. They come from insufficient attention, or from the fact that the impression which we get is a sign of more than one possible object, and can be interpreted in either way. In none of these points do they resemble simple color-contrast, which unquestionably is a 'phenomenon of sensation immediately aroused. I have dwelt upon the facts of color-contrast at such great length because they form so good a text to comment on in my struggle against the view that sensations are im- mutable psychic things which coexist with higher mental functions. Both sensationalists and intelleetualists agree that such sensations exist. They fuse, say the pure sen- sationalists, and make the higher mental function; they are combined by activity of the Thinking Principle, say the intelleetualists. I myself have contended that they do not exist in or alongside of the higher mental function when that exists. The things which arouse them exist; and the higher mental function also knows these same things. But just as its knowledge of the things supersedes and displaces their knowledge, so it supersedes and displaces them, when it comes, being as much as they are a direct result- ant of whatever momentary brain-conditions may obtain. The psychological theory of contrast, on the other hand, holds the sensations still to exist in themselves unchanged before the mind, whilst the ‘relating activity’ of the latter * Mr. Delabarre’s contribution ends here. 28 PSYCHOLOGY. deals with them freely and settles to its own satisfaction what each shall be, in view of what the others also are. Wundt says expressly that the Law of Relativity is “not a law of sensation but a law of Apperception and the word Apperception connotes with him a higher intellectual spon- taneity.* This way of taking things belongs with the phi- losophy that looks at the data of sense as something earth- born and servile, and the ‘relating of them together’ as something spiritual and free. Lo! the spirit can even change the intrinsic quality of the sensible facts themselves if by so doing it can relate them better to each other! But (apart from the difficulty of seeing how changing the sen- sations should relate them better) is it not manifest that the relations are part of the ‘ content ’ of consciousness, part of the ‘object,’just as much as the sensations are? Why ascribe the former exclusively to the knower and the latter to the known ? The knower is in every case a unique pulse of thought corresponding to a unique reaction of the brain upon its conditions. All that the facts of contrast show us is that the same real thing may give us quite different sensations when the conditions alter, and that we must therefore be careful which one to select as the thing’s truest representative. There are many other facts beside the phenomena of contract which prove that when two objects act together on its the sensation which either would give alone becomes a different sensation. A certain amount of skin dipped in hot water gives the perception of a certain heat. More skin immersed makes the heat much more intense, although of course the water’s heat is the same. A certain extent as well as in- tensity, in the quantity of the stimulus is requisite for any quality to be felt. Fick and Wunderli could not distin- guish heat from touch when both were applied through a * Physiol. Psych., I. 351, 458-60. The full inanity of the law of rela- tivity is best to be seen in Wundt’s treatment, where the great ‘ allgemeiner Oesetz der Beziehung,’ invoked to account for Weber’s law as well as for the phenomena of contrast and many other matters, can only be defined as a tendency to feel all things in relation to each other ! Bless its little soul! But why does it change the things so, when it thus feels them in relation? 8RN8ATI0N. 29 hole in a card, and so confined to a small part of the skin. Similarly there is a chromatic minimum of size in objects. The image they cast on the retina must needs have a cer- tain extent, or it will give no sensation of color at all. In- versely, more intensity in the outward impression may make the subjective object more extensive. This happens, as will be shown in Chapter XIX, when the illumination is increased: The whole room expands and dwindles ac- cording as we raise or lower the gas-jet. It is not easy to explain any of these results as illusions of judgment due to the inference of a wrong objective cause for the sen- sation which we get. No more is this easy in the case of Weber’s observation that a thaler laid on the skin of the forehead feels heavier when cold than when warm; or of Szabadfoldi’s observation that small wooden disks when heated to 122° Fahrenheit often feel heavier than those which are larger but not thus warmed;* or of Hall’s ob- servation that a heavy point moving over the skin seems to go faster than a lighter one moving at the same rate of speed, f Bleuler and Lehmann some years ago called attention to a strange idiosyncrasy found in some persons, and con- sisting in the fact that impressions on the eye, skin, etc., were accompanied by distinct sensations of sound.% Colored hearing is the name sometimes given to the phenomenon, which has now been repeatedly described. Quite lately the Viennese aurist Urbantschitsch has proved that these cases are only extreme examples of a very general law, and that all our sense-organs influence each other’s sensations.§ The hue of patches of color so distant as not to be recog- nized was immediately, in U.’s patients, perceived when a tuning-fork was sounded close to the ear. Sometimes, on the contrary, the field was darkened by the sound. The acuity of vision was increased, so that letters too far off to be read could be read when the tuning-fork was heard. Urbantschitsch, varying his experiments, found that their * Ladd : Physiol. Psych., p. 348. f Mind, x. 567. | ZwangsmSssige Lichtempfindung durch Schall (Leipzig, 1881). § Pflllger’s Archiv, xui. 154. 30 PSYCHOLOGY. results were mutual, and that sounds which were on the limits of audibility became audible when lights of various colors were exhibited to the eye. Smell, taste, touch, sense of temperature, etc., were all found to fluctuate when lights were seen and sounds were heard. Individuals varied much in the degree and kind of effect produced, but almost every one experimented on seems to have been in some way affected. The phenomena remind one somewhat of the ‘ dynamogenic ’ effects of sensations upon the strength of muscular contraction observed by M. Fere, and later to be described. The most familiar examples of them seem to be the increase of pain by noise or light, and the increase of nausea by all concomitant sensations. Persons suffering in any way instinctively seek stillness and darkness. Probably every one will agree that the best way of for- mulating all such facts is physiological: it must be that the cerebral process of the first sensation is reinforced or other- wise altered by the other current which comes in. No one, surely, will prefer a psychological explanation here. Well, it seems to me that all cases of mental reaction to a plural- ity of stimuli must be like these cases, and that the phy- siological formulation is everywhere the simplest and the best. When simultaneous red and green light make us see yellow, when three notes of the scale make us hear a chord, it is not because the sensations of red and of green and of each of the three notes enter the mind as such, and there * combine ’ or ‘ are combined by its relating activity ’ into the yellow and the chord, it is because the larger sum of light-waves and of air-waves arouses new cortical processes, to which the yellow and the chord directly correspond. Even when the sensible qualities of things enter into the objects of our highest thinking, it is surely the same. Their several sensations do not continue to exist there tucked away. They are replaced by the higher thought which, although a different psychic unit from them, knows the same sensible qualities which they know. The principles laid down in Chapter VI seem then to be corroborated in this new connection. You cannot build up one thought or one sensation out of many; and only direct 8EN8ATI0N. 31 experiment can inform us of whit we shall perceive when we get many stimuli at once. THE ‘ ECCENTRIC PROJECTION * OP SENSATIONS. We often hear the opinion expressed that all our sensa- tions at first appear to us as subjective or internal, and are afterwards and by a special act on our part ‘ extradited ’ or ‘projected’ so as to appear located in an outer world. Thus we read in Professor Ladd’s valuable work that “ Sensations . . . are psychical states whose place—so far as they can be said to have one—is the mind. The transference of these sensations from mere mental states to physical processes located in the periphery of the body, or to qualities of things projected in space external to the body, is a mental act. It may rather be said to be a mental achievement [cf. Cudworth, above, as to knowledge being conquering], for it is an act which in its perfection results from a long and intricate process of de- velopment. . . . Two noteworthy stages, or ‘ epoch-making ’ achieve- ments in the process of elaborating the presentations of sense, require a special consideration. These are ‘ localization,’ or the transference of the composite sensations from mere states of the mind to processes or conditions recognized as taking place at more or less definitely fixed points or areas of the body; and ‘ eccentric projection' (sometimes called ‘ eccentric perception ’) or the giving to these sensations an objective existence (in the fullest sense of the word ‘ objective ’) as qualities of objects situated within a field of space and in contact with, or more or less remotely distant from, the body.” * It seems to me that there is not a vestige of evidence for this view. It hangs together with the opinion that our sen- sations are originally devoid of all spatial content, + an opinion which I confess that I am wholly at a loss to under- stand. As I look at my bookshelf opposite I cannot frame to myself an idea, however imaginary, of any feeling which I could ever possibly have got from it except the feeling of * Physiological Psychology, 385, 387. See also such passages as that in Bain : The Senses and the Intellect, pp. 364-6. f ' ‘ Especially must we avoid all attempts, whether avowed or concealed, to account for the spatial qualities of the presentations of sense by merely describing the qualities of the simple sensations and the modes of their combination. It Is position and extension in space which constitutes the very peculiarity of the objects as no longer mere sensations or affections of the mind. As sensations, they are neither out of ourselves nor possessed of the qualities indicated by the word spread-out.” (Ladd, op. eit. p. 391.) 32 P8YCH0L0QT. the same big extended sort of outward fact which I now perceive. So far is it from being true that our first way of feeling things is the feeling of them as subjective or men- tal, that the exact opposite seems rather to be the truth. Our earliest, most instinctive, least developed kind of con- sciousness is the objective kind; and only as reflection be- comes developed do we become aware of an inner world at all. Then indeed we enrich it more and more, even to the point of becoming idealists, with the spoils of the outer world which at first was the only world we knew. But subjective consciousness, aware of itself as subjective, does not at first exist. Even an attack of pain is surely felt at first objectively as something in space which prompts to motor reaction, and to the very end it is located, not in the mind, but in some bodily part. “ A sensation which should not awaken an impulse to move, nor any tendency to produce an outward effect, would manifestly be use- less to a living creature. On the principles of evolution such a sensa- tion could never be developed. Therefore every sensation originally refers to something external and independent of the sentient creature. Rhizopods (according to Engel mann’s observations) retract their pseudo- podia whenever these touch foreign bodies, even if these foreign bodies are the pseudopodia of other individuals of their own species, whilst the mutual contact of their own pseudopodia is followed by no such contraction. These low animals can therefore already feel an outer world—even in the absence of innate ideas of causality, and probably without any clear consciousness of space. In truth the conviction that something exists outside of ourselves does not come from thought. It comes from sensation; it rests on the same ground as our conviction of our own existence. ... If we consider the behavior of new-born animals, we never find them betraying that they are first of all con- scious of their sensations as purely subjective excitements. We far more readily incline to explain the astonishing certainty with which they make use of their sensations (and which is an effect of adaptation and inheritance) as the result of an inborn intuition of the outer world. . . . Instead of starting from an original pure subjectivity of sensa- tion, and seeking how this could possibly have acquired an objectiv signification, we must, on the contrary, begin by the possession of objec tivity by the sensation and then show how for reflective consciousness the latter becomes interpreted as an effect of the object, how in short the original immediate objectivity becomes changed into a remota one.”* * A. Riehl: Der Philosophischer Kriticismus, Bd. n. Theil u. p. 64 SENSATION. 33 Another confusion, much more common than the denial of all objective character to sensations, is the assumption that they are all originally located inside the body and are pro- jected outward by a secondary act. This secondary judg- ment is always false, according to M. Taine, so far as the place of the sensation itself goes. But it happens to hit a real object which is at the point towards which the sensation is projected; so we may call its result, according to this author, a veridical hallucination.* The word Sensation, to * On Intelligence, part n. bk. n. chap. n. §§ vn, viii. Compare such statements as these: “The consequence is that when a sensation has for its usual condition the presence of an object more or less distant from our bodies, and experience has once made us acquainted with this distance, we shall situate our sensation at this distance.—This, in fact, is the case with sensations of hearing and sight. The peripheral extremity of the acoustic nerve is in the deep-seated chamber of the ear. That of the optic nerve is in the most inner recess of the eye. But still, in our present state, we never situate our sensations of sound or color in these places, but without us, and often at a considerable distance from us. . . . All our sensations of color are thus projected out of our body, and clothe more or less distant objects, furniture, walls, houses, trees, the sky, and the rest. This is why, when we afterwards reflect on them, we cease to at- tribute them to ourselves; they are alienated and detached from us, so far as to appear different from us. Projected from the nervous surface in which we localize the majority of the others, the tie which connected them to the others and to ourselves is undone. . . . Thus, all our sensa- tions are wrongly situated, and the red color is no more extended on the arm-chair than the sensation of tingling is situated at my fingers’ ends. They are all situated in the sensory centres of the encephalon; all appear situated elsewhere, and a common law allots to each of them its apparent situation.” (Yol. ii. pp. 47-53.)—Similarly Schopenhauer: “I will now show the same by the sense of sight. The immediate datum is here limited to the sensation of the retina which, it is true, admits of con- siderable diversity, but at bottom reverts to the impression of light and dark with their shades, and that of colors. This sensation is through and through subjective, that is, inside of the organism and under the skin.” (Schopenhauer: Satz vom Grunde, p. 58.) This philoso- pher then enumerates seriatim what the Intellect does to make the origi- nally subjective sensation objective: 1) it turns it bottom side up; 2) it reduces its doubleness to singleness; 3) it changes its flatness to solidity; and i) it projects it to a distance from the eye. Again: “ Sensations are what we call the impressions on our senses, in so far as they come to our consciousness as states of our own body, especially of our nervous apparatus; we call them perceptions when we form out of them the repre- sentation of outer objects.” (Helmholtz: Tonempfindungen, 1870, p. 101.) —Once more : “ Sensation is always accomplished in the psychic centres, bat it manifests itself at the excited part of the periphery. In other words, 34 PSYCHOLOGY. begin with, is constantly, in psychological literature, used as if it meant one and the same thing with the physical im- pression either in the terminal organs or in the centres, which is its antecedent condition, and this notwithstanding that by sensation we mean a mental, not a physical, fact. But those who expressly mean by it a mental fact still leave to it a physical plcwe, still think of it as objectively inhabiting the very neural tracts which occasion its appear- ance when they are excited; and then (going a step farther) they think that it must place itself where they place it, or be subjectively sensible of that place as its habitat in the first instance, and afterwards have to be moved so as to appear elsewhere. All this seems highly confused and unintelligible. Con- sciousness, as we saw in an earlier chapter (p. 214) canno, properly be said to inhabit any place. It has dynamic re- lations with the brain, and cognitive relations with every- thing and anything. From the one point of view we may say that a sensation is in the same place with the brain (if we like), just as from the other point of view we may say that it is in the same place with whatever quality it may be cognizing. But the supposition that a sensation primi- tively feels either itself or its object to be in the same place with the brain is absolutely groundless, and neither a priori probability nor facts from experience can be adduced to show that such a deliverance forms any part of the original cognitive function of our sensibility. Where, then, do we feel the objects of our original sensa- tions to be ? Certainly a child newly born in Boston, who gets a sen- sation from the candle-flame which lights the bedroom, or from his diaper-pin, does not feel either of these objects to one is conscious of the phenomenon in the nervous centres, . - . but one perceives it in the peripheric organs. This phenomenon depends on the experience of the sensations themselves, in which there is a reflection of the subjective phenomenon and a tendency on the part of perception to return as it were to the external cause which has roused the mental state because the latter is connected with the former.” (Sergi: Psychologie Physiologique (Paris, 1888), p. 189.) — The clearest and best passage I know is in Liebmann: Der Objective Anblick (1869), pp. 67-72, but it is unfortu nately too long to quote. SENSATION. 35 be situated in longitude 72° W. and latitude 41° N. He does not feel them to be in the third story of the house. He does not even feel them in any distinct manner to be to the right or the left of any of the other sensations which he may be getting from other objects in the room at the same time. He does not, in short, know anything about their space-relations to anything else in the world. The flame Alls its own place, the pain fills its own place; but as yet these places are neither identified with, nor discriminated from, any other places. That comes later. For the places thus first sensibly known are elements of the child’s space- world which remain with him all his life ; and by memory and later experience he learns a vast number of things about those places which at first he did not know. But to the end of time certain places of the world remain defined for him as the places where those sensations ivere; and his only possible answer to the question where anything is will be to say ‘ there,' and to name some sensation or other like those first ones, which shall identify the spot. Space means but the aggregate of all our possible sensations. There is no duplicate space known aliunde, or created by an ‘ epoch- making achievement ’ into which our sensations, originally spaceless, are dropped. They bring space and all its places to our intellect, and do not derive it thence. By his body, then, the child later means simply that place where the pain from the pin, and a lot of other sensations like it, were or are felt. It is no more true to say that he locates that pain in his body, than to say that he locates his body in that pain. Both are true : that pain is part of what he means by the word body. Just so by the outer world the child means nothing more than that place where the candle- flame and a lot of other sensations like it are felt. He no more locates the candle in the outer world than he locates the outer world in the candle. Once again, he does both ; for the candle is part of what he means by ‘outer world.’ This (it seems to me) will be admitted, and will (I trust) be made still more plausible in the chapter on the Percep- tion of Space. But the later developments of this percep- tion are so complicated that these simple principles get 36 PSYCHOLOGY. easily overlooked. One of the complications comes from the fact that things move, and that the original object which we feel them to be splits into two parts, one of which re- mains as their whereabouts and the other goes off as their quality or nature. We then contrast where they were with where they are. If we do not move, the sensation of where they ivere remains unchanged ; but we ourselves presently move, so that that also changes; and ‘ where they were * becomes no longer the actual sensation which it was origi- nally, but a sensation which we merely conceive as possible. Gradually the system of these possible sensations, takes more and more the place of the actual sensations. ‘ Up ’ and ‘ down ’ become ‘ subjective ’ notions; east and west grow more ‘ correct ’ than ‘ right ’ and ‘ left ’ etc.; and things get at last more ‘ truly ’ located by their relation to certain ideal fixed co-ordinates than by their relation either to our bodies or to those objects by which their place was originally defined. Now this revision of our original locali- zations is a complex affair; and contains some facts which may very naturally come to be described as translocations whereby sensations get shoved farther off than they originally appeared. Few things indeed are more striking than the change- able distance which the objects of many of our sensations may be made to assume. A fly’s humming may be taken for a distant steam-whistle; or the fly itself, seen out of focus, may for a moment give us the illusion of a distant bird. The same things seem much nearer or much farther, according as we look at them through one end or another of an opera-glass. Our whole optical education indeed is largely taken up with assigning their proper distances to the objects of our retinal sensations. An infant will grasp at the moon; later, it is said, he projects that sensation to a dis- tance which he knows to be beyond his reach. In the much quoted case of the * young gentleman who was born blind,’ and who was ‘ couched ’ for the cataract by Mr. Chesselden, it is reported of the patient that “ when he first saw, he was so far from making any judgment about dis- tances, that he thought all objects whatever touched his eyes (as he expressed it) as what he felt did his skin.” And other patients born blind, but relieved by surgical op- SENSATION. 37 eration, have been described as bringing their hand close to their eyes to feel for the objects which they at first saw, and only gradually stretching out their hand when they found that no contact occurred. Many have concluded from these facts that our earliest visual objects must seem in immediate contact with our eyes. But tactile objects also may be affected with a like am- biguity of situation. If one of the hairs of our head be pulled, we are pretty accurately sensible of the direction of the pulling by the movements imparted to the head.* But the feeling of the pull is localized, not in that part of the hair’s length which the fingers hold, but in the scalp itself. This seems con- nected with the fact that our hair hardly serves at all as a tactile organ. In creatures with vibrissce, however, and in those quadrupeds whose whiskers are tactile organs, it can hardly be doubted that the feeling is projected out of the root into the shaft of the hair itself. We ourselves have an approach to this when the beard as a whole, or the hair as a whole, is touched. We perceive the contact at some dis- tance from the skin. When fixed and hard appendages of the body, like the teeth and nails, are touched, we feel the contact where it objectively is, and not deeper in, where the nerve-termina- tions lie. If, however, the tooth is loose, we feel two contacts, spatially separated, one at its root, one at its top. From this case to that of a hard body not organically connected with the surface, but only accidentally in contact with it, the transition is immediate. With the point of a cane we can trace letters in the air or on a wall just as with the finger-tip; and in so doing feel the size and shape of the path described by the cane’s tip just as immediately as, without a cane, we should feel the path described by the tip of our finger. Similarly the draughtsman’s immediate perception seems to be of the point of his pencil, the sur- * This Is proved by Weber’s device of causing the head to be firmly pressed against a support by another person, whereupon the direction of traction ceases to be perceived. 38 PSYCHOLOGY. geon’s of the end of his knife, the duellist’s of the tip of his rapier as it plunges through his enemy’s skin. When on the middle of a vibrating ladder, we feel not only our feet on the round, but the ladder’s feet against the ground far below. If we shake a locked iron gate we feel the middle, on which our hands rest, move, but we equally feel the sta- bility of the ends where the hinges and the lock are, and we seem to feel all three at once.* And yet the place where the contact is received is in all these cases the skin, whose sensations accordingly are sometimes interpreted as objects on the surface, and at other times as objects a long distance off. We shall learn in the chapter on Space that our feelings of our own movement are principally due to the sensibility of our rotating joints. Sometimes by fixing the attention, say on our elbow-joint, we can feel the movement in the joint itself; but we always are simultaneously conscious of the path which during the movement our finger-tips describe through the air, and yet these same finger-tips themselves are in no way physically modified by the motion. A blow on our ulnar nerve behind the elbow is felt both there and in the fingers. Eefrigeration of the elbow pro- duces pain in the fingers. Electric currents passed through nerve-trunks, whether of cutaneous or of more special sen- sibility (such as the optic nerve), give rise to sensations which are vaguely localized beyond the nerve-tracts traversed. Persons whose legs or arms have been ampu- tated are, as is well known, apt to preserve an illusory feeling of the lost hand or foot being there. Even when they do not have this feeling constantly, it may be occa- sionally brought back. This sometimes is the result of exciting electrically the nerve-trunks buried in the stump “I recently faradized,” says Dr. Mitchell, “a case of disarticulated shoulder without warning my patient of the possible result. Vor two years he had altogether ceased to feel the limb. As the current affected the brachial plexus of nerves he suddenly cried aloud, ‘ Oh the hand,— the hand ! ’ and attempted to seize the missing member. The phantom * Lotze: Med. Psych., 428-483; Lipps: Grundtatsachen des Seelenle bens, 582. SENSATION. 39 I had conjured up swiftly disappeared, but no spirit could have more amazed the man, so real did it seem. ” * Now the apparent position of the lost extremity varies. Often the foot seems on the ground, or follows the position of the artificial foot, where one is used. Sometimes where the arm is lost the elbow will seem bent, and the hand in a fixed position on the breast. Sometimes, again, the position is non-natural, and the hand will seem to bud straight out of the shoulder, or the foot to be on the same level with the knee of the remaining leg. Sometimes, again, the position is vague; and sometimes it is ambiguous, as in another patient of Dr. Weir Mitchell’s who “lost his leg at the age of eleven, and remembers that the foot by degrees approached, and at last reached the knee. When he began to wear an artificial leg it reassumed in time its old position, and he is never at present aware of the leg as shortened, unless for some time he talks and thinks of the stump, and of the missing leg, when . . . the direction of attention to the part causes a feeling of discomfort, and the subjective sensation of active and unpleasant movement of the toes. With these feelings returns at once the delusion of the foot as being placed at the knee.” All these facts, and others like them, can easily be de- scribed as if our sensations might be induced by circum- stances to migrate from their original locality near the brain or near the surface of the body, and to appear farther off; and (under different circumstances) to return again after having migrated. But a little analysis of what happens shows us that this description is inaccurate. The objectivity with which each of our sensations originally comes to us, the roomy and spatial character which is a primi- tive part of its content, is not in the first instance relative to any other sensation. The first time we open our eyes we get an optical object which is a place, but which is not yet placed in relation to any other object, nor identified with any place otherwise known. It is a place with which so far we are only acquainted. When later we know that this same place is in ‘ front ’ of us, that only means that we have learned omething about it, namely, that it is congruent with that * Injuries to Nerves (Philadelphia, 1872), p. 360 ff. 40 PSYCHOLOGY. other place, called ‘front,’ which is given us by certain sen- sations of the arm and hand or of the head and body. But at the first moment of our optical experience, even though we already had an acquaintance with our head, hand, and body, we could not possibly know anything about their relations to this new seen object. It could not be immedi- ately located in respect of them. How its place agrees with the places which their feelings yield is a matter of which only later experience can inform us; and in the next ohapter we shall see with some detail how later experience does this by means of discrimination, association, selection, and other constantly working functions of the mind. When, therefore, the baby grasps at the moon, that does not mean that what he sees fails to give him the sensation which he afterwards knows as distance; it means only that he has not learned at what tactile or manual distance things which ap- pear at that visual distance are.* And when a person just operated for cataract gropes close to his face for far-off objects, that only means the same thing. All the ordinary optical signs of differing distances are absent from the poor creature’s sensation anyhow. His vision is monocular (only one eye being operated at a time); the lens is gone, and everything is out of focus; he feels photophobia, lachry- mation, and other painful resident sensations of the eyeball itself, whose place he has long since learned to know in tactile terms; what wonder, then, that the first tactile reac- tion which the new sensations provoke should be one associated with the tactile situation of the organ itself? And as for his assertions about the matter, what wonder, again, if, as Prof. Paul Janet says, they are still expressed in the tactile language which is the only one he knows. “ To be touched means for him to receive an impression with- out first making a movement.” His eye gets such an impression now; so he can only say that the objects are ‘ touching it.’ “ All his language, borrowed from touch, but applied to the objects of his sight, make us think that he perceives differently from ourselves, * In reality it probably means only a restless movement of desire, which he might make even after he had become aware of his impotence to touch the object. SENSATION. 41 whereas, at bottom, it is only his different way of talking about the experience. ” * The other cases of translocation of onr sensations are equally easily interpreted without supposing any ‘ projec- tion ’ from a centre at which they are originally perceived. Unfortunately the details are intricate ; and what I say now can only be made fully clear when we come to the next chapter. We shall then see that we are constantly select- ing certain of our sensations as realities and degrading others to the status of signs of these. When we get one of the signs we think of the reality signified; and the strange thing is that then the reality (which need not be itself a sensation at all at the time, but only an idea) is so interest- ing that it acquires an hallucinatory strength, which may even eclipse that of the relatively uninteresting sign and en- tirely divert our attention from the latter. Thus the sen- sations to which our joints give rise when they rotate are signs of what, through a large number of other sensations, tactile and optical, we have come to know as the movement of the whole limb. This movement of the whole limb is what we think of when the joint’s nerves are excited in that way; and its place is so much more important than the joint's place that our sense of the latter is taken up, so to speak, into our perception of the former, and the sensation of the movement seems to diffuse itself into our very fingers and toes. But by abstracting our attention from the sug- gestion of the entire extremity we can perfectly well per- ceive the same sensation as if it were concentrated in one spot. We can identify it with a differently located tactile and visual image of ‘ the joint ’ itself. Just so when we feel the tip of our cane against the ground. The peculiar sort of movement of the hand (im- possible in one direction, but free in every other) which we experience when the tip touches ‘ the ground,’ is a sign to us of the visual and tactile object which we already * Revue Philosophique, yii. p. 1 ff., an admirable critical article, in the course of which M. Janet gives a bibliography of the cases in question. See also Dunan: tbid. xxv. 165-7. They are also discussed and similarly interpreted by T. K. Abbot: Sight and Touch (1864), chapter x. 42 PSYCHOLOGY. know under that name. We think of ‘ the ground ’ as being there and giving us the sensation of this kind of movement. The sensation, we say, comes from the ground. The ground’s place seems to be its place; although at the same time, and for very similar practical reasons, we think of another optical and tactile object, ‘ the hand ’ namely, and consider that its place also must be the place of our sensation. In other words, we take an object or sensible content A, and confounding it with another object otherwise known, B, or with two objects otherwise known, B and C, we identify its place with their places. But in all this there is no ‘project- ing '■ (such as the extradition-philosophers talk of) of A out of an original place; no primitive location which it first occupied, away from these other sensations, has to be con- tradicted ; no natural ‘ centre,’ from which it is expelled, exists. That would imply that A aboriginally came to us in definite local relations with other sensations, for to be out of B and C is to be in local relation with them as much as to be in them is so. But it was no more out of B and C than it was in them when it first came to us. It simply had nothing to do with them. To say that we feel a sen- sation’s seat to be ‘in the brain’ or ‘against the eye’ or ‘ under the skin ’ is to say as much about it and to deal with it in as non-primitive a way as to say that it is a mile off. These are all secondary perceptions, ways of defining the sensation’s seat per aliud. They, involve numberless associations, identifications, and imaginations, and admit a great deal of vacillation and uncertainty in the result.* I conclude, then, that there is no truth in the ‘ eccentric pro- jection ’ theory. It is due to the confused assumption that the bodily processes which cause a sensation must also be its seat, f But sensations have no seat in this sense. They * The intermediary and shortened locations of the lost hand and foot in the amputation cases also show this. It is easy to see why the phantom foot might continue to follow the position of the artificial one. But I confess that I cannot explain its half way-positions. f It is from this confused assumption that the time-honored riddle comes, of how, with an upside-down picture on the retina, we can see things right-side up. Our consciousness is naively supposed to inhabit the SENSATION. 43 become seats for each other, as fast as experience associates them together; but that violates no primitive seat possessed by any one of them. And though our sensations cannot then so analyze and talk of themselves, yet at their very first appearance quite as much as at any later date are they cognizant of all those qualities which we end by extracting and conceiving under the names of objectivity, exteriority, and extent. It is surely subjectivity and interiority which are the notions latest acquired by the human mind. * picture and to feel the picture’s position as related to other objects of space. But the truth is that the picture is non-existent either as a habitat or as any- thing else, for immediate consciousness. Our notion of it is an enormous- ly late conception. The outer object is given immediately with all those qualities which later are named and determined in relation to other sensa- tions. The ‘ bottom ’ of this object is where we see what by touch we afterwards know as our feet, the ‘ top ’ is the place in which we see what we know as other people’s heads, etc., etc. Berkeley long ago made this matter perfectly clear (see his Essay towards a new Theory of Vision, §§ 93-98, 113-118). * For full justification the reader must see the next chapter. He may object, against the summary account given now, that in a babe’s immediate field of vision the various things which appear are located relatively to each other from the outset. I admit that if discriminated, they would appear so located. But they are parts of the content of one sensation, not sensations separately experienced, such as the text is concerned with. The fully de- veloped ‘world,’ in which all our sensations ultimately find location, is nothing but an imaginary object framed after the pattern of the field of vision, by the addition and continuation of one sensation upon another in an orderly and systematic way. In corroboration of my text I must refer to pp. 57-60 of Riehl’s book quoted above on page 32, and to Uphues: Wahmehmung und Empfindung (1888), especially the Einleitung and pp. 51-61. CHAPTER XYIIL IMAGINATION. Sensations, once experienced, modify the nervous organism, so that copies of them arise again in the mind after the orig- inal outward stimulus is gone. No mental copy, however, can arise in the mind, of any kind of sensation which has never been directly excited from without. The blind may dream of sights, the deaf of sounds, for years after they have lost their vision or hearing; * but the man bom deaf can never be made to imagine what sound is like, nor can the man bom blind ever have a mental vision. In Locke’s words, already quoted, “ the mind can frame unto itself no one new simple idea.” The originals of them all must have been given from without. Fantasy, or Imagination, are the names given to the faculty of repro- ducing copies of originals once felt. The imagination is called ‘ reproductive ’ when the copies are literal; ‘ pro- ductive ’ when elements from different originals are recom- bined so as to make new wholes. After-images belong to sensation rather than to imagi- nation ; so that the most immediate phenomena of imagi- nation would seem to be those tardier images (due to what the Germans call Sinnesgedachtniss) which were spoken of in Vol. I, p. 647,—coercive hauntings of the mind by echoes of unusual experiences for hours after the latter have taken place. The phenomena ordinarily ascribed to imagination, however, are those mental pictures of possible sensible * Prof. Jastrow has ascertained by statistical inquiry among the blind that if their blindness have occurred before a period embraced between the fifth and seventh years the visual centres seem to decay, and visual dreams and images are gradually outgrown. If sight is lost after the seventh year, visual imagination seems to survive through life. See Prof. J. ’s in- teresting article on the Dreams of the Blind, in the New Princeton Review for January 1888. 44 IMAGINATION. 45 experiences, to which the ordinary processes of associa- tive thought give rise. When represented with surroundings concrete enough to constitute a date, these pictures, when they revive, form recollections. We have already studied the machinery of recollection in Chapter XVI. When the mental pictures are of data freely combined, and reproducing no past com- bination exactly, we have acts of imagination properly so called. OUB IMAGES A_RE USUALLY VAGUE, For the ordinary * analytic ’ psychology, each sensibly discernible element of the object imagined is repre- sented by its own separate idea, and the total object is imagined by a * cluster’ or ‘gang ’ of ideas. We have seen abundant reason to reject this view (see p. 276 ff.). An imagined object, however complex, is at any one moment thought in one idea, which is aware of all its qualities to- gether. If I slip into the ordinary way of talking, and speak of various ideas ‘ combining,’ the reader will under- stand that this is only for popularity and convenience, and he will not construe it into a concession to the atomistic theory in psychology. Hume was the hero of the atomistic theory. Not only were ideas copies of original impressions made on the sense- organs, but they were, according to him, completely ade- quate copies, and were all so separate from each other as to possess no manner of connection. Hume proves ideas in the imagination to be completely adequate copies, not by appeal to observation, but by a priori reasoning, as fol- lows : “The mind cannot form any notion of quantity or quality, without forming a precise notion of the degrees of each/’ for “ ’tis confessed that no object can appear to the senses; or in other words, that no im- pression* can become present to the mind, without being determined in its degrees both of quantity and quality. The confusion in which im- pressions are sometimes involved proceeds only from their faintness and unsteadiness, not from any capacity in the mind to receive any im- pression, which in its real existence has no particular degree nor pro- portion. That is a contradiction in terms; and even implies the flattest * Impression means sensation for Hume. 46 PSYCHOLOGY. of all contradictions, viz., that ’tis possible for the same thing both to be and not to be. Now since all ideas are derived from impressions, and are nothing but copies and representations of them, whatever is true of the one must be acknowledged concerning the other. Impres- sions and ideas differ only in their strength and vivacity. The forego- ing conclusion is not founded on any particular degree of vivacity. It cannot therefore be affected by any variation in that particular. An idea is a weaker impression; and as a strong impression must neces- sarily have a determinate quantity and quality, the case must be the same with its copy or representative.” * The slightest introspective glance will show to anyone the falsity of this opinion. Hume surely had images of his own works without seeing distinctly every word and letter upon the pages which floated before his mind’s eye. His dictum is therefore an exquisite example of the way in which a man will be blinded by a priori theories to the most flagrant facts. It is a rather remarkable thing, too, that the psychologists of Hume’s own empiricist school have, as a rule, been more guilty of this blindness than their opponents. The fundamental facts of consciousness have been, on the whole, more accurately reported by the spiritualistic writers. None of Hume’s pupils, so far as I know, until Taine and Huxley, ever took the pains to con- tradict the opinion of their master. Prof. Huxley in his brilliant little work on Hume set the matter straight in the following words: “ When complex impressions or complex ideas are reproduced as memories, it is probable that the copies never give all the details of the originals with perfect accuracy, and it is certain that they rarely do so. No one possesses a memory so good, that if he has only once observed a natural object, a second inspection does not show him something that he has forgotten. Almost all, if not all, our memories are therefore sketches, rather than portraits, of the originals—the salient features are obvious, while the subordinate characters are obscure or unrepre- sented. “Now, when several complex impressions which are more or less different from one another—let us say that out of ten impressions in each, six are the same in all, and four are different from all the rest— are successively presented to the mind, it is easy to see what must be the nature of the result. The repetition of the six similar impressions will strengthen the six corresponding elements of the complex idea, * Treatise on Human Nature, part i. § yu. IMAGINATION\ 47 which will therefore acquire greater vividness ; while the four differing impressions of each will not only acquire no greater strength than they had at first, but, in accordance with the law of association, they will all tend to appear at once, and will thus neutralize one another. “ This mental operation may be rendered comprehensible by consid- ering what takes place in the formation of compound photographs— when the images of the faces of six sitters, for example, are each re- ceived on the same photographic plate, for a sixtn of the time requisite to take one portrait. The final result is that all those points in which the six faces agree are brought out strongly, while all those in which they differ are left vague ; and thus what may be termed a generic por- trait of the six, in contradistinction to a specific portrait of any one, is produced. “ Thus our ideas of single complex impressions are incomplete in one way, and those of numerous, more or less similar, complex im- pressions are incomplete in another way; that is to say, they are gen- eric, not specific. And hence it follows that our ideas of the impres- sions in question are not, in the strict sense of the word, copies of those impressions ; while, at the same time, they may exist in the mind in- dependently of language. “ The generic ideas which are formed from several similar, but not identical, complex experiences are what are called abstract or general ideas; and Berkeley endeavored to prove that all general ideas are nothing but particular ideas annexed to a certain term, which gives them a more extensive signification, and makes them recall, upon oc- casion, other individuals which are similar to them. Hume says that he regards this as ‘ one of the greatest and the most valuable discover- ies that has been made of late years in the republic of letters,’ and en- deavors to confirm it in such a manner that it shall be * put beyond all doubt and controversy. ’ “ I may venture to express a doubt whether he has succeeded in his object; but the subject is an abstruse one ; and I must content my- self with the remark, that though Berkeley’s view appears to be largely applicable to such general ideas as are formed after language has been acquired, and to all the more abstract sort of conceptions, yet that gen- eral ideas of sensible objects may nevertheless be produced in the way indicated, and may exist independently of language. In dreams, one sees houses, trees, and other objects, which are perfectly recognizable as such, but which remind one of the actual objects as seen ‘ out of the corner of the eye,’ or of the pictures thrown by a badly-focussed magic lantern. A man addresses us who is like a figure seen in twilight; or we travel through countries where every feature of the scenery is vague ; the outlines of the hills are ill-marked, and the rivers have no defined banks. They are, in short, generic ideas of many past impressions of men, hills, and rivers. An anatomist who occupies himself intently with the examination of several specimens of some new kind of animal, in course of time acquires so vivid a conception of its form and struc- 48 PSYCHOLOGY. ture that the idea may take visible shape and become a sort of waking dream. But the figure which thus presents itself is generic, not spe- cific. It is no copy of any one specimen, but, more or less, a mean of the series ; and there seems no reason to doubt that the minds of chil- dren before they learn to speak, and of deaf-mutes, are peopled wi*h similarly generated generic ideas of sensible objects.” * The only point which I am tempted to criticise in this account is Prof. Huxley’s identification of these generic image* with ‘ abstract or general ideas ’ in the sense of universal concep- tions. Taine gives the truer view. He writes : “Some years ago I saw in England, in Kew Gardens, for the first time, araucarias, and I walked along the beds looking at these strange plants, with their rigid bark and compact, short, scaly leaves, of a sombre green, whose abrupt, rough, bristling form cut in upon the fine softly-lighted turf of the fresh grass-plat. If I now inquire what this experience has left in me, I find, first, the sensible representation of an araucaria ; in fact, I have been able to describe almost exactly the form and color of the plant. But there is a difference between this represen- tation and the former sensations, of which it is the present echo. The internal semblance, from which I have just made my description, is vague, and my past sensations were precise. For, assuredly, each of the araucarias I saw then excited in me a distinct visual sensation; there are no two absolutely similar plants in nature ; I observed perhaps twenty or thirty araucarias ; without a doubt each one of them differed from the others in size, in girth, by the more or less obtuse angles of its branches, by the more or less abrupt jutting out of its scales, by the style of its texture ; consequently, my twenty or thirty visual sensations were different. But no one of these sensations has completely survived in it* echo; the twenty or thirty revivals have blunted one another; thu* upset and agglutinated by their resemblance they are confounded together, and my present representation is their residue only. This is the product, or rather the fragment, which is deposited in us, when we have gone through a series of similar facts or individuals. Of onr numerous experiences there remain on the following day four or fire more or less distinct recollections, which, obliteraied themselves, leave behind in us a simple colorless, vague representation, into which enter as components various reviving sensations, in an utterly feeble, incom- plete, and abortive state.—But this representation is not the general and mbstract idea. It is but its accompaniment, and, if I may say so, the ore from which it is extracted. For the representation, though badly sketched, is a sketch, the sensible sketch of a distinct individual. . . . But my abstract idea corresponds to the whole class ; it differs, then, from the representation of an individual.—Moreover, my abstract idea Are Vague Images ‘ Abstract Ideas ’ ? * Huxley’s Hume, pp. 92-94. IMAGINATION. 49 is perfectly dear and determinate ; now that I possess it, I never fail to recognize an araucaria among the various plants which may be shown me ; it differs then from the confused and floating representation I have of some particular araucaria.” * In other words, a blurred picture is just as much a single mental fact as a sharp picture is ; and the use of either picture by the mind to symbolize a whole doss of individuals is a net# mental function, requiring some other modification of con- sciousness than the mere perception that the picture is distinct or not I may bewail the indistinctness of my mental image of my absent friend. That does not prevent my thought from meaning him alone, however. And I may mean all mankind, with perhaps a very sharp image of one man in my mind’s eye. The meaning is a function of the more ‘transitive’ parts of consciousness, the ‘fringe’ of relations which we feel surrounding the image, be the latter sharp or dim. This was explained in a previous place (see p. 473 ff., especially the note to page 477), and I would not touch upon the matter at all here but for its historical interest. Our ideas or images of past sensible experiences may then be either distinct and adequate or dim, blurred, and incomplete. It is likely that the different degrees in which different men are able to make them sharp and complete has had something to do with keeping up such philosophic disputes as that of Berkeley with Locke over abstract ideas. Locke had spoken of our possessing ‘ the general idea of a triangle ’ which “ must be neither oblique nor rectangle, neither equilateral, equicrural, nor scalenon, but all and none of these at once.” Berkeley says: “ If any man has the faculty of framing in his mind such an idea of a triangle as is here described, it is in vain to pretend to dispute him out of it, nor would I go about it. All I desire is that the reader would fully and certainly inform himself whether Tie has such an idea or no.” f Until very recent years it was supposed by all philoso- phers that there was a typical human mind which all indi- vidual minds were like, and that propositions of universal validity could be laid down about such faculties as ‘ the * On Intelligence (N. Y.), vol. n. p. 139. f Principle*, Introd. § 13. Compare also the paaeage quoted a bora P 50 PSYCHOLOGY. Imagination.’ Lately, however, a mass of revelations have poured in, which make us see how false a view this is. There are imaginations, not * the Imagination,’ and they must be studied in detail. INDIVIDUALS DIFFER IN IMAGINATION. The first breaker of ground in this direction was Fechner, in 1860. Fechner was gifted with unusual talent for sub- jective observation, and in chapter xliv of his ‘ Psychophy- sik’ he gave the results of a most careful comparison of his own optical after-images, with his optical memory-pictures, together with accounts by several other individuals of their optical memory-pictures.* The result was to show a great * The differences noted by Fechner between after-images and images of imagination proper are as follows : After-images. Feel coercive ; Seem unsubstantial, vaporous; Are sharp in outline ; Are bright; Are almost colorless; Are continuously enduring; Cannot be voluntarily changed. Are exact copies of originals. ▲re more easily got with shut than with open eyes; Seem to move when the head or eyes move ; The field within which they appear (with closed eyes) is dark, con- tracted, flat, close to the eyes, in front, and the images have no perspective ; The attention seems directed for- wards towards the sense-organ, in observing after-images. Imagination-images. Feel subject to our spontaneity ; Have, as it were, more body ; Are blurred ; Are darker than even the darkest black of the after-images; Have lively coloration ; Incessantly disappear, and have to be renewed by an effort of will. At last even this fails to revive them. Can be exchanged at will for others. Cannot violate the necessary laws of appearance of theiroriginals—e. g., a man cannot be imagined from in front and behind at once. The imagination must walk round him, so to speak; Are more easily had with open than with shut eyes; Need not follow movements of head or eyes. The field is extensive in three dimen- sions, and objects can be imagined in it above or behind almost as easily as in front. In imagining, the attention feels ais if drawn backwards towards th« brain. Finally, Fechner speaks of the impossibility of attending to both after* IMAGINATION. 51 personal diversity. “It would be interesting,” lie writes, “to work up the subject statistically; and I regret that other occupations have kept me from fulfilling my earlier intention to proceed in this way.” Flechner’s intention was independently executed by Mr. Galton, the publication of whose results in 1880 may be said to have made an era in descriptive Psychology. “ It is not necessary,” says Galton, “ to trouble the reader with nr, early tentative steps. After the inquiry had been fairly started it took the form of submitting a certain number of printed questions to a large number of persons. There is hardly any more difficult task than that of framing questions which are not likely to be misunderstood, which admit of easy reply, and which cover the ground of inquiry. I did my best in these respects, without forgetting the most important part of all—namely, to tempt my correspondents to write freely in fuller ex- planation of their replies, and on cognate topics as well. These sepa- rate letters have proved more instructive and interesting by far than the replies to the set questions. “ The first group of the rather long series of queries related to the illumination, definition, and coloring of the mental image, and were framed thus: “ ‘ Before addressing yourself to any of the Questions on the opposite page, think of some definite object—suppose it is your breakfast-table as you sat down to it this morning—and consider carefully the picture that rises before your mind’s eye. ‘“1. Illumination.—Is the image dim or fairly clear ? Is its bright- ness comparable to that of the actual scene ? “ ‘ 2. Definition.—Are all the objects pretty well defined at the same time, or is the place of sharpest definition at any one moment more con- tracted than it is in a real scene ? ‘“3. Coloring.—Are the colors of the china, of the toast, bread-crust, mustard, meat, parsley, or whatever may have been on the table, quite distinct and natural ? ’ “ The earliest results of my inquiry amazed me. I had begun by questioning friends in the scientific world, as they were the most likely class of men to give accurate answers concerning this faculty of visual- images and imagination-images at once, even when they are of the same object and might be expected to combine. All these differences are true of Fechner; but many of them would be untrue of other persons. I quote them as a type of observation which any reader with sufficient patience may repeat. To them may be added, as a universal proposition, that after- images seem larger if we project them on a distant screen, and smaller if we project them on a near one, whilst no such change takes place in men- tal pictures. 52 PSYCHOLOGY. izing, to which novelists and poets continually allude, which has left an abiding mark on the vocabularies of every language, and which supplies the material out of which dreams and the well-known halluci- nations of sick people are built. “To my astonishment, I found that the great majority of the men of science to whom I first applied protested that mental imagery was unknown to them, and they looked on me as fanciful and fantastic in supposing that the words ‘ mental imagery ’ really expressed what I believed everybody supposed them to mean. They had no more notion of its true nature than a color-blind man, who has not discerned his defect, has of the nature of color. They had a mental deficiency of which they were unaware, and naturally enough supposed that those who affirmed they possessed it were romancing. To illustrate their mental attitude it will be sufficient to quote a few lines from the letter of one of my correspondents, who writes : “ ‘ These questions presuppose assent to some sort of a proposition re- garding the “mind’s eye,” and the “images” which it sees. . . . This points to some initial fallacy. ... It is only by a figure of speech that I can describe my recollection of a scene as a “ mental image ” which lean “see”with my “ mind's eye.” . . . I do not see it . . . anymore than a man sees the thousand lines of Sophocles which under due pressure he is ready to repeat. The memory possesses it,’ etc. “ Much the same result followed inquiries made for me by a friend among members of the French Institute. “ On the other hand, when I spoke to persons whom I met in gen- eral society, I found an entirely different disposition to prevail. Many men and a yet larger number of women, and many boys and girls, declared that they habitually saw mental imagery, and that it was perfectly distinct to them and full of color. The more I pressed and crossed-questioned them, professing myself to be incredulous, the more obvious was the truth of their first assertions. They described their imagery in minute detail, and they spoke in a tone of surprise at my apparent hesitation in accepting what they said. I felt that I my- self should have spoken exactly as they did if I had been describing a scene that lay before my eyes, in broad daylight, to a blind man who persisted in doubting the reality of vision. Reassured by this happier experience, I recommenced to inquire among scientific men, and soon found scattered instances of what I sought, though in by no means the same abundance as elsewhere. I then circulated my questions more generally among my friends and through their hands, and obtained re- plies . . . from persons of both sexes, and of various ages, and in the end from occasional correspondents in nearly every civilized country. “ I have also received batches of answers from various educational establishments both in England and America, which were made after the masters had fully explained the meaning of the questions, and in- terested the boys in them. These have the merit of returns derived from a general census, which my other data lack, because I cannot for IMAGINATION. 53 ft moment suppose that the writers of the latter are a haphazard pro- portion of those to whom they were sent. Indeed I know of some who, disavowing all possession of the power, and of many others who, pos- sessing it in too faint a degree to enable them to express what their experiences really were, in a manner satisfactory to themselves, sent no returns at all. Considerable statistical similarity was, however, ob- served between the sets of returns furnished by the schoolboys and those sent by my separate correspondents, and I may add that they ac- cord in this respect with the oral information I have elsewhere obtained. The conformity of replies from so many different sources which was clear from the first, the fact of their apparent trustworthiness being on the whole much increased by cross-examination (though I could give one or two amusing instances of break-down), and the evident effort made to give accurate answers, have convinced me that it is a much easier matter than I had anticipated to obtain trustworthy replies to psychological questions. Many persons, especially women and intelli- gent children, take pleasure in introspection, and strive their very best to explain their mental processes. I think that a delight in self-dissec- tion must be a strong ingredient in the pleasure that many are said to take in confessing themselves to priests. “ Here, then, are two rather notable results: the one is the proved facility of obtaining statistical insight into the processes of other per- sons’ minds, whatever a priori objection may have been made as to its possibility ; and the other is that scientific men, as a class, have feeble powers of visual representation. There is no doubt whatever on the latter point, however it may be accounted for. My own conclusion is that an over-ready perception of sharp mental pictures is antagonistic to the acquirement of habits of highly-generalized and abstract thought, especially when the steps of reasoning are carried on by words as symbols, and that if tho faculty of seeing the pictures was ever possessed by men who think hard, it is very apt to be lost by disuse. The highest minds are probably those in which it is not lost, but subordinated, and is ready for use on suitable occasions. I am, however, bound to say that the missing faculty seems to be replaced so serviceably by other modes of conception, chiefly, I believe, connected with the incipient motor sense, not of the eyeballs only but of the muscles generally, that men who declare themselves entirely deficient in the power of seeing mental pictures can nevertheless give lifelike descriptions of what they have seen, and can otherwise express themselves as if they were gifted With a vivid visual imagination. They can also become painters of the rank of Royal Academicians * . . . * [I am myself a good draughtsman, and have a very lively interest in pictures, statues, architecture and decoration, and a keen sensibility to artistic effects. But I am an extremely poor visualizer, and find myself often unable to reproduce in my mind’s eye pictures which I have most carefully examined.—W. J.] 54 PSYCHOLOGY. “It is a mistake to suppose that sharp sight is accompanied by clear visual memory. I have not a few instances in which the independence of the two faculties is emphatically commented on ; and I have at least one clear case where great interest in outlines and accurate appreciation of straightness, squareness, and the like, is unaccompanied by the power of visualizing. Neither does the faculty go with dreaming. I have cases where it is powerful, and at the same time where dreams are rare and faint or altogether absent. One friend tells me that his dreams have not the hundredth part of the vigor of his waking fancies. “ The visualizing and the identifying powers are by no means nec- essarily combined. A distinguished writer on metaphysical topics as- sures me that he is exceptionally quick at recognizing a face that he has seen before, but that he cannot call up a mental image of any face With clearness. “ Some persons have the power of combining in a single perception more than can be seen at any one moment by the two eyes. . . . “I find that a few persons can, by what they often describe as a kind of touch-sight, visualize at the same moment all round the image of a solid body. Many can do so nearly, but not altogether round that of a terrestrial globe. An eminent mineralogist assures me that he is able to imagine simultaneously all the sides of a crystal with which he is familiar. I may be allowed to quote a curious faculty of my own in respect to this. It is exercised only occasionally and in dreams, or rather in nightmares, but under those circumstances I am perfectly conscious of embracing an entire sphere in a single perception. It ap- pears to lie within my mental eyeball, and to be viewed centripetally. ‘ ‘ This power of comprehension is practically attained in many cases by indirect methods. It is a common feat to take in the whole sur- roundings of an imagined room with such a rapid mental sweep as to leave some doubt whether it has not been viewed simultaneously. Some persons have the habit of viewing objects as though they were partly transparent; thus, if they so dispose a globe in their imagination as to see both its north and south poles at the same time, they will not be able to see its equatorial parts. They can also perceive all the rooms of an imaginary house by a single mental glance, the walls and floors being as if made of glass. A fourth class of persons have the habit of recall- ing scenes, not from the point of view whence they were observed, but from a distance, and they visualize their own selves as actors on the mental stage. By one or other of these ways, the power of seeing the whole of an object, and not merely one aspect of it, is possessed by many persons. “ The place where the image appears to lie differs much. Most per- sons see it in an indefinable sort of way, others see it in front of the eye, others at a distance corresponding to reality. There exists a power which is rare naturally, but can, I believe, be acquired without much difficulty, of projecting a mental picture upon a piece of paper, and of IMAGINATION. 55 holding it fast there, so that it can be outlined with a pencil. To this I shall recur. “Images usually do not become stronger by dwelling on them; the first idea is commonly the most vigorous, but this is not always the case. Sometimes the mental view of a locality is inseparably connected with the sense of its position as regards the points of the compass, real or imaginary. I have received full and curious descriptions from very different sources of this strong geographical tendency, and in one or two cases I have reason to think it allied to a considerable faculty of geographical comprehension. “ The power of visualizing is higher in the female sex than in the male, and is somewhat, but not much, higher in public-school boys than in men. After maturity is reached, the further advance of age does not seem to dim the faculty, but rather the reverse, judging from numerous statements to that effect; but advancing years are sometimes accom- panied by a growing habit of hard abstract thinking, and in these cases —not uncommon among those whom I have questioned—the faculty undoubtedly becomes impaired. There is reason to believe that it is very high in some young children, who seem to spend years of difficulty in distinguishing between the subjective and objective world. Language and book-learning certainly tend to dull it. “The visualizing faculty is a natural gift, and, like all natural gifts, has a tendency to be inherited. In this faculty the tendency to inheri- tance is exceptionally strong, as I have abundant evidence to prove, especially in respect to certain rather rare peculiarities, . . . which, when they exist at all, are usually found among two, three, or more brothers and sisters, parents, children, uncles and aunts, and cousins. “ Since families differ so much in respect to this gift, we may suppose that races would also differ, and there can be no doubt that such is the case. I hardly like to refer to civilized nations, because their natural faculties are too much modified by education to allow of their being appraised in an off-hand fashion. I may, however, speak of the French, who appear to possess the visualizing faculty in a high degree. The peculiar ability they show in prearranging ceremonials and fetes of all kinds, and their undoubted genius for tactics and strategy, show that they are able to foresee effects with unusual clearness. Their ingenuity in all technical contrivances is an additional testimony in the same direc- tion, and so is their singular clearness of expression. Their phrase ‘ figurez-vous,’ or ‘ picture to yourself,’ seems to express their dominant mode of perception. Our equivalent of ‘ imagine ’ is ambiguous. “I have many cases of persons mentally reading off scores when playing the pianoforte, or manuscript when they are making speeches. One statesman has assured me that a certain hesitation in utterance which he has at times is due to his being plagued by the image of his 56 PSYCHOLOGY. manuscript speech with its original erasures and corrections. He can- not lay the ghost, and he puzzles in trying to decipher it. “ Some few persons see mentally in print every word that is uttered; they attend to the visual equivalent and not to the sound of the words, and they read them off usually as from a long imaginary strip of paper, such as is unwound from telegraphic instruments.” The reader will find further details in Mr. G<on’s ‘Inquiries into Human Faculty,’ pp. 83-114.* I hare myself for many years collected from each and all of my psychology-students descriptions of their own visual imagination; and found (together with some curious idio- syncrasies) corroboration of all the variations which Mr. Galton reports. As examples, I subjoin extracts from two eases near the ends of the scale. The writers are first cous- ins, grandsons of a distinguished man of science. The one who is a good visualizer says: “ This morning’s breakfast-table is both dim and bright; it is dim if I try to think of it when my eyes are open upon any object; it is per- fectly clear and bright if I think of it with my eyes closed.—All the objects are clear at once, yet when I confine my attention to any one object it becomes far more distinct.—I have more power to recall color than any other one thing: if, for example, I were to recall a plate deco- rated with flowers I could reproduce in a drawing the exact tone, etc. The color of anything that was on the table is perfectly vivid.—There is very little limitation to the extent of my images: I can see all four sides of a room, I can see all four sides of two, three, four, even more rooms with such distinctness that if you should ask me what was in any particular place in any one, or ask me to count the chairs, etc., I could do it without the least hesitation.—The more I learn by heart the more clearly do I see images of my pages. Even before I can recite the lines I see them so that I could give them very slowly word for word, but my mind is so occupied in looking at my printed image that I have no idea of what I am saying, of the sense of it, etc. When I first found myself doing this I used to think it was merely because I knew the lines imperfectly; but I have quite convinced myself that I really do see an image. The strongest proof that such is really the fact is, I think, the following: “I can look down the mentally seen page and see the words that commence all the lines, and from any one of these words I can continue * See also McCosh and Osborne, Princeton Review, Jan. 1884. There are some good examples of high development of the Faculty in the London Spectator, Dec. 28, 1878, pp. 1631,1634, Jan. 4,11, 26, and March 18,187V. IMAGINATION. 57 the line. I find this much easier to do if the words begin in a straight line than if there are breaks. Example: Etant fait Tons A des Quefit C4res Avec Un fleur Comme (La Fontaine 8. iv.)M The poor visualizer says : “ My ability to form mental images seems, from what I have studied of other people’s images, to be defective, and somewhat peculiar. The process by which I seem to remember any particular event is not by a series of distinct images, but a sort of panorama, the faintest impres- sions of which are perceptible through a thick fog.—I cannot shut my eyes and get a distinct image of anyone, although I used to be able to a few years ago, and the faculty seems to have gradually slipped away. —In my most vivid dreams, where the events appear like the most real facts, I am often troubled with a dimness of sight which causes the images to appear indistinct.—To come to the question of the breakfast- table, there is nothing definite about it. Everything is vague. I can- not say what I see. I could not possibly count the chairs, but I happen to know that there are ten. I see nothing in detail.—The chief thing is a general impression that I cannot tell exactly what I do see. The color- ing is about the same, as far as I can recall it, only very much washed out. Perhaps the only color I can see at all distinctly is that of the table- cloth, and I could probably see the color of the wall-paper if I could remember what color it was.” A person whose visual imagination is strong finds it hard to understand how those who are without the faculty can think at all. Some people undoubtedly have no visual images at all uxyrthy of the name * and instead of seeing their breakfast-table, they tell you that they remember it or know what was on it. This knowing and remembering takes * Take the following report from one of my students: “I am unable to form in my mind’s eye any visual likeness of the table whatever. After many trials, I can only get a hazy surface, with nothing on it or about it. I can see no variety in color, and no positive limitations in extent, while I cannot see what I see well enough to determine its position in respect to my eye, or to endow it with any quality of size. I am in the same position as to the word dog. I cannot see it in my mind’s eye at all ; and so cannot tell whether I should have to run my eye along it, if I did see it.” 58 PSYCHOLOGY. place undoubtedly by means of verbal images, as was ex- plained already in Chapter IX, pp. 265-6. The study qf Aphasia (see p. 54) has of late years shoum how unexpectedly great are the differences between individuals in respect of imagination. And at the same time the discrepan- cies between lesion and symptom in different cases of the disease have been largely cleared up. In some indi- viduals the habitual * thought-stuff,’ if one may so call it, is visual; in others it is auditory, articulatory, or motor; in most, perhaps, it is evenly mixed. The same local cerebral injury must needs work different practical results in per- sons who differ in this way. In one it will throw a much- used brain-tract out of gear; in the other it may affect an unimportant region. A particularly instructive case was published by Charcot in 1883.* The patient was Mr. X., a merchant, born in Vienna, highly educated, master of German, Spanish, French, Greek, and Latin. Up to the beginning of the malady which took him to Professor Charcot, he read Homer at sight. He could, starting from any verse out of the first book of the Iliad, repeat the following verses without hesitating, by heart. Virgil and Horace were familiar. He also knew enough of modern Greek for business purposes. Up to within a year (from the time Charcot saw him) he enjoyed an exceptional visual memory. He no sooner thought of persons or things, but features, forms, and colors arose with the same clearness, sharpness, and accuracy as if the objects stood before him. When he tried to recall a fact or a figure in his voluminous polyglot correspondence, the letters themselves appeared before him with their entire content, irregularities, erasures and all. At school he recited from a mentally seen page which he read off line by line and letter by letter. In making computations, he ran his mental eye down imaginary columns of figures, and performed in this way the most varied operations of arithmetic. He could never think of a passage in a play without the entire scene, stage, actors, and audience appearing to him. He had been a great traveller. Being a good draughtsman, he used to sketch views which pleased him; and his memory always brought back the entire landscape exactly. If he thought of a conver- sation, a saying, an engagement, the place, the people, the entire scene rose before his mind. His auditory memory was always deficient, or at least secondary He had no taste for music. * Progrfes Medical, 21 juillet. I abridge from the German report of the case in Wilbrand : Die Seelenblindheit (1887} IMAGINATION. 59 A year and a half previous to examination, after business-anxieties, loss of sleep, appetite, etc., he noticed suddenly one day an extraordi- nary change in himself. After complete confusion, there came a violent contrast between his old and his new state. Everything about him seemed so new and foreign that at first he thought he must be going mad. He was nervous and irritable. Although he saw all things dis- tinct, he had entirely lost his memory for forms and colors. On ascer- taining this, he became reassured as to his sanity. He soon discovered that he could carry on his affairs by using his memory in an altogether new way. He can now describe clearly the difference between his two conditions. Every time he returns to A., from which place business often calls him, he seems to himself as if entering a strange city. He views the monuments, houses, and streets with the same surprise as if he saw them for the first time. Gradually, however, his memory returns, and he finds himself at home again. When asked to describe the principal public place of the town, he answered, “ I know that it is there, but it is impossible to imagine it, and I can tell you nothing about it. ” He has often drawn the port of A. To-day he vainly tries to trace its principal outlines. Asked to draw a minaret, he reflects, says it is a square tower, and draws, rudely, four lines, one for ground, one for top, and two for sides. Asked to draw an arcade, he says, “ I remember that it contains semi-circular arches, and that two of them meeting at an angle make a vault, but how it looks I am absolutely unable to imagine.” The profile of a man which he drew by request was as if drawn by a little child; and yet he confessed that he had been helped to draw it by look- ing at the bystanders. Similarly he drew a shapeless scribble for a tree. He can no more remember his wife’s and children’s faces than he can remember the port of A. Even after being with them some time they seem unusual to him. He forgets his own face, and once spoke to his image in a mirror, taking it for a stranger. He complains of his loss of feeling for colors. “ My wife has black hair, this I know; but I can no more recall its color than I can her person and features.” This visual amnesia extends to dating objects from his childhood’s years—paternal mansion, etc., forgotten. No other disturbances but this loss of visual images. Now when he seeks something in his correspondence, he must rummage among the letters like other men, until he meets the passage. He can recall only the first few verses of the Iliad, and must grope to read Homer, Virgil, and Horace. Figures which he adds he must now whisper to himself. He realizes clearly that he must help his memory out with auditory images, which he does with effort. The words and expressions which he recalls seem now to echo in his ear, an altogether novel sensation for him. If he wishes to learn by heart anything, a series of phrases for example, he must read them several times aloudi so as to impress his ear. When later he repeats the thing in question, the sensation of in' 60 PSYCHOLOGY. ward hearing which precedes articulation rises up in his mind. This feeling was formerly unknown to him. He speaks French fluently; but affirms that he can no longer think in French; but must get his French words by translating them from Spanish or German, the languages of his childhood. He dreams no more in visual terms, but only in words, usually Spanish words. A certain degree of verbal blindness affects him—he is troubled by the Greek alphabet, etc.* If this patient had possessed the auditory type of imag- ination from the start, it is evident that the injury, what- ever it was, to his centres for optical imagination, would have affected his practical life much less profoundly. “ The auditory type,” says M. A. Binet,f “ appears to be rarer than the visual. Persons of this type imagine what they think of in the language of sound. In order to remember a lesson they impress upon their mind, not the look of the page, but the sound of the words. They reason, as well as remember, by ear. In performing a mental ad- dition they repeat verbally the names of the figures, and add, as it were, the sounds, without any thought of the graphic signs. Imag- ination also takes the auditory form. ‘When I write a scene,’ said Legouve to Scribe, ‘ I hear ; but you see. In each phrase which I write, the voice of the personage who speaks strikes my ear. Vous, qui etes le thedtre meme, your actors walk, gesticulate before your eyes ; I. am a listener, you a spectator.'—‘ Nothing more true,’ said Scribe ; ‘ do you know where I am when I write a piece ? In the middle of the parterre.’ It is clear that the pure audile, seeking to develop only a single one of his faculties, may, like the pure visualizer, perform astounding feats of memory—Mozart, for example, noting from memory the Miserere of the Sistine Chapel after two hearings ; the deaf Beethoven, composing and inwardly repeating his enormous symphonies. On the other hand, the man of auditory type, like the visual, is exposed to serious dangers; for if he lose his auditory images, he is without resource and breaks down completely. “ It is possible that persons with hallucinations of hearing, and in- * In a letter to Charcot this interesting patient adds that his character also la changed : “I was formerly receptive, easily made enthusiastic, and possessed a rich fancy. Now I am quiet and cold, and fancy never carries my thoughts away. ... 1 am much less susceptible than formerly to anger er sorrow. I lately lost my dearly-beloved mother; but felt far less grief at the bereavement than if I had been able to see in my mind’s eye her physiognomy and the phases of her suffering, and especially less than If 1 had been able to witness in imagination the outward effects of her un- timely lorn upon the members of the family.” f Psychologic du Raiaonnement (18M), p. 35. IMAGINATION. 61 dividuals afflicted with the mania that they are victims of persecution, may all belong to the auditory type; and that the predominance of a certain kind of imagination may predispose to a certain order of hal- lucinations, and perhaps of delirium. “The motor type remains—perhaps the most interesting of all, and certainly the one of which least is known. Persons who belong to this type [les moteurs, in French, mottles, as Mr. Galton proposes to call them in English] make use, in memory, reasoning, and all their intellectual operations, of images derived from movement. In order to understand this important point, it is enough to remember that ‘ all our perceptions, and in particular the important ones, those of sight and touch, contain as integral elements the movements of our eyes and limbs ; and that, if movement is ever an essential factor in our really seeing an object, it must be an equally essential factor when we see the same object in imagination ’ (Ribot).* For example, the complex im- pression of a ball, which is there, in our hand, is the resultant of optical impressions of touch, of muscular adjustments of the eye, of the move- ments of our fingers, and of the muscular sensations which these yield. When we imagine the ball, its idea must include the images of these muscular sensations, just as it includes those of the retinal and epider- mal sensations. They form so many motor images. If they were not earlier recognized to exist, that is because our knowledge of the muscu- lar sense is relatively so recent. In older psychologies it never was mentioned, the number of senses being restricted to five. “ There are persons who remember a drawing better when they have followed its outlines with their finger. Lecoq de Boisbaudran used this means in his artistic teaching, in order to accustom his pupils to draw from memory. He made them follow the outlines of figures with a pencil held in the air, forcing them thus to associate muscular with visual memory. Galton quotes a curious corroborative fact. Colonel Moncrieff often observed in North America young Indians who, visit- ing occasionally his quarters, interested themselves greatly in the engravings which were shown them. One of them followed with care with the point of his knife the outline of a drawing in the Illustrated London News, saying that this was to enable him to carve it out the better on his return home. In this case the motor images were to * [I am myself a very poor visualizer, and find that I can seldom call to mind even a single letter of the alphabet in purely retinal terms. I must trace the letter by running my mental eye over its contour in order that the image of it shall have any distinctness at all. On questioning a larga number of other people, mostly students, I find that perhaps half of them say they have no such difficulty in seeing letters mentally. Many affirm that they can see an entire word at once, especially a short one like ‘ dog,' with no such feeling of creating the letters successively by tracing them with the eye.—W. J.l 62 PSYCHOLOGY. reinforce the visual ones. The young savage was a motor * . . . When one’s motor images are destroyed, one loses one’s remembrance of move- ments, and sometimes, more curiously still, one loses the power of exe- cuting them. Pathology gives us examples in motor aphasia, agraphia, etc. Take the case of agraphia. An educated man, knowing how to write, suddenly loses this power, as a result of cerebral injury. His hand and arm are in no way paralytic, yet he cannot write. Whence this loss of power ? He tells us himself: he no longer knows how. He has forgotten how to set about it to trace the letters, he has lost the memory of the movements to be executed, he has no longer the motor images which, when formerly he wrote, directed his hand. . . . Other patients, affected with word-blindness, resort to these motor images precisely to make amends for their other deficiency. . . . An individ- ual affected in this way cannot read letters which are placed before his eyes, even although his sight be good enough for the purpose. This loss of the power of reading by sight may, at a certain time, be the only trouble the patient has. Individuals thus mutilated succeed in reading by an ingenious roundabout way which they often discover themselves: it is enough that they should trace the letters with their finger to under- stand their sense. What happens in such a case ? How can the hand supply the place of the eye? The motor image gives the key to the problem. If the patient can read, so to speak, with his fingers, it is because in tracing the letters he gives himself a certain number of mus- cular impressions which are those of writing. In one word, the patient reads by writing (Charcot): the feeling of the graphic movements sug- gests the sense of what is being written as well as sight would. ” f The imagination of a blind-deaf mute like Laura Bridg- man must be confined entirely to tactile and motor material. All blind persons must belong to the * tactile ’ and ‘ motile ’ types of the French authors. When the young man whose cataracts were removed by Dr. Franz was shown different geometric figures, he said he “ had not been able to form from them the idea of a square and a disk until he perceived a sensa- tion of what he saw in the points of his fingers, as if he really touched the objects.” $ Professor Strieker of Vienna, who seems to have the motile form of imagination developed in unusual strength, * It is hardly needful to say that in modern primary education, in which the blackboard is so much used, the children are taught their letters, etc., by all possible channels at once, sight, hearing, and movement. f See an interesting case of a similar sort, reported by Farges, in l’En- c6phale, 7me An nee, p. 645. | Philosophical Transactions, 1841, p. 66. IMAGINATION. 63 has given a very careful analysis of his own case in a couple of monographs with which all students should be- come familiar.* His recollections both of his own move- ments and of those of other things are accompanied invariably by distinct muscular feelings in those parts of his body which would naturally be used in effecting or in following the movement. In thinking of a soldier march- ing, for example, it is as if he were helping the image to march by marching himself in his rear. And if he sup- presses this sympathetic feeling in his own legs, and con- centrates all his attention on the imagined soldier, the latter becomes, as it were, paralyzed. In general his imagined movements, of whatsoever objects, seem paralyzed the moment no feelings of movement either in his own eyes or in his own limbs accompany them.f The movements of articulate speech play a predominant part in his mental life. “When after my experimental work I proceed to its description, as a rule I reproduce in the first instance only words, which I had already associated with the perception of the various details of the ob- servation whilst the latter was going on. For speech plays in all my observing so important a part that I ordinarily clothe phenomena in words as fast as I observe them. ” \ Most persons, on being asked in what sort of terms they imagine words, will say * in terms of hearing.’ It is not until their attention is expressly drawn to the point that they find it difficult to say whether auditory images or motor images connected with the organs of articulation predomi- nate. A good way of bringing the difficulty to consciousness is that proposed by Strieker: Partly open your mouth and then imagine any word with labials or dentals in it, such as * bubble,’ ‘ toddle.’ Is your image under these conditions distinct ? To most people the image is at first ‘ thick,’ as the sound of the word would be if they tried to pronounce it with the lips parted. Many can never imagine the words * Studien liber die Sprachvorstellungen (1880), and Studien fiber die Bewegungsvoratellungen (1882). f Prof. Strieker admits that by practice he has succeeded in making his eye-movements ‘ act vicariously ’ for his leg-movements in imagining men walking. J Bewegungsvoratellungen, p. 6. 64 PSYCHOLOGY. clearly with the mouth open; others succeed after a few preliminary trials. The experiment proves how dependent our verbal imagination is on actual feelings in lips, tongue, throat, larynx, etc. “ When we recall the impression of a word or sentence, if we do not speak it out, we feel the twitter of the organs just about to come to that point. The articulating parts—the larynx, the tongue, the lips— are all sensibly excited ; a suppressed articulation is in fact the mate- rial of our recollection, the intellectual manifestation, the idea of speech.” * The open mouth in Strieker’s experiment not only pre- vents actual articulation of the labials, but our feeling of its openness keeps us from imagining their articulation, just as a sensation of glaring light will keep us from strongly imagining darkness. In persons whose auditory imagination is weak, the articulatory image seems to con- stitute the whole material for verbal thought. Professor Strieker says that in his own case no auditory image enters into the words of which he thinks.t Like most psycholo- gists, however, he makes of his personal peculiarities a rule, and says that verbal thinking is normally and univer- sally an exclusively motor representation. I certainly get auditory images, both of vowels and of consonants, in addition to the articulatory images or feelings on which this author lays such stress. And I find that numbers of my students, after repeating his experiments, come to this conclusion. There is at first a difficulty due to the open mouth. That, however, soon vanishes, as does also the difficulty of thinking of one vowel whilst continuously sounding another. What probably remains true, however, is that most men have a less auditory and a more articu- latory verbal imagination than they are apt to be aware of. * Bain : Senses and Intellect, p. 339. f Studien ilber Sprachvorstellungen, 28, 81, etc. Cf. pp. 49-60, etc. Against Strieker, see Stumpf, Tonpsychol., 155-162, and Revue Phi losophique, xx. 617. See also Paulhan, Rev. Philosophique, xvr. 405 Strieker replies to Paulhan in vol. xviii. p. 685. P. retorts in vol. xix p. 118. Strieker reports that out of 100 persons questioned he found only #im who had no feeling in his lips when silently thinking the letters M B, P; and out of 60 only two who were conscious of no internal articulation whilst reading (pp. 59-60). IMAGINATION. 65 Professor Strieker himself has acoustic images, and can imagine the sounds of musical instruments, and the pecul- iar voice of a friend. A statistical inquiry on a large scale, into the variations of acoustic, tactile, and motor iiLiagina- tion, would probably bear less fruit than Galton’s inquiry into visual images. A few monographs by competent ob- servers, like Strieker, about their own peculiarities, would give much more valuable information about the diversities which prevail.* Touch-images are very strong in some people. The most vivid touch-images come when we ourselves barely escape local injury, or when we see another injured. The place * I think it must be admitted that some people have no vivid substan- tive images in any department of their sensibility. One of my students, an intelligent youth, denied so pertinaciously that there was anything in his mind at all when he thought, that I was much perplexed by his case. I my- self certainly have no such vivid play of nascent movements or motor images as Professor Strieker describes. When I seek to represent a row of soldiers marching, all I catch is a view of stationary legs first in one phase of movement and then in another, and these views are extremely imperfect and momentary. Occasionally (especially when I try to stimulate my imagination, as by repeating Victor Hugo’s lines about the regiment, “ Leur pas est si correct, sans tarder ni courir, Qu’on croit voir des ciseaux se fermer et s’ouvrir,”) I seem to get an instantaneous glimpse of an actual movement, but it is to the last degree dim and uncertain. All these images seem at first as if purely retinal. 1 think, however, that rapid eye-movements accompany them, though these latter give rise to such slight feelings that they are almost impossible of detection. Absolutely no leg-movements of my own are there ; in fact, to call such up arrests my imagination of the soldiers. My optical images are in general very dim, dark, fugitive, and contracted. It would be utterly impossible to draw from them, and yet I perfectly well distinguish one from the other. My auditory images are excessively inade- quate reproductions of their originals. I have no images of taste or smell. Touch-imagination is fairly distinct, but comes very little into play with most objects thought of. Neither is all my thought verbalized; for I have shadowy schemes of relation, as apt to terminate in a nod of the head or an expulsion of the breath as in a definite word. On the whole, vague images or sensations of movement inside of my head towards the various parts of space in which the terms I am thinking of either lie or are momentarily sym- bolized to lie together with movements of the breath through my pharynx and nostrils, form a by no means inconsiderable part of my thought-stuff. I doubt whether my difficulty in giving a clearer account is wholly a mat- ter of inferior power of introspective attention, though that doubtless plays Its part. Attention, ceteris paribus, must always be inferior in proportion to the feebleness of the internal images which are offered it to hold on to. 66 PSYCHOLOGY may then actually tingle with the imaginary sensation— perhaps not altogether imaginary, since goose-flesh, pal- ing or reddening, and other evidences of actual muscular contraction in the spot may result. 44 An educated man,” says a writer who must always be quoted when it is question of the powers of imagination,* “told me once that on entering his house one day he received a shock from crushing the finger of one of his little children in the door. At the moment of his fright he felt a violent pain in the corresponding finger of his own body, and this pain abode with him three days.” The same author makes the following discrimination, which probably most men could verify : “ On the skin I easily succeed in bringing out suggested sensations wherever I will. But because it is necessary to protract the mental ef- fort I can only awaken such sensations as are in their nature prolonged, as warmth, cold, pressure. Fleeting sensations, as those of a prick, a cut, a blow, etc., I am unable to call up, because I cannot imagine them ex abrupto with the requisite intensity. The sensations of the former order I can excite upon any part of the skin; and they may become so lively that, whether I will or not, I have to pass my hand over the place just as if it were a real impression on the skin.” f Meyer's account of his oion visual images is very interest- ing ; and with it we may close our survey of differences be- tween the normal powers of imagining in different indi- viduals. “With much practice,” he says, “ I have succeeded in making it possible, for me to call up subjective visual sensations at will. I tried all my experiments by day or at night with closed eyes. At first it was very difficult. In the first experiments which succeeded the whole picture was luminous, the shadows being given in a somewhat less strong bluish light. In later experiments I saw the objects dark, with bright outlines, or rather I saw outline drawings of them, bright on a dark ground. I can compare these drawings less to chalk drawings on a blackboard than to drawings made with phosphorus on a dark wall at night, though the phosphorus would show luminous vapors which were absent from my lines. If I wished, for example, to see a face, without intending that of a particular person, I saw the outline of a profile against the dark background. When I tried to repeat an ex- * Geo. Herm. Meyer, Untersuchungen iib. d. Physiol, d. Nervenfaser (1843), p. 233. For other cases see Tuke’s Influence of Mind upon Body, chaps, n. and vii. f Meyer, op. eit. p. 238. IMAGINATION. 67 periment of the elder Darwin I saw only the edges of the die as bright lines on a dark ground. Sometimes, however, I saw the die really white and its edges black; it was then on a paler ground. I could soon at will change between a white die with black borders on a light field, and a black die with white borders on a dark field ; and I can do this at any moment now. After long practice . . . these experiments succeeded better still. I can now call before my eyes almost any object which I please, as a subjective appearance, and this in its own natural color and illumination. I see them almost always on a more or less light or dark, mostly dimly changeable ground. Even known faces I can see quite sharp, with the true color of hair and cheeks. It is odd that I see these faces mostly in profile, whereas those described [in the previous extract] were all full-face. Here are some of the final results of these experiments : “ 1) Some time after the pictures have arisen they vanish or change into others, without my being able to prevent it. ‘ ‘ 2) When the color does not integrally belong to the object, I cannot always control it. A face, e.g., never seems to me blue, but always in its natural color; a red cloth, on the other hand, I can sometimes change to a blue one. “ 3) I have sometimes succeeded in seeing pure colors without objects; they then fill the entire field of view. “4) I often fail to see objects which are not known to me, mere fic- tions of my fancy, and instead of them there will appear familiar ob- jects of a similar sort; for instance, I once tried to see a brass sword- hilt with a brass guard, instead of which the more familiar picture of a rapier-guard appeared. “ 5) Most of these subjective appearances, especially when they were bright, left after-images behind them when the eyes were quickly opened during their presence. For example, I thought of a silver stir- rup, and after I had looked at it a while I opened my eyes and for a long while afterwards saw its after-image. “ These experiments succeeded best when I lay quietly on my back and closed my eyes. I could bear no noise about me, as this kept the vision from attaining the requisite intensity. The experiments succeed with me now so easily that I am surprised they did not do so at first., and I feel as though they ought to succeed with everyone. The im- portant point in them is to get the image sufficiently intense by the ex- clusive direction of the attention upon it, and by the removal of all disturbing impressions.” * The negative after-images which succeeded upon Meyer's imagination when he opened his eyes are a highly interest- ing, though rare, phenomenon. So far as I know there is * Meyer, op. cit. pp. 238-41. 68 P8YCH0L00T. only one other published report of a similar experience.* I\ would seem that in such a case the neural process corre- sponding to the imagination must be the entire tract con- cerned in the actual sensation, even down as far as the retina. This leads to a new question to which we may now turn—of what is THE NEURAL PROCESS WHICH UNDERLIES IMAGINATION* The commonly-received idea is that it is only a milder degree of the same process which took place when the thing now imagined was sensibly perceived. Professor Bain writes: “ Since a sensation in the first instance diffuses nerve-currents through the interior of the brain outwards to the organs of expression and movement,—the persistence of that sensation, after the outward exciting cause is withdrawn, can be but a continuance of the same dif- fusive currents, perhaps less intense, but not otherwise different. The shock remaining in the ear and brain, after the sound of thunder, must pass through the same circles, and operate in the same way as during the actual sound. We can have no reason for believing that, in this self-sustaining condition, the impression changes its seat, or passes into some new circles that have the special property of retaining it. Every part actuated after the shock must have been actuated by the shock, only more powerfully. With this single difference of intensity, the mode of existence of a sensation existing after the fact is essentially the same as its mode of existence during the fact. . . . Now if this be the case with impressions persisting when the cause has ceased, what view are we to adopt concerning impressions reproduced by mental causes alone, or without the aid of the original, as in ordinary recollection ? What is the manner of occupation of the brain with a resuscitated feeling of resistance, a smell or a sound ? There is only one answer that seems admissable. The renewed feeling occupies the very same parts, and in the same manner, as the original feeling, and no other parts, nor in any other assignable manner. I imagine that if our present knowledge of the brain had been present to the earliest speculators, this is the only * That of Dr. Ch. Fere in the Revue Philosophique, xx. 364. Johannes Mtlller’s account of hypnagogic hallucinations floating before the eyes for a few moments after these had been opened, seems to belong more to the category of spontaneous hallucinations (see his Physiology, London, 1842, p. 1394). It is impossible to tell whether the words in Wundt’s Vorle- aungen, i. 387, refer to a personal experience of his own or not; probably not. 11 va sans dire that an inferior visualizer like myself can get no such after-images. Nor have I as yet succeeded in getting report of any from my students. IMAGINATION. 69 hypothesis that would have occurred to them. For where should a past feeling be embodied, if not in the same organs as the feeling when present ? It is only in this way that its identity can be preserved ; a feeling differently embodied would be a different feeling.” * It is not plain from Professor Bain’s text whether by the ‘ same parts ’ he means only the same parts inside the brain, or the same peripheral parts also, as those occupied by the original feeling. The examples which he himself pro- ceeds to give are almost all cases of imagination of move- ment, in which the peripheral organs are indeed affected, for actual movements of a weak sort are found to accom- pany the idea. This is what we should expect. All cur- rents tend to run forward in the brain and discharge into the muscular system ; and the idea of a movement tends to do this with peculiar facility. But the question remains: Do currents run backward, so that if the optical centres (for example) are excited by ‘ association ’ and a visual ob- ject is imagined, a current runs down to the retina also, and excites that sympathetically with the higher tracts ? In other words, can peripheral sense-organs be excited from above, or only from without ? Are they excited in imagi- nation ? Professor Bain’s instances are almost silent as to this point. All he says is this : “ We might think of a blow on the hand until the skin were actually irritated and inflamed. The attention very much directed to any part of the body, as the great toe, for instance, is apt to produce a distinct feeling in the part, which we account for only by supposing a revived nerve-current to flow there, making a sort of false sensation, an influ- ence from within mimicking the influences from without in sensation proper.—(See the writings of Mr. Braid, of Manchester, on Hypnotism, etc.)” If I may judge from my own experience, all feelings of this sort are consecutive upon motor currents invading the skin and producing contraction of the muscles there, the muscles whose contraction gives ‘ goose-flesh ’ when it takes place on an extensive scale. I never get a feeling in the skin, however strongly I imagine it, until some actual change in the condition of the skin itself has occurred. The truth seems to be that the cases where peripheral * Senses and Intellect, p. 888. 70 PSYCHOLOGY. sense-organs are directly excited in consequence of imftgi nation are exceptional rarities, if they exist at all. In com- mon cases of imagination it would seem more natural to suppose that the seat of the process is purely cerebral, and that the sense- organ is left out. Reasons for such a conclusion would be briefly these : 1) In imagination the starting-point of the process must be in the brain. Now we know that currents usually flow one way in the nervous system ; and for the peripheral sense- organs to be excited in these cases, the current would have to flow backward. 2) There is between imagined objects and felt objects a difference of conscious quality which may be called al- most absolute. It is hardly possible to confound the live- liest image of fancy with the weakest real sensation. The felt object has a plastic reality and outwardness which the imagined object wholly lacks. Moreover, as Fechner says, in imagination the attention feels as if drawn backwards to the brain ; in sensation (even of after-images) it is directed forward towards the sense-organ.* The difference between the two processes feels like one of kind, and not like a mere ‘more ’ or ‘ less ’ of the same.f If a sensation of sound were only a strong imagination, and an imagination a weak sensation, there ought to be a border-line of experience where we never could tell whether we were hearing a weak sound or imagining a strong one. In comparing a present sensation felt with a past one imagined, it will be remem- bered that we often judge the imagined one to have been the stronger (see above, p. 500, note). This is inexplicable if the imagination be simply a weaker excitement of the sen- sational process. To these reasons the following objections may be made: To 1): The current demonstrably does flow backward * See above, Vol. II. p. 50, note. f V. Kandinsky (Kritische u. klinische Betrachtungen im Gebiete der Sinnest&uschungen (Berlin, 1885), p. 135 if.) insists that in even the live- liest pseudo-hallucinations (see below, Chapter XX), which may be re- garded as the intensest possible results of the imaginative process, there is no outward objectivity perceived in the thing represented, and that a gamer Abgrund separates these ‘ ideas ’ from true hallucination and objec- tive perception. IMAGINATION. 71 down the optic nerve in Meyer’s and Fere’s negative after- image. Therefore it can flow backward; therefore it may flow backward in some, however slight, degree, in all imag- ination.* To 2): The difference alleged is not absolute, and sensa- tion and imagination are hard to discriminate where the sensation is so weak as to be just perceptible. At night hearing a very faint striking of the hour by a far-off clock, our imagination reproduces both rhythm and sound, and it is often difficult to tell which was the last real stroke. So of a baby crying in a distant part of the house, we are un- certain whether we still hear it, or only imagine the sound Certain violin-players take advantage of this in diminuendo terminations. After the pianissimo has been reached they continue to bow as if still playing, but are careful not to touch the strings. The listener hears in imagination a * It seems to also flow backwards in certain hypnotic hallucinations. Suggest to a ‘ Subject ’ in the hypnotic trance that a sheet of paper has a red cross upon it, then pretend to remove the imaginary cross, whilst you tell the Subject to look fixedly at a dot upon the paper, and he will pres- ently tell you that he sees a ‘ bluish-green ’ cross. The genuineness of the result has been doubted, but there seems no good reason for rejecting M. Binet’s account (Le Magnetisme Animal, 1887, p. 188). M. Binet, following M. Parinaud, and on the faith of a certain experiment, at one time believed, the optical brain-centres and not the retina to be the seat of ordinary nega- tive after-images. The experiment is this: Look fixedly, with one eye open, at a colored spot on a white background. Then close that eye and look fixedly with the other eye at a plain surface. A negative after-image of the colored spot will presently appear. (Psychologie du Raisonnement, 1886, p. 45.) But Mr. Delabarre has proved (American Journal of Psy- chology, ii. 326) that this after-image is due, not to a higher cerebral pro- cess, but to the fact that the retinal process in the closed eye affects consciousness at certain moments, and that its object is then projected into the field seen by the eye which is open. M. Binet informs me that he is converted by the proofs given by Mr. Delabarre. The fact remains, however, that the negative after-images of Herr Meyer, M. Fere, and the hypnotic subjects, form an exception to all that we know of nerve-currents, if they are due to a refluent centrifugal current to the retina. It may be that they will hereafter be explained in some other way. Meanwhile we can only write them down as a paradox. Sig. Sergi’s theory that there is always a refluent wave in perception hardly merits serious con- sideration (Psychologie Physiologique, pp. 99, 189). Sergi’s theory haa recently been reaffirmed with almost incredible crudity by Lombroso and Ottolenghi in the Revue Philosophique, xxix. 70 (Jan. 1890). 72 PSYCHOLOGY. degree of sound fainter still than the preceding pianissimo This phenomenon is not confined to hearing: “ If we slowly approach our finger to a surface of water, we often deceive ourselves about the moment in which the wetting occurs. Th« apprehensive patient believes himself to feel the knife of the surgeon whilst it is still at some distance.” * Visual perception supplies numberless instances in which the same sensation of vision is perceived as one object or another according to the interpretation of the mind. Many of these instances will come before us in the course of the next two chapters; and in Chapter XIX similar illusions will be described in the other senses. Taken together, all these facts would force us to admit that the subjective difference between imagined and felt objects is less absolute than has been claimed, and that the cortical processes which underlie imagination and sensation are net quite as discrete as one at first is tempted to suppose. That peripheral sen- sory processes are ordinarily involved in imagination seems improbable ; that they may sometimes be aroused from the cortex dowmvards cannot, however, be dogmatically denied. The imagination-process can then pass over into the sensa- tion-process. In other words, genuine sensations can be centrally originated. When we come to study hallucina- tions in the chapter on Outer Perception, we shall see that this is by no means a thing of rare occurrence. At present, however, we must admit that normally the two processes do not pass over into each other; and we must inquire why. One of two things must be the reason. Either 1. Sensation-processes occupy a different locality from imagination-processes; or 2. Occupying the same locality, they have an intensity which under normal circumstances currents from other cortical regions are incapable of arousing, and to produce which currents from the periphery are required. It seems almost certain (after what was said in Chapter II. pp. 49-51) that the imagination-process differs from the sensation-process by its intensity rather than by its locality. However it may be with lower animals, the assumption that * Lotze, Med. Psych, p. 509. IMAGINATION. 73 ideational and sensorial centres are locally distinct appears to be supported by no facts drawn from the observation of human beings. After occipital destruction, the hemianop- sia which results in man is sensorial blindness, not mere loss of optical ideas. Were there centres for crude optical sensation below the cortex, the patients in these cases would still feel light and darkness. Since they do not pre- serve even this impression on the lost half of the field, we must suppose that there are no centres for vision of any sort whatever below the cortex, and that the corpora quadri- gemina and other lower optical ganglia are organs for reflex movement of eye-muscles and not for conscious sight. Moreover there are no facts which oblige us to think that, within the occipital cortex, one part is connected with sen- sation and another with mere ideation or imagination. The pathological cases assumed to prove this are all better ex- plained by disturbances of conduction between the optical and other centres (see p. 50). In bad cases of hemianopsia the patient’s images depart from him together with his sen- sibility to light. They depart so completely that he does not even know what is the matter with him. To perceive that one is blind to the right half of the field of view one must have an idea of that part of the field’s possible existence. But the defect in these patients has to be revealed to them by the doctor, they themselves only knowing that there is ‘ something wrong ’ with their eyes. What you have no idea of you cannot miss ; and their not definitely missing this great region out of their sight seems due to the fact that their very idea and memory of it is lost along with the sensation. A man blind of his eyes merely, sees darkness. A man blind of his visual brain-centres can no more see darkness out of the parts of his retina which are connected with the brain- lesion than he can see it out of the skin of his back. He cannot see at all in that part of the field ; and he cannot think of the light which he ought to be feeling there, for the very notion of the existence of that particular ‘ there ’ is cut out of his mind.* * See an important article by Binet in the Revue Philosopliique, xxvi. 481 (1888); also Dufour, in Revue Med. de la Suisse Romande, 1889, No,, 8, cited in the Neurologisches Centralblatt, 1890, p. 48. 74 PSYCHOLOGY. Now if we admit that sensation and imagination are due to the activity of the same centres in the cortex, we can see a very good teleological reason why they should correspond to discrete kinds of process in these centres, and why the process which gives the sense that the object is really there ought normally to be arousable only by currents entering from the periphery and not by currents from the neighbor- ing cortical parts. We can see, in short, why the sensational process ought to he discontinuous with all normal ideational processes, however intense. For, as Dr. Miinsterberg justly observes : “ Were there not this peculiar arrangement we should not distinguish reality and fantasy, our conduct would not be accommodated to the facts about us, but would be inappropriate and senseless, and we could not keep ourselves alive. . . . That our thoughts and memories should be copies of sensations with their intensity greatly reduced is thus a consequence deducible logically from the natural adaptation of the cerebral mechanism to its environment.”* Mechanically the discontinuity between the ideational and the sensational kinds of process must mean that when the greatest ideational intensity has been reached, an order of resistance presents itself which only a new order of force can break through. The current from the periphery is the new order of force required; and what happens after the resistance is overcome is the sensational process. We may suppose that the latter consists in some new and more vio- lent sort of disintegration of the neural matter, which now explodes at a deeper level than at other times. Now how shall we conceive of the ‘ resistance ’ which prevents this sort of disintegration from taking place, this sort of intensity in the process from being attained, so much of the time ? It must be either an intrinsic resist- ance, some force of cohesion in the neural molecules them- selves ; or an extrinsic influence, due to other cortical cells. When we come to study the process of hallucination we shall see that both factors must be taken into account. There is a degree of inward molecular cohesion in our brain-cells which it probably takes a sudden inrush of * Die Willenshandlung (1888), pp. 129-40, IMAGINATION. 75 destructive energy to spring apart. Incoming peripheral currents possess this energy from the outset. Currents from neighboring cortical regions might attain to it if they could accumulate within the centre which we are supposed to be considering. But since during waking hours every centre communicates with others by association-paths, no such accumulation can take place. The cortical cur- rents which run in run right out again, awakening the next ideas; the level of tension in the cells does not rise to the higher explosion-point; and the latter must be gained by a sudden current from the periphery or not at all. CHAPTER XIX. THE PERCEPTION OF THINGS.’ PERCEPTION AND SENSATION COMPARED. A pure sensation we saw above, p. 7, to be an abstrac- tion never realized in adult life. Any quality of a thing which affects our sense-organs does also more than that: it arouses processes in the hemispheres which are due to the organization of that organ by past experiences, and the result of which in consciousness are commonly described as ideas which the sensation suggests. The first of these ideas is that of the thing to which the sensible quality belongs. The consciousness of particular material things present to sense is nowadays called perception * The con- sciousness of such things may be more or less complete; it may be of the mere name of the thing and its other essen- tial attributes, or it may be of the thing’s various remoter relations. It is impossible to draw any sharp line of dis- tinction between the barer and the richer consciousness, because the moment we get beyond the first crude sensa- tion all our consciousness is a matter of suggestion, and the various suggestions shade gradually into each other, being one and all products of the same psychological machinery of association. In the directer consciousness fewer, in the remoter more, associative processes are brought into play. * The word Perception, however, has been variously used. For histor- ical notices, see Hamilton’s Lectures on Metaphysics, n. 96. For Hamil- ton perception is the consciousness of external objects ’ (ib. 28). Spencer defines it oddfy enough as “a discerning of the relation or relations be- tween states of consciousness partly presentative and partly representative ; which states of consciousness must be themselves known to the extent in- volved in the knowledge of their relations ” (Psychol., § 365). 76 THE PERCEPTIO N OF THINGS. 77 Perception thus differs from sensation by the consciousness offarther facts associated with the object of the sensation: “ When I lift my eyes from the paper on which I am writing I see the chairs and tables and walls of my room, each of its proper shape and at its proper distance. I see, from my window, trees and mead- ows, and horses and oxen, and distant hills. I see each of its proper size, of its proper form, and at its proper distance ; and these particu- lars appear as immediate informations of the eye, as the colors which I see by means of it. Yet philosophy has ascertained that we derive noth- ing from the eye whatever but sensations of color. . . . How, then, is it that we receive accurate information, by the eye, of size and shape and distance ? By association merely. The colors upon a body are different, according to its figure, its shape, and its size. But the sensations of color and what we may here, for brevity, call the sensations of ex- tension, of figure, of distance, have been so often united, felt in con- junction, that the sensation of the color is never experienced without raising the ideas of the extension, the figure, the distance, in such inti- mate union with it, that they not only cannot be separated, but are ac- tually supposed to be seen. The sight, as it is called, of figure, or dis- tance, appearing as it does a simple sensation, is in reality a complex state of consciousness—a sequence in which the antecedent, a sensation of color, and the consequent, a number of ideas, are so closely com- bined by association that they appear not one idea, but one sensation.” This passage from James Mill * gives a clear statement of the doctrine which Berkeley in his Theory of Vision made for the first time an integral part of Psychology. Berkeley compared our visual sensations to the words of a language, which are but signs or occasions for our intel- lects to pass to what the speaker means. As the sounds called words have no inward affinity with the ideas they signify, so neither have our visual sensations, according to Berkeley, any inward affinity with the things of whose presence they make us aware. Those things are tangibles; their real properties, such as shape, size, mass, consistency, position, reveal themselves only to touch. But the visible signs and the tangible significates are by long custom so “ closely twisted, blended, and incorporated together, and the prejudice is so confirmed and riveted in our thoughts by a long tract of time, by the use of language, and want of reflection,” t that we think we see the whole object, tangible and visible alike, in one simple indivisible act. * Analysis, I. 97. f Theory of Vision, 51. 78 PSYCHOLOGY. Sensational and reproductive brain-processes combined, then, are what give us the content of our perceptions. Every com crete particular material thing is a conflux of sensible qualities, with which we have become acquainted at vari- ous times. Some of these qualities, since they are more constant, interesting, or practically important, we regard as essential constituents of the thing. In a general way, such are the tangible shape, size, mass, etc. Other properties, being more fluctuating, we regard as more or less acciden- tal or inessential. We call the former qualities the reality, the latter its appearances. Thus, I hear a sound, and say ‘ a horse-car ’; but the sound is not the horse-car, it is one of the horse-car’s least important manifestations. The real horse-car is a feelable, or at most a feelable and visi- ble, thing which in my imagination the sound calls up. So when I get, as now, a brown eye-picture with lines not parallel, and with angles unlike, and call it my big solid rectangular walnut library-table, that picture is not the table. It is not even like the table as the table is for vision, when rightly seen. It is a distorted perspective view of three of the sides of what I mentally perceive (more or less) in its totality and undistorted shape. The back of the table, its square corners, its size, its heaviness, are features of which I am conscious when I look, almost as I am conscious of its name. The suggestion of the name is of course due to mere custom. But no less is that of the back, the size, weight, squareness, etc. Nature, as Beid says, is frugal in her operations, and will not be at the expense of a particular instinct to give us that knowledge which experience and habit will soon produce. Keproduced sights and contacts tied together with the present sensation in the unity of a thing with a name, these are the complex objective stuff out of which my actually perceived table is made. Infants must go through a long education of the eye and ear before they can perceive the realities which adults perceive. Every perception is an acquired perception.* * The educative process is particularly obvious in the case of the ear, for all sudden sounds seem alarming to babies. The familiar noises of THE PERCEPTION OF THINGS. 79 Perception may then he defined, in Mr. Sully’s words, as that process by which the mind “ supplements a sense-impression by an accompaniment or escort of re vived sensations, the whole aggregate of actual and revived sensations being solidified or ‘ integrated ’ into the form of a percept, that is, an apparently immediate apprehension or cognition of an object now present in a particular locality or region of space.” * Every reader’s mind will supply abundant examples of the process here described ; and to write them down would be therefore both unnecessary and tedious. In the chapter on Space we have already discussed some of the more inter- esting ones ; for in our perceptions of shape and position it is really difficult to decide how much of our sense of the ob- ject is due to reproductions of past experience, and how much to the immediate sensations of the eye. I shall ac- cordingly confine myself in the rest of this chapter to cer- tain additional generalities connected with the perceptive process. The first point is relative to that ‘ solidification ’ or ‘ in- tegration,’ whereof Mr. Sully speaks, of the present with the absent and merely represented sensations. Cerebrally taken, these words mean no more than this, that the pro- cess aroused in the sense-organ has shot into various paths which habit has already organized in the hemi- spheres, and that instead of our having the sort of con- sciousness which would be correlated with the simple sen- sorial process, we have that which is correlated with this more complex process. This, as it turns out, is the con sciousness of that more complex ‘ object,’ the whole ‘ thing,’ instead of being the consciousness of that more simple object, the few qualities or attributes which actually im- press our peripheral nerves. This consciousness must have the unity which every ‘section ’ of our stream of thought retains so long as its objective content does not sensibly house and street keep them in constant trepidation until such time as they have either learned the objects which emit them, or have become blunted to them by frequent experience of their innocuity, * Outlines, p. 153. 80 PSYCHOLOGY. change. More than this we cannot say; we certainly ought not to say what usually is said by psychologists, and treat the perception as a sum of distinct psychic entities, the present sensation namely, plus a lot of images from the past, all ‘ integrated ’ together in a way impossible to de- scribe. The perception is one state of mind or nothing—as I have already so often said. In many cases it is easy to compare the psychic results of the sensational with those of the perceptive process. We then see a marked difference in the way in which the im- pressed portions of the object are felt, in consequence of being cognized along with the reproduced portion, in the higher state of mind. Their sensible quality changes un- der our very eye. Take the already-quoted catch, Pas de lieu RhSne que nous: one may read this over and over again without recognizing the sounds to be identical with those of the words paddle your own canoe. As we seize the English meaning the sound itself appears to change. Verbal sounds are usually perceived with their meaning at the moment of being heard. Sometimes, however, the associative irradiations are inhibited for a few moments (the mind being preoccupied with other thoughts) whilst the words linger on the ear as mere echoes of acoustic sen- sation. Then, usually, their interpretation suddenly occurs. But at that moment one may often surprise a change in the very feel of the word. Our own language would sound very different to us if we heard it without understanding, as we hear a foreign tongue. Rises and falls of voice, odd sibilants and other consonants, would fall on our ear in a way of which we can now form no notion. Frenchmen say that English sounds to them like the gazouiUement des oiseaux —an impression which it certainly makes on no native ear. Many of us English would describe the sound of Russian in similar terms. All of us are conscious of the strong in- flections of voice and explosives and gutturals of German speech in a way in which no German can be conscious of them. This is probably the reason why, if we look at an isolated printed word and repeat it long enough, it ends by assuming an entirely unnatural aspect. Let the reader try this with THE PERCEPTION OF THINGS. 81 any word on this page. He will soon begin to wonder if it can possibly be the word he has been using all his life with that meaning. It stares at him from the paper like a glass eye, with no speculation in it. Its body is indeed there, but its soul is fled. It is reduced, by this new way of attending to it, to its sensational nudity. We never before attended to it in this way, but habitually got it clad with its meaning the moment we caught sight of it, and rapidly passed from it to the other words of the phrase. We apprehended it, in short, with a cloud of associates, and thus perceiving it, we felt it quite otherwise than as we feel it now divested and alone. Another well-known change is when we look at a land- scape with our head upside down. Perception is to a cer- tain extent baffled by this manoeuvre; gradations of dis- tance and other space-determinations are made uncertain ; the reproductive or associative processes, in short, decline ; and, simultaneously with their diminution, the colors grow richer and more varied, and the contrasts of light and shade more marked. The same thing occurs when we turn a painting bottom upward. We lose much of its meaning, but, to compensate for the loss, we feel more freshly the value of the mere tints and shadings, and become aware of any lack of purely sensible harmony or balance which they may show.* Just so, if we lie on the floor and look up at the mouth of a person talking behind us. His lower lip here takes the habitual place of the upper one upon our retina, and seems animated by the most extraordinary and unnatural mobility, a mobility which now strikes us be- cause (the associative processes being disturbed by the un- accustomed point of view) we get it as a naked sensation and not as part of a familiar object perceived. On a later page other instances will meet us. For the present these are enough to prove our point. Once more we find ourselves driven to admit that when qualities of an object impress our sense and we thereupon perceive the object, the sensation as such of those qualities does not * Cf. Helmholtz, Optik, pp. 433, 723, 728, 772; and Spencer, Psychol- Ogy, toI. n. p. 249, note. 82 PSYCHOLOGY. still exist inside of the perception and form a constituent thereof. The sensation is one thing and the perception another, and neither can take place at the same time with the other, because their cerebral conditions are not the same. They may resemble each other, but in no respect are they identical states of mind. PERCEPTION IS OP DEFINITE AND PROBABLE THINGS. The chief cerebral conditions of perception are the paths of association irradiating from the sense-impression, which may have been already formed. If a certain sensation be strongly associated with the attributes of a certain thing, that thing is almost sure to be perceived when we get the sensation. Examples of such things would be familiar people, places, etc., which we recognize and name at a glance. But where the sensation is associated with more than one reality, so that either of two discrepant sets of resid- ual properties may arise, the perception is doubtful and vacillating, and the most that can then he said of it is that it tvill be of a probable thing, of the thing which would most usually have given us that sensation. In these ambiguous cases it is interesting to note that perception is rarely abortive ; some perception takes place. The two discrepant sets of associates do not neutralize each other or mix and make a blur. What we more commonly get is first one object in its completeness, and then the other in its completeness. In other words, all brain-processes are such as give rise to what we may call figured consciousness. If paths are irradiated at all, they are irradiated in consistent systems, and occasion thoughts of definite objects, not mere hodge-podges of elements. Even where the brain’s func- tions are half thrown out of gear, as in aphasia or dropping asleep, this law of figured consciousness holds good. A person who suddenly gets sleepy whilst reading aloud will read wrong; but instead of emitting a mere broth of sylla- bles, he will make such mistakes as to read ‘ supper-time ’ instead of ‘ sovereign,’ ‘ overthrow ’ instead of ‘ opposite,’ or indeed utter entirely imaginary phrases, composed of several definite words, instead of phrases of the book. So in aphasia : where the disease is mild the patient’s mis-' THE PERCEPTION OF THINGS. 83 takes consist in using entire wrong words instead of right ones. Only in the gravest lesions does he become quite in- articulate. These facts show how subtle is the associative link; how delicate yet how strong that connection among brain-paths which makes any number of them, once excited together, thereafter tend to vibrate as a systematic whole. A small group of elements, ‘ this,’ common to two systems, A and B, may touch off A or B according as accident decides the next step (see Fig. 47). If it happen that a single point leading from ‘ this ’ to B is momentarily a little more per- vious than any leading from ‘ this ’ to A, then that little advantage will upset the equilibrium in favor of the entire system B. The currents will sweep first through that point Fig. 47. and thence into all the paths of B, each increment of ad- vance making A more and more impossible. The thoughts correlated with A and B, in such a case, will have objects different, though similar. The similarity will, however, consist in some very limited feature if the ‘ this ’ be small. Thus the faintest sensations will give rise to the perception of definite things if only they resemble those which the things are wont to arouse. In fact, a sensation must be strong and distinct in order not to suggest an object and, if it is a non- descript feeling, really to seem one. The aurse of epilepsy, globes of light, fiery vision, roarings in the ears, the sensa- tions which electric currents give rise to when passed through the head, these are unfigured because they are strong. Weaker feelings of the same sort would probably suggest objects. Many years ago, after reading Maury’s book, Le SommeU et les Rives, I began for the first time to observe those ideas which faintly flit through the mind at all times, words, visions, etc., disconnected with the main stream of thought, but discernible to an attention on the watch for 84 PSYCHOLOGY. them. A horse’s head, a coil of rope, an anchor, are, for example, ideas which have come to me unsolicited whilst I have been writing these latter lines. They can often be explained by subtle links of association, often not at all. But I have not a few times been surprised, after noting some such idea, to find, on shutting my eyes, an after- image left on the retina by some bright or dark object recently looked at, and which had evidently suggested the idea. ‘ Evidently,’ I say, because the general shape, size, and position of object thought-of and of after-image were the same, although the idea had details which the retinal image lacked. We shall probably never know just what part retinal after-images play in determining the train of our thoughts. Judging by my own experiences I should suspect it of being not insignificant.* * The more or less geometrically regular phantasms which are pro- duced by pressure on the eyeballs, congestion of the head, inhalation of anaesthetics, etc., might again be cited to prove that faint and vague excite- ments of sense-organs are transformed into figured objects by the brain, only the facts are not quite clearly interpretable ; and the figuring may possibly be due to some retinal peculiarity, as yet unexplored. Beautiful patterns, which would do for wall-papers, succeed each other when the eyeballs are long pressed. Goethe’s account of his own phantasm of a flower is well known. It came in the middle of his visual field whenever he closed his eyes and depressed his head, “unfolding itself and develop- ing from its interior new flowers, formed of colored or sometimes green leaves, not natural but of fantastic forms, and symmetrical as the rosettes of sculptors,” etc. (quoted in Muller’s Physiology, Baly’s tr., p. 1397). The fortification- and zigzag-patterns, which are well-known appearances in the field of view in certain functional disorders, have characteristics (steadiness, coerciveness, blotting out of other objects) suggestive of a retinal origin— this is why the entire class of phenomena treated of in this note seem to me still doubtfully connected with the cerebral factor in perception of which the text treats.—I copy from Taine’s book on Intelligence (vol. I. p. 61) the translation of an interesting observation by Prof. M. Lazarus, in which the same effect of an after-image is seen. Lazarus himself proposes the name of ‘ visionary illusions ’ for such modifications of ideal pictures by peripheral stimulations (Lehre von den Sinnestauschungen, 1867, p. 19). “ I was on the Kaltbad terrace at Rigi, on a very clear afternoon, and attempting to make out the Waldbruder, a rock which stands out from the midst of the gigantic wall of mountains surrounding it, on whose sum- mits we see like a crown the glaciers of Titlis, Uri-Rothsdock, etc. 1 was looking alternately with the naked eye and with a spy-glass ; but could not distinguish it with the naked eye. For the space of six to ten minutes I had gazed steadfastly upon the mountains, whose color varied according THE PERCEPTION OF THINGS 85 Let us now, for brevity’s sake, treat A and B in Fig. 47 as if they stood for objects instead of brain-processes. And let us furthermore suppose that A and B are, both of them, objects which might probably excite the sensation which I have called * this,' but that on the present occasion A and not B is the one which actually does so. If, then, on this occasion ‘ this' suggests A and not B, the result is a correct perception. But if, on the contrary, ‘ this ’ suggests B and not A, the result is a false perception, or, as it is technically called, an illusion. But the process is the same, whether the perception be true or false. ILLUSIONS. to their several altitudes or declivities between violet, brown, and dark green, and I had fatigued myself to no purpose, when I ceased looking and turned away. At that moment I saw before me (I cannot recollect whether my eyes were shut or open) the figure of an absent friend, like a corpse. ... I asked myself at once how I had come to think of my absent friend.—In a few seconds I regained the thread of my thoughts, which my looking for the Waldbruderhad interrupted, and readily found that the idea of my friend had by a very simple necessity introduced itself among them. My recollecting him was thus naturally accounted for.—But in addition to this, he had appeared as a corpse. How was this ?—At this moment, whether through fatigue or in order to think, I closed my eyes, and found at once the whole field of sight, over a considerable extent, covered with the same corpse-like hue, a greenish-yellow gray. I thought at once that 1 had here the principle of the desired explanation, and attempted to recall to memory the forms of other persons And, in fact, these forms too appeared like corpses ; standing or sitting, as I wished, all had a corpse-like tint. The persons whom I wished to see did not all ap- pear to me as sensible phantoms ; and again, when my eyes were open, I did not see phantoms, or at all events only saw them faintly, of no deter- mined color.—I then inquired how it was that phantoms of persons were affected by and colored like the visual field surrounding them, how their outlines were traced, and if their faces and clothes were of the same color. But it was then too late, or perhaps the influence of reflection and exami nation had been too powerful. All grew suddenly pale, and the subjective phenomenon, which might have lasted some minutes longer, had disap peared.—It is plain that here an inward reminiscence, arising in accordance with the laws of association, had combined with an optical after image. The excessive excitation of the periphery of the optic nerve. I mean the long-continued preceding sensation of my eyes when contemplating the color of the mountain, had indirectly provoked a subjective and durable sensation, that of the complemenatry color ; and my reminiscence, incor- porating itself with this subjective sensation, became the corpse-like phan tom I have described.” 86 PSYCHOLOGY. Note that in every illusion what is false is what is in- ferred, not what is immediately given. The ‘this,’ if it were felt by itself alone, would be all right, it only becomes misleading by what it suggests. If it is a sensation of sight, it may suggest a tactile object, for example, which later tactile experiences prove to be not there. The so-called ‘fallacy of the senses,’ of which the ancient sceptics made so much account, is not fallacy of the senses proper, hut rather of the intellect, which interprets wrongly what the senses give.* So much premised, let us look a little closer at these illusions. They are due to two main causes. The wrong object is perceived either because 1) Although not on this occasion the real cause, it is yet the habitual, inveterate, or most probable cause of1 this ; ’ or because 2) The mind is temporarily full of the thought of that object, and therefore 1 this ’ is peculiarly prone to suggest it at this moment. I will give briefly a number of examples under each head. The first head is the more important, because it includes a number of constant illusions to which all men are subject, and which can only be dispelled by much experience. IUmions of the First Type. One of the oldest instances dates from Aristotle. Cross two fingers and roll a pea, pen- holder, or other small object be- tween them. It will seem double. Professor Croom Robertson has given the clearest analysis of this illusion. He observes that if the object be brought into con- tact first with the forefinger and next with the second finger, the two contacts seem to come in at different points of space. Fig. 48. * Cf. Th. Reid’s Intellectual Powers, essay n. chap, xxn, and A. Binet, in Mind, ix. 206. M. Binet points out the fact that what is fallaciously inferred is always an object of some other sense than the ‘ this. ’ ' Optical illusions’ are generally errors of touch and muscular sensibility, and the fallaciously perceived object and the experiences which correct it are both tactile in these cases. THE PERCEPTION OF THINGS. 87 The forefinger-touch seems higher, though the finger is really lower; the second-finger-touch seems lower, though the finger is really higher. “We perceive the contacts as double because we refer them to two distinct parts of space.” The touched sides of the two fingers are normally not together in space, and customarily never do touch one thing; the one thing which now touches them, therefore, seems in two places, i.e. seems two things.* There is a whole batch of illusions which come from optical sensations interpreted by us in accordance with our usual rule, although they are now produced by an unusual object. The stereoscope is an example. The eyes see a picture apiece, and the two pictures are a little disparate, the one seen by the right eye being a view of the obj'ect taken from a point slightly to the right of that from which the left eye’s picture is taken. Pictures thrown on the two eyes by solid objects present this identical disparity. Whence we react on the sensation in our usual way, and perceive a solid. If the pictures be exchanged we perceive a hollow mould of the object, for a hollow mould would cast just such disparate pictures as these. Wheatstone’s instrument, the pseudoscope, allows us to look at solid objects and see with each eye the other eye’s picture. We then perceive the solid object hollow, if it be an object which might probably be hollow, but not otherwise. A human face, e.g., never appears hollow to the pseudoscope. In this irregularity of reaction on different objects, some seem hollow, others not; the perceptive process is true to its law, which is always to react on the sensation in a deter- minate and figured fashion if possible, and in as probable a fashion as the case admits. To couple faces and hollow * The converse illusion is hard to bring about. The points a and b, being normally in contact, mean to us the same space, and hence it might be supposed that when simultaneously touched, as by a pair of callipers, we should feel but one object, whilst as a matter of fact we feel two. It should be remarked in explanation of this that an object placed between the two fingers in their normal uncrossed position always awakens the sense of two contacts. When the fingers are pressed together we feel one object to be between them. And when the fingers are crossed, and their correspond- ing points a and b simultaneously pressed, we do get somothing like th« illusion of singleness—that is, we get a very doubtful doubleneas. 88 PSYCHOLOGY. ness violates all our habits of association. For the same reason it is very easy to make an intaglio cast of a face, or the painted inside of a pasteboard mask, look convex, in- stead of concave as they are. Our sense of the position of things with respect to our eye consists in suggestions of how we must move our hand to touch them. Certain places of the image on the retina, certain actively-produced positions of the eyeballs, are normally linked with the sense of every determinate posi- tion which an outer thing may come to occupy. Hence we perceive the usual position, even if the optical sensation be artificially brought from a different part of space. Prisms warp the light-rays in this way, and throw upon the retina the image of an object situated, say, at spot a of space in the same manner in which (without the prisms) an object situ- ated at spot b would cast its image Accordingly we feel for the object at b instead of a. If the prism be before one eye only we see the object at b with that eye, and in its right position a with the other—in other words, we see it double. If both eyes be armed with prisms with their angle towards the right, we pass our hand to the right of all objects when we try rapidly to touch them. And this illusory sense of their position lasts until a new association is fixed, when on removing the prisms a contrary illusion at first occurs. Passive or unintentional changes in the position of the eyeballs seem to be no more kept account of by the mind than prisms are; so we spontaneously make no allow- ance for them in our perception of distance and movements. Press one of the eyeballs into a strained position with the finger, and objects move and are translocated accordingly, just as when prisms are used. Curious illusions of movement in objects occur whenever the eyeballs move without our intending it. We shall learn in the following chapter that the original visual feeling of movement is produced by any image passing over the retina. Originally, however, this sensation is definitely referred neither to the object nor to the eyes. Such definite refer- ence grows up later, and obeys certain simple laws. We believe objects to move : 1) whenever we get the retinal movement-feeling, but think our eyes are still; and 2) when- THE PERCEPTION OF THINGS. 89 ever we think that our eyes move, but fail to get the retinal movement-feeling. We believe objects to be still, on the contrary, 1) whenever we get the retinal movement-feeling, but think >ur eyes are moving; and 2) whenever we neither think our eyes are moving, nor get the retinal movement- feeling. Thus the perception of the object’s state of motion or rest depends on the notion we frame of our own eye’s movement. Now many sorts of stimulation make our eyes move without our knowing it. If we look at a waterfall, river, railroad train, or any body which continuously passes in front of us in the same direction, it carries our eyes with it. This movement can be noticed in our eyes by a by- stander. If the object keep passing towards our left, our eyes keep following whatever moving bit of it may have caught their attention at first, until that bit disappears from view. Then they jerk back to the right again, and catch a new bit, which again they follow to the left, and so on indefinitely. This gives them an oscillating demeanor, slow involuntary rotations leftward alternating with rapid voluntary jerks rightward. But the oscillations continue for a while after the object has come to a standstill, or the eyes are carried to a new object, and this produces the illu- sion that things now move in the opposite direction. For we are unaware of the slow leftward automatic movements of our eyeballs, and think that the retinal movement-sen- sations thereby aroused must be due to a rightward motion of the object seen; whilst the rapid voluntary rightward movements of our eyeballs we interpret as attempts to pur- sue and catch again those parts of the object which have been slipping away to the left. Exactly similar oscillations of the eyeballs are produced in giddiness, with exatly similar results. Giddiness is easi- est produced by whirling on our heels. It is a feeling of the movement of our own head and body through space, and is now pretty well understood to be due to the irrita- tion of the semi-circular canals of the inner ear.* When, * Purkinje, Mach, and Breuer are the authors to whom we mainly owe the explanation of the feeling of vertigo. I have found (American Jour- nal of Otology, Oct. 1882) that in deaf-mutes (whose semi-circular canals or entire auditory nerves must often be disorganized) there very frequently exists no susceptibility to giddiness or whirling. 90 PSYCHOLOGY. after whirling, we stop, we seem to be spinning in the reverse direction for a few seconds, and then objects appear to con- tinue whirling in the same direction in which, a moment previous, our body actually whirled. The reason is that our eyes normally tend to maintain their field of view- If we suddenly turn our head leftwards it is hard to make the eyes follow. They roll in their orbits rightwards, by a sort of compensating inertia. Even though we falsely think our head to be moving leftwards, this consequence occurs, and our eyes move rightwards—as may be observed in any one with vertigo after whirling. As these move- ments are unconscious, the retinal movement-feelings which they occasion are naturally referred to the objects seen. And the intermittent voluntary twitches of the eyes towards the left, by which we ever and anon recover them from the extreme rightward positions to which the reflex movement brings them, simply confirm and intensify our impression of a leftward-whirling field of view: we seem to ourselves to be periodically pursuing and overtaking the objects in their leftward flight. The whole phenomenon fades out after a few seconds. And it often ceases if we voluntarily fix our eyes upon a given point.* Optical vertigo, as these illusions of objective movement are called, results sometimes from brain-trouble, intoxica- tions, paralysis, etc. A man will awaken with a weakness of one of his eye-muscles. An intended orbital rotation will then not produce its expected result in the way of retinal movement-feeling—whence false perceptions, of which one of the most interesting cases will fall to be discussed in later chapters. There is an illusion of movement of the opposite sort, with which every one is familiar at railway stations. Habit- ually, when we ourselves move forward, our entire field of view glides backward over our retina. When our move- ment is due to that of the windowed carriage, car, or boat * The involuntary continuance of the eye’s motions is not the only cause of the false perception in these cases. There is also a true negative after- image of the original retinal movement-sensations, as we shall set in Chapter XX. THE PERCEPTION OF THINGS. 91 in which we sit, all stationary objects visible through the window give us a sensation of gliding in the opposite direction. Hence, whenever we get this sensation, of a window with all objects visible through it moving in one direction, we react upon it in our customary way, and per- ceive a stationary field of view, over which the window, and we ourselves inside of it, are passing by a motion of our own. Consequently when another train comes alongside of ours in a station, and fills the entire window, and, after standing still awhile, begins to glide away, we judge that it is our train which is moving, and that the other train is still. If, however, we catch a glimpse of any part of the station through the windows, or between the cars, of the other train, the illusion of our own movement instantly disappears, and we perceive the other train to be the one in motion. This, again, is but making the usual and probable inference from our sensation.* Another illusion due to movement is explained by Helm- holtz. Most wayside objects, houses, trees, etc., look small when seen out of the windows of a swift train. This is be- cause we perceive them in the first instance unduly near. And we perceive them unduly near because of their extra- ordinarily rapid parallactic flight backwards. When we ourselves move forward all objects glide backwards, as aforesaid; but the nearer they are, the more rapid is this apparent translocation. Relative rapidity of passage back- wards is thus so familiarly associated with nearness that when we feel it we perceive nearness. But with a given size of retinal image the nearer an object is, the smaller do we judge its actual size to be. Hence in the train, the faster we go, the nearer do the trees and houses seem, and the nearer they seem, the smaller do they look.t Other illusions are due to the feeling of convergence being wrongly interpreted. When we converge our eyeballs we perceive an approximation of whatever thing we may be looking at. Whatever things do approach whilst we look * We never, so far as I know, get the copverse illusion at a railroad sta- tion and believe the other train to move v/hen it is still, f Helmholtz: Physiol. Optik, 365. 92 P8TCH0L00T. at them oblige us, so long as they are not very distant, to converge our eyes. Hence approach of the thing is the prob- able objective fact when we feel our eyes converging. Now in most persons the internal recti muscles, to which converg- ence is due, are weaker than the others; and the entirely passive position of the eyeballs, the position which they assume when covered and looking at nothing in particular, is either that of parallelism or of slight divergence. Make a person look with both eyes at some near object, and then screen the object from one of his eyes by a card or book, The chances are that you will see the eye thus screened turn just a little outwards. Remove the screen, and you will now see it turn in as it catches sight of the object again. The other eye meanwhile keeps as it was at first. To most persons, accordingly, all objects seem to come nearer when, after looking at them with one eye, both eyes are used ; and they seem to recede during the opposite change. With persons whose external recti muscles are insufficient, the illusions may be of the contrary kind. The size of the retinal image is a fruitful source of illusions. Normally, the retinal image grows larger as the object draws near. But the sensation yielded by this enlargement is also given by any object which really grows in size with- out changing its distance. Enlargement of retinal image is therefore an ambiguous sign. An opera-glass enlarges the moon. But most persons will tell you that she looks smaller through it, only a great deal nearer and brighter. They read the enlargement as a sign of approach ; and the perception of approach makes them actually reverse the sensation which suggests it—by an exaggeration of our habitual custom of making allowance of the apparent en- largement of whatever object approaches us, and reducing it in imagination to its natural size. Similarly, in the theatre the glass brings the stage near, but hardly seems to mag- nify the people on it. The well-known increased apparent size of the moon on the horizon is a result of association and probability. It is seen through vaporous air, and looks dimmer and duskier than when it rides on high; and it is seen over fields, trees, THE PERCEPTION OF THINGS. 93 hedges, streams, and the like, which break up the interven- ing space and make us the better realize the latter’s extent. Both these causes make the moon seem more distant from us when it is low ; and as its visual angle grows no less, we deem that it must be a larger body, and we so perceive it. It looks particularly enormous when it comes up directly behind some well-known large object, as a house or tree, distant enough to subtend an angle no larger than that of the moon itself.* The feeling of accommodation also gives rise to false per- ceptions of size. Usually we accommodate our eyes for an object as it approaches us. Usually under these circum- stances the object throws a larger retinal image. But believing the object to remain the same, we make allowance for this and treat the entire eye-feeling which we receive as significant of nothing but approach. When we relax our accommodation and at the same time the retinal image grows smaller, the probable cause is always a receding object. The moment we put on convex glasses, however, the accommodation relaxes, but the retinal image grows larger instead of less. This is what would happen if our object, whilst receding, grew. Such a probable object we accordingly perceive, though with a certain vacillation as to the recession, for the growth in apparent size is also a probable sign of approach, and is at moments interpreted accordingly.—Atropin paralyzes the muscles of accommo- dation. It is possible to get a dose which will weaken these muscles without laming them altogether. When a known near object is then looked at we have to make the same voluntary strain to accommodate, as if it were a great deal nearer ; but as its retinal image is not enlarged in pro- portion to this suggested approach, we deem that it must have grown smaller than usual. In consequence of this so-called micropsy, Aubert relates that he saw a man ap- parently no larger than a photograph. But the small size again made the man seem farther off. The real distance * Cf. Berkeley’s Theory of Vision, §§ 67-79 ; Helmholtz : Physiologische Optik, pp. 680-1 ; Lechalas in Reuve Philosophique, xxvi. 49. 94 PSYCHOLOGY. was two or three feet, and he seemed against the wall of the room.* Of these vacillations we shall have to speak again in the ensuing chapter.t Mrs. C. L. Franklin has recently described and explained with rare acuteness an illusion of which the most curious thing is that it was never noticed before. Take a single pair of crossed lines (Fig. 49), hold them in a horizontal plane before the eyes, and look along them, at such a distance that with the right eye shut, 1, and with the left eye shut, 2, looks like the projection of a vertical line. Look steadily now at the point of intersection of the lines with both eyes open, and you will see a third line sticking up like a pin through the paper at right angles to the plane of the two first lines. The explanation of this illusion is very simple, but so circumstantial that I must refer for it to Mrs. Franklin’s own account.! Suffice it that images of the two lines fall on ‘corresponding’ rows of retinal points, and that the illusory vertical line is the only object capable of throwing such images. A variation of the experiment is this: Fig. 49 “ In Fig. 50 the lines are all drawn so as to pass through a common point. With a little trouble one eye can be put into the position of this point—it is only necessary that the paper be held so that, with one eye shut, the other eye sees all the lines leaning neither to the right nor to the left. After a moment one can fancy the lines to be vertical staffs standing out of the plane of the paper. . . . This illusion [says Mrs. Franklin] I take to be of purely mental origin. When a line lies any- where in a plane passing through the apparent vertical meridian of one eye, and is looked at with that eye only. ... we have no very good means of knowing how it is directed in that plane. . . . Now of the lines in nature which lie anywhere within such a plane, by far the * Physiol. Optik, p. 602. f It seems likely that the strains in the recti muscles have something to do with the vacillating judgment in these atropin cases. The internal recti contract whenever we accommodate. They squint and produce double vision when the innervation for accommodation is excessive. To see singly, when straining the atropinized accommodation, the contraction of our internal recti must be neutralized by a correspondingly excessive con- traction of the external recti. But this is a sign of the object’s recession, etc. | American Journal of Psychology, i. 101 ff. THE PERCEPTION OF THINGS. 95 greater number are vertical lines. Hence we are peculiarly inclined to think that a line which we perceive to be in such a plane is a vertical line. But to see a lot of lines at once, all ready to throw their images upon the vertical meridian, is a thing that has hardly ever happened to us, except when they all have been vertical lines. Hence when that happens we have a still stronger tendency to think that what we see before us is a group of vertical lines.” In other words, we see, as always, the most probable object. The foregoing may serve as examples of the first type of illusions mentioned on page 86. I could cite of course many others, but it would be tedious to enumerate all the thaumatropes and zoetropes, dioramas, and juggler’s tricks in which they are embodied. In the chapter on Sensation we saw that many illusions commonly ranged under this type are, physiologically considered, of another sort al- together, and that associative processes, strictly so called, have nothing to do with their production. Fig. 50. We may now turn to illusions of the second of the two types discriminated on page 86. In this type we perceive a wrong object because our mind is full of the thought of it at the time, and any sensation which is in the least degree connected with it touches off, as it were, a train already laid, and gives us a sense that the object is really before us. Here is a familiar example : “If a sportsman, while shooting woodcock in cover, sees a bird about the size and color of a woodcock get up and fly through the foli* Illusions of the Second Type. 96 PSYCHOLOGY. age, not having time to see more than that it is a bird of such a size and color, he immediately supplies by inference the other qualities of a woodcock, and is afterwards disgusted to find that he has shot a thrush. I have done so myself, and could hardly believe that the thrush was the bird I had fired at, so complete was my mental supplement to my visual perception. ” * As with game, so with enemies, ghosts, and the like. Anyone waiting in a dark place and expecting or fearing strongly a certain object will interpret any abrupt sensa- tion to mean that object’s presence. The boy playing ‘ I spy,’ the criminal skulking from his pursuers, the supersti- tious person hurrying through the woods or past the church- yard at midnight, the man lost in the woods, the girl who tremulously has made an evening appointment with her swain, all are subject to illusions of sight and sound which make their hearts beat till they are dispelled. Twenty times a day the lover, perambulating the streets with his preoccupied fancy, will think he perceives his idol’s bonnet before him. The Proof-reader's Illusion. I remember one night in Boston, whilst waiting for a ‘ Mount Auburn ’ car to bring me to Cambridge, reading most distinctly that name upon the signboard of a car on which (as I afterwards learned) 4 North Avenue ’ was painted. The illusion was so vivid that I could hardly believe my eyes had deceived me. All reading is more or less performed in this way. “ Practised novel- or newspaper-readers could not possibly get on so fast if they had to see accurately every single letter of every word in order to perceive the words. More than half of the words come out of their mind, and hardly half from the printed page. Were this not so, did we perceive each letter by itself, typographic errors in well-known words would never be overlooked. Children, whose ideas are not yet ready enough to perceive words at a glance, read them wrong if they are printed wrong, that is, right according to the way of printing. In a foreign language, although it may be printed with the same letters, we read by so much the more slowly as we do not understand, or are unable promptly to perceive the words. But we notice misprints all the more readily. For this reason Latin and Greek and, still better, Hebrew works are more correctly printed, because the proofs are better corrected, than in German works. Of two friends of mine, one knew much Hebrew, the other little ; the latter, however, gave instruction in * Romanes, Mental Evolution in Animals, d. 894. THE PERCEPTION OF THINGS. 97 Hebrew in a gymnasium ; and when he called the other to help correct his pupils’ exercises, it turned out that he could And out all sorts of little errors better than his friend, because the latter’s perception of the words as totals was too swift.” * Testimony to personal identity is proverbially fallacious for similar reasons. A man has witnessed a rapid crime or accident, and carries away his mental image. Later he is confronted by a prisoner whom he forthwith perceives in the light of that image, and recognizes or ‘ identifies ’ as a participant, although he may never have been near the spot. Similarly at the so-called ‘ materializing seances ’ which fraudulent mediums give : in a dark room a man sees a gauze-robed figure who in a whisper tells him she is the spirit of his sister, mother, wife, or child, and falls upon his neck. The darkness, the previous forms, and the ex- pectancy have so filled his mind with piemonitory images that it is no wonder he perceives what is suggested. These fraudulent ‘ seances ’ would furnish most precious docu- ments to the psychology of perception, if they could only be satisfactorily inquired into. In the hypnotic trance any suggested object is sensibly perceived. In certain subjects this happens more or less completely after waking from the trance. It would seem that under favorable conditions a somewhat similar susceptibility to suggestion may exist in certain persons who are not otherwise entranced at all. This suggestibility is greater in the lower senses than in the higher. A German observer writes : “We know that a weak smell or taste may be very diversely inter- preted by us, and that the same sensation will now be named as one thing and the next moment as another. Suppose an agreeable smell of flowers in a room : A visitor will notice it, seek to recognize what it is, * M. Lazarus: Das Leben d. Seele, n (1857), p. 32. In the ordinary hearing of speech half the words we seem to hear are supplied out of our own head. A language with which we are perfectly familiar is under- stood, even when spoken in low tones and far off. An unfamiliar language is unintelligible under these conditions. If we do not get a very good seat at a foreign theatre, we fail to follow the dialogue ; and what gives trouble to most of us when abroad is not only that the natives speak so fast, but that they speak so indistinctly and so low. The verbal objects for inter- preting the sounds by are not alert and ready made in our minds, as they are in our familiar mother-tongue, and do not start up at so faint a cue. 98 PSYCHOLOGY. and at last perceive more and more distinctly that it is the perfume of roses—until after all he discovers a bouquet of violets. Then suddenly he recognizes the violet-smell, and wonders how he could possibly have hit upon the roses.—Just so it is with taste. Try some meat whose visible characteristics are disguised by the mode of cooking, and you will perhaps begin by taking it for venison, and end by being quite certain that it is venison, until you are told that it is mutton ; where- upon you get distinctly the mutton flavor.—In this wise one may make a person taste or smell what one will, if one only makes sure that he shall conceive it beforehand as we wish, by saying to him : ‘ Doesn’t that taste just like, etc.?’ or ‘Doesn’t it smell just like, etc.?’ One can cheat whole companies in this way; announce, for instance, at a meal, that the meat tastes ‘high,’ and almost every one who is not animated by a spirit of opposition will discover a flavor of putrescence which in reality is not there at all. “ In the sense of feeling this phenomenon is less prominent, because we get so close to the object that our sensation of it is never incomplete. Still, examples may be adduced from this sense. On superficially feel- ing of a cloth, one may confidently declare it for velvet, whilst it is perhaps a long-haired cloth; or a person may perhaps not be able to decide whether he has put on woolen or cotton stockings, and, trying to ascertain this by the feeling on the skin of the feet, he may become aware that he gets the feeling of cotton or wool according as he thinks of the one or the other. When the feeling in our fingers is somewhat blunted by cold, we notice many such phenomena, being then more ex- posed to confound objects of touch with one another.” * High authorities have doubted this power of imagination to falsify present impressions of sense. + Yet it unquestion- ably exists. Within the past fortnight I have been annoyed by a smell, faint but unpleasant, in my library. My annoy- ance began by an escape of gas from the furnace below stairs. This seemed to get lodged in my imagination as a sort of standard of perception; for, several lays after the furnace had been rectified, I perceived the ‘ same smell ’ again. It was traced this time to a new pair of India rubber shoes which had been brought in from the shop and laid on a table. It persisted in coming to me for several days, however, in spite of the fact that no other member of the family or visitor noticed anything unpleasant. My impres- sion during part of this time was one of uncertainty whether * 6. H. Meyer, Untersuchungen, etc., pp. 243-3. f Helmholtz, P. O. 438. The question will soon come before us again in the chapter on the Perception of Space. THE PERCEPTION OF THINGS. 99 the smell was imaginary or real; and at last it faded out. Everyone must be able to give instances like this from the smell-sense. When we have paid the faithless plumber for pretending to mend our drains, the intellect inhibits the nose from perceiving the same unaltered odor, until per- haps several days go by. As regards the ventilation or heating of rooms, we are apt to feel for some time as we think we ought to feel. If we believe the ventilator is shut, we feel the room close. On discovering it open, the oppres- sion disappears. An extreme instance is given in the following extract: ‘ ‘ A patient called at my office one day in a state of great excitement from the effects of an offensive odor in the horse-car she had come in, and which she declared had probably emanated from some very sick person who must have been just carried in it. There could be no doubt that something had affected her seriously, for she was very pale, with nausea, difficulty in breathing, and other evidences of bodily and mental distress. I succeeded, after some difficulty and time, in quieting her, and she left, protesting that the smell was unlike anything she had ever before experienced and was something dreadful. Leaving my office soon after, it so happened that I found her at the street-corner, waiting for a car: we thus entered the car together. She immediately called my attention to the same sickening odor which she had experienced in the other car, and began to be affected the same as before, when I pointed out to her that the smell was simply that which always emanates from the straw which has been in stables. She quickly recognized it as the same, when the unpleasant effects which arose while she was possessed with another perception of its character at once passed away.”* It is the same with touch. Everyone must have felt the sensible quality change under his hand, as sudden contact with something moist or hairy, in the dark, awoke a shock of disgust or fear which faded into calm recognition of some familiar object? Even so small a thing as a crumb of po- tato on the table-cloth, which we pick up, thinking it a crumb of bread, feels horrible for a few moments to our fancy, and different from what it is. Weight or muscular feeling is a sensation; yet who has not heard the anecdote of some one to whom Sir Humphry Davy showed the metal sodium which he had just dis- covered? “Bless me, how heavy it is!” said the man; * C. F Taylor, Sensation and Pain, p. 37 (N. Y., 1882). 100 PSYCHOLOGY. showing that his idea of what metals as a class ought to be had falsified the sensation he derived from a very light substance. In the sense of hearing, similar mistakes abound. I have already mentioned the hallucinatory effect of mental images of very faint sounds, such as distant clock-strokes (above, p. 71). But even when stronger sensations of sound have been present, everyone must recall some experience in which they have altered their acoustic character as soon as the intellect referred them to a different source. The other day a friend was sitting in my room, when the clock, which has a rich low chime, began to strike. “ Hollo! ” said he, “hear that hand-organ in the garden,” and was sur- prised at finding the real source of the sound. I had myself some years ago a very striking illusion of the sort. Sitting reading late one night, I suddenly heard a most formidable noise proceeding from the upper part of the house, which it seemed to fill. It ceased, and in a moment renewed it- self. I went into the hall to listen, but it came no more. Resuming my seat in the room, however, there it was again, low, mighty, alarming, like a rising flood or the avant- courier of an awful gale. It came from all space. Quite startled, I again went into the hall, but it had already ceased once more. On returning a second time to the room, I discovered that it was nothing but the breathing of a little Scotch terrier which lay asleep on the floor. The note- worthy thing is that as soon as I recognized what it was, I was compelled to think it a different sound, and could not then hear it as I had heard it a moment before. In the anecdotes given by Delboeuf and Reid, this was probably also the case, though it is not so stated. Reid says: “ I remember that once lying abed, and having been put into a fright, I heard my own heart beat; but I took it to be one knocking at the door, and arose and opened the door oftener than once, before I dis- covered that the sound was in my own breast.” (Inquiry, chap. iv. §1.) Delboeuf’s story is as follows : “ The illustrious P. J. van Beneden, senior, was walking one evening with » friend along a woody hill near Chaudfontaine. ‘Don’t you THE PERCEPTION OF THINGS. 101 hear,’ said the friend, ‘ the noise of a hunt on the mountain?’ M. van Beneden listens and distinguishes in fact the giving-tongue of the dogs. They listen some time, expecting from one moment to another to see a deer bound by; but the voice of the dogs seems neither to recede nor approach. At last a countryman comes by, and they ask him who it is that can be hunting at this late hour. But he, pointing to some puddles of water near their feet, replies: * Yonder little animals are what you hear. ’ And there there were in fact a number of toads of the species Bombinator igneus. . . . This batrachian emits at the pairing season a silvery or rather crystalline note. . . . Sad and pure, it is a voice in nowise resembling that of hounds giving chase.” * The sense of sight, as we have seen in studying Space, is pregnant with illusions of both the types considered. No sense gives such fluctuating impressions of the same object as sight does. With no sense are we so apt to treat the sensations immediately given as mere signs ; with none is the invocation from memory of a thing, and the conse- quent perception of the latter, so immediate. The ‘ thing ’ which we perceive always resembles, as we have seen, the object of some absent sensation, usually another optical figure which in our mind has come to be the standard of reality; and it is this incessant reduction of our optical objects to more * real ’ forms which has led some authors into the mistake of thinking that the sensations which first apprehend them are originally and natively of no from at alLf Of accidental and occasional illusions of sight many amusing examples might be given. Two will suffice. One is a reminiscence of my own. I was lying in my berth in a steamer listening to the sailors holystone the deck out- side ; when, on turning my eyes to the window, I perceived with perfect distinctness that the chief-engineer of the ves- sel had entered my state-room, and was standing looking through the window at the men at work upon the guards. Surprised at his intrusion, and also at his intentness and * Examen Critique de la Loi Psychophysique (1883), p. 61. f Compare A. W Yolkmann’s essay ‘ Ueber Ursprilngliches und Erwor- benes in den Raumanschauungen,’ on p. 139 of his Untersuchungen im Gebiete der Optik ; and Chapter xm of Hering’s contribution to Her- mann’s Handbuch der Physiologic, vol. hi. 102 PSYCHOLOGY. immobility, I remained watching him and wondering how long he would stand thus. At last I spoke ; but getting no reply, sat up in my berth, and then saw that what I had taken for the engineer was my own cap and coat hanging on a peg beside the window. The illusion was complete ; the engineer was a peculiar-looking man ; and I saw him unmistakably ; but after the illusion had vanished I found it hard voluntarily to make the cap and coat look like him at all. The following story, which I owe to my friend Prof. Hyatt, is of a probably not uncommon class : “ During the winter of 1858, while in Venice, I had the somewhat peculiar illusion which you request me to relate. I remember the cir- cumstances very accurately because I have often repeated the story, and have made an effort to keep all the attendant circumstances clear of exaggeration. I was travelling with my mother, and we had taken rooms at a hotel which had been located in an old palace. The room in which I went to bed was large and lofty. The moon was shining brightly, and 1 remember standing before a draped window, thinking of the romantic nature of the surroundings, remnants of old stories of knights and ladies, and the possibility that even in that room itself love-scenes and sanguinary tragedies might have taken place. The night was so lovely that many of the people were strolling through the narrow lanes or so-called streets, singing as they went, and I laid awake for some time listening to these patrols of serenaders, and of course finally fell asleep. I became aware that some one was leaning over me closely, and that my own breathing was being interfered with: a decided feeling of an unwelcome presence of some sort awakened me. As I opened my eyes I saw, as distinctly as I ever saw any living person, a draped head about a foot or eighteen inches to the right, and just above my bed. The horror which took possession of my young fancy was beyond anything 1 have ever experienced. The head was covered by a long black veil which floated out into the moonlight, the face itself was pale and beautiful, and the lower part swathed in the white band com- monly worn by the nuns of Catholic orders. My hair seemed to rke up, and a profuse perspiration attested the genuineness of the terror which I felt. For a time I lay in this way, and then gradually gaining more command over my superstitious terrors, concluded to try to grap- ple with the apparition. It remained perfectly distinct until I reached at it sharply with my hand, and then disappeared, to return again, however, as soon as I sank back into the pillow. The second or third grasp which I made at the head was not followed by a reappearance, and I then saw that the ghost was not a real presence, but depended upon the position of my head. If I moved my eyes either to the left or THE PERCEPTION OF THINGS. 103 right of the original position occupied by my head when I awakened, the ghost disappeared, and by returning to about the same position, I could make it reappear with nearly the same intensity as at first. I presently satisfied myself by these experiments that the illusion arose from the effect of the imagination, aided by the actual figure made by a visual section of the moonbeams shining through the lace curtains of the win- dow. If I had given way to the first terror of the situation and cov- ered up my head, I should probably have believed in the reality of the apparition, since I have not by the slightest word, so far as I know, ex- aggerated the vividness of my feelings.” Enough has now been said to prove the general law of perception, which is this, that whilst part of what we per- ceive comes through our senses from the object before us, another part (and it may be the larger part) always comes (in Laza- rus’s phrase) out of our own head. At bottom this is only one case (and that the simplest case) of the general fact that our nerve-centres are an organ for reacting on sense-impressions, and that our hemispheres, in particular, are given us in order that records of our private past experience may co-operate in the reaction. Of course such a general way of stating the fact is vague ; and all those who follow the current theory of ideas will be prompt to throw this vagueness at it as a reproach. Their way of de- scribing the process goes much more into detail. The sen- sation, they say, awakens ‘ images ’ of other sensations asso- ciated with it in the past. These images * fuse,’ or are ‘ com- bined ’ by the Ego with the present sensation into a new product, the percept, etc., etc. Something so indistinguish- able from this in practical outcome is what really occurs, that one may seem fastidious in objecting to such a state- ment, specially if have no rival theory of the elementary processes to propose. And yet, if this notion of images rising and flocking and fusing be mythological (and we have all along so considered it), why should we entertain it unless confessedly as a mere figure of speech ? As such, of course, it is convenient and welcome to pass. But if we try to put an exact meaning into it, all we find is that the brain reacts by paths which previous experiences have worn, and makes us usually perceive the probable thing, i.e., the thing by THE PHYSIOLOGICAL PROCESS IN PERCEPTION. 104 PSYCHOLOGY. which on previous occasions the reaction was most frequent- ly aroused. But we can, I think, without danger of being too speculative, be a little more exact than this, and conceive of a physiological reason why the felt quality of an object changes when, instead of being apprehended in a mere sen- sation, the object is perceived as a thing. All consciousness seems to depend on a certain slowness of the process in the cortical cells. The rapider currents are, the less feeling they seem to awaken. If a region A, then, be so connected with another region B that every current which enters A immediately drains off into B, we shall not be very strongly conscious of the sort of object that A can make us feel. If B, on the contrary, has no such copious channel of dis- charge, the excitement will linger there longer ere it diffuses itself elsewhere, and our consciousness of the sort of ob- ject that B makes us feel will be strong. Carrying this to an ideal maximum, we may say that if A offer no resistance to the transmission forward of the current, and if the cur- rent terminate in B, then, no matter what causes may initiate the current, we shall get no consciousness of the object peculiar to A, but on the contrary a vivid sensation of the object peculiar to B. And this will be true though at other times the connection between A and B might lie less open, and every current then entering A might give us a strong con- sciousness of A’s peculiar object. In other words, just in proportion as associations are habitual, will the qualities of the suggested thing tend to substitute themselves in con- sciousness for those of the thing immediately there; or, more briefly, just in proportion as an experience is probable tviU it tend to be directly felt. In all such experiences the paths lie wide open from the cells first affected to those concerned with the suggested ideas. A circular after-image on the receding wall or ceiling is actually seen as an ellipse, a square after-image of a cross there is seen as slant-legged, etc., because only in the process correlated with the vision of the latter figures do the inward currents find a pause (see the next chapter). We must remember this when, in dealing with the eye, we come to point out the erroneousness of the principle laid THE PERCEPTION OF THINGS. 105 down by Reid and Helmholtz that true sensations can never be changed by the suggestions of experience. A certain illusion of which I have not yet spoken affords an additional illustration of this. When we ivill to execute a movement and the movement for some reaeon does not occur, unless the sensation of the part's not moving is a strong one, we are apt to fed as if the movement had actually taken place. This seems habitually to be the case in anaesthesia of the moving parts. Close the patient’s eyes, hold his anaesthetic arm still, and tell him to raise his hand to his head; and when he opens his eyes he will be astonished to find that the movement has not taken place. All reports of anaesthetic cases seem to mention this illusion. Sternberg who wrote on the subject in 1885,* lays it down as a law that the intention to move is the same thing as the feeling of the motion. We shall later see that this is false (Chapter XXY); but it certainly may suggest the feeling of the motion with hallu- cinatory intensity. Sternberg gives the following experi- ment, which I find succeeds with at least half of those who try it: Rest your palm on the edge of the table with your forefinger hanging over in a position of extreme flexion, and then exert your will to flex it still more. The position of the other fingers makes this impossible, and yet if we do not look to see the finger, we think we feel it move. He quotes from Exner a similar experiment with the jaws: Put some hard rubber or other unindentable obstacle between * In the Proceedings of the American Society for Psychical Research, pp. 253-4. I have tried to account for some of the variations in this conscious- ness. Out of 140 persons whom I found to feel their lost foot, some did so dubiously. “Either they only feel it occasionally, or only when it pains them, or only when they try to move it; or they only feel it when the> * think a good deal about it ’ and make an effort to conjure it up. When they ‘grow inattentive,’ the feeling ‘flies back’ or ‘jumps back,’ to the stump. Every degree of consciousness, from complete and permanent hal- lucination down to something hardly distinguishable from ordinary fancy, seems represented in the sense of the missing extremity which these patients say they have. Indeed I have seldom seen a more plausible lot of evidence for the view that imagination and sensation are but differences of vividness in an identical process than these confessions, taking them alto- gether, contain. Many patients say they can hardly tell whether thqy feel or fancy the limb. * 106 PSYCHOLOGY. your back teeth and bite hard: you think you feel the jaw move and the front teeth approach each other, though in the nature of things no movement can occur.*—The visu- al suggestion of the path traversed by the finger-tip as the locus of the movement-feeling in the joint, which we dis- cussed on page 41, is another example of this semi-hallu- cinatory power of the suggested thing. Amputated people, as we have learned, still feel their lost feet, etc. This is a necessary consequence of the law of specific energies, for if the central region correlated with the foot give rise to any feeling at all it must give rise to the feeling of a foot. + But the curious thing is that many of these patients can unll the, foot to move, and when they have done so, distinctly fed the movement to occur. They can, to use their own language, * work ’ or ‘ wiggle ’ their lost toes, j: Now in all these various cases we are dealing with data which in normal life are inseparably joined. Of all possi- ble experiences, it is hard to imagine any pair more uni- formly and incessantly coupled than the volition to move, on the one hand, and the feeling of the changed position of the parts, on the other. From the earliest ancestors of ours which had feet, down to the present day, the movement of the feet must always have accompanied the will to move them ; and here, if anywhere, habit’s consequences ought to be found.| The process of the willing ought, then, to pour into the process of feeling the command effected, and ought to awaken that feeling in a maximal degree provided no other positively contradictory sensation come in at the same time. In most of us, when the will fails of its effect there is a contradictory sensation. We discern a resistance or the unchanged position of the limb. But neither in anaes- thesia nor in amputation can there be any contradictory sensation in the foot to correct us; so imagination has all the force of fact. * Pfltlger’s Archiv, xxxvn. 1. f Not all patients have this additional illusion. 11 ought to say that in almost all cases the volition is followed bj •etual contraction of muscles in the stump. THE PERCEPTION OF THINGS. 107 • APPERCEPTION.’ In Germany since Herbart’s time Psychology has always had a great deal to say about a process called Apperception* The incoming ideas or sensations are said to be ‘ apper- ceived ’ by * masses ’ of ideas already in the mind. It is plain that the process we have been describing as perception is, at this rate, an apperceptive process. So are all recogni- tion, classing, and naming ; and passing beyond these sim- plest suggestions, all farther thoughts about our percepts are apperceptive processes as well. I have myself not used the word apperception because it has carried very different mean- ings in the history of philosophy,! and ‘psychic reaction,’ ‘ interpretation,’ ‘ conception,’ ‘ assimilation,’ ‘ elaboration,’ or simply ‘ thought,’ are perfect synonyms for its Herbartian meaning,widely taken. It is, moreover, hardly worth while to pretend to analyze the so-called apperceptive perform- ances beyond the first or perceptive stage, because their varia- tions and degrees are literally innumerable. ‘ Apperception ’ is a name for the sum-total of the effects of what we have studied as association; and it is obvious that the things which a given experience will suggest to a man depend on what Mr. Lewes calls his entire psychostatical conditions, his nature and stock of ideas, or, in other words, his charac- ter, habits, memory, education, previous experience, and momentary mood. We gain no insight into what really oc- curs either in the mind or in the brain by calling all these things the ‘ apperceiving mass,’ though of course this may upon occasion be convenient. On the whole I am inclined to think Mr. Lewes’s term of * assimilation ’ the most fruit- ful one yet used.! Professor H. Steinthal has analyzed apperceptive pro- cesses with a sort of detail which is simply burdensome.! * Cf. Herbart, Psychol, als. Wissenschaft, § 125. f Compare the historical reviews by K. Lange : Ueber Apperception (Plauen, 1879), pp. 12-14; by Staude in Wundt's Philosophische Studien, i. 149; and by Marty in Yierteljsch. f. wiss. Phil., x. 347 ff. $ Problems, vol. I. p. 118 ff. § See his Einleitung in die Psychologie u. Sprachwissenschaft (188H p. 166 ff. 108 PSYCHOLOGY. His introduction of the matter may, however, be quoted He begins with an anecdote from a comic paper. “ In the compartment of a railway-carriage six persons unknown to each other sit in lively conversation. It becomes a matter of regret that one of the company must alight at the next station. One of the others says that he of all things prefers such a meeting with entirely unknowr persons, and that on such occasions he is accustomed neither to ask who or what his companions may be nor to tell who or what he is. Another thereupon says that he will undertake to decide this question, if they each and all will answer him an entirely disconnected question. They began. He drew five leaves from his note-book, wrote a question on each, and gave one to each of his companions with the request that he write the answer below. When the leaves were returned to him, he turned, after reading them, without hesitation to the others, and said to the first, ‘You are a man of science’; to the second, 4 You are a sol dier’; to the third, ‘You are a philologer’; to the fourth, ‘You are a journalist’; to the fifth, ‘You are a farmer.’ All admitted that he was right, whereupon he got out and left the five behind. Ecah wished to know what question the others had received; and behold, he had given the same question to each. It ran thus : “ ‘ What being destroys what it has itself brought forth ? “To this the naturalist had answered, ‘vital force’; the soldier, ‘war’; the philologist, ‘Kronos’; the publicist, ‘revolution’; the farmer, ‘ a boar ’. This anecdote, methinks, if not true, is at least splendidly well invented. Its narrator makes the journalist go on to say : ‘ Therein consists the joke. Each one answers the first thing that occurs to him,* and that is whatever is most newly related to his pur- suit in life. Every question is a hole-drilling experiment, and the an- swer is an opening through which one sees into our interiors.’ ... So do we all. We are all able to recognize the clergyman, the soldier, the scholar, the business man, not only by the cut of their garments and the attitude of their body, but by what they say and how they express it. We guess the place in life of men by the interest which they show and the way in which they show it, by the objects of which they speak, by the point of view from which they regard things, judge them, conceive them, in short by their mode of apperceiving. . . . “Every man has one group of ideas which relate to his own person and interests, and another which is connected with society. Each has his group of ideas about plants, religion, law, art, etc., and more especially about the rose, epic poetry, sermons free trade, and the like Thus the mental content of every individual, even of the uneducated * One of my colleagues, asking himself the question after reading the fcnecdote, tells me that he replied * Harvard College,’ the faculty of that body having voted, a few days previously, to keep back the degrees of member.- y the rraduatinir class who might be disorderly on class-day night. W J THE PERCEPTION OF THINGS. 109 and of children, consists of masses or circles of knowledge of which each lies within some larger circle, alongside of others similarly in- cluded, and of which each includes smaller circles within itself. . . . The perception of a thing like a horse ... is a process between the present horse’s picture before our eyes, on the one hand, and those fused or interwoven pictures and ideas of all the horses we have ever seen, on the other; ... a process between two factors or momenta, of which one existed before the process and was an old possession of the mind (the group of ideas, or concept, namely), whilst the other is but just presented to the mind, and is the immediately supervening factor (the sense-impression). The former apperceives the latter; the latter is apperceived by the former. Out of their combination an apperception- product arises: the knowledge of the perceived being as a horse. The earlier factor is relatively to the later one active and a priori ; the super- vening factor is given, a posteriori, passive. . . . We may then define Apperception as the movement of two masses of consciousness (Vorstel- lungsmassen) against each other so as to produce a cognition. “ The a priori factor we called active, the a posteriori factor passive, but this is only relatively true. . . . Although the a priori moment commonly shows itself to be the more powerful, apperception-processes can perfectly well occur in which the new observation transforms or en- riches the apperceiving group of ideas. A child who hitherto has seen none but four-cornered tables apperceives a round one as a table; but by this the apperceiving mass (‘ table’) is enriched. To his previous knowledge of tables comes this new feature that they need not be four- cornered, but may be round. In the history of science it has happened often enough that some discovery, at the same time that it was apper- ceived, i.e. brought into connection with the system of our knowledge, transformed the whole system. In principle, however, we must maintain that, although either factor is both active and passive, the a priori factor is almost always the more active of the two.” * This account of Steinthal’s brings out very clearly the difference between our psychological conceptions and what are called concepts in logic. In logic a concept is unalterable ; but what are popularly called our * conceptions of things * alter by being used. The aim of ‘ Science ’ is to attain concep- tions so adequate and exact that we shall never need to change them. There is an everlasting struggle in every mind between the tendency to keep unchanged, and the tendency to renovate, its ideas. Our education is a cease- less compromise between the conservative and the pro- gressive factors. Every new experience must be disposed * Op. eit. pp. 186-171. 110 PSYCHOLOGY. of under some old head. The great point is to find the head which has to be least altered to take it in. Certain Polyne- sian natives, seeing horses for the first time, called them pigs, that being the nearest head. My child of two played for a week with the first orange that was given him, calling it a ‘ball.’ He called the first whole eggs he saw ‘potatoes,’ having been accustomed to see his ‘ eggs ’ broken into a glass, and his potatoes without the skin. A folding pocket- corkscrew he unhesitatingly called ‘ bad-scissors.’ Hardh' any one of us can make new heads easily when fresh expe- riences come. Most of us grow more and more enslaved to the stock conceptions with which we have once become familiar, and less and less capable of assimilating impres- sions in any but the old ways. Old-fogyism, in short, is the inevitable terminus to which life sweeps us on. Objects which violate our established habits of ‘ apperception ’ are simply not taken account of at all; or, if on some occasion we are forced by dint of argument to admit their existence, twenty-four hours later the admission is as if it were not, and every trace of the unassimilable truth has vanished from our thought. Genius, in truth, means little more than the faculty of perceiving in an unhabitual way. On the other hand, nothing is more congenial, from babyhood to the end of life, than to be able to assimilate the new to the old, to meet each threatening violator or burster of our well-known series of concepts, as it comes in, see through its unwontedness, and ticket it off as an old friend in disguise. This victorious assimilation of the new is in fact the type of all intellectual pleasure. The lust for it is curiosity. The relation of the new to the old, before the assimilation is performed, is wonder. We feel neither curiosity nor wonder concerning things so far beyond us that we have no concepts to refer them to or standards by which to measure them.* The Fuegians, in Darwin’s voy- * The great maxim in pedagogy is to knit every new piece of knowl- edge on to a pre-existing curiosity—i.e., to assimilate its matter in some way to what is already known. Hence the advantage of “ comparing all that is far off and foreign to something that is near home, of making the unknown plain by the example of the known, and of connecting all the Instruction with the personal experience of the pupil. . . . Tf the teacher is THE PERCEPTION OF THINGS. 111 age, wondered at the small boats, but took the big ship as a ‘matter of course.’ Only what we partly know already inspires us with a desire to know more. The more elabo- rate textile fabrics, the vaster works in metal, to most of us are like the air, the water, and the ground, absolute ex- istences which awaken no ideas. It is a matter of course that an engraving or a copper-plate inscription should pos- sess that degree of beauty. But if we are shown a pew- drawing of equal perfection, our personal sympathy with the difficulty of the task makes us immediately wonder at the skill. The old lady admiring the Academician’s picture, says to him: “ And is it really all done by hand ?” A widely-spread opinion (which has been held by such men as Schopenhauer, Spencer, Hartmann, Wundt, Helm- holtz, and lately interestingly pleaded for by M. Binet*) will have it that perception should be called a sort of reasoning operation, more or less unconsciously and automatically per- formed. The question seems at first a verbal one, depend- ing on how broadly the term reasoning is to be taken. If, every time a present sign suggests an absent reality to our mind, we make an inference ; and if every time we make an inference we reason ; then perception is indubitably reason- ing. Only one sees no room in it for any unconscious part. Both associates, the present sign and the contiguous things which it suggests, are above-board, and no intermediary IS PERCEPTION UNCONSCIOUS INFERENCE P to explain the distance of the sun from the earth, let him ask ... ‘If any- one there in the sun fired off a cannon straight at you, what should you •do?’ ‘Get out of the way ’ would be the answer. ‘No need of that,’ the teacher might reply. ‘You may quietly go to sleep in your room, and get up again, you may wait till your confirmation-day, you may learn a trade, and grow as old as I am,—then only will the cannon-ball be get- ting near, then you may jump to one side! See, so great as that is the sun’s distance!”’ (K. Lange, Ueber Apperception, 1879, p. 76—a charming though prolix little work.) * A. Schopenhauer, Satz vom Grunde, chap. iv. H. Spencer, Psychol., part vi. chaps, ix, x. E. v. Hartmann, Phil, of the Unconscious (B), chaps, vii, viii. W. Wundt, Beitrftge, pp. 422 If.; Yorlesungen, iv, xiii. H. Helmholtz, Physiol. Optik, pp. 430, 447. A. Binet, Psychol, du Rai- sonnemeut, chaps, hi, v. Wundt and Helmholtz have more recently ‘recanted.’ See above, vol i. p. 169 note. 112 PSYCHOLOGY. ideas are required. Most of those who have upheld the thesis in question have, however, made a more complex supposition. What they have meant is that perception is a mediate inference, and that the middle term is unconscious. When the sensation which I have called ‘ this ’ (p. 83, supra) is felt, they think that some process like the following runs through the mind : * This ’ is M ; but M is A ; therefore * this ’ is A.* Now there seem no good grounds for supposing this additional wheelwork in the mind. The classification of * this ’ as M is itself an act of perception, and should, if all perception were inference, require a still earlier syllogism for its performance, and so backwards in infinitum. The only extrication from this coil would be to represent the process in altered guise, thus: ‘This’ is like those; Those are A; Therefore ‘ this ’ is A. The major premise here involves no association by conti- guity, no naming of those as M, but only a suggestion of unnamed similar images, a recall of analogous past sensa- tions with which the characters that make up A were habit- ually conjoined. But here again, what grounds of fact are there for admitting this recall ? We are quite unconscious of any such images of the past. And the conception of all the forms of association as resultants of the elementary fact of habit-worn paths in the brain makes such images entirely superfluous for explaining the phenomena in point. Since the brain-process of ‘ this,’ the sign of A, has repeatedly been aroused in company with the process of the full object A, direct paths of irradiation from the one to the other must be already established. And although roundabout paths may also be possible, as from ‘this’ to ‘those/ and then * When not all M, but only some M, is A, when, in other words, M is * undistributed ’ the conclusion is liable to error. Illusions would thus be Ugieal fallacies, if true perceptions were valid syllogisms. They would draw false conclusions from undistributed middle terms. THE PERCEPTION OF THIN08. 113 from ‘those ’ to * A’ (paths which would lead to practically the same conclusion as the straighter ones), yet there is no ground whatever for assuming them to be traversed now, especially since appearances point the other way. In explicit reasoning, such paths are doubtless traversed, in perception they are in all probability closed. So far, then, from perception being a species of reasoning properly so called, both it and reasoning are co-ordinate varieties of that deeper sort of process known psychologically as the asso- ciation of ideas, and physiologically as the law of habit in the brain. To call perception unconscious reasoning is thus either a useless metaphor, or a positively misleading confusion between two different things. One more point and we may leave the subject of Per- ception. Sir Wm. Hamilton thought that he had discovered a * great law ’ which had been wholly overlooked by psycholo- gists, and which, ‘ simple and universal,’ is this: “ Knowl- edge and Feeling,—Perception and Sensation, though al- ways coexistent, are always in the inverse ratio of each other.” Hamilton wrote as if perception and sensation were two coexistent elements entering into a single state of consciousness. Spencer refines upon him by contending that they are two mutually exclusive states of conscious- ness, not two elements of a single state. If sensation be taken, as both Hamilton and Spencer mainly take it in this discussion, to mean the feeling of pleasure or pain, there is no doubt that the law, however expressed, is true ; and that the mind which is strongly conscious of the pleasantness or painfulness of an experience is ipso facto less fitted to observe and analyze its outward cause.* Apart from pleas- ure and pain, however, the law seems but a corollary of the fact that the more concentrated a state of consciousness is, the more vivid it is. When feeling a color, or listening to a tone per se, we get it more intensely, notice it better, than when we are aware of it merely as one among many other properties of a total object. The more diffused cerebral excitement of the perceptive state is probably incompatible * See Spencer, Psychol., n. p. 250, note, for a physiological hypothecs to account for this fact. 114 PSYCHOLOG T. with quite as strong an excitement of separate parts as the sensational state comports. So we come back here to our own earlier discrimination between the perceptive and the sensational processes, and to the examples which we gave on pp. 80, 81.* Between normal perception and illusion we have seen that there is no break, the process being identically the same in both. The last illusions we considered might fairly be called hallucinations. We must now consider the false perceptions more commonly called by that name.f In or- HALLUCINATIONS. * Here is another good example, taken from Helmholtz’s Optics, p. 435: “The sight of a man walking is a familiar spectacle to us. We perceive it as a connected whole, and at most notice the most striking of its pecu- liarities. Strong attention is required, and a special choice of the point of view, in order to feel the perpendicular and lateral oscillations of such a walking figure. We must choose fitting points or lines in the background with which to compare the positions of its head. But if a distant walking man be looked at through an astronomical telescope (which inverts the object), what a singular hopping and rocking appearance he presents 1 No difficulty now in seeing the body’s oscillations, and many other details of the gait. . . . But, on the other hand, its total character, whether light or clumsy, dignified or graceful, is harder to perceive than in the upright po- sition.” f Illusions and hallucinations must both be distinguished from delusions. A delusion is a false opinion about a matter of fact, which need not neces- sarily involve, though it often does involve, false perceptions of sensible things. We may, for example, have religious delusions, medical delusions, delusions about our own importance, about other peoples’ characters, etc., ad libitum. The delusions of the insane are apt to affect certain typical forms, often very hard to explain. But in many cases they are certainly theories which the patients invent to account for their abnormal bodily sensations. In other cases they are due to hallucinations of hearing and of sight. Dr. Clouston (Clinical Lectures on Mental Disease, lecture hi ad fin.) gives the following special delusions as having been found in about a hundred melancholy female patients who were afflicted in this way. There were delusions of general persecution; general suspicion; being poisoned; being killed; being conspired against; being defrauded; being preached against in church; being pregnant; being destitute; being followed by the police; being very wicked; impending death; impending calamity; the soul being lost; having no stomach; having no inside; THE PERCEPTION OF THINGS. 115 dinary parlance hallucination is held to differ from illusion in that, whilst there is an object really there in illusion, in hallu- cination there is no objective stimulus at all. We shall presently see that this supposed absence of objective stimulus in hal- lucination is a mistake, and that hallucinations are often only extremes of the perception process, in which the secon- dary cerebral reaction is out of all normal proportion to the peripheral stimulus which occasions the activity. Hallu- cinations usually appear abruptly and have the character of being forced upon the subject. But they possess various degrees of apparent objectivity. One mistake in limine must be guarded against. They are often talked of as mental images projected outwards by mistake. But where an hallu- cination is complete, it is much more than a mental image. An hallucination is a strictly sensational form of consciousness, as good and true a sensation as if there were a real object there. The object happens not to be there, that is all. The milder degrees of hallucination have been desig- nated as pseudo-hallucinations. Pseudo-hallucinations and hallucinations have been sharply distinguished from each having a bone in the throat; having lost much money; being unfit to live; that she will not recover; that she is to be murdered; that she is to be boiled alive; that she is to be starved; that the flesh is boiling; that the head is severed from the body; that children are burning; that murders take place around; that it is wrong to take food; beiag in hell; being tempted of the devil; being possessed of the devil; having committed an unpardon- able sin; unseen agencies working, her own identity; being on fire; having neither stomach nor brains; being covered with vermin; letters being written about her; property being stolen; her children being killed; having committed theft; the legs being made of glas-; having horns on the head; being chloroformed; having committed murder; fear of being hanged; being called names by person ; being acted on by spirits; being a man; the body being transformed; insects coming from the bod./ rape being practised on her; having a venereal disease; being a fish; being dead; having committed‘suicide of the soul. 116 PSYCHOLOGY. other only within a few years. Dr. Kandinsky writes of their difference as follows : “ In carelessly questioning a patient we may confound his pseudo- hallucinatory perceptions with hallucinations. But to the unconfused consciousness of the patient himself, even though he be imbecile, the identification of the two phenomena is impossible, at least in the sphere of vision. At the moment of having a pseudo-hallucination of sightf the patient feels himself in an entirely different relation to this subjec- tive sensible appearance, from that in which he finds himself whilst subject to a true visual hallucination. The latter is reality itself ; the former, on the contrary, remains always a subjective phenomenon which the individual commonly regards either as sent to him as a sign of God’s grace, or as artificially induced by his secret persecutors . . . If he knows by his own experience what a genuine hallucination is, it is quite impossible for him to mistake the pseudo-hallucination for it. . . . A concrete example will make the difference clear: “Dr. N. L. . . . heard one day suddenly amongst the voices of his persecutors (‘ coming from a hollow space in the midst of the wall ’) a rather loud voice impressively saying to him : ‘ Change your national allegiance.’ Understanding this to mean that his only hope consisted in ceasing to be subject to the Czar of Russia, he reflected a moment what allegiance would be better, and resolved to become an English sub- ject. At the same moment he saw a pseudo-hallucinatory lion of natural size, which appeared and quickly laid its fore-paws on his shoulders. He had a lively feeling of these paws as a tolerably painful local pressure (complete hallucination of touch). Then the same voice from the wall said : ‘ Now you have a lion—now you will rule,’ where- upon the patient recollected that the lion was the national emblem of England. The lion appeared to L. very distinct and vivid, but he never- theless remained conscious, as he afterwards expressed it, that he saw the animal, not with his bodily but with his mental eyes. (After his re- covery he called analogous apparitions by the name of 1 expressive-plastie ideas.’) Accordingly he felt no terror, even though he felt the contact of the claws. . . . Had the lion been a complete hallucination, the patient, as he himself remarked after recovery, would have felt great fear, and very likely screamed or taken to flight. Had it been a simple image of the fancy he would not have connected it with the voices, of whose ob- jective reality he was at the time quite convinced.” * From ordinary images of memory and fancy, pseudo- hallucinations differ in being much more vivid, minute, de- *V. Kandinsky: Kritische u. Klinische Betrschtungeo uuGebwted. BinaeaUusckungen (1886), p. 48. 117 THE PERCEPTION OW THINGS. tailed, steady, abrupt, and spontaneous, in the sense that all feeling of our own activity in producing them is lacking. Dr. Kandinsky had a patient who, after taking opium or haschisch, had abundant pseudo-hallucinations and hallu- cinations. As he also had strong visualizing power and was an educated physician, the three sorts of phenomena could be easily compared. Although projected outwards (usually not farther than the limit of distinctest vision, a foot or so) the pseudo-hallucinations lacked the character of objective reality which the hallucinations possessed, but, unlike the pictures of imagination, it was almost impossible to produce them at will Most of the * voices ’ which people hear (whether they give rise to delusions or not) are pseudo- hallucinations. They are described as ‘inner' voices, al- though their character is entirely unlike the inner speech of the subject with himself. I know two persons who hear such inner voices making unforeseen remarks whenever they grow quiet and listen for them. They are a very common incident of delusional insanity, and at last grow into vivid hallucinations. The latter are comparatively frequent oc- currences in sporadic form; and certain individuals are liable to have them often. From the results of the ‘ Census of Hallucinations,’ which was begun by Edmund Gurney, it would appear that, roughly speaking, one person at least in every ten is likely to have had a vivid hallucination at some time in his life.* The following cases from healthy people will give an idea of what these hallucinations are: “When a girl of eighteen, I was one evening engaged in a very painful discussion with an elderly person. My distress was so great that I took up a thick ivory knitting-needle that was lying on the man- telpiece of the parlor and broke it into small pieces as I talked. In the midst of the discussion I was very wishful to know the opinion of a brother with whom I had an unusually close relationship. I turned round and saw him sitting at the further side of a centre-table, with his arms folded (an unusual position with him), but, to my dismay, I per- * See Proceedings of Soc. for Psych. Research, Dec. 1889, pp. 7,18ft. The International Congress for Experimental Psychology has now charge of the Census, and the present writer is its agent for America. 118 PSYCHOLOGY. oeired from the sarcastic expression of his mouth that he was not in sympathy with me, was not ‘taking my side,’ as I should then have expressed it. The surprise cooled me, and the discussion was dropped. “Some minutes after, having occasion to speak to my brother, I turned towards him, but he was gone. I inquired w’hen he left the room, and was told that he had not been in it, which I did not believe, thinking that he had come in for a minute and had gone out without being noticed. About an hour and a half afterwards be appeared, and convinced me, with some trouble, that he had never been near the house that evening. He is still alive and well. ” Here is another case ; “One night in March 1873 or ’74, I cannot recollect which year, I was attending on the sick-bed of my mother. About eight o’clock in the evening I went into the diningroom to fix a cup of tea, and on turn- ing from the sideboard to the table, on the other side of the table before the fire, which was burning brightly, as was also the gas, I saw standing with his hand clasped to his side in true military fashion a soldier of about thirty years of age, with dark, piercing eyes looking directly into mine. He wore a small cap with standing feather ; his costume was also of a soldierly style. He did not strike me as being a spirit, ghost, or anything uncanny, only a living man; but after gazing for fully a minute I realized that it was nothing of earth, for he neither moved his eyes nor his body, and in looking closely I could see the fire beyond. I was of course startled, and yet did not run out of the room. I fell stunned. I walked out rapidly, however, and turning to the servant in the hall asked her if she saw anything. She said not. I went into my mother’s room and remained talking for about an hour, but never mentioned the above subject for fear of exciting her, and finally forgot it altogether, returning to the dining-room, still in forgetfulness of what had occurred, but repeating, as above, the turning from sideboard to table in act of preparing more tea I looked casually towards the fire, and there I saw the soldier again. This time I was entirely alarmed, and fled from the room in haste. I called to my father, but when he oame he saw nothing.” Sometimes more than one sense is affected. The fol- lowing is a case : “ In response to your request to write out my experience of Oct. 30, 1886, I will inflict on you a letter. “ On the day above mentioned, Oct. 30, 1886, I was in , where I was teaching. I had performed my .regular routine work for the day, and was sitting in my room working out trigonometrical for- THE PERCEPTION OF THIN08. 119 mulae. I was expecting every day to hear of the confinement of my wife, and naturally my thoughts for some time had been more or less with her. She was, by the way, in B , some fifty miles from me. “ At the time, however, neither she nor the expected event was in my mind ; as I said, I was working out trigonometrical formulae, and I had been working on trigonometry the entire evening. About eleven o’clock, as I sat there buried in sines, cosines, tangents, cotangents, secants, and cosecants, I felt very distinctly upon my left shoulder a touch, and a slight shake, as if somebody had tried to attract my at- tention by other means and had failed. Without rising I turned my head, and there between me and the door stood my wife, dressed exactly as I last saw her, some five weeks before. As I turned she said : ‘ It is a little Herman ; he has come.’ Something more was said, but this is the only sentence i can recall. To make sure that I was not asleep and dreaming, I rose from the chair, pinched myself and walked toward the figure, which disappeared immediately as I rose. I can give no in- formation as to the length of time occupied by this episode, but I know I was awake, in my usual good health. The touch was very distinct, the figure was absolutely perfect, stood about three feet from the door, which was closed, and had not been opened during the evening. The sound of the voice was unmistakable, and I should have recognized it as my wife’s voice even if I had not turned and had not seen the figure at all. The tone was conversational, just as if she would have said the same words had she been actually standing there. “ In regard to myself, I would say, as I have already intimated, I was in my usual good health ; I had not been sick before, nor was I after the occurrence, not so much as a headache having afflicted me. “ Shortly after the experience above described, I retired for the night and, as I usually do, slept quietly until morning. I did not speculate particularly about the strange appearance of the night before, and though I thought of it some, I did not tell anybody. The following morning I rose, not conscious of having dreamed anything, but I was very firmly impressed with the idea that there was something for me at the telegraph-office. I tried to throw off the impression, for so far as I knew there was no reason for it. Having nothing to do, I went out for a walk ; and to help throw off the impression above noted, I walked away from the telegraph-office. As I proceeded, however, the impres- sion became a conviction, and I actually turned about and went to the very place I had resolved not to visit, the telegraph-office. The first person I saw on arriving at said office was the telegraph-operator, who being on terms of intimacy with me, remarked : ‘ Hello, papa, I’ve got a telegram for you.’ The telegram announced the birth of a boy, weighing nine pounds, and that all were doing well. Now, then, I have no theory at all about the events narrated above ; I never had any such experience before nor since; I am no believer in spiritualism, am not in the least superstitious, know very little about ‘ thought-transference,' 120 PSYCHOLOGY. * unconscious cerebration,’ etc., etc., but I am absolutely oertain about what I have tried to relate. “ In regard to the remark which I heard, ‘ It is a little Herman,’ etc., I would add that we had previously decided to call the child, if a boy, Herman—my own name, by the way. ” * The hallucination sometimes carries a change of the general consciousness with it, so as to appear more like a sudden lapse into a dream. The following case was given me by a man of 43, who had never anything resembling it before: “ While sitting at my desk this a. m. reading a circular of the Loyal Legion a very curious thing happened to me, such as I have never ex- perienced. It was perfectly real, so real that it took some minutes to recover from. It seems to me like a direct intromission into some other world. I never had anything approaching it before save when dream- ing at night. I was wide awake, of course. But this was the feeling. I had only just sat down and become interested in the circular, when I seemed to lose myself for a minute and then found myself in the top story of a high building very white and shining and clean, with a noble window immediately at the right of where I sat. Through this window I looked out upon a marvellous reach of landscape entirely new. I never had before such a sense of infinity in nature, such superb stretches of light and color and cleanness. I know that for the space of three minutes I was entirely lost, for when I began to come to, so to speak,—sitting in that other world, I debated for three or four minutes more as to which was dream and which was reality. Sitting there I got a faint sense of C.... [the town in which the writer was], away off and dim at first. Then I remember thinking ‘ Why, I used to live in 0....; perhaps I am going back.’ Slowly C did come back, and I found myself at my desk again. For a few minutes the process of determining where I was was very funny. But the whole experience was perfectly delightful, there was such a sense of brilliancy and clearness and lightness about it. I suppose it lasted in all about seven minutes or ten minutes.” The hallucinations of fever-delirium are a mixture of pseudo-hallucination, true hallucination, and illusion. Those of opium, hasheesh, and belladonna resemble them •This case is of the class which Mr. Myers terms ‘veridical.' In a subsequent letter the writer informs me that his vision occurred some live hours lufore the child was bom. THE PERCEPTION OF THINGS. 121 In this respect. The following vivid account of a fit of hasheesh-delirium has been given me by a friend: “ I was reading a newspaper, and the indication of the approaching delirium was an inability to keep my mind fixed on the narrative. Di- rectly I lay down upon a sofa there appeared before my eyes several rows of human hands, which oscillated for a moment, revolved and then changed to spoons. The same motions were repeated, the objects chang- ing to wheels, tin soldiers, lamp-posts, brooms, and countless other absurdities. This stage lasted about ten minutes, and during that time it is safe to say that I saw at least a thousand different objects. These whirling images did not appear like the realities of life, but had the character of the secondary images seen in the eye after looking at some brightly-illuminated object. A mere suggestion from the person who was with me in the room was sufficient to call up an image of the thing suggested, while without suggestion there appeared all the com- mon objects of life and many unreal monstrosities, which it is abso- lutely impossible to describe, and which seemed to be creations of the brain. “ The character of the symptoms changed rapidly. A sort of wave seemed to pass over me, and I became aware of the fact that my pulse was beating rapidly. I took out my watch, and by exercising consider- able will-power managed to time the heart-beats, 135 to the minute. “ I could feel each pulsation through my whole system, and a curi- ous twitching commenced, which no effort of the mind could stop. “ There were moments of apparent lucidity, when it seemed as if I could see within myself, and watch the pumping of my heart. A strange fear came over me, a certainty that I should never recover from the effects of the opiate, which was as quickly followed by a feeling of great interest in the experiment, a certainty that the experience was the most novel and exciting that I had ever been through. “My mind was in an exceedingly impressionable state. Anyplace thought of or suggested appeared with all the distinctness of the reality. I thought of the Giant’s Causeway in Staffa, and instantly I stood within the portals of Fingal’s Cave. Great basaltic columns rose on all sides, while huge waves rolled through the chasm and broke in silence upon the rocky shore. Suddenly there was a roar and blast of sound, and the word ‘ Ishmaral ’ was echoing up the cave. At the enunciation of this remarkable word the great columns of basalt changed into whirl- ing clothes pins and I laughed aloud at the absurdity. “ (I may here state that the word ‘Ishmaral’ seemed to haunt my other hallucinations, for I remember that I heard it frequently there- after.) I next enjoyed a sort of metempsychosis. Any animal or thing that I thought of could be made the being which held my mind. I thought of a fox, and instantly I was transformed into that animal. 1 could distinctly feel myself a fox, could see my long ears and bushy 122 PSYCHOLOGY. tail, and by a sort of introvision felt that my complete anatomy was that of a fox. Suddenly the point of vision changed. My eyes seemed to be located at the back of my mouth ; I looked out between the parted lips, saw the two rows of pointed teeth, and, closing my mouth with a snap, saw—nothing. “ I was next transformed into a bombshell, felt my size, weight, and thickness, and experienced the sensation of being shot up out of a giant mortar, looking down upon the earth, bursting and falling back in a shower of iron fragments. “ Into countless other objects was I transformed, many of them so absurd that 1 am unable to conceive what suggested them. For ex- ample, I was a little china doll, deep down in a bottle of olive oil, next moment a stick of twisted candy, then a skeleton inclosed in a whirl- ing coffin, and so on ad infinitum. “ Towards the end of the delirium the whirling images appeared again, and I was haunted by a singular creation of the brain, which re- appeared every few moments. It was an image of a double-faced doll, with a cylindrical body running down to a point like a peg-top. “ It was always the same, having a sort of crown on its head, and painted in two colors, green and brown, on a background of blue. The expression of the Janus-like profiles was always the same, as were the adornments of the body. After recovering from the effects of the drug I could not picture to myself exactly how this singular monstros- ity appeared, but in subsequent experiences I was always visited by this phantom, and always recognized every detail of its composition. It was like visiting some long-forgotten spot and seeing some sight that had faded from the memory, but which appeared perfectly familiar as soon as looked upon. “ The effects of the drug lasted about an hour and a half, leaving me a trifle tipsy and dizzy ; but after a ten-hour sleep I was myself again, save for a slight inability to keep my mind fixed on any piece of work for any length of time, which remained with me during most of the next day.” Examples of these singular perversions of perception might be multiplied indefinitely, but I have no more space. Let us turn to the question of what the physiological pro- cess may be to which they are due. It must, of course, consist of an excitement from within of those centres which are active in normal perception, identical in kind and de- gree with that which real external objects are usually needed to induce. The particular process which cur- THE NEURAL PROCESS IN HALLUCINATION. THE PERCEPTION OF THINGS. 123 rents from the sense-organs arouse would seem under normal circumstances to be arousable in no other way. On p. 72 ff. above, we saw that the centres aroused by incom- ing peripheral currents are probably identical with the centres used in mere imagination; and that the vividness of the sensational kind of consciousness is probably cor- related with a discrete degree of intensity in the process therein aroused. Referring the reader back to that pas- sage and to what was more lately said on p. 103 ff., I now proceed to complete my theory of the perceptive process by an analysis of what may most probably be believed to take place in hallucination strictly so called. We have seen (p. 75) that the free discharge of cells into each other through associative paths is a likely reason why the maximum intensity of function is not reached when the cells are excited by their neighbors in the cortex. At the end of Chapter XXY we shall return to this concep- tion, and whilst making it still more precise, use it for ex- plaining certain phenomena connected with the will. The idea is that the leakage forward along these paths is too rapid for the inner tension in any centre to accumulate to the maximal explosion-point, unless the exciting currents are greater than those which the various portions of the cortex supply to each other. Currents from the periphery are (as it seems) the only currents whose energy can van- quish the supra-ideational resistance (so to call it) of the cells, and cause the peculiarly intense sort of disintegra- tion with which the sensational quality is linked. If, how- ever, the leakage forward were to stop, the tension inside cer- tain cells might reach the explosion-point, even though the influence which excited them came only from neighboring cortical parts. Let an empty pail with a leak in its bottom, tipped up against a support so that if it ever became full of water it would upset, represent the resting condition of the centre for a certain sort of feeling. Let water poured into it stand for the currents which are its natural stimulus ; then the hole in its bottom will, of course, represent the * paths * by which it transmits its excitement to other asso- ciated cells. Now let two other vessels have the function 124 PSYCHOLOGY. of supplying it with water. One of these vessels stands for the neighboring cortical cells, and can pour in hardly any more water than goes out by the leak. The pail conse- sequently never upsets in consequence of the supply from this source. A current of water passes through it and does work elsewhere, but in the pail itself nothing but what stands for ideational activity is aroused. The other vessel, however, stands for the peripheral sense-organs, and sup- plies a stream of water so copious that the pail promptly fills up in spite of the leak, and presently upsets ; in other words, sensational activity is aroused. But it is obvious that if the leak were plugged, the slower stream of supply would also end by upsetting the pail. To apply this to the brain and to thought, if we take a series of processes ABODE, associated together in that order, and suppose that the current through them is very fluent, there will be little intensity anywhere until, perhaps, a pause occurs at E. But the moment the current is blocked anywhere, say between C and D, the process in C must grow more intense, and might even be conceived to explode so as to produce a sensation in the mind instead of an idea. It would seem that some hallucinations are best to be explained in this way. We have in fact a regular series of facts which can all be formulated under the single law that the substantive strength of a state of consciousness hears an inverse proportion to its suggestiveness. It is the halting-places of our thought which are occupied with distinct imagery. Most of the words we utter have no time to awaken images at all; they simply awaken the following words. But when the sentence stops, an image dwells for awhile before the mental eye (see Vol. I. p. 243). Again, whenever the asso- ciative processes are reduced and impeded by the approach of unconsciousness, as in falling asleep, or growing faint, or becoming narcotized, we find a concomitant increase in the intensity of whatever partial consciousness may survive. In some people what M. Maury has called * hypnagogic ’ hal- lucinations * are the regular concomitant of the process of *Le Sommeil et les Rfivea (1865), chaps, m, nr. THE PERCEPTION OF THINGS. 125 falling asleep. Trains of faces, landscapes, etc., pass before the mental eye, first as fancies, then as pseudo-hallucina- tions, finally as full-fledged hallucinations forming dreams. If we regard association-paths as paths of drainage, then the shutting off of one after another of them as the encroaching cerebral paralysis advances ought to act like the plugging of the hole in the bottom of the pail, and make the activity more intense in those systems of cells that retain any activity at all. The level rises because the currents are not drained away, until at last the full sensational explosion may occur. The usual explanation of hypnagogic hallucinations is that they are ideas deprived of their ordinary reductives. In Somnolescence, sensations being extinct, the mind, it is said, then having no stronger things to compare its ideas with, ascribes to these the fulness of reality. At ordinary times the objects of our imagination are reduced to the status of subjective facts by the ever-present contrast of our sensa- tions with them. Eliminate the sensations, however, this view supposes, and the * images ’ are forthwith * projected ’ into the outer world and appear as realities. Thus is the illusion of dreams also explained. This, indeed, after a fashion gives an account of the facts.* And yet it certainly fails to explain the extraordinary vivacity and completeness of so many of our dream-fantasms. The process of ‘ imagin- ing ’ must (in these cases at least f) be not merely relatively, but absolutely and in itself more intense than at other times. The fact is, it is not a process of imagining, but a genuine sensational process; and the theory in question is therefore false as far as that point is concerned. Dr. Hugh lings Jackson’s explanation of the epileptic seizure is acknowledged to be masterly. It involves * Tills theory of incomplete rectification of the inner images by their usual reductives is most brilliantly stated by M. Taine in his work on Intelligence, book n. chap. i. f Not, of course, in all cases, because the cells remaining active are them- selves on the way to be overpowered by the general (unknown) condition to which sleep is due. 126 PSYCHOLOGY. principles exactly like those which I am bringing forward here. The ‘ loss of consciousness ’ in epilepsy is due to the most highly organized brain-processes being exhausted and thrown out of gear. The less organized (more instinc- tive) processes, ordinarily inhibited by the others, are then exalted, so that we get as a mere consequence of relief from the inhibition, the meaningless or maniacal action which so often follows the attack. * Similarly the subsvltm tendinorum or jerking of the muscles which so often startles us when we are on the point * For a full account of Jackson’s theories, see his 1 Croonian Lectures ’ published in the Brit. Med. Journ. for 1884. Cf. also his remarks in the Discussion of Dr. Mercier’s paper on Inhibition in ‘ Brain,’ xi. 361. The loss of vivacity in the images in the process of waking, as well as the gain of it in falling asleep, are both well described by M. Taine, who writes (on Intelligence, i. 50, 58) that often in the daytime, when fatigued and seated in a chair, it is sufficient for him to close one eye with a hand- kerchief, when, “by degrees, the sight of the other eye becomes vague, and it closes. All external sensations are gradually effaced, or cease, at all events, to be remarked ; the internal images, on the other hand, feeble and rapid during the state of complete wakefulness, become intense, distinct, colored, steady, and lasting : there is a sort, of ecstasy, accompanied by a feeling of expansion and of comfort. Warned by frequent experience, I know that sleep is coming on, and that I must not disturb the rising vision ; I remain passive, and in a few minutes it is complete. Architecture, landscapes, moving figures, pass slowly by, and sometimes remain, with incomparable clearness of form and fulness of being ; sleep comes on, and' I know no more of the real world I am in. Many times, like M. Maury, I have caused myself to be gently roused at different moments of this state, and have thus been able to mark its characters.—The intense image which seems an external object is but a more forcible continuation of the feeble image which an instant before I recognized as internal; some scrap of a forest, some house, some person which I vaguely imagined on closing my eyes, has in a minute become present to me with full bodily details, so as to change into a complete hallucination. Then, waking up on a hand touch- ing me, I feel the figure decay, lose color, and evaporate ; what had ap- peared a substance is reduced to a shadow. . . . In such a case, I have often seen, for a passing moment, the image grow pale, waste away, and evapo- rate ; sometimes, on opening the eyes, a fragment of landscape or the skirt of a dress appears still to float over the fire-irons or on the black hearth.” This persistence of dream-objects for a few moments after the eyes are opened seems to be no extremely rare experience. Many cases of it have been reported to me directly. Compare Milller’s Physiology, Baly’s tr., p. 945. THE PERCEPTION OF THINGS. 127 of failing asleep, may be interpreted as due to the rise (in certain lower motor centres) of the ordinary ‘ tonic ’ tension to the explosion-point, when the inhibition commonly ex- erted by the higher centres falls too suddenly away. One possible condition of hallucination then stands revealed, whatever other conditions there may be. When the normal paths of association between a centre and other centres are thrown out of gear, any activity which may exist in the first centre tends to increase in intensity until finally the point may be reached at which the last inward resistance is overcome, and the full sensational process explodes* Thus it will happen that causes of an amount of activity in brain-cells which would ordinarily result in a weak consciousness may pro- duce a very strong consciousness when the overflow of these cells is stopped by the torpor of the rest of the brain. A slight peripheral irritation, then, if it reaches the centres of consciousness at all during sleep, will give rise to the dream of a violent sensation. All the books about dreaming are full of anecdotes which illustrate this. For example, M. Maury’s nose and lips are tickled with a feather while he sleeps. He dreams he is being tortured by having a pitch- plaster applied to his face, torn off, lacerating the skin of nose and lips. Descartes, on being bitten by a flea, dreams of being run through by a sword. A friend tells me, as I write this, of his hair changing its position in his forehead just as he ‘ dozed off ’ in his chair a few days since. In- stantly he dreamed that some one had struck him a blow. Examples can be quoted ad libitum, but these are enough, t * I say the ‘ normal' paths, because hallucinat ions are not incompatible with some paths of association being left. Some hypnotic patients will not only have hallucinations of objects suggested to them, but will amplify them and act out the situation. But the paths here seem excessively nar- row, and the reflections which ought to make the hallucination incredible do not occur to the subject’s mind. In general, the narrower a train of * ideas ’ is, the vivider the consciousness is of each. Under ordinary cir- cumstances, the entire brain probably plays a part in draining any centre which may be ideationally active. When the drainage is reduced in any way it probably makes the active process more intense, f M. A. Maury gives a number: op. eit. pp. 136-8. 128 PSYCHOLOGY. We seem herewith to have an explanation for a certain number of hallucinations. Whenever the normal forward irradiation of intra-cortical excitement through association-paths is checked, any accidental spontaneous activity or any peripheral stimulation {however inadequate at other times) by which a brain- centre may be visited, sets up a process of full sensational inten- sity therein. In the hallucinations artificially produced in hypnotic subjects, some degree of peripheral excitement seems usu- ally to be required. The brain is asleep as far as its own spontaneous thinking goes, and the words of the ‘ magneti- zer ’ then awaken a cortical process which drafts off into itself any currents of a related sort which may come in from the periphery, resulting in a vivid objective percep- tion of the suggested thing. Thus, point to a dot on a sheet of paper, and call it ‘ General Grant’s photograph,’ and your subject will see a photograph of the General there instead of the dot. The dot gives objectivity to the appearance, and the suggested notion of the General gives it form. Then magnify the dot by a lens ; double it by a prism or by nudging the eyeball; reflect it in a mirror; turn it upside down; or wipe it out; and the subject will tell you that the ‘ photograph ’ has been enlarged, doubled, reflected, turned about, or made to disappear. In M. Binet’s language, * the dot is the outward point de repere which is needed to give objectivity to your suggestion, and without which the latter will only produce a conception in the subject’s mind.f M. Binet has shown that such a periphe- * M. Binet’s highly important experiments, which were first published in yoI. xvii of the Revue Philosophique (1884), are also given in full in chapter ix of his and Fere’s work on ‘ Animal Magnetism ’ in the Inter- national Scientific Series. Where there is no dot on the paper, nor any other visible mark, the subject’s judgment about the * portrait ’ would seem to be guided by what he sees happening to the entire sheet. f It is a difficult thing to distinguish in a hypnotic patient between a genuine sensorial hallucination of something suggested and a conception of it merely, coupled with belief that it is there. I have been surprised at the vagueness with which such subjects will often trace upon blank paper the outlines of the pictures which they say they * see ’ thereupon. On the other THE PERCEPTION OF THINGS. 129 ral point de repere is used in an enormous number, not only of hypnotic hallucinations, but of hallucinations of the insane. These latter are often unilateral; that is, the patient hears the voices always on one side of him, or sees the figure only when a certain one of his eyes is open. In many of these cases it has been distinctly proved that a morbid irritation in the internal ear, or an opacity in the humors of the eye, was the starting point of the current which the patient’s diseased acoustic or optical centres clothed with their peculiar products in the way of ideas. Hallucinations produced in this way are ‘illusions and M. Bind's theory, that all hallucinations miLst start in the periphery, may be called an attempt to reduce hallucination and illusion to one physiological type, the type, namely, to w hich normal per- ception belongs. In every case, according to M. Binet, whether of perception, of hallucination, or of illusion, we get the sensational vividness by means of a current from the peripheral nerves. It may be a mere trace of a cur- rent. But that trace is enough to kindle the maximal or supra-ideational process so that the object perceived will have the character of externality. What the nature of the object shall be will depend wholly on the particular sys- tem of paths in which the process is kindled. Part of the thing in all cases comes from the sense-organ, the rest is furnished by the mind. But we cannot by introspection distinguish between these parts; and our only formula for the result is that the brain has reacted on the impression in the normal way. Just so in the dreams which we have considered, and in the hallucinations of which M. Binet tells, we can only say that the brain has reacted in an abnor- mal way. M. Bind'8 theory accounts indeed for a multitude of cases. but certainly not for all. The prism does not always double hand, you will hear them say that they find no difference between a real flower which you show them and an imaginary flower which you tell them is beside it. When told that one is imaginary and that they must pick out the real one, they sometimes say the choice is impossible, and sometimes they point to the imaginary flower. 130 PST CTTOWG T. the false appearance/ nor does the latter always disappear when the eyes are closed. Dr. Hack Tuke t gives several examples in sane people of well-exteriorized hallucinations which did not respond to Binet’s tests; and Mr. Edmund Gurney | gives a number of reasons why intensity in a cor- tical process may be expected to result from local patho- logical activity just as much as its peculiar nature does. For Binet, an abnormally or exclusively active part of the cortex gives the nature of what shall appear, whilst a pe- ripheral sense-organ alone can give the intensity sufficient to make it appear projected into real space. But since this intensity is after all but a matter of degree, one does not see why, under rare conditions, the degree in question might not be attained by inner causes exclusively. In that case we should have certain hallucinations centrally initiated alongside of the peripherally initiated hallucinations, which are the only sort that M. Binet’s theory allows. It seems probable on the whole, therefore, that centrally initiated hallu- cinations can exist. How often they do exist is another ques- tion. The existence of hallucinations which affect more than one sense is an argument for central initiation. For grant that the thing seen may have its starting point in the outer world, the voice which it is heard to utter must be due to an influence from the visual region, i.e. must be of central origin. Sporadic cases of hallucination, visiting people only once in a lifetime (which seem to be by far the most fre- quent type), are on any theory hard to understand in detail, They are often extraordinarily complete ; and the fact that many of them are reported as veridical, that is, as coincid- ing with real events, such as accidents, deaths, etc., of the persons seen, is an additional complication of the phe- nomenon. The first really scientific study of hallucination * Only the other day, in three hypnotized girls, I failed to double as hallucination with a prism. Of course it may not have been a fully- developed hallucination. | Brain, xi. 441. X Mind, x. 161, 816 ; and Phantasms of the Living (1886), I. 470-488. THE PERCEPTION OF THINGS. 131 iti all its possible bearings, on the basis of a large mass of empirical material, was begun by Mr. Edmund Gurney and is continued by other members of the Society for Psy- chical Research; and the ‘ Census ’ is now being applied to several countries under the auspices of the International Congress of Experimental Psychology. It is to be hoped that out of these combined labors something solid will eventually grow. The facts shade off into the phenomena of motor automatism, trance, etc.; and nothing but a wide comparative study can give really instructive results.* The part played by the peripheral sense-organ in hallucina- tion is just as obscure as we found it in the case of imagina- tion. The things seen often seem opaque and hide the background upon which they are projected. It does not follow from this, however, that the retina is actually in- volved in the vision. A contrary process going on in the visual centres would prevent the retinal impression made by the outer realities from being felt, and this would in mental terms be equivalent to the hiding of them by the imaginary figure. The negative after-images of mental pictures reported by Meyer and Fere, and the negative after- images of hypnotic hallucinations reported by Binet and others so far constitute the only evidence there is for the retina being involved. But until these after-images are explained in some other way we must admit the possibility of a centrifugal current from the optical centres downwards into the peripheral organ of sight, paradoxical as the course of such a current may appear. * PERCEPTION-TIME.* The time which the perceptive process occupies has been inquired into by various experimenters. Some call it per- ception-time, some choice-time, some discrimination-time. The results have been already given in Chapter XIII (vol. I, p. 523 ff.), to which the reader is consequently referred. * In Mr. Gurney’s work, just cited, a very large number oV veridical cases are critically discussed. 132 PSYCHOLOGY. Dr. Komanes gives an interesting variation of these time-measurements. He found * “ an astonishing difference between different individuals with respect to the rate at which they are able to read. Of course reading implies enormously intricate processes of perception both of the sensuous and of the intellectual order ; but if we choose for these observations per- sons who have been accustomed to read much, we may consider that they are all very much on a par with respect to the amount of practice which they have had, so that the differences in their rates of reading may fairly be attributed to real differences in their rates of forming complex perceptions in rapid succession, and not to any merely acci- dental differences arising from greater or less facility acquired by special practice. “ My experiments consisted in marking a brief printed paragraph in a book which had never been read by any of the persons to whom it was to be presented. The paragraph, which contained simple state- ments of simple facts, was marked on the margin with pencil. The book was then placed before the reader open, the page, however, being covered with a sheet of paper. Having pointed out to the reader upon this sheet of paper what part of the underlying page the marked para- graph occupied, I suddenly removed the sheet of paper with one hand, while I started a chronograph with the other. Twenty seconds being allowed for reading the paragraph (ten lines octavo), as soon as the time was up I again suddenly placed the sheet of paper over the printed page, passed the book on to the next reader, and repeated the experi- ment as before. Meanwhile, the first reader, the moment after the book had been removed, wrote down all that he or she could remember having read. And so on with all the other readers. “Now the results of a number of experiments conducted on this method were to show, as I have said, astonishing differences in the maximum rate of reading which is possible to different individuals, all of whom have been accustomed to extensive reading. That is to say, the difference may amount to 4 to 1; or, otherwise stated, in a given time one individual may be able to read four times as much as another. Moreover, it appeared that there was no relationship between slowness of reading and power of assimilation ; on the contrary, when all the efforts are directed to assimilating as much as possible in a given time, the rapid readers (as shown by their written notes) usually give a bet- ter account of the portions of the paragraph which have been com- passed by the slow readers than the latter are able to give; and the most rapid reader I have found is also the best at assimilating. 1 should further say that there is no relationship between rapidity of perception as thus tested and intellectual activity as tested by the gen- eral results of intellectual work ; for I have tried the experiment with * Mental Evolution in Animals, p. 186. THE PERCEPTION OF THINGS. 133 several highly distinguished men in science and literature, most of whom I found to be slow readers. ” * * Literature. The best treatment of perception with which lam ac- quainted is that in Mr. James Bully's book on ‘ Illusions ’ in the Interna- tional Scientific Series. On hallucinations the literature is large. Gurney, Kandinsky (as already cited), and some articles by Kraepelin in the Vierteljahrschrift fttr Wissenschaftliche Philosophic, vol. v (1881), are the most systematic studies recently made. All works on Insanity treat of them. Dr. W. W. Ireland’s works, ‘ The Blot upon the Brain ’ (1886) and ‘ Through the Ivory Gate ’ (1890) have much information on the subject. Gurney gives pretty complete references to older literature. The most important thing on the subject from the point of view of theory is the article by Mr. Myers on the Demon of Socrates in the Proceedings of the Society for Psychical Research for 1889, p. 622. CHAPTER XX. THE PERCEPTION OF SPACE.* In the sensations of hearing, touch, sight, and, pain vie are accustomed to distinguish from among the other elements the element, of voluminousness. We call the reverberations of a thunderstorm more voluminous than the squeaking of a slate-pencil; the entrance into a warm bath gives our skin a more massive feeling than the prick of a pin; a little neuralgic pain, tine as a cobweb, in the face, seems less ex- tensive than the heavy soreness of a boil or the vast discom- fort of a colic or a lumbago ; and a solitary star looks smaller than the noonday sky. In the sensation of dizziness or subjective motion, which recent investigation has proved to be connected with stimulation of the semi-circular canals of the ear, the spatial character is very prominent. Whether the ‘ muscular sense ’ directly yields us knowledge of space is still a matter of litigation among psychologists. Whilst some go so far as to ascribe our entire cognition of exten- sion to its exclusive aid, others deny to it all extensive quality whatever. Under these circumstances we shall do better to adjourn its consideration ; admitting, however, that it seems at first sight as if we felt something decidedly more voluminous when we contract our thigli-muscles than when we twitch an eyelid or some small muscle in the face. It seems, moreover, as if this difference lay in the feeling of the thigh-muscles themselves. In the sensations of smell and taste this element of varying vastness seems less prominent but not altogether absent. Some tastes and smells appear less extensive than complex flavors, like that of roast meat or plum pudding, on the one hand, or heavy odors like musk or tuberose, on THE PEELING OP CRUDE EXTENSITY. * Reprinted, with considerable revision, from ‘ Mind ’ for 1887. 134 THE PERCEPTION OF SPACE. 135 the other. The epithet sharp given to the acid class would seem to show that to the popular mind there is something narrow and, as it were, streaky, in the impression they make, other flavors and odors being bigger and rounder. The sensations derived from the inward organs are also distinctly more or less voluminous. Repletion and empti- ness, suffocation, palpitation, headache, are examples of this, and certainly not less spatial is the consciousness we have of our general bodily condition in nausea, fever, heavy drowsiness, and fatigue. Our entire cubic content seems then sensibly manifest to us as such, and feels much larger than any local pulsation, pressure, or discomfort. Skin and retina are, however, the organs in which the space- element plays the most active part. Not only does the maximal vastness yielded by the retina surpass that yielded by any other organ, but the intricacy with which our atten- tion can subdivide this vastness and perceive it to be com- posed of lesser portions simultaneously coexisting along- side of each other is without a parallel elsewhere.* The ear gives a greater vastness than the skin, but is consider- ably less able to subdivide it. f Noio my first thesis is that this element, discernible in each and every sensation, though more developed in some than in others, is the original sensation of space, out of which all the exact knowledge about space that we afterwards come to have is woven by processes of discrimination, association, and selection. ‘Extensity,’ as Mr. James Ward calls it,£ * Prof. Jastrow has found that invariably we tend to underestimate the amount of our skin which may be stimulated by contact with an object when we express it in terms of visual space; that is, when asked to mark on paper the extent of skin affected, we always draw it much too small. This shows that the eye gets as much space feeling from the smaller line aa the skin gets from the larger one. Cf. Jastrow : Mind, xx. 546-7; Ameri- can Journal of Psychology, hi. 53. f Amongst sounds the graver ones seem the most extensive. Stumpf gives three reasons for this: 1) association with bigger causes; 2) wider reverberation of the hand and body when grave notes are sung; 3) audi- bility at a greater distance. He thinks that these three reasons dispense us from supposing an immanent extensity in the sensation of sound as such. See his remarks in the Tonpsychologie, i. 207-211. t Encyclopaedia Britannica, 9th Edition, article Psychology, pp. 46, 98. 136 PSYCHOLOGY. on this view, becomes an element in each sensation just as intensity is. The latter every one will admit to be a dis- tinguishable though not separable ingredient of the sensible quality. In like manner extensity, being an entirely pecul- iar kind of feeling indescribable except in terms of itself, and inseparable in actual experience from some sensational quality which it must accompany, can itself receive no other name than that of sensational element. It must now be noted that the vastness hitherto spoken of is as great in one direction as in another. Its dimensions are so vague that in it there is no question as yet of surface as opposed to depth; ‘ volume ’ being the best short name for the sensation in question. Sensations of different orders are roughly comparable, inter se, with respect to their volumes. This shows that the spatial quality in each is identical wherever found, for different qualitative elements, e.g. warmth and odor, are incommensurate. Persons born blind are reported surprised at the largeness with which objects appear to them when their sight is restored. Franz says of his patient cured of cataract: “ He saw everything much larger than he had supposed from the idea obtained by his sense of touch. Moving, and especially living, objects appeared very large.” * Loud sounds have a cer- tain enormousness of feeling. It is impossible to conceive of the explosion of a cannon as filling a small space. In general, sounds seem to occupy all the room between us and their source; and in the case of certain ones, the cricket’s song, the whistling of the wind, the roaring of the surf, or a distant railway train, to have no definite start- ing point. In the sphere of vision we have facts of the same order. ‘Glowing’ bodies, as Hering says, give us a perception “ which seems roomy (raumhaft) in comparison with that of strictly surface color. A glowing iron looks luminous through and through, and so does a flame.” f A luminous fog, a band of sunshine, affect us in the same way. As Hering urges : * Philosophical Transactions (1841). f Hermann’s Handb. d. Physiol., Bd. hi. 1, S. 575. THE PERCEPTION OF SPACE. 137 “ We must distinguish roomy from superficial, as well as distinctly from indistinctly bounded, sensations. The dark which with closed eyes one sees before one is, for example, a roomy sensation. We do not see a black surface like a wall in front of us, but a space filled with dark- ness, and even when we succeed in seeing this darkness as terminated by a black wall there still remains in front of this wall the dark space. The same thing happens when we find ourselves with open eyes in an absolutely dark room. This sensation of darkness is also vaguely bounded. An example of a distinctly bounded roomy sensation is that of a clear and colored fluid seen in a glass; the yellow of the wine is seen not only on the bounding surface of the glass ; the yellow sensa- tion fills the whole interior of the glass. By day the so-called empty space between us and objects seen appears very different from what it is by night. The increasing darkness settles not only upon the things but also between us and the things, so as at last to cover them com- pletely and fill the space alone. If I look into a dark box I find it filled with darkness, and this is seen not merely as the dark-colored sides or walls of the box. A shady corner in an otherwise well-lighted room is full of a darkness which is not only on the walls and floor but between them in the space they include. Every sensation is there where I ex- perience it, and if I have it at once at every point of a certain roomy space, it is then a voluminous sensation. A cube of transparent green glass gives us a spatial sensation ; an opaque cube painted green, on the contrary, only sensations of surface.” * There are certain quasi-motor sensations in the head when we change the direction of the attention, which equally seem to involve three dimensions. If with closed eyes we think of the top of the house and then of the cellar, of the distance in front of us and then of that behind us, of space far to the right and then far to the left, we have something far stronger than an idea,—an actual feeling, namely, as if something in the head moved into another direction. Fechner was, I believe, the first to publish any remarks on these feelings. He writes as follows : “ When we transfer the attention from objects of one sense to those of another we have an indescribable feeling (though at the same time one perfectly determinate and reproducible at pleasure) of altered direc- tion, or differently localized tension (Spannung). We feel a strain for- ward in the eyes, one directed sideways in the ears, increasing with the degree of our attention, and changing according as we look at an object carefully, or listen to something attentively ; wherefore we speak of straining the attention. The difference is most plainly felt when * Loe. at. S. 572. 138 PSYCHO LOOT. the attention vibrates rapidly between eye and ear. This feeling local- izes itself with most decided difference in regard to the various sense- organs according as we wish to discriminate a thing delicately by touch, taste, or smell. ‘ ‘ But now I have, when I try to vividly recall a picture of memory or fancy, a feeling perfectly analogous to that which I experience when I seek to grasp a thing keenly by eye or ear ; and this analogous feeling is very differently localized. While in sharpest possible attention to real objects (as well as to after-images) the strain is plainly forwards, and, when the attention changes from one sense to another, only alters its direction between the sense-organs, leaving the rest of the head free from strain, the case is different in memory or fancy ; for here the feel- ing withdraws entirely from the external sense-organs, and seems rather to take refuge in that part of the head which the brain fills. If I wish, for example, to recall a place or person, it will arise before me with vividness, not according as I strain my attention forwards, but rather in proportion as I, so to speak, retract it backwards.”* It appears probable that the feelings which Fechner de- scribes are in part constituted by imaginary semi-circular canal sensations. + These undoubtedly convey the most delicate perception of change in direction; and when, as here, the changes are not perceived as taking place in the external world, they occupy a vague internal space located within the head4 * Elemente der Psychophysik, n. 475-6. f See Foster’s Text-book of Physiology, bk. hi. c. vi. § 2. \ Fechner, who was ignorant of the but lately discovered function of the semi-circular canals, gives a different explanation of the organic seat of these feelings. They are probably highly composite. With me, actual move- ments in the eyes play a considerable part in them, though I am hardly con- scious of the peculiar feelings in the scalp which Fechner goes on to de- scribe thus : “The feeling of strained attention in the different sense-organs seems to be only a muscular one produced in using these various organs by setting in motion, by a sort of reflex action, the set of muscles which belong to them. One can ask, then, with what particular muscular con- traction the sense of strained attention in the effort to recall something is associated ? On this question my own feeling gives me a decided answer ; it comes to me distinctly not as a sensation of tension in the inside of the head, but as a feeling of strain and contraction in the scalp, with a pressure from outwards in over the whole cranium, undoubtedly caused by a con- traction of the muscles of the scalp. This harmonizes very well with the expressions, sich den Kopf zerbrechen, den Kopf zusammennehmen. In a former illness, when I could not endure the slightest effort after continuous thought, and had no theoretical bias on this question, the muscles of the scalp, especially those of the back-head, assumed a fairly morbid degree of sensibility whenever I tried to think.” (Elem. der Psychophysik, n, 490-91.) THE PERCEPTION OF SPACE. 139 In the skin itself there is a vague form of projection into the third dimension to which Hering has called atten- tion. “ Heat is not felt only against the cutaneous surface, but when com- municated through the air may appear extending more or less out from the surface into the third dimension of surrounding space. . . . We can determine in the dark the place of a radiant body by moving the hand to and fro, and attending to the fluctuation of our feeling of warmth. The feeling itself, however, is not projected fully into the spot at which we localize the hot body, but always remains in the neighborhood of the hand.” The interior of one’s mouth-cavity feels larger when ex- plored by the tongue than when looked at. The crater of a newly-extracted tooth, and the movements of a loose tooth in its socket, feel quite monstrous. A midge buzzing against the drum of the ear will often seem as big as a but- terfly. The spatial sensibility of the tympanic membrane has hitherto been very little studied, though the subject will well repay much trouble. If we approach it by intro- ducing into the outer ear some small object like the tip of a rolled-up tissue-paper lamplighter, we are surprised at the large radiating sensation which its presence gives us, and at the sense of clearness and openness which comes when it is removed. It is immaterial to inquire whether the far-reaching sensation here be due to actual irradiation upon distant nerves or not. We are considering now, not the objective causes of the spatial feeling, but its subjective varieties, and the experiment shows that the same object gives more of it to the inner than to the outer cuticle of the ear. The pressure of the air in the tympanic cavity upon the membrane gives an astonishingly large sensation. We can increase the pressure by holding our nostrils and closing our mouth and forcing air through our Eustachian tubes by an expiratory effort; and we can diminish it by either inspiring or swallowing under the same conditions of closed mouth and nose. In either case wc get a large round tridimensional sensation inside of the head, which seems as if it must come from the affection of an organ much larger than the tympanic membrane, whose surface hardly exceeds that of one’s little-finger-nail. 140 PSYCHOLOGY. The tympanic membrane is furthermore able to render sensible differences in the pressure of the external atmos- phere, too slight to be felt either as noise or in this more violent way. If the reader will sit with closed eyes and let a friend approximate some solid object, like a large book, noiselessly to his face, he will immediately become aware of the object’s presence and position—likewise of its de- parture. A friend of the writer, making the experiment for the first time, discriminated unhesitatingly between the three degrees of solidity of a board, a lattice-frame, and a sieve, held close to his ear. Now as this sensation is never used by ordinary persons as a means of perception, we may fairly assume that its felt quality, in those whose attention is called to it for the first time, belongs to it qua sensation, and owes nothing to educational suggestions. But this felt quality is most distinctly and unmistakably one of vague spatial vastness in three dimensions—quite as much so as is the felt quality of the retinal sensation when we lie on our back and fill the entire field of vision with the empty blue sky. When an object is brought near the ear we im- mediately feel shut in, contracted; when the object is removed, we suddenly feel as if a transparency, clearness, openness, had been made outside of us. And the feeling will, by any one who will take the pains to observe it, be acknowledged to involve the third dimension in a vague, unmeasured state.* The reader will have noticed, in this enumeration of facts, that voluminousness of the feeling seems to hear very little relation to the size of the organ that yields it. The ear and eye are comparatively minute organs, yet they give us feel- ings of great volume. The same lack of exact proportion between size of feeling and size of organ affected obtains within the limits of particular sensory organs. An object appears smaller on the lateral portions of the retina than it does on the fovea, as may be easily verified by holding the * That the sensation in question is one of tactile rather than of acoustic sensibility would seem proved by the fact that a medical friend of the writer, both of whose membrance tympani are quite normal, but one of whose ears is almost totally deaf, feels the presence and withdrawal of ob- jects as well at one ear as at the other. THE PERCEPTION OF SPACE. 141 two forefingers parallel and a couple of inches apart, and transferring the gaze of one eye from one to the other. Then the finger not directly looked at will appear to shrink, and this whatever be the direction of the fingers. On the tongue a crumb, or the calibre of a small tube, appears larger than between the fingers. If two points kept equi- distant (blunted compass- or scissors-points, for example) be drawn across the skin so as really to describe a pair of parallel lines, the lines will appear farther apart in some spots than in others. If, for example, we draw them hori- zontally across the face, so that the mouth falls between them, the person experimented upon will feel as if they began to diverge near the mouth and to include it in a well- marked ellipse. In like manner, if we keep the compass- Fio. 51 (after Weber). points one or two centimetres apart, and draw them down the forearm over the wrist and palm, finally drawing one along one finger, the other along its neighbor, the appear- ance will be that of a single line, soon breaking into two, which become more widely separated below the wrist, to contract again in the palm, and finally diverge rapidly again towards the finger-tips. The dotted lines in Figs. 51 and 52 represent the true path of the compass-points; the full lines their apparent path. The same length of skin, moreover, will convey a more extensive sensation according to the manner of stimulation. If the edge of a card be pressed against the skin, the dis- tance between its extremities will seem shorter than that be- tween two compass-tips touching the same terminal points.* * The skin seems to obey a different law from the eye here. If a given retinal tract be excited, first by a series of points, and next by the two 142 PSYCHOLOGY. In the eye, intensity of nerve-stimulation seems to in- crease the volume of the feeling as well as its brilliancy. If we raise and lower the gas alternately, the whole room and all the objects in it seem alternately to enlarge and contract. If we cover half a page of small print with a gray glass, the print seen through the glass appears decidedly smaller than that seen outside of it, and the darker the glass the greater the difference. When a circumscribed opacity in front of the retina keeps off part of the light from the portion which it covers, objects projected on that portion may seem but half as large as when their image falls outside of it.* The inverse effect seems produced by certain drugs and anaesthetics. Mor- phine, atropine, daturine, and cold blunt the sensibility of the skin, so that dis- tances upon it seem less. Haschish pro- duces strange perversions of the general sensibility. Under its influence one’s body may seem either enormously en- larged or strangely contracted. Some- times a single member will alter its proportion to the rest; or one’s back, for instance, will appear entirely absent, as if one were hollow behind. Objects comparatively near will recede to a vast distance, a short street assume to the eye an immeasurable perspective. ' Ether and chloroform Fig. 52 (after Weber). extreme points, with the interval between them unexcited, this interval will seem considerably less in the second case than it seemed in the first. In the skin the unexcited interval feels the larger. The reader may easily verify the facts in this case by taking a visiting-card, cutting one edge of it into a saw-tooth pattern, and from the opposite edge cutting out all but the two corners, and then comparing the feelings aroused by the two edges when held against the skin. * Classen, Physiologie des Gesichtssinnes, p. 114 ; see also A. Riehl, Der Philosophische Kriticismus, n. p. 149. THE PERCEPTION OF SPACE. 143 occasionally produce not wholly dissimilar results. Panum, the German physiologist, relates that when, as a boy, he was etherized for neuralgia, the objects in the room grew extremely small and distant, before his field of vision dark- ened over and the roaring in his ears began. He also men- tions that a friend of his in church, struggling in vain to keep awake, saw the preacher grow smaller and smaller and more and more distant. I myself on one occasion observed the same recession of objects during the begin- ning of chloroformization. In various cerebral diseases we find analogous disturbances. Can we assign the physiological conditions which make the elementary sensible largeness of one sensation vary so much from that of another ? Only imperfectly. One factor in the re- sult undoubtedly is the number of nerve-terminations simultaneously excited by the outward agent that awakens the sensation. When many skin-nerves are warmed, or much retinal surface illuminated, our feeling is larger than when a lesser nervous surface is excited. The single sen- sation yielded by two compass-points, although it seems simple, is yet felt to be much bigger and blunter than that yielded by one. The touch of a single point may always be recognized by its quality of sharpness. This page looks much smaller to the reader if he closes one eye than if both eyes are open. So does the moon, which latter fact shows that the phenomenon has nothing to do with parallax. The celebrated boy couched for the cataract by Cheselden thought, after his first eye was operated, “ all things he saw extremely large,” but being couched of his second eye, said “ that objects at first appeared large to this eye, but not so large as they did at first to the other; and looking upon the same object with both eyes, he thought it looked about twice as large as with the first couched eye only, but not double, that we can anyways discover.” The greater extensiveness that the feeling of certain parts of the same surface has over other parts, and that one order of surface has over another (retina over skin, for example), may also to a certain extent be explained by the operation of the same factor. It is an anatomical fact that the most spatially sensitive surfaces (retina, tongue, finger- 144 PSYCHOLOGY. tips, etc.) are supplied by nerve-trunks of unusual thick- ness, which must supply to every unit of surface-area an unusually large number of terminal fibres. But the varia- tions of felt extension obey probably only a very rough law of numerical proportion to the number of fibres. A sound is not twice as voluminous to two ears as to one ; and the above-cited variations of feeling, when the same surface is excited under different conditions, show that the feeling is a resultant of several factors of which the anatomical one is only the principal. Many ingenious hypotheses have been brought forward to assign the co-operating factors where different conditions give conflicting amounts of felt space. Later we shall analyze some of these cases in de- tail, but it must be confessed here in advance that many of them resist analysis altogether. * * It is worth while at this point to call attention with some emphasis to the fact that, though the anatomical condition of the feeling resembles the feeling itself, such resemblance cannot be taken by our understanding to explain why the feeling should be just what it is. We hear it untiringly reiterated by materialists and spiritualists alike that we can see no possible inward reason why a certain brain-process should produce the feeling of redness and another of anger: the one process is no more red than the other is angry, and the coupling of process and feeling is, as far as our understanding goes, a juxtaposition pure and simple. But in the matter of spatial feeling, where the retinal patch that produces a triangle in the mind is itself a triangle, etc., it looks at first sight as if the sensation might be a direct cognition of its own neural condition. Were this true, however, our sensation should be one of multitude rather than of continuous extent; for the condition is number of optical nerve-termini, and even this is only a remote condition and not an immediate condition. The immediate condi- tion of the feeling is not the process in the retina, but the process in the brain; and the process in the brain may, for aught we know, be as unlike a triangle,—nay, it probably is so,—as it is unlike redness or rage. It is simply a coincidence that in the case of space one of the organic conditions, viz., the triangle impressed on the skin or the retina, should lead to a rep- resentation in the mind of the subject observed similar to that which it produces in the psychological observer. In no other kind of case is the coincidence found. Even should we admit that we cognize triangles in space because of our immediate cognition of the triangular shape of our excited group of nerve-tips, the matter would hardly be more transparent, for the mystery would still remain, why are we so much better cognizant of triangles on our finger-tips than on the nerve-tips of our back, on our eye than on our ear, and on any of these parts than in our brain ? Thos. Brown very rightly rejects the notion of explaining the shape of the space perceived by the shape of the ‘nervous expansion affected.’ “If this THE PERCEPTION OF SPACE. 145 THU PERCEPTION OF SPATIAL ORDER. So far, all we have established or sought to establish is the existence of the vague form or quale of spatiality as an inseparable element bound up with the other peculiarities of each and every one of our sensations. The numerous examples we have adduced of the variations of this extensive element have only been meant to make clear its strictly sensational character. In very few of them will the reader have been able to explain the variation by an added intel- lectual element, such as the suggestion of a recollected ex- perience. In almost all it has seemed to be the immediate psychic effect of a peculiar sort of nerve-process excited; and all the nerve-processes in question agree in yielding what space they do yield, to the mind, in the shape of a simple total vastness, in which, primitively at least, no order of parts or of subdivisions reigns. Let no one be surprised at this notion of a space without order. There may be a space without order just as there may be an order without space.* And the primitive percep- tions of space are certainly of an unordered kind. The order which the spaces first perceived potentially include must, before being distinctly apprehended by the mind, be woven into those spaces by a rather complicated set of in- tellectual acts. The primordial largenesses which the sen- sations yield must be measured and subdivided by conscious- ness, and added together, before they can form by their synthesis what we know as the real Space of the objective world. In these operations, imagination, association, at- tention, and selection play a decisive part; and although they nowhere add any new material to the space-data of sense, they so shuffle and manipulate these data and hide alone were necessary, we should have square inches and half inches, and various other forms, rectilinear and curvilinear, of fragance and sound.” (Lectures, xxn.) * Musical tones, e.g., have an order of quality independent either of their space- or time-order. Music comes from the time-order of the notes upsetting their quality-order. In general, if a b c d ef g h ij k, etc., stand for an arrangement of feelings in the order of their quality, they may as- sume any space-order or time-order, as d ef ah g, etc., and still the order of quality will remain fixed and unchanged. 146 PSYCHOLOGY. present ones behind imagined ones that it is no wonder if some authors have gone so far as to think that the sense- data have no spatial worth at all, and that the intellect, since it makes the subdivisions, also gives the spatial quality to them out of resources of its own. As for ourselves, having found that all our sensations (however as yet unconnected and undiscriminated) are of extensive objects, our next problem is: How do we arrange these at first chaotically given spaces into the one regular and, orderly 1 world of space * which we now know ? To begin with, there is no reason to suppose that the several sense-spaces of which a sentient creature may become conscious, each filled with its own peculiar content, should tend, simply because they are many, to enter into any definite spatial intercourse with each other, or lie in any particular order of positions. Even in ourselves we can recognize this. Different feelings may coexist in us without assuming any particular spatial order. The sound of the brook near which I write, the odor of the cedars, the comfort with which my breakfast has filled me, and my in- terest in this paragraph, all lie distinct in my consciousness, but in no sense outside or alongside of each other. Their spaces are interfused and at most fill the same vaguely ob- jective world. Even where the qualities are far less dis- parate, we may have something similar. If we take our subjective and corporeal sensations alone, there are moments when, as we lie or sit motionless, we find it very difficult to feel distinctly the length of our back or the direction of our feet from our shoulders. By a strong effort we can succeed in dispersing our attention impartially over our whole per- son, and then we feel the real shape of our body in a sort of unitary way. But in general a few parts are strongly emphasized to consciousness and the rest sink out of notice ; and it is then remarkable how vague and ambiguous our perception of their relative order of location is. Obviously, for the orderly arrangement of a multitude of sense-spaces in consciousness, something more than their mere separate existence is required. What is this further condition ? If a number of sensible extents are to be perceived alongside THE PERCEPTION OF SPACE. 147 of each other and in definite order they must appear as parts in a vaster sensible extent which can enter the mind simply and aU at once. I think it will be seen that the difficulty of esti • mating correctly the form of one’s body by pure feeling arises from the fact that it is very hard to feel its totality a» a unit at all. The trouble is similar to that of thinking for- wards and backwards simultaneously. When conscious of our head we tend to grow unconscious of our feet, and there enters thus an element of time-succession into our percep- tion of ourselves which transforms the latter from an act of intuition to one of construction. This element of con- structiveness is present in a still higher degree, and carries with it the same consequences, when we deal with objective spaces too great to be grasped by a single look. The rela- tive positions of the shops in a town, separated by many tortuous streets, have to be thus constructed from data ap- prehended in succession, and the result is a greater or less degree of vagueness. That a sensation he discriminated as a part from out of a larger enveloping space is then the conditio sine qua non of its being apprehended in a definite spatial order. The problem of ordering our feelings in space is then, in the first instance, a problem of discrimination, but not of discrimination pure and simple; for then not only coexistent sights but coex- istent sounds would necessarily assume such order, which they notoriously do not. Whatever is discriminated will appear as a small space within a larger space, it is true, but this is but the very rudiment of order. For the location of it within that space to become precise, other conditions still must supervene; and the best way to study what they are will be to pause for a little and analyze what the expression ‘ spatial order ’ means. Spatial order is an abstract term. The concrete percep- tions which it covers are figures, directions, positions, mag- nitudes, and distances. To single out any one of these things from a total vastness is partially to introduce order into the vastness. To subdivide the vastness into a multi- tude of these things is to apprehend it in a completely orderly way. Now what are these things severally? To 148 PSYCHO LOO 7. begin with, no one can for an instant hesitate to say that some of them are qualities of sensation, just as the total vastness is in which they lie. Take figure : a square, a circle, and a triangle appear in the first instance to the eye simply as three different kinds of impressions, each so pecul- iar that we should recognize it if it were to return. When Nunnely’s patient had his cataracts removed, and a cube and a sphere were presented to his notice, he could at once perceive a difference in their shapes; and though he could not say which was the cube and which the sphere, he saw they were not of the same figure. So of lines: if we can notice lines at all in our field of vision, it is inconceivable that a vertical one should not affect us differently from an horizontal one, and should not be recognized as affecting us similarly when presented again, although we might not yet know the name ‘ vertical,’ or any of its connotations, beyond this peculiar affection of our sensibility. So of angles: an obtuse one affects our feeling immediately in a different way from an acute one. Distance-apart, too, is a simple sensa- tion—the sensation of a line joining the two distant points: lengthen the line, you alter the feeling and with it the distance felt. Space-relations. But with distance and direction we pass to the category of space-relations, and are immediately confronted by an opinion which makes of all relations something toto codo different from all facts of feeling or imagination whatsoever. A relation, for the Platonizing school in psychology, is an energy of pure thought, and, as such, is quite incommen- surable with the data of sensibility between which it may be perceived to obtain. We may consequently imagine a disciple of this school to say to us at this point: “ Suppose you have made a sep- arate specific sensation of each line and each angle, what boots it? You have still the order of directions and of distances to account for; you have still the relative magni- tudes ol all these felt figures to state; you have their re- spective positions to define before you can be said to have brought order into your space. And not one of these de- THE PERCEPTION OF SPACE. 149 terminations can be effected except through an act of re- lating thought, so that your attempt to give an account of space in terms of pure sensibility breaks down almost at the very outset. Position, for example, can never be a sen- sation, for it has nothing intrinsic about it; it can only obtain between a spot, line, or other figure and extraneous co-ordinates, and can never be an element of the sensible datum, the line or the spot, in itself. Let us then confess that Thought alone can unlock the riddle of space, and that Thought is an adorable but unfathomable mystery.” Such a method of dealing with the problem has the merit of shortness. Let us, however, be in no such hurry, but see whether we cannot get a little deeper by patiently considering what these space-relations are. ‘Relation’ is a very slippery word. It has so many different concrete meanings that the use of it as an abstract universal may easily introduce bewilderment into our thought. We must therefore be careful to avoid ambiguity by making sure, wherever we have to employ it, what its precise meaning is in that particular sphere of application. At present we have to do with space-relations, and no others. Most ‘ relations ’ are feelings of an entirely different order from the terms they relate. The relation of similarity, e.g., may equally obtain between jasmine and tuberose, or be- tween Mr. Browning's verses and Mr. Story’s; it is itself neither odorous nor poetical, and those may well be pardoned who have denied to it all sensational content whatever. But just as, in the field of quantity, the relation between two numbers is another number, so in the field of space the relations are facts of the same order with the facts they relate. If these latter be patches in the circle of vision, the former are certain other patches between them. When we speak of the relation of direction of two points toward each other, we mean simply the sensation of the line that joins the two points together. The line is the relation; feel it and you feel the relation, see it and you see the relation; nor can you in any conceivable way think the latter except by im- agining the former (however vaguely), or describe or indi- cate the one except by pointing to the other. And the moment you have imagined the line, the relation stands 150 PSYCHOLOGY. before you in all its completeness, with nothing further tc be done. Just so the relation of direction between two lines is identical with the peculiar sensation of shape of the space enclosed between them. This is commonly called an angular relation. If these relations are sensations, no less so are the rela- tions of position. The relation of position between the top and bottom points of a vertical line is that line, and nothing else. The relations of position between a point and a horizontal line below it are potentially numerous. There is one more important than the rest, called its distance. This is the sensation, ideal or actual, of a perpendicular drawn from the point to the line.* Two lines, one from each extremity of the horizontal to the point, give us a peculiar sensation of triangularity. This feeling may be said to constitute the locus of all the relations of position of the elements in ques- tion. Rightness and leftness, upness and downness, are again pure sensations differing specifically from each other, and generically from everything else. Like all sensations, they can only be indicated, not described. If we take a cube and label one side top, another bottom, a third front, and a fourth back, there remains no form of words by which we can de- scribe to another person which of the remaining sides is right and which left. We can only point and say here is right and there is left, just as we should say this is red and that blue. Of two points seen beside each other at all, one is always affected by one of these feelings, and the other by the opposite; the same is true of the extremities of any line.f * The whole science of geometry may be said to owe its being to the exorbitant interest which the human mind takes in lines. We cut space up in every direction in order to manufacture them. f Kant was, 1 believe, the first to call attention to this last order of facts. After pointing out that two opposite spherical triangles, two gloves of a pair, two spirals wound in contrary directions, have identical inward de- terminations, that is, have their parts defined with relation to each other by the same law, and so must be conceived as identical, he showed that the im- possibility of their mutual superposition obliges us to assign to each figure of a symmetrical pair a peculiar difference of its own which can only con sist in an outward determination or relation of its parts, no longer to each other, but to the whole of an objectively outlying space with its points of the compass given absolutely. This inconceivable difference is perceived onlv THE PERCEPTION OF SPACE. 151 Thus it appears indubitable tliat all space-relations ex- cept those of magnitude are nothing more or less than pure sensational objects. But magnitude appears to outstep this narrow sphere. We have relations of muchness and little- ness between times, numbers, intensities, and qualities, as well as spaces. It is impossible, then, that such relations should form a particular kind of simply spatial feeling. This we must admit: the relation of quantity is generic and occurs in many categories of consciousness, whilst the other relations we have considered are specific and occur in space alone. When our attention passes from a shorter line to a longer, from a smaller spot to a larger, from a feebler light to a stronger, from a paler blue to a richer, from a march tune to a galop, the transition is accompanied in the synthetic field of consciousness by a peculiar feeling of difference which is what we call the sensation of more,— more length, more expanse, more light, more blue, more motion. This transitional sensation of more must be iden- tical with itself under all these different accompaniments, or we should not give it the same name in every case. We get it when we pass from a short vertical line to a long horizontal one, from a small square to a large circle, as well as when we pass between those figures whose shapes are congruous. But when the shapes are congruous our consciousness of the relation is a good deal more distinct, and it is most distinct of all when, in the exercise of our analytic attention, we notice, first, a part, and then the whole, of a single line or shape. Then the more of the whole actually sticks out, as a separate piece of space, and is so envisaged. The same exact sensation of it is given when we are able to superpose one line or figure on another. This indispensable condition of exact measurement of the more has led some to think that the feeling itself arose in every case from original experiences of superposition. This is ‘through the relation to right and left, which is a matter of immediate intuition.” In these last words (welches unmittelbar auf Anschauung geht —Prolegomena. § 12) Kant expresses all that we have meant by speaking of up and down, right and left, as sensations. He is wrong, however, in invoking relation to extrinsic total space as essential to the existence of these contrasts in figures. Relation to our own body is enough 152 PSYCHOLOGY. probably not an absolutely true opinion, but for our pres- ent purpose that is immaterial. So far as the subdivisions of a sense-space are to be measured exactly against each other, objective forms occupying one subdivision must directly or indirectly be superposed upon the other, and the mind must get the immediate feeling of an outstanding plus. And even where we only feel one subdivision to be vaguely larger or less, the mind must pass rapidly between it and the other subdivision, and receive the immediate sen- sible shock of the more. We seem thus to have accounted for ad space-relations, and made them dear to our understanding. They are nothing but sensations of particular lines, particular angles, particular for ms of transition, or (in the case of a distinct more) of particular outstanding portions of space after two figures have been super- posed. These relation-sensations may actually be produced as such, as when a geometer draws new lines across a figure with his pencil to demonstrate the relations of its parts, or they may be ideal representations of lines, not really drawn. But in either case their entrance into the mind is equivalent to a more detailed subdivision, cognizance, and measurement of the space considered. The bringing of sub- divisions to consciousness constitutes, then, the entire process by which we pass from our first vague feding of a total vastness to a cognition of the vastness in detail. The more numerous the subdivisions are, the more elaborate and per- fect the cognition becomes. But inasmuch as all the sub- divisions are themselves sensations, and even the feeling of ‘ more ’ or ‘ less ’ is, where not itself a figure, at least a sensation of transition between two sensations of figure, it follows, for aught we can as yet see to the contrary, that all spatial knowledge is sensational at bottom, and that, as the sensations lie together in the unity of consciousness, no new material element whatever comes to them from a supra-sensible source.* * In the eyes of many it will have seemed strange to call a relation a mere line, and a line a mere sensation. We may easily learn a great deal about any relation, say that between two points: we may divide the line which joins these, and distinguish it, and classify it, and find out iU rela- THE PERCEPTION OF SPACE. 153 The bringing of subdivisions to consciousness ! This, then, is our next topic. They may be brought to consciousness under three aspects in respect of their locality, in respect of their size, in respect of their shape. The Meaning of Localization. Confining ourselves to the problem of locality for the pres- ent, let us begin with the simple case of a sensitive surface, only two points of which receive stimulation from without. How, first, are these two points felt as alongside of each other with an interval of space between them ? We must be conscious of two things for this : of the duality of the ex- cited points, and of the extensiveness of the unexcited interval. The duality alone, although a necessary, is not a sufficient condition of the spatial separation. We may, for instance, discern two sounds in the same place, sweet and sour in the same lemonade, warm and cold, round and pointed contact in the same place on the skin, etc.* In all discrimination the recognition of the duality of two feelings by the mind is the easier the more strongly the feelings are tions by drawing or representing new lines, and so on. But all this further industry has naught to do with our acquaintance with the relation itself, in its first intention. So cognized, the relation is the line and nothing more. It would indeed be fair to call it something less; and in fact it is easy to understand how most of us come to feel as if the line were a much grosser thing than the relation. The line is broad or narrow, blue or red, made by this object or by that alternately, in the course of our experience; it is therefore independent of any one of these accidents; and so, from viewing it as no one of such sensible qualities, we may end by thinking of it as something which cannot be defined except as the negation of all sen- sible quality whatever, and which needs to be put into the sensations by a mysterious act of ‘relating thought.’ Another reason why we get to feel as if a space-relation must be some- thing other than the mere feeling of a line or angle is that between two positions we can potentially make any number of lines and angles, or find, to suit our purposes, endlessly numerous relations. The sense of this indefi- nite potentiality cleaves to our words when we speak in a general way of ‘relations of place,’ and misleads us into supposing that not even any single one of them can be exhaustively equated by a single angle or a single line. * This often happens when the warm and cold points, or the round and pointed ones, are applied to the skin within the limits of a single ‘ Em- pfindungskreis. ’ 154 PSYCHOLOGY. contrasted in quality. If our two excited points awaken identical qualities of sensation, they must, perforce, appear to the mind as one ; and, not distinguished at all, they are, a fortiori, not localized apart. Spots four centimetres dis- tant on the back have no qualitative contrast at all, and fuse into a single sensation. Points less than three thousandths of a millimetre apart awaken on the retina sensations so contrasted that we apprehend them immediately as two. Now these unlikenesses which arise so slowly when we pass from one point to another in the back, so much faster on the tongue and finger-tips, but with such inconceivable rapidity on the retina, what are they ? Can we discover anything about their intrinsic nature ? The most natural and immediate answer to make is that they are unlikeness of place pure and simple. In the words of a German physiologist,* to whom psychophysics owes much: “The sensations are from the outset {von vornherein) localized. . . . Every sensation as such is from the very beginning affected with the spatial quality, so that this quality is nothing like an external attribute coming to the sensation from a higher faculty, but must be regarded as something immanently residing in the sensation itself.” And yet the moment we reflect on this answer an insu- perable logical difficulty seems to present itself. No single quale of sensation can, by itself, amount to a consciousness of position. Suppose no feeling but that of a single point ever to be awakened. Could that possibly be the feeling of any special whereness or thereness ? Certainly not. Only when a second point is felt to arise can the first one acquire a determination of up, down, right or left, and these determina- tions are all relative to that second point. Each point, so far as it is placed, is then only by virtue of what it is not, namely, by virtue of another point. This is as much as to say that position has nothing intrinsic about it; and that, although a feeling of absolute bigness may, a feeling of place cannot, possibly form an immanent element in any single isolated sensa- tion. The very writer we have quoted has given heed to this objection, for he continues (p. 335) by saying that the * Vierordt, Grundriss der Physiologie, 5te Auflage (1877), pp. 326, 436. THE PERCEPTION OF SPACE. 155 sensations thus originally localized “ are only so in them- selves, but not in the representation of consciousness, which is not yet present. . . . They are, in the first instance, de- void of all mutual relations with each other.” But such a localization of the sensation ‘in itself ’ would seem to mean nothing more than the susceptibility or potentiality of being distinctly localized when the time came and other conditions became fulfilled. Can we now discover anything about such susceptibility in itself before it has borne its ulterior fruits in the developed consciousness ? ‘Local Signs.’ To begin with, every sensation of the skin and every vis- ceral sensation seems to derive from its topographic seat a peculiar shade of feeling, which it would not have in another place. And this feeling per se seems quite another thing from the perception of the place. Says Wundt*: “ If with the finger we touch first the cheek and then the palm, exerting each time precisely the same pressure, the sensation shows not- withstanding a distinctly marked difference in the two cases. Similarly, when we compare the palm with the back of the hand, the nape of the neck with its anterior surface, the breast with the back; in short, any two distant parts of the skin with each other. And moreover, we easily remark, by attentively observing, that spots even tolerably close together differ in respect of the quality of their feeling. If we pass from one point of our cutaneous surface to another, we find a perfectly gradual and continuous alteration in our feeling, notwithstanding the objective nature of the contact has remained the same. Even the sen- sations of corresponding points on opposite sides of the body, though similar, are not identical. If, for instance, we touch first the back of one hand and then of the other, we remark a qualitative unlikeness of sensation. It must not be thought that such differences are mere mat- ters of imagination, and that we take the sensations to be different because we represent each of them to ourselves as occupying a different place. With sufficient sharpening of the attention, we may, confining ourselves to the quality of the feelings alone, entirely abstract from their locality, and yet notice the differences quite as markedly.” *Vorlesungen lib. Menschen- u. Thierseele (Leipzig, 1863), x. 214. See also Ladd’s Physiological Psychology, pp. 396-8, and compare the account by G. Stanley Hall (Mind, x. 671) of the sensations produced by moving a blunt point lightly over the skin. Points of cutting pain, quivering, thrilling, whirling, tickling, scratching, and acceleration, alternated with *ach other along the surface. 156 PSYCHOLOGY. Whether these local contrasts shade into each other with absolutely continuous gradations, we cannot say. But we know (continues Wundt) that “ they change, when we pass from one point of the skin to its neigh- bor, with very different degrees of rapidity. On delicately-feeling parts, used principally for touching, such as the finger-tips, the dif- ference of sensation between two closely approximate points is already strongly pronounced ; whilst in parts of lesser delicacy, as the arm, the back, the legs, the disparities of sensation are observable only between distant spots.” The internal organs, too, have their specific qualia of sen- sation. An inflammation of the kidney is different from one of the liver; pains in joints and muscular insertions are distinguished. Pain in the dental nerves is wholly unlike the pain of a burn. But very important and curious similarities prevail throughout these differences. Internal pains, whose seat we cannot see, and have no means of knowing unless the character of the pain itself reveal it, are felt where they belong. Diseases of the stomach, kidney, liver, rectum, prostate, etc., of the bones, of the brain and its membranes, are referred to their proper posi- tion. Nerve-pains describe the length of the nerve. Such localizations as those of vertical, frontal, or occipital head- ache of intracranial origin force us to conclude that parts which are neighbors, whether inner or outer, may possess by mere virtue of that fact a common peculiarity of feeling, a respect in which their sensations agree, and which serves as a token of their proximity. These local colorings are, moreover, so strong that we cognize them as the same, throughout all contrasts of sensible quality in the accom- panying perception. Cold and heat are wide as the poles asunder; yet if both fall on the cheek, there mixes with them something that makes them in that respect identical; just as, contrariwise, despite the identity of cold with itself wherever found, when we get it first on the palm and then on the cheek, some difference comes, which keeps the two experiences for ever asunder.* * Of the anatomical and physiological conditions of these facts we know as yet but little, and that little need not here be discussed. Two principal hypotheses have been invoked in the case of the retina. Wundt (Men THE PERCEPTION OF SPACE. 157 And now let us revert to the query propounded a moment since: Can these differences of mere quality in feeling, varying according to locality yet having each sensibly and in- trinsically and by itself nothing to do with position, constitute the ‘ susceptibilities ' we mentioned, the conditions of being per- ceived in position, of the localities to which they belong ? The numbers on a row of houses, the initial letters of a set of words, have no intrinsic kinship with points of space, and yet they are the conditions of our knowledge of where any house is in the row, or any word in the dictionary. Can the modifications of feeling in question be tags or labels of this kind which in no wise originally reveal the position of the spot to which they are attached, but guide us to it by what Berkeley would call a ‘ customary tie ’ ? Many authors have unhesitatingly replied in the affirmative ; Lotze, who in his Medizinische Psychologie* first described the sensations in this way, designating them, thus conceived, as local-signs. This term has obtained wide currency in Germany, and in speaking of the ‘ local-sign theory ’ hereafter, I shall always mean the theory which denies that there can be in a sensation any dement of actual locality, of inherent spatial order, any tone as schen- u. Thierseele, i. 214) called attention to the changes of color-sensibility which the retina displays as the image of the colored object passes from the fovea to the periphery. The color alters and becomes darker, and the change is more rapid in certain directions than in others. This alteration in general, however, is one of which, as such, we are wholly unconscious. We see the sky as bright blue all over, the modifications of the blue sensa- tion being interpreted by us, not as differences in the objective color, but as distinctions in its locality. Lotze (Medizinische Psychologie, 333. 355), on the other hand, has pointed out the peculiar tendency which each particu- lar point of the retina has to call forth that movement of the eyeball which will carry the image of the exciting object from the point in question to the fovea. With each separate tendency to movement (as with each actual movement) we may suppose a peculiar modification of sensibility to be conjoined. This modification would constitute the peculiar local tingeing of the image by each point. See also Bully’s Psychology, pp. 118-121. Prof. B. Erdman has quite lately (Vierteljahrsschrift f. wiss. Phil., x. 324-9) denied the existence of all evidence for such immanent qualia of feeling characterizing each locality. Acute as his remarks are, they quite fail to convince me. On the skin the qualia are evident, 1 should say. Where, as on the retina, they are less so (Kries and Auerbach), this may well be a mere difficulty of discrimination not yet educated to the analysis. * 1862, p. 331. 158 PSYCHOLOGY. it were which cries to us immediately and without further ado, ‘I am here,' or ‘I am there.' If, as may well be the case, we by this time find our- selves tempted to accept the Local-sign theory in a general way, we have to clear up several farther matters. If a sign is to lead us to the thing it means, we must have some other source of knowledge of that thing. Either the thing has been given in a previous experience of which the sign also formed part—they are associated ; or it is what Reid calls a ‘ natural ’ sign, that is, a feeling which, the first time it enters the mind, evokes from the native powers thereof a cognition of the thing that hitherto had lain dormant. In both cases, however, the sign is one thing, and the thing another. In the instance that now concerns us, the sign is a quality of feeling and, the thing is a position. Now we have seen that the position of a point is not only revealed, but created, by the existence of other points to which it stands in determinate relations. If the sign can by any machinery which it sets in motion evoke a consciousness either of the other points, or of the relations, or of both, it would seem to fulfil its function, and reveal to us the position we seek. But such a machinery is already familiar to us. It is neither more nor less than the law of habit in the nervous system. When any point of the sensitive surface has been frequently excited simultaneously with, or immediately before or after, other points, and afterwards comes to be excited alone, there will be a tendency for its perceptive nerve-centre to irradiate into the nerve-centres of the other points. Subjectively considered, this is the same as if we said that the peculiar feding of the first point suggests the feeling of the entire region ivith whose stimulation its own ex- citement has been habitually associated. Take the case of the stomach. When the epigastrium is heavily pressed, when certain muscles contract, etc., the stomach is squeezed, and its peculiar local sign awakes in consciousness simultaneously with the local signs of the other squeezed parts. There is also a sensation of total vastness aroused by the combined irritation, and somewhere in this the stomach-feeling seems to lie. Suppose that later a pain arises in the stomach from some non-mechani- TEE PERCEPTION OF SPACE. 159 cal cause. It will be tinged by the gastric local sign, and the nerve-centre supporting this latter feeling will excite the centre supporting the dermal and muscular feelings habitually associated with it when the excitement was mechanical. From the combination the same peculiar vastness will again arise. In a word, ‘ something ’ in the stomach-sensation * reminds ’ us of a total space, of which the diaphragmatic and epigastric sensations also form a part, or, to express it more briefly still, suggests the neigh- borhood of these latter organs.* Revert to the case of two excited points on a surface with an unexcited space between them. The general result of previous experience has been that when either point was impressed by an outward object, the same object also touched the immediately neighboring parts. Each point, together with its local sign, is thus associated with a circle of surrounding points, the association fading in strength as the circle grows larger. Each will revive its own circle; but when both are excited together, the strongest revival will be that due to the combined irradiation. Now the tract joining the two excited points is the only part common to the two circles. And the feelings of this whole tract will there- fore awaken with considerable vividness in the imagination when its extremities are touched by an outward irritant. The mind receives with the impression of the two distinct points the vague idea of a line. The twoness of the points comes from the contrast of their local signs : the line comes from the associations into which experience has wrought these latter. If no ideal line arises we have duality with- out sense of interval; if the line be excited actually rather * Maybe the localization of intracranial pain is itself due to such asso- ciation as this of local signs with each other, rather than to their qualita tive similarity in neighboring parts (supra, p. 19); though it is conceivable that association and similarity itself should here have one and the same neural basis. If we suppose the sensory nerves from those parts of the body beneath any patch of skin to terminate in the same sensorial brain- tract as those from the skin itself, and if the excitement of any one fibre tends to irradiate through the whole of that tract, the feelings of all fibres going to that tract would presumably both have a similar intrinsic quality, and at the same time tend each to arouse the other. Since the same nerve- trunk in most cases supplies the skin and the parts beneath, the anatomical hypothesis presents nothing improbable. 160 PSYCHOLOGY. than ideally, we have the interval given with its ends, in the form of a single extended object felt. E. H. Weber, in the famous article in which he laid the foundations of all our accurate knowledge of these subjects, laid it doom as the logical requisite for the perception of two separated points, that the mind should, along with its consciousness of them, be- come aware of an unexcited interval as such. I have only tried to show how the known laws of experience may cause this requi- site to be fulfilled. Of course, if the local signs of the entire region offer but little qualitative contrast inter se, the line suggested will be but dimly defined or discriminated in length or direction from other possible lines in its neighbor- hood. This is what happens in the back, where conscious- ness can sunder two spots, whilst only vaguely apprehend- ing their distance and direction apart. The relation of position of the two points is the sug- gested interval or line. Turn now to the simplest case, that of a single excited spot. Hoiv can it suggest its position ? Not by recalling any particular line unless experience have constantly been in the habit of marking or tracing some one line from it towards some one neighboring point. Now on the back, belly, viscera, etc., no such tracing habitually occurs. The consequence is that the only suggestion is that of the whole neighboring circle; i.e., the spot simply recalls the general region in which it happens to lie. By a pro- cess of successive construction, it is quite true that we can also get the feeling of distance between the spot and some other particular spot. Attention, by reinforcing the local sign of one part of the circle, can awaken a new circle round this part, and so de proche en proche we may slide our feeling down from our cheek, say, to our foot. But when we first touched our cheek we had no consciousness of the foot at all.* In the extremities, the lips, the tongue and other mobile parts, the case is different. We there have an instinctive tendency, when a part of lesser discriminative * Unless, indeed, the foot happen to be spontaneously tingling or some- thing of the sort at the moment. The whole surface of the body is always in a state of semi-conscious irritation which needs only the emphasis of attention, or of some accidental inward irritation, to become strong at any point. THE PERCEPTION OF SPACE. 161 sensibility is touched, to move the member so that the touching object glides along it to the place where sensi- bility is greatest. If a body touches our hand we move the hand over it till the finger-tips are able to explore it. If the sole of our foot touches anything we bring it towards the toes, and so forth. There thus arise lines of habitual passage from all points of a member to its sensitive tip. These are the lines most readily recalled when any point is touched, and their recall is identical with the conscious- ness of the distance of the touched point from the ‘ tip.’ I think anyone must be aware when he touches a point of his hand or wrist that it is the relation to the finger-tips of which he is usually most conscious. Points on the fore- arm suggest either the finger-tips or the elbow (the latter being a spot of greater sensibility*). In the foot it is the toes, and so on. A point can only be cognized in its rela- tions to the entire body at once by awakening a visual image of the whole body. Such awakening is even more obviously than the previously considered cases a matter of pure association. This leads us to the eye. On the retina the fovea and the yellow spot about it form a focus of exquisite sensibility, towards which every impression falling on an outlying por- tion of the field is moved by an instinctive action of the muscles of the eyeball. Few persons, until their attention is called to the fact, are aware how almost impossible it is to keep a conspicuous visible object in the margin of the field of view. The moment volition is relaxed we find that without our knowing it our eyes have turned so as to bring it to the centre. This is why most persons are unable tc keep the eyes steadily converged upon a point in space with nothing in it. The objects against the walls of the room * It is true that the inside of the fore arm, though its discriminative sensibility is often less than that of the outside, usually rises very promi- nently into consciousness when the latter is touched. Its (pathetic sensi- bility to contact is a good deal finer. We enjoy stroking it from the ex- tensor to the flexor surface around the ulnar side more than in the reverse direction. Pronating movements give rise to contacts in this order, and are frequently indulged in when the back of the fore-arm feels an object against it. 162 PSYCHOLOGY. invincibly attract the fovese to themselves. If we contem- plate a blank wall or sheet of paper, we always observe in a moment that we are directly looking at some speck upon it which, unnoticed at first, ended by ‘catching our eye.’ Thus whenever an image falling on the point P of the retina excites attention, it more habitually moves from that point towards the fovea than in any one other direction. The line traced thus by the image is not always a straight line. When the direction of the point from the fovea is neither vertical nor horizon- tal but oblique, the line traced is often a curve, with its con- cavity directed upwards if the direction is upwards, down- wards if the direction is downwards. This may be verified by anyone who will take the trouble to make a simple ex- periment with a luminous body like a candle-flame in a dark enclosure, or a star. Gazing first at some point remote from the source of light, let the eye be suddenly turned full upon the latter. The luminous image will necessarily fall in succession upon a continuous series of points, reaching from the one first affected to the fovea. But by virtue of the slowness with which retinal excitements die away, the entire series of points will for an instant be visible as an after-image, displaying the above peculiarity of form ac- cording to its situation.* These radiating lines are neither regular nor invariable in the same person, nor, probably, equally curved in different individuals. We are incessant- ly drawing them between the fovea and every point of the field of view. Objects remain in their peripheral indistinct- ness only so long as they are unnoticed. The moment we attend to them they grow distinct through one of these mo- tions—which leads to the idea prevalent among uninstructed persons that we see distinctly all parts of the field of view at once. The result of this incessant tracing of radii is that whenever a local sign P is awakened by a spot of light falling upon it, it recaEs forthwith, even though the eyeball be unmoved, the local signs of all the other points which lie between P and the fovea. It recalls them in imaginary form, just as the normal reflex movement would recall them in vivid form ; and with their recall is given a consciousness more or less * These facts were first noticed by Wundt: see his Beitrage, p. 140, 202 See also Lamansky, Pflilger’s Archiv, xi. 418. THE PERCEPTION OF SPACE. 163 faint of the whole line on which they lie. In other words, no ray of light can fall on any retinal spot without the lo- cal sign of that spot revealing to us, by recalling the line of its most habitual associates, its direction and distance from the centre of the field. The fovea acts thus as the origin of a system of polar co-ordinates, in relation to which each and every retinal point has through an incessantly-re- peated process of association its distance and direction de- termined. Were P alone illumined and all the rest of the field dark we should still, even with motionless eyes, know whether P lay high or low, right or left, through the ideal streak, different from all other streaks, which P alone has the power of awakening.* * So far all has been plain sailing, but our course begins to be so tortu- ous when we descend into minuter detail that I will treat of the more pre- cise determination of locality in a long note. When Precalls an ideal line leading to the fovea the line is felt in its entirety and but vaguely ; whilst P, which we supposed to be a single star of actual light, stands out in strong distinction from it. The ground of the distinction between P and the ideal line which it terminates is manifest—P being vivid while the line is faint; but why should P hold the particular position it does, at the end of the line, rather than anywhere else—for example, in its middle? That seems something not at all manifest. To clear up our thoughts about this latter mystery, let us take the case of an actual line of light, none of whose parts is ideal. The feeling of the line is produced, as we know, when a multitude of retinal points are excited together, each of which when excited separately would give rise to one of the feelings called local signs. Each of these signs is the feeling of a small space. From their simultaneous arousal we might well suppose a feeling of larger space to result. But why is it necessary that in this larger spaciousness the sign a should appear always at one end of the line, t at the other, and m in the middle ? For though the line be a unitary streak of light, its several constituent points can nevertheless break out from it, and become alive, each for itself, under the selective eye of atten- tion. The uncritical reader, giving his tirst careless glance at the subject, will say that there is no mystery in this, and that ‘ of course ’ local signs must appear alongside of each other, each in its own place;—there is no other way possible. But the more philosophic student, whose business it is to discover difficulties quite as much as to get rid of them, will reflect that it is conceivable that the partial factors might fuse into a larger space, and yet not each be located within it any more than a voice is located in a chorus. He will wonder how, after combining into the line, the points ean become severally alive again : the separate puffs of a 1 sirene ’ no longer strike the ear after they have fused into a certain pitch of sound. He will recall the fact that when, after looking at things with one eye closed, we 164 PSYCHOLOGY. And with this we can close the first great division ol our subject. We have shown that, within the range of double, by opening the other eye, the number of retinal points affected, the new retinal sensations do not as a rule appear alongside of the old ones and additional to them, but merely make the old ones seem larger and nearer. Why should the affection of new points on the same retina have so different a result ? In fact, he will see no sort of logical connection between (1) the original separate local signs, (2) the line as a unit, (3) the line with the points discriminated in it, and (4) the various nerve-processes which subserve all these different things. He will suspect our local sign of being a very slippery and ambiguous sort of creature. Positionless at first, it no sooner appears in the midst of a gang of compan- ions than it is found maintaining the strictest position of its own, and as- signing place to each of its associates. How is this possible ? Must we accept what we rejected a while ago as absurd, and admit the points each to have position in se ? Or must we suspect that our whole construction has been fallacious, and that we have tried to conjure up, out of association, qualities which the associates never contained? There is no doubt a real difficulty here; and the shortest way of dealing with it would be to confess it insoluble and ultimate. Even if position be not an intrinsic character of any one of those sensations we have called local signs, we must still admit that there is something about every one of them that stands for the potentiality of position, and is the ground why the local sign, when it gets placed at all, gets placed here rather than there. If this ‘ something ’ be interpreted as a physiological something, as a mere nerve- process, it is easy to say in a blank way that when it is excited alone, it is an ‘ ultimate fact ’ (1) that a positionless spot will appear; that when it is excited together with other similar processes, but without Ithe process of discriminative attention, it is another ‘ultimate fact ’ (2) that a unitary line will come; and that the final * ultimate fact ’ (3) is that, when the nerve- process is excited in combination with that other process which subserves the feeling of attention, what results will be the line with the local sign inside of it determined to a particular place. Thus we should escape the responsibility of explaining, by falling back on the everlasting inscruta- bility of the psycho-neural nexus. The moment we call the ground of lo- calization physiological, we need only point out how, in those cases in which localization occurs, the physiological process differs from those in which it does not, to have done all we can possibly do in the matter. This would be unexceptionable logic, and with it we might let the matter drop, satisfied that there was no self-contradiction in it, but only the universal psychological puzzle of how a new mode of consciousness emerges when- ever a fundamentally new mode of nervous action occurs. But, blameless as such tactics would logically be on our part, let us see whether we cannot push our theoretic insight a little farther. It seems to me we can. We cannot, it is true, give a reason why the line we feel when process (2) awakens should have its own peculiar shape; nor can we explain the essence of the process of discriminative attention. But we can see why, if the brute facts be admitted that a line may have one of its parts singled out by attention at all, and that that part may appear in relation to THE PERCEPTION OF SPACE. 165 every sense, experience takes ab initio the spatial form. We have also shown that in the cases of the retina and skin other parts at all, the relation must be in the line itself,—for the line and the parts are the only things supposed to be in consciousness. And we can furthermore suggest a reason why parts appearing thus in relation to each other in a line should fall into an immutable order, and each within that order keep its characteristic place. If a lot of such local signs all have any quality which evenly augments as we pass from one to the other, we can arrange them in an ideal serial order, in which any one local sign must lie below those with more, above those with less, of the quality in question. It must divide the series into two parts,—unless indeed it have a maximum or minimum of the quality, when it either begins or ends it. Such an ideal series of local signs in the mind is, however, not yet iden- tical with the feeling of a line in space. Touch a dozen points on the skin successively, and there seems no necessary reason why the notion of a defi- nite line should emerge, even though we be strongly aware of a gradation of quality among the touches. We may of course symbolically arrange them in a line in our thought, but we can always distinguish between a line symbolically thought and a line directly felt. But note now the peculiarity of the nerve-processes of all these local signs: though they may give no line when excited successively, when ex- cited together they do give the actual sensation of a line in space. The sum of them is the neural process of that line; the sum of their feelings is the feeling of that line; and if we begin to single out particular points from the line, and notice them by their rank, it is impossible to see how this rank can appear except as an actual fixed space-position sensibly felt as a bit of the total line. The scale itself appearing as a line, rank in it must appear as a definite part of the line. If the seven notes of an octave, when heard together, appeared to the sense of hearing as an outspread line of sound—which it is needless to say they do not—why then no one note could be discriminated without being localized, according to its pitch, in the line, either as one of its extremities or as some part between. But not alone the gradation of their quality arranges the local-sign feelings in a scale. Our movements arrange them also in a time-scale. Whenever a stimulus passes from point a of the skin or retina to point/, it awakens the local-sign feelings in the perfectly definite time-order abcdef. It cannot excite/until cde have been successively aroused. The feeling c sometimes is preceded by ab, sometimes followed by ba, according to the movement’s direction: the result of it all being that we never feel either a, c, or/, without there clinging to it faint reverberations of the various time- orders of transition in which, throughout past experience, it has been aroused. To the local sign a there clings the tinge or tone, the penumbra or fringe, of the transition bed. To/ to c, there cling quite different tones. Once admit the principle that a feeling may be tinged by the reproductive consciousness of an habitual transition, even when the transition is not made, and it seems entirely natural to admit that, if the transition be habit- ually In the order abcdef, and if a, c, and/be felt separately at all, a will be felt with an essential earliness, /with an essential lateness, and that c will 166 PHTCHOLOG Y. every sensible total may be subdivided by discriminative attention into sensible parts, which are also spaces, and into relations between the parts, these being sensible spaces too. Furthermore, we have seen (in a foot-note) that differ- ent parts, once discriminated, necessarily fall into a deter- minate order, both by reason of definite gradations in their quality, and by reason of the fixed order of time-succes- sion in which movements arouse them. But in all this nothing has been said of the comparative measurement of one sensible space-total against another, or of the way in which, by summing our divers simple sensible space- experiences together, we end by constructing what we re- gard as the unitary, continuous, and infinite objective Space of the real world. To this more difficult inquiry we next pass. THE CONSTRUCTION OF ‘REAL’ SPACE. The problem breaks into two subordinate problems . (1) How is the subdivision and measurement of the several sensorial spaces completely effected ? and (2) How do their mutual addition and fusion and reduction to the same scale, in a word, how does their synthesis, occur ? I think that, as in the investigation just finished, we found ourselves able to get along without invoking any data but those that pure sensibility on the one hand, and the ordinary intellectual powers of discrimination and recollec- fall between. Thus those psychologists who set little store by local signs and great store by movements in explaining space-perception, would have a perfectly definite time-order, due to motion, by which to account for the definite order of positions that appears when sensitive spots are excited all at once. Without, however, the preliminary admission of the ‘ulti- mate fact’ that this collective excitement shall feel like a line and nothing else, it can never be explained why the new order should needs be an order of positions, and not of merely ideal serial rank We shall hereafter have any amount of opportunity to observe how thoroughgoing is the par- ticipation of motion in all our spatial measurements. Whether the local signs have their respective qualities evenly graduated or not, the feelings of transition must be set down as among the vera causa1 in localization. But the gradation of the local signs is hardly to be doubted; so we may be- lieve ourselves really to possess two sets of reasons for localizing any point we may happen to distinguish from out the midst of any line or any larger space. THE PERCEPTION OF SPACE. 167 tion on the other, were able to yield ; so here we shall emerge from our more complicated quest with the convic- tion that all the facts can be accounted for on the supposi- tion that no other mental forces have been at work save those we find everywhere else in psychology: sensibility, namely, for the data ; and discrimination, association, memory, and choice for the rearrangements and combina tions which they undergo. 1. The Subdivision of the Original Sense-spaces. How are spatial subdivisions brought to consciousness ? in other words, How does spatial discrimination occur? The general subject of discrimination has been treated in a previous chapter. Here we need only inquire what are the conditions that make spatial discrimination so much finer in sight than in touch, and in touch than in hearing, smell, or taste. The first great condition is, that different points of the surface shall differ in the quality of their immanent sensibility, that is, that each shall carry its special local-sign. If the skin felt everywhere exactly alike, a foot-bath could be dis- tinguished from a total immersion, as being smaller, but never distinguished from a wet face. The local-signs are indispensable; two points which have the same local-sign will always be felt as the same point. We do not judge them two unless we have discerned their sensations to be different.* Granted none but homogeneous irritants, that organ would then distinguish the greatest multiplicity of irritants—would count most stars or compass-points, or best compare the size of two wet surfaces—whose local sensibility was the least even. A skin whose sensibility shaded rapidly off from a focus, like the apex of a boil, would be better than a homogeneous integument for spatial perception. The retina, with its exquisitely sensitive fovea, has this peculiarity, and undoubtedly owes to it a great part * M. Binet (Revue Philosophique, Sept. 1880, page 291) says we judge them locally different as soon as their sensations differ enough for us to distinguish them as qualitatively different when successively excited. Thi* is not strictly true. Skin-sensations, different enough to be discriminated when tuoeemve, may still fuse locally if excited both at once. 168 PSYCHOLOGY. of the minuteness with which we are able to subdivide the total bigness of the sensation it yields. On its periphery the local differences do not shade off very rapidly, and we can count there fewer subdivisions. But these local differences of feeling, so long as the surface is unexcited from without, are almost null. I canot feel them by a pure mental act of attention unless they belong to quite distinct parts of the body, as the nose and the lip, the finger- tip and the ear; their contrast needs the reinforcement of outward excitement to be felt. In the spatial muchness of a colic—or, to call it by the more spacious-sounding verna- cular, of a ‘ bellyache ’—one can with difficulty distinguish the north-east from the south-west corner, but can do so much more easily if, by pressing one’s finger against the former region, one is able to make the pain there more in- tense. The local differences require then an adventitious sensa- tion, superinduced upon them, to awaken the attention. After the attention has once been awakened in this way, it may continue to be conscious of the unaided difference; just as a sail on the horizon may be too faint for us to notice until someone’s finger, placed against the spot, has pointed it out to us, but may then remain visible after the finger has been withdrawn. But all this is true only on condition that separate points of the surface may be exclusively stimulated. If the whole surface at once be excited from without, and homogeneously, as, for example, by immersing the body in salt water, local discrimination is not furthered. The local- signs, it is true, all awaken at once ; but in such multitude that no one of them, with its specific quality, stands out in contrast with the rest. If, however, a single extremity be immersed, the contrast between the wet and dry parts is strong, and, at the surface of the water especially, the local- signs attract the attention, giving the feeling of a ring sur- rounding the member. Similarly, two or three wet spots separated by dry spots, or two or three hard points against the skin, will help to break up our consciousness of the latter’s bigness. In cases of this sort, where points re- ceiving an identical kind of excitement are, nevertheless, felt to be locally distinct, and the objective irritants are also THE PERCEPTION OF SPACE. 169 judged multiple,—e.g., compass-points on skin or stars on retina,—the ordinary explanation is no doubt just, and we judge the outward causes to be multiple because we have discerned the local feelings of their sensations to be dif- ferent. Capacity for partial stimulation is thus the second condi- tion favoring discrimination. A sensitive surface which has to be excited in all its parts at once can yield nothing but a sense of undivided largeness. This appears to be the case with the olfactory, and to all intents and purposes with the gustatory, surfaces. Of many tastes and flavors, even sim- ultaneously presented, each affects the totality of its re- spective organ, each appears with the whole vastness given by that organ, and appears interpenetrated by the rest.* * It may. however, be said that even in the tongue there i6 a determina- tion of bitter flavors to the back and of acids to the front edge of the organ. Spices likewise affect its sides and front, and a taste like that of alum localizes itself, by its styptic effect on the portion of mucous membrane, which it immediately touches, more sharply than roast pork, for example, which stimulates all parts alike. The pork, therefore, tastes more spacious than the alum or the pepper. In the nose, too, certain smells, of which vinegar may be taken as the type, seem less spatially extended than heavy, suffocating odors, like musk. The reason of this appears to be that the former inhibit inspiration by their sharpness, whilst the latter are drawn into the lungs, and thus excite an objectively larger surface. The asci* p- tion of height and depth to certain notes seems due, not to any localization of the sounds, but to the fact that a feeling of vibration in the chest and tension in the gullet accompanies the singing of a bass note, whilst, when we sing high, the palatine mucous membrane is drawn upon by the muscles which move the larynx, and awakens a feeling in the roof of the mouth. The only real objection to the law of partial stimulation laid down in the text is one that might be drawn from the organ of hearing; for, ac- cording to modern theories, the cochlea may have its separate nerve-termini exclusively excited by sounds of differing pitch, and yet the sounds seem all to fill a common space, and not necessarily to be arranged alongside of each other At most the high note is felt as a thinner, brighter streak against a darker background. In an article on Space, published in the Journal of Speculative Philosophy for January, 1879,1 ventured to suggest that possibly the auditory nerve termini might be “excited all at once by sounds of any pitch, as the whole retina would be by every luminous point if there were no dioptric apparatus affixed." And I added : “ Notwith- standing the brilliant conjectures of the last few years which assign differ- ent acoustic end-organs to different rates of air-wave, we are still greatly in the dark about the subject ; and I, for my part, would much more con- fidently reject a theory of hearing which violated the principles advanced in 170 PSYCHOLOQY. I should have been willing some years ago to name with- out hesitation a third condition of discrimination—saying it would be most developed in that organ which is susceptible of the most various qualities of feeling. The retina is un- questionably such an organ. The colors and shades it perceives are infinitely more numerous than the diversities of skin-sensation. And it can feel at once white and black, whilst the ear can in nowise so feel sound and silence. But the late researches of Donaldson, Blix, and Goldscheider, * on specific points for heat, cold, pressure, and pain in the skin; the older ones of Czermak (repeated later by Klug in Ludwig’s laboratory), showing that a hot and a cold compass-point are no more easily discriminated as two than two of equal temperature; and some unpublished experi- ments of my own—all disincline me to make much of this condition now.t There is, however, one quality of sensa- this article than give up those principles for the sake of any hypothesis hitherto published about either organs of Corti or basilar membrane.” Professor Rutherford’s theory of hearing, advanced at the meeting of the British Association for 1886, already furnishes an alternative view which would make hearing present no exception to the space-theory I defend and which, whether destined to be proved true or false, ought, at any rate to make us feel that the Helmholtzian theory is probably not the last wore* in the physiology of hearing. Stepano, ff. (Hermann und Schwalbe’s Jahres- bericht, xv. 404, Literature 1886) reports a case in which more than the upper half of one cochlea was lost without any such deafness to deep notes on that side as Helmholtz’s theory would require. •Donaldson, in Mind, x. 399, 577; Goldscheider, in Archiv f. (Anat. u.) Physiologie; Blix, in Zeitschrift ftir Biologie. A good resume may be found in Ladd’s Physiol. Psychology, part n. chap. iv. §§ 21-23. fl tried on nine or ten people, making numerous observations on each, what difference it made in the discrimination of two points to have them alike or unlike. The points chosen were (1) two large needle-heads, (2) two screw-heads, and (3) a needle-head and a screw-head. The distance of the screw-heads was measured from their centres. I found that when the points gave diverse qualities of feeling (as in 3), this facilitated the discrimination, but much less strongly than I expected The difference, in fact, would often not be perceptible twenty times running When, however, one of the points was endowed with a rotary movement, the other remaining still, the doubleness of the points became much more evi- dent than before. To observe this I took an ordinary pair of compasses with one point blunt, and the movable leg replaced by a metallic rod which could, at any moment, be made to rotate in situ by a dentist’s drilling-machine, to which it was attached. The compass had then its points applied to the skin at such a distance apart as to be felt as one impression. Suddenly rotating the drill-apparatus then almost always made them seem as two. THE PERCEPTION OF SPACE. 171 tion which is particularly exciting, and that is the feeling of motion over any of our surfaces. The erection of this into a separate elementary quality of sensibility is one of the most recent of psychological achievements, and is worthy of detaining us a while at this point. The Sensation of Motion over Surfaces. The feeling of motion has generally been assumed by physiologists to be impossible until the positions of terminus a quo and terminus ad quern are severally cognized, and the successive occupancies of these positions by the moving body are perceived to be separated by a distinct interval of time.* As a matter of fact, however, we cognize only the very slowest motions in this way. Seeing the hand of a clock at XII and afterwards at VI, we judge that it has moved through the interval. Seeing the sun now in the east and again in the west, I infer it to have passed over my head. But we can only infer that which we already generically know in some more direct fashion, and it is ex- perimentally certain that we have the feeling of motion given us as a direct and simple sensation. Czermak long ago pointed out the difference between seeing the motion of the second-hand of a watch, when we look directly at it, and noticing the fact of its having altered its position when we fix our gaze upon some other point of the dial-plate. In the first case we have a specific quality of sensation which is absent in the second. If the reader will find a portion of his skin—the arm, for example—where a pair of com- pass-points an inch apart are felt as one impression, and if he will then trace lines a tenth of an inch long on that spot with a pencil-point, he will be distinctly aware of the point’s motion and vaguely aware of the direction of the motion. The perception of the motion here is certainly not derived from a pre-existing knowledge that its starting and ending points are separate positions in space, because positions in space ten times wider apart fail to be discriminated as such * This is only another example of what I call ‘ the psychologist’s fal- lacy ’—thinking that the mind he is studying must necessarily be conscious of the object after the fashion in which the psychologist himself is con- scious of it. 172 PS TCHOLOO T. when excited by the dividers. It is the same with the retina. One’s fingers when cast upon its peripheral portions cannot be counted—that is to say, the five retinal tracts which they occupy are not distinctly apprehended by the mind as five separate positions in space—and yet the slight- est movement of the fingers is most vividly perceived as movement and nothing else. It is thus certain that our sense of movement, being so much more delicate than our sense of position, cannot possibly be derived from it. A curious observation by Exner * completes the proof that move- ment is a primitive form of sensibility, by showing it to be much more delicate than our sense of succession in time. This very able physiologist caused two electric sparks to appear in rapid succession, one beside the other. The observer had to state whether the right-hand one or the left-hand one appeared first. When the interval was re- duced to as short a time as 0.044" the discrimination of temporal order in the sparks became impossible. But Exner found that if the sparks were brought so close to- gether in space that their irradiation-circles overlapped, the eye then felt their flashing as if it were the motion of a single spark from the point occupied by the first to the point occupied by the second, and the time-interval might then be made as small as 0.015" before the mind began to be in doubt as to whether the apparent motion started from the right or from the left. On the skin similar ex- periments gave similar results. Vierordt, at almost the same time,\ called atttention to cer- tain persistent illusions, amongst ivhich are these: If another person gently trace a line across our wrist or finger, the latter being stationary, it will feel to us as if the mem- ber were moving in the opposite direction to the tracing point. If, on the contrary, we move our limb across a fixed point, it will be seen as if the point were moving as well. If the reader will touch his forehead with his forefinger kept motionless, and then rotate the head so that the skin of the forehead passes beneath the finger’s tip, he will have *8itzb. der. k. Akad. Wien, Bd. lxxii., Abth. 8 (1875). f Zeitschrift ftlr Biologie, xn. 226 (1876). THE PERCEPTION OF SPACE. 173 an irresistible sensation of the latter being itself in motion in the opposite direction to the head. So in abducting the fingers from each other; some may move and the rest be still still, but the still ones will feel as if they were actively sep- arating from the rest. These illusions, according to Vierordt, are survivals of a primitive form of perception, when motion was felt as such, but ascribed to the whole content of consciousness, and not yet distinguished as belonging ex- clusively to one of its parts. When our perception is fully developed we go beyond the mere relative motion of thing and ground, and can ascribe absolute motion to one of these components of our total object, and absolute rest to another. When, in vision for example, the whole background moves together, we think that it is ourselves or our eyes which are moving; and any object in the foreground which may move relatively to the background is judged by us to be still. But primitively this discrimination cannot be per- fectly made. The sensation of the motion spreads over all that we see and infects it. Any relative motion of object and retina both makes the object seem to move, and makes us feel ourselves in motion. Even now when our whole ob- ject moves we still get giddy; and we still see an apparent motion of the entire field of view, whenever we suddenly jerk our head and eyes or shake them quickly to and fro. Pushing our eyeballs gives the same illusion. We know in all these cases what really happens, but the conditions are unusual, so our primitive sensation persists unchecked. So it does when clouds float by the moon. We know the moon is still; but we see it move even faster than the clouds. Even when we slowly move our eyes the primitive sensation persists under the victorious conception. If we notice closely the experience, we find that any object towards which we look appears moving to meet our eye. But the most valuable contribution to the subject is the paper of G. H. Schneider,* who takes up the matter zoologically, and shows by examples from every branch of the animal kingdom that movement is the quality by which animals most easily attract each other’s attention. The in- * Vierteljahxsch. ftlr wiss. Philos., n. 877. 174 PSYCHOLOGY. stinct of ‘ shamming death ’ is no shamming of death at all, but rather a paralysis through fear, which saves the insect, crustacean, or other creature from being noticed at aR by his enemy. It is parallelled in the human race by the breath- holding stillness of the boy playing ‘ I spy,’ to whom the seeker is near ; and its obverse side is shown in our invol- untary waving of arms, jumping up and down, and so forth, when we wish to attract someone’s attention at a distance. Creatures ‘ stalking ’ their prey and creatures hiding from their pursuers alike show how immobility diminishes con- spicuity. In the woods, if we are quiet, the squirrels and birds will actually touch us. Flies will light on stuffed birds and stationary frogs.* On the other hand, the tre- mendous shock of feeling the thing we are sitting on begin to move, the exaggerated start it gives us to have an insect unexpectedly pass over our skin, or a cat noiselessly come and snuffle about our hand, the excessive reflex effects of tickling, etc., show how exciting the sensation of motion is per se. A kitten cannot help pursuing a moving ball. Im- pressions too faint to be cognized at all are immediately felt if they move. A fly sitting is unnoticed,—we feel it the moment it crawls. A shadow may be too faint to be per- ceived. As soon as it moves, however, we see it. Schneider found that a shadow, with distinct outline, and directly fix- ated, could still be perceived when moving, although its objective strength might be but half as great as that of a stationary shadow so faint as just to disappear. With a blurred shadow in indirect vision the difference in favor of motion was much greater—namely, 13.3 :40.7. If we hold a finger between our closed eyelid and the sunshine we shall not notice its presence. The moment we move it to and fro, however, we discern it. Such visual perception as this reproduces the conditions of sight among the radiates, f * Exner tries to show that the structure of the faceted eye of articulates adapts it for perceiving motions almost exclusively. f Schneider tries to explain why a sensory surface is so much more ex- cited when its impression moves. It has long since been noticed how much more acute is discrimination of successive than of simultaneous differences. But in the case of a moving impression, say on the retina, we have a sum- THE PERCEPTION OF SPACE. 175 Enough has now been said to show that in the education of spatial discrimination the motions of impressions across sen- sory surfaces must have been the principal agent in breaking up our consciousness of the surfaces into a consciousness of their parts. Even to-day the main function of the pe- ripheral regions of our retina is that of sentinels, which, when beams of light move over them, cry ‘ Who goes there ? ; and call the fovea to the spot. Most parts of the skin do but perform the same office for the finger-tips. Of course finger-tips and fovea leave some power of direct perception to marginal retina and skin respectively. But it is worthy of note that such perception is best developed on the skin of the most movable parts (the labors of Vierordt and his pupils have well shown this) ; and that in the blind, whose skin is exceptionally discriminative, it seems to have become so through the inveterate habit which most of them possess of twitching and moving it under whatever object may touch them, so as to become better acquainted with the con- formation of the same. Czermak was the first to notice this. It may be easily verified. Of course movement of surface under object is {for purposes of stimulation) equivalent to move- ment of object over surface. In exploring the shapes and mation of both sorts of difference ; whereof the natural effect must be to produce the most perfect discrimination of all. In the left-hand figure let the dark spot B move, for example, from right to left. At the outset there is the simultaneous contrast of black and white in Band A. When the motion has occurred so that the right-hand figure is produced, the same contrast remains, the black and the white having changed places. But in addition to it there is a double suc- cessive contrast, first in A, which, a moment ago white, has now become black; and second in B, which, a moment ago black, has now become white. If we make each single feeling of contrast = 1 (a supposition tar too favorable to the state of rest), the sum of contrasts in the case of motion will be 3, as against 1 in the state of rest. That is, our attention will be called by a treble force to the difference of color, provided the color be gin to move.—(Cf also Fleischl, Physiologiscne Optische Notizen, 2te Mittheilung, Wiener Sitzungsberichte, 1882.) Fig. 68. 176 PSYCHOLOGY. sizes of things by either eye or skin the movements of these organs are incessant and unrestrainable. Every such move- ment draws the points and lines of the object across the surface, imprints them a hundred times more sharply, and drives them home to the attention. The immense part thus played by movements in our perceptive activity is held by many psychologists* to prove that the muscles are them- selves the space-perceiving organ. Not surface-sensibility, but ‘ the muscular sense,’ is for these writers the original and only revealer of objective extension. But they have all failed to notice with what peculiar intensity muscular contractions call surface-sensibilities into play, and that the mere discrimination of impressions (quite apart from any question of measuring the space between them) largely depends on the mobility of the surface upon which they fall, t •Brown, Bain, J. S. Mill, and in a modified manner Wundt, Helmholtz. Sully, etc. f M. Ch. Dunan, in his forcibly written essay ‘ l'Espace Visuel et l’Espace Tactile ’ in the Revue Philosophique for 1888, endeavors to prove that surfaces alone give no perception of extent, by citing the way in which the blind go to work to gain an idea of an object’s shape. If surfaces were the percipient organ, he says, “ both the seeing and the blind ought to gain an exact idea of the size (and shape) of an object by merely laying their hand flat upon it (provided of course that it were smaller than the hand), and this because of their direct appreciation of the amount of tactile surface affected, and with no recourse to the muscular sense. . . . But the fact is that a person born blind never proceeds in this way to measure ob- jective surfaces. The only means which he has of getting at the size of a body is that of running his finger along the lines by which it is bounded. For instance, if you put into the hands of one born blind a book whose dimensions are unknown to him, he will begin by resting it against his chest so as to hold it horizontal; then, bringing his two hands together at the middle of the edge opposite to the one against his body, he will draw them asunder till they reach the ends of the edge in question ; and then, and not till then, will he be able to say what the length of the object is ” (vol. xxv. p. 148). I think that anyone who will try to appreciate the size and shape of an object by simply ‘ laying his hand flat upon it ’ will find that the great obstacle is that he feels the contours so imperfectly. The moment, however, the hands move, the contours are emphatically and dis- tinctly felt. All perception of shape and size is perception of contours, and first of all these must be made «Aa?-p. Motion does this ; and the Impulse to move our organs in perception is primarily due to the craving which we feel to get our surface-sensations sharp. When it comes to the naming and THE PERCEPTION OP 8PA0B. 177 S. The Measurement of the sense-spaces against each other. What precedes is all we can say in answer to the problem of discrimination. Turn now to that of measurement of the several spaces against each other, that being the first step in our constructing out of our diverse space-experiences the one space we believe in as that of the real world. The first thing that seems evident is that we have no immediate power of comparing together with any accuracy the extents revealed by different sensations. Our mouth- cavity feels indeed to itself smaller, and to the tongue larger, than it feels to the finger or eye, our tympanic membrane feels larger than our finger-tip, our lips feel larger than a surface equal to them on our thigh. So much comparison is immediate ; but it is vague ; and for anything exact we must resort to other help. The great agent in comparing the extent felt by one sensory surfaxye with that felt by another, is superposition—superposition of one surface upon another, and superposition of one outer thing upon many surf axes. Thus are exact equivalencies and common measures introduced, and the way prepared for numerical results. Could we not superpose one part of our skin upon an- other, or one object on both parts, we should hardly suc- ceed in coming to that knowledge of our own form which we possess. The original differences of bigness of our dif- ferent parts would remain vaguely operative, and we should have no certainty as to how much lip was equivalent to so much forehead, how much finger to so much back. But with the power of exploring one part of the surface by another we get a direct perception of cutaneous equiva- lencies. The primitive differences of bigness are over- powered when we feel by an immediate sensation that a certain length of thigh-surface is in contact with the entire palm and fingers. And when a motion of the opposite finger- tips draws a line first along this same length of thigh and measuring of objects in terms of some common standard we shall see pres- ently how movements help also ; but no more in this case than the other do they help, because the quality of extension itself is contributed by the ' muscular sense.’ 178 PSYCHOLOGY. then along the whole of the hand in question, we get a new manner of measurement, less direct but confirming the equivalencies established by the first. In these ways, by superpositions of parts and by tracing lines on different parts by identical movements, a person deprived of sight can soon learn to reduce all the dimensions of his body to a homogeneous scale. By applying the same methods to objects of his own size or smaller, he can with equal ease make himself acquainted with their extension stated in terms derived from his own bulk, palms, feet, cubits, spans, paces, fathoms (armspreads), etc. In these reductions it is to be noticed that when the resident sensations of largeness of two opposed surfaces conflict, one of the sensations is chosen as the true standard and the other treated as illusory. Thus an empty tooth-socket is believed to be really smaller than the finger-tip which it will not admit, although it may feet, larger ; and in general it may be said that the hand, as the almost exclusive organ of palpation, gives its own magnitude to the other parts, instead of having its size determined by them. In general, it is, as Fechner says, the extent felt by the more sensitive part to which the other extents are re- duced. * But even though exploration of one surface by another were impossible, we could always measure our various surfaces against each other by applying the same extended object first to one and then to another. We should of course have the alternative of supposing that the object itself waxed and waned as it glided from one place to another (cf. above, p. 141); but the principle of simplifying as much as possible our world would soon drive us out of that assumption into the easier one that objects as a rule * Fechner describes (Psychophysik, i. 132) a ‘ method of equivalents’ for measuring the sensibility of the skin Two compasses are used, one on the part A, another on the part B, of the surface The poiuts on B must be adjusted so that their distance apart appears equal to that between the points on A With the place A constant, the second pair of points must be varied a great deal for every change in the place B though for the same A and B the relation of the two compasses is remarkably constant, and con- tinues unaltered for months provided but few experiments are made on each day. If, however, we practise daily their difference grows less, in accordance with the law given in the text THE PERCEPTION OF SPACE 179 keep their sizes, and that most of our sensations are affected by errors for which a constant allowance must be made. In the retina there is no reason to suppose that the bignesses of two impressions (lines or blotches) falling on different regions are primitively felt to stand in any exact mutual ratio. It is only when the impressions come from the same object that we judge their sizes to be the same. And this, too, only when the relation of the object to the eye is believed to be on the whole unchanged. When the object by moving changes its relations to the eye the sensa- tion excited by its image even on the same retinal region becomes so fluctuating that we end by ascribing no absolute import whatever to the retinal space-feeling which at any moment we may receive. So complete does this overlook- ing of retinal magnitude become that it is next to impossi- ble to compare the visual magnitudes of objects at different distances without making the experiment of superposition. We cannot say beforehand how much of a distant house or tree our finger will cover. The various answers to the familiar question, How large is the moon ?—answers which vary from a cartwheel to a wafer—illustrate this most strikingly. The hardest part of the training of a young draughtsman is his learning to feel directly the retinal (i.e. primitively sensible) magnitudes which the different objects in the field of view subtend. To do this he must recover what Buskin calls the ‘ innocence of the eye ’—that is, a sort of childish perception of stains of color merely as such, without consciousness of what they mean. With the rest of us this innocence is lost. Out of all the visual magnitudes of each known object we have selected one as the real one to think of and degraded all the others to serve as its signs. This ‘ real ’ magnitude is determined by aesthetic and practical interests. It is that which we get when the object is at the distance most propitious for exact visual discrimination of its details. This is the distance at which we hold anything we are examining. Farther than this we see it too small, nearer too large. And the larger and the smaller feeling vanish in the act of suggesting this one, their more important meaning. As I look along the dining- 180 PSYCHOLOGY table I overlook the fact that the farther plates and glasses fed so much smaller than my own, for I bnow that they are all equal in size ; and the feeling of them, which is a present sensation, is eclipsed in the glare of the knowledge, which is a merely imagined one. If the inconsistencies of sight-spaces inter se can thus be reduced, of course there can be no difficulty in equating sight-spaces with spaces given to touch. In this equation it is probably the touch-feeling which prevails as real and the sight which serves as sign—a reduction made necessary not only by the far greater constancy of felt over seen magnitudes, but by the greater practical interest which the sense of touch possesses for our lives. As a rule, things only benefit or harm us by coming into direct contact with our skin: sight is only a sort of anticipatory touch; the latter is, in Mr.Spencer’s phrase, the ‘mother-tongue of thought,’ and the handmaid’s idiom must be translated into the language of the mistress before it can speak clearly to the mind.* Later on we shall see that the feelings excited in the joints when a limb moves are used as signs of the path traversed by the extremity. But of this more anon. As for the equating of sound-, smell-, and taste-volumes with those yielded by the more discriminative senses, they are too vague to need any remark. It may be observed of pain, however, that its size has to be reduced to that of the normal tactile size of the organ which is its seat. A finger with a felon on it, and the pulses of the arteries therein, both ‘feel ’ larger than we believe they really ‘ are.’ * Prof. Jastrow gives as the result of his experiments this general conclusion (Am. Journal of Psychology, m. 53): “The space-perceptions of disparate senses are themselves disparate, and whatever harmony there is amongst them we are warranted in regarding as the result of experience. The spacial notions of one deprived of the sense of sight and reduced to the use of the other space-senses must indeed be different from our own.” But he continues: “The existence of the striking disparities between our visual and our other space-perceptions without confusing us, and, indeed, without usually being noticed, can only be explained by the tendency to interpret all dimensions into their visual equivalents.” But this author gives no reasons for saying ‘ visual' rather than ' tactileand I must continue to think that probabilities point the Other way so far as what we call real magnitudes are concerned. THE PERCEPTION OF SPACE. 181 It will have been noticed in the account given that when two sensorial space-impressions, believed to come from the same object, differ, then the one most interesting, practically or cesthetically, is judged to be the true one. This law of interest holds throughout—though a permanent interest, like that of touch, may resist a strong but fleeting one like that of pain, as in the case just given of the felon. 3. The Summation of the Sense-spaces. Now for the next step in our construction of real space : How are the various sense-spaces added together into a consolidated and unitary continuum ? For they are, in man at all events, incoherent at the start Here again the first fact that appears is that primitively our space-experiences form a chaos, out of which we have no immediate faculty for extricating them. Objects of different sense-organs, experienced together, do not in the first instance appear either inside or alongside or far outside of each other, neither spatially continuous nor discontinuous, in any definite sense of these words. The same thing is almost as true of objects felt by different parts of the same organ before discrimination has done its finished work. The most we can say is that all our space-experiences together form an objective total and that this objective total is vast. Even now the space inside our mouth, which is so inti- mately known and accurately measured by its inhabitant the tongue, can hardly be said to have its internal direc- tions and dimensions known in any exact relation to those of the larger world outside. It forms almost a little world by itself. Again, when the dentist excavates a small cavity in one of our teeth, we feel the hard point of his instrument scraping, in distinctly differing directions, a surface which seems to our sensibility vaguely larger than the subsequent use of the mirror tells us it ‘ really ’ is. And though the directions of the scraping differ so completely inter se, not one of them can be identified with the particular direction in the outer world to which it corresponds. The space of the tooth-sensibility is thus really a little world by itself, which can only become congruent with the outer space- 182 PSYCHOLOGY. world by farther experiences which shall alter its bulk, identify its directions, fuse its margins, and finally imbed it as a definite part within a definite whole. And even though every joint’s rotations should be felt to vary inter se as so many differences of direction in a common room; even though the same were true of diverse tracings on the skin, and of diverse tracings on the retina respectively, it would still not follow that feelings of direction, on these different surfaces, are intuitively comparable among each other, or with the other directions yielded by the feelings of the semi-circular canals. It would not follow that we should immediately judge the relations of them all to each other in one space-world. If with the arms in an unnatural attitude we * feel ’ things, we are perplexed about their shape, size, and position. Let the reader lie on his back with his arms stretched above his head, and it will astonish him to find how ill able he is to recognize the geometrical relations of objects placed within reach of his hands. But the geomet- rical relations here spoken of are nothing but identities recognized between the directions and sizes perceived in this way and those perceived in the more usual ways. The two ways do not fit each other intuitively. How lax the connection between the system of visual and the system of tactile directions is in man, appears from the facility with which microscopists learn to reverse the move- ments of their hand in manipulating things on the stage of the instrument. To move the slide to the seen left they must draw it to the felt right But in a very few days the habit becomes a second nature. So in tying our cravat, shaving before a mirror, etc., the right and left sides are inverted, and the directions of our hand movements are the opposite of what they seem. Yet this never annoys us. Only when by accident we try to tie the cravat of another person do we learn that there are two ways of combining sight and touch perceptions. Let any one try for the first time to write or draw while looking at the image of his hand and paper in a mirror, and he will be utterly bewil- dered. But a very short training will teach him to undo in this respect the associations of his previous lifetime. THE PERCEPTION OF SPACE 183 Prisms show this in an even more striking way. If the eyes be armed with spectacles containing slightly prismatic glasses with their bases turned, for example, towards the right, every object looked at will be apparently translocated to the left; and the hand put forth to grasp any such object will make the mistake of passing beyond it on the left side. But less than an hour of practice in wearing such spectacles rectifies the judgment so that no more mistakes are made. In fact the new-formed associations are already so strong, that when the prisms are first laid aside again the opposite error is committed, the habits of a lifetime violated, and the hand now passed to the right of every object which it seeks to touch. The primitive chaos thus subsists to a great degree through life so far as our immediate sensibility goes. We feel our various objects and their bignesses, together or in succession ; but so soon as it is a question of the order and relations of many of them at once our intuitive apprehension remains to the very end most vague and incomplete. Whilst we are attending to one, or at most to two or three objects, all the others lapse, and the most we feel of them is that they still linger on the outskirts and can be caught again by turning in a certain way. Nevertheless throughout ail this confusion we conceive of a world spread out in a perfectly fixed and orderly fashion, and we believe in its existence. The question is: How do this conception and this belief arise ? How is the chaos smoothed and straightened out ? Mainly by two operations : Some of the experiences are apprehended to exist out- and alongside of each other, and others are apprehended to interpenetrate each other, and to occupy the same room. In this way what was incoherent and irrelative ends by being coherent and definitely related; nor is it hard to trace the principles, by which the mind is guided in this arrangement of its perceptions, in detail. In the first place, following the great intellectual law of economy, we simplify, unify, and identify as much as we possibly can. Whatever sensible data can he attended to together we locate together. Their several extents seem one extent. The place at which each appears is held to be the same with the place 184 PSYCHOLOGY. at which the others appear. They become, in short, so many properties of one and the same real thing. This is the first and great commandment, the fundamental ‘ act ’ by which our world gets spatially arranged. In this coalescence in a 1 thing,' one of the coalescing sensations is held to be the thing, the other sensations are taken for its more or less accidental properties, or modes of appearance.* The sensation chosen to be the thing essen- tially is the most constant and practically important of the lot; most often it is hardness or weight. But the hardness or weight is never without tactile bulk ; and as we can always see something in our hand when we feel something there, we equate the bulk felt with the bulk seen, and thence- forward this common bulk is also apt to figure as of the essence of the ‘thing.’ Frequently a shape so figures, sometimes a temperature, a taste, etc.; but for the most part temperature, smell, sound, color, or whatever other phenom- ena may vividly impress us simultaneously with the bulk felt or seen, figure among the accidents. Smell and sound impress us, it is true, when we neither see nor touch the thing; but they are strongest when we see or touch, so we locate the source of these properties within the touched or seen space, whilst the properties themselves we regard as overflowing in a weakened form into the spaces filled by other things. In all this,. it will be observed, the sense-data whose spaces coalesce into one are yielded by different sense- organs. Such data have no tendency to displace each other from consciousness, but can be attended to together all at once. Often indeed they vary concomitantly and reach a maximum together. We may be sure, therefore, that the general rule of our mind is to locate in each other all sensa- tions which are associated in simultaneous experience, and do not interfere with each other’s perception.f * Cf. Lipps on ‘Complication,’ Grundtatsachen, etc., p. 579. f Ventriloquism shows this very prettily. The ventriloquist talks with- out moving his lips, and at the same time draws our attention to a doll, a box, or some other object. We forthwith locate the voice within this object. On the stage an actor ignorant of music sometimes has to sing, or play on the guitar or violin. He goes through the motions before our eyes, whilst in the orchestra or elsewhere the music is performed. But because as we listen we see the actor, it is almost impossible not to hear the music as if coming from where he sits or stands. THE PERCEPTION OF SPACE. 185 Different impressions on the same sense-organ do interfere with each other’s perception, and cannot well be attended to at once. Hence we do not locate them in each other's spaces, but arrange them in a serial order of exteriority, each alongside of the rest, in a space larger than that which any one sensation brings. This larger space, however, is an object of concep- tion rather than of direct intuition, and bears all the marks of being constructed piecemeal by the mind. The blind man forms it out of tactile, locomotor, and auditory experi- ences, the seeing man out of visual ones almost exclusively. As the visual construction is the easiest to understand, let us consider that first. Every single visual sensation or ‘ field of view ’ is limited. To get a new field of view for our object the old one must disappear. But the disappearance may be only partial. Let the first field of view be A B C. If we carry our attention to the limit C, it ceases to be the limit, and becomes the centre of the field, and beyond it appear fresh parts where there were none before: * ABC changes, in short, to C D E. But although the parts A B are lost to sight, yet their image abides in the memory ; and if we think of our first object A B C as having existed or as still existing at all, we must think of it as it was originally presented, namely, as spread out from C in one direction just as C D E is spread out in another. A B and D E can never coalesce in one place (as they could were they objects of different senses) because they can never be perceived at once : we must lose one to see the other. So (the letters standing now for ‘ things ’) we get to conceive of the successive fields of things after the analogy of the several things which we perceive in a single field. They must be out- and along- side of each other, and we conceive that their juxtaposed spaces must make a larger space. A B C-f-C D E must, in short, be imagined to exist in the form of A B C D E or not imagined at all. We can usually recover anything lost from sight by moving our attention and our eyes back in its direction ; and * Cf. Shand, in Mind, xin. 340. 186 PSYCHOLOGY. through these constant changes every field of seen things comes at last to be thought of as always having a fringe of other things possible to be seen spreading in all directions round about it. Meanwhile the movements concomitantly with which the various fields alternate are also felt and re- membered ; and gradually (through association) this aud that movement come in our thought to suggest this or that extent of fresh objects introduced. Gradually, too, since the objects vary indefinitely in kind, we abstract from their several natures and think separately of their mere extents, of which extents the various movements remain as the only constant introducers and associates. More and more, therefore, do we think of movement and seen extent as mutually involving each other, until at last (with Bain and J. S. Mill) we may get to regard them as synonymous, and say, “ What is the meaning of the word extent, unless it be possible movement?”* We forget in this conclusion that (whatever intrinsic extensiveness the movements may appear endowed with), that seen spreadoutness which is the pattern of the abstract extensiveness which we imagine came to us originally from the retinal sensation. The muscular sensations of the eyeball signify this sort of visible spreadoutness, just as this visible spreadoutness may come in later experience to signify the ‘ real ’ bulks, distances, lengths and breadths known to touch and loco- motion, t To the very end, however, in us seeing men, the quality, the nature, the sort of thing we mean by exten- siveness, would seem to be the sort of feeling which our re- tinal stimulations bring. In one deprived of sight the principles by which the notion of real space is constructed are the same. Skin- feelings take in him the place of retinal feelings in giving * See, e.g., Bain’s Senses and Intellect, pp. 366-7, 371. f When, for example, a baby looks at its own moving hand, it see* one object at the same time that it feels another. Both interest its attention, and it locates them together. But the felt object’s size is the more constant size, just as the felt object is, on the whole, the more in- teresting and important object; and so the retinal sensations become re- garded as its signs and have their ‘real space-values’ interpreted in tangible terms. THE PERCEPTION OF SPACE. 187 the quality of lateral spreadoutness, as our attention passes from one extent of them to another, awakened by an object sliding along. Usually the moving object is our hand; and feelings of movement in our joints invariably accom- pany the feelings in the skin. But the feeling of the skin is what the blind man means by his skin ; so the size of the skin-feelings stands as the absolute or real size, and the size of the joint-feelings becomes a sign of these. Suppose, for example, a blind baby with (to make the description shorter) a blister on his toe, exploring his leg with his finger-tip and feeling a pain shoot up sharply the instant the blister is touched. The experiment gives him four different kinds of sensation—two of them protracted, two sudden. The first pair are the movement-feeling in the joints of the upper limb, and the movement-feeling on the skin of the leg and foot. These, attended to together, have their extents identified as one objective space— the hand moves through the same space in which the leg lies. The second pair of objects are the pain in the blister, and the peculiar feeling the blister gives to the finger. Their spaces also fuse ; and as each marks the end of a peculiar movement-series (arm moved, leg stroked), the movement-spaces are emphatically identified with each other at that end. Were there other small blisters dis- tributed down the leg, there would be a number of these emphatic points; the movement-spaces would be iden- tified, not only as totals, but point for point. * * The incoherence of the different primordial sense-spaces inter te is often made a pretext for denying to the primitive bodily feelings any spatial quality at all. Nothing is commoner than to hear it said : “ Babies have originally no spatial perception ; for when a baby’s toe aches he does not place the pain in the toe. He makes no definite movements of defence, and may be vaccinated without being held. ” The facts are true enough ; but the interpretation is all wrong. What really happens is that the baby does not place his ' toe’ in the pain ; for he knows nothing of his ‘ toe ’ as yet. He has not attended to it as a visual object; he has not handled it with his fingers; nor have its normal organic sensations or contacts yet become interesting enough to be discriminated from the whole massive feeling of the foot, or even of the leg to which it belongs. In short, the toe is neither a member of the babe’s optical space, of his hand-movement space, nor an independent member of his leg-and-foot space. It has ac- tually no mental existence yet save as this little pain-space. What wonder, 188 PB TCHOLOO 7. Just so with spaces beyond the body’s limits. Continu- ing the joint-feeling beyond the toe, the baby hits another object, which he can still think of when he brings his hand back to its blister again. That object at the end of that joint-feeling means a new place for him, and the more such objects multiply in his experience the wider does the space of his conception grow. If, wandering through the woods to-day by a new path, I find myself suddenly in a glade which affects my senses exactly as did another I reached last week at the end of a different walk, I believe the two identical affections to present the same persisting glade, and infer that I have attained it by two differing roads. The spaces walked over grow congruent by their extremi- ties ; though apart from the common sensation which those extremities give me, I should be under no necessity of con- necting one walk with another at all. The case in no whit differs when shorter movements are concerned. If, moving first one arm and then another, the blind child gets the same kind of sensation upon the hand, and gets it again as often as he repeats either process, he judges that he has touched the same object by both motions, and concludes that the motions terminate in a common place. From place to place marked in this way he moves, and adding the places moved through, one to another, he builds up his no- tion of the extent of the outer world. The seeing man’s process is identical; only his units, which may be succes- sive bird’s-eye views, are much larger than in the case of the blind. then, if the pain seem a little space-world all by itself ? But let the pain once associate itself with these other space-worlds, and its space will be- come part of their space. Let the baby feel the nurse stroking the limb and awakening the pain every time her linger passes towards the toe; let him look on and see her finger on the toe every time the pain shoots up ; let him handle his foot himself and get the pain whenever the toe comes into his fingers or his mouth ; let moving the leg exacerbate the pain,—and all is changed. The space of the pain becomes identified with that part of each of the other spaces which gets felt when it awakens ; and by their identity with it these parts are identified with each other, and grow systematically connected as members of a larger extensive whole. THE PERCEPTION OF SPACE. 189 FEELINGS IN JOINTS AND FEELINGS IN MUSCLES. 1. Feelings of Movement in Joints. I have been led to speak of feelings which arise in joints. As these feelings have been too much neglected in Psychology hitherto, in entering now somewhat minutely into their study I shall probably at the same time freshen the interest of the reader, which under the rather dry ab- stractions of the previous pages may presumably have flagged. When, by simply flexing my right forefinger on its meta- carpal joint, I trace with its tip an inch on the palm of my left hand, is my feeling of the size of the inch purely and simply a feeling in the skin of the palm, or have the mus- cular contractions of the right hand and forearm anything to do with it ? In the preceding pages I have constantly assumed spatial sensibility to be an affair of surfaces. At first starting, the consideration of the ‘ muscular sense ’ as a space-measurer was postponed to a later stage. Many writers, of whom the foremost was Thomas Brown, in his Lectures on the Philosophy of the Human Mind, and of whom the latest is no less a Psychologist than Prof. Delbceuf,* hold that the consciousness of active muscular motion, aware of its own amount, is the fons et origo of all spatial measurement. It would seem to follow, if this theory were true, that two skin-feelings, one of a large patch, one of a small one, possess their difference of spatiality, not as an immediate element, but solely by virtue of the fact that the large one, to get its points successively excited, demands more muscular contraction than the small one does. Fixed associations with the several amounts of muscular contrac- tion required in this particular experience would thus ex- * ' Pourquoi les Sensations visuelles sont elles etendues ? ’ in Revue Philosophique, iv. 167.—As the proofs of this chapter are being corrected, I receive the third ‘ Heft ’ of Mliusterberg’s Beitrage zur Experimentellen Psychologie, In which that vigorous young psychologist reaffirms (if I understand him after so hasty a glance) more radically than ever the doc- trine that muscular sensation proper is our one means of measuring exten- sion. Unable to reopen the discussion here, I am in duty bound to cnll the attention of the reader to Herr M.'s work. 190 PSYCHOLOGY. plain the apparent sizes of the skin-patches, which sizes would consequently not be primitive data but derivative re- sults. It seems to me that no evidence of the muscular measure- ments in question exists; but that all the facts may be ex- plained by surface-sensibility, provided we take that of the joint-surfaces also into account. The most striking argument, and the most obvious one, which an upholder of the muscular theory is likely to pro- duce is undoubtedly this fact: if, with closed eyes, we trace figures in the air with the extended forefinger (the motions may occur from the metacarpal-, the wrist-, the elbow-, or the shoulder-joint indifferently), what we are conscious of in each case, and indeed most acutely conscious of, is the geometric path described by the fingertip. Its angles, its subdivisions, are all as distinctly felt as if seen by the eye; and yet the surface of the finger-tip receives no impression at all.* But with each variation of the figure, the muscular contractions vary, and so do the feelings which these yield. Are not these latter the sensible data that make us aware of the lengths and directions we discern in the traced line ? Should we be tempted to object to this supposition of the advocate of perception by muscular feelings, that we have learned the spatial significance of these feelings by reiterated experiences of seeing what figure is drawn when each special muscular grouping is felt, so that in the last resort the muscular space feelings would be derived from retinal-surface feelings, our opponent might immediately hush us by pointing to the fact that in persons born blind the phenomenon in question is even more perfect than in ourselves. If we suggest that the blind may have originally traced the figures on the cutaneous surface of cheek, thigh, or palm, and may now remember the specific figure which each pres- ent movement formerly caused the skin-surface to per- ceive, he may reply that the delicacy of the motor percep- * Even if the figure be drawn on a board instead of in the air, the vari- ations of contact on the finger’s surface will be much simpler than the peculiarities of the traced figure itself. THE PERCEPTION OF SPACE. 191 tion far exceeds that of most of the cutaneous surfaces ; that, in fact, we can feel a figure traced only in its differen- tials, so to speak,—a figure which we merely start to trace by our finger-tip, a figure which, traced in the same way on our finger-tip by the hand of another, is almost if not wholly unrecognizable. The champion of the muscular sense seems likely to be triumphant until we invoke the articular cartilages, as in- ternal surfaces whose sensibility is called in play by every movement we make, however delicate the latter may be. To establish the part they play in our geometrizing, it is necessary to review a few facts. It has long been known by medical practitioners that, in patients with cutaneous anaesthesia of a limb, whose muscles also are insensible to the thrill of the faradic current, a very accurate sense of the way in which the limb may be flexed or extended by the hand of another may be preserved.* On the other hand, we may have this sense of movement impaired when the tac- tile sensibility is well preserved. That the pretended feeling of outgoing innervation can play in these cases no part, is obvious from the fact that the movements by which the limb changes its position are passive ones, imprinted on it by the experimenting physician. The writers who have sought a rationale of the matter have consequently been driven by way of exclusion to assume the articular surfaces to be the seat of the perception in question, f That the joint-surf ewes are sensitive appears evident from the fact that in inflammation they become the seat of excru- ciating pains, and from the perception by everyone who lifts weights or presses against resistance, that every in- crease of the force opposing him betrays itself to his con- sciousness principally by the starting-out of new feelings or the increase of old ones, in or about the joints. If the structure and mode of mutual application of two articular surfaces be taken into account, it will appear that, granting the surfaces to be sensitive, no more favorable mechanical * See for example Duchenne, Electrisation localisee, pp. 727, 770, Ley- den; Virchow’s Archiv, Bd. xlvii. (1869). f E.g., Eulenburg, Lehrb. d. Nervenkrankheiten (Berlin), 1878, i. 8. 192 PB YCHOLOQ T. conditions could be possible for the delicate calling of the sensibility into play than are realized in the minutely grad- uated rotations and firmly resisted variations of pressure involved in every act of extension or flexion. Nevertheless it is a great pity that we have as yet no direct testimony, no expressions from patients with healthy joints accident- ally laid open, of the impressions they experience when the cartilage is pressed or rubbed. The first approach to direct evidence, so far as I know, is contained in the paper of Lewinski,* publiuhed in 1879. This observer had a patient the inner half of whose leg was anaesthetic. When this patient stood up, he had a curious illusion about the position of his limb, which dis- appeared the moment he lay down again: he thought him- self knock-kneed. If, as Lewinski says, we assume the inner half of the joint to share the insensibility of the corre- sponding part of the skin, then he ought to feel, when the joint-surfaces pressed against each other in the act of standing, the outer half of the joint most strongly. But this is the feeling he would also get whenever it was by any chance sought to force his leg into a knock-kneed attitude. Lewinski was led by this case to examine the feet of cer- tain ataxic patients with imperfect sense of position. He found in every instance that when the toes were flexed and drawn upon at the same time (the joint-surfaces drawn asunder) all sense of the amount of flexion disappeared. On the contrary, when he pressed a toe in, whilst flexing it, the patient’s appreciation of the amount of flexion was much improved, evidently because the artificial increase of articular pressure made up for the pathological insensibil- ity of the parts. Since Lewinski’s paper an important experimental re- search by A. Goldscheider + lias appeared, which completely establishes our point. This patient observer caused his fingers, arms, and legs to be passively rotated upon their various joints in a mechanical apparatus which registered both the velocity of movement impressed and the amount * ‘ Ueber den Kraftsinn,’ Virchow’s Archiv, Bd. lxxyii. 134. f Archiv f. (Anat. u) Physiologic (1889), pp. 369, 640. THE PERCEPTION OF SPACE. 193 of angular rotation. No active muscular contraction took place. The minimal felt amounts of rotation were in all cases surprisingly small, being much less than a single angular de- gree in all the joints except those of the fingers. Such dis- placements as these, the author says (p. 490), can hardly be detected by the eye. The point of application of the force which rotated the limb made no difference in the result. Rotations round the hip-joint, for example, were as deli- cately felt when the leg was hung by the heel as when it was hung by the thigh whilst the movements were per- formed. Anaesthesia of the skin produced by induction-cur- rents also had no disturbing effect on the perception, nor did the various degrees of pressure of the moving force upon the skin affect it. It became, in fact, all the more distinct in proportion as the concomitant pressure-feelings were eliminated by artificial anaesthesia. When the joints themselves, however, were made artificially anaesthetic the perception of the movement grew obtuse and the angular rotations had to be much increased before they were per- ceptible. All these facts prove according to Herr Gold- scheider, that the joint surfaces and these alone are the start- ing point of the impressions by which the movements of our members are immediately perceived. Applying this result, which seems invulnerable, to the case of the tracing finger-tip, we see that our perception of the latter gives no countenance to the theory of the mus- cular sense. We indubitably localize the finger-tip at the suc- cessive points of its path by means of the sensations which we receive from our joints. But if this is so, it may be asked, why do we feel the figure to be traced, not within the joint itself, but in such an altogether different place ? And why do we feel it so much larger than it really is ? I will answer these questions by asking another: Why do we move our joints at all ? Surely to gain something more valuable than the insipid joint-feelings themselves. And these more interesting feelings are in the main pro- duced upon the skin of the moving part, or of some other part over which it passes, or upon the eye. With move- ments of the fingers we explore the configuration of all real objects with which we have to deal, our own body as well as 194 PSYCHOLOGY. foreign things. Nothing that interests us is located in the joint; everything that interests us either is some part of our skin, or is something that we see as we handle it. The cutaneously felt and the seen extents come thus to figure as the important things for us to concern ourselves with Every time the joint moves, even though we neither see, nor feel cutaneously, the reminiscence of skin-events and sights which formerly coincided with that extent of move- ment, ideally awaken as the movement’s import, and the mind drops the present sign to attend to the import alone. The joint-sensation itself, as such, does not disappear in the process. A little attention easily detects it, with all its fine peculiarities, hidden beneath its vaster suggestions ; so that really the mind has two space-perceptions before it, congruent in form but different in scale and place, either of which exclusively it may notice, or both at once,—the joint-space which it feds and the real space which it means. The joint-spaces serve so admirably as signs because of their capacity for parallel variation to all the peculiarities of external motion. There is not a direction in the real world nor a ratio of distance which cannot be matched by some direction or extent of joint-rotation. Joint-feelings, like all feelings, are roomy. Specific ones are contrasted inter se as different directions are contrasted within the same extent. If I extend my arm straight ont at the shoulder, the rotation of the shoulder-joint will gi\e me one feeling of movement; if then I sweep the arm forward, the same joint will give me another feeling of movement Both these movements are felt to happen in space, and differ in specific quality. Why shall not the specificness of the quality just consist in the feeling of a peculiar direc- tion ? * Why may not the several joint-feelings be so many perceptions of movement in . so many different directions ? That we cannot explain why they should is no presumption that they do not, for we never can explain why any sense- organ should awaken the sensation it does. * Direction in its ‘ first intention,’ of course ; direction with which so far we merely become acquainted, and about which we know nothing save perhaps its difference from another direction a moment ago experienced Id the same way! THE PERCEPTION OF SPACE. 195 But if the joint-feelings are directions and extents, standing in relation to each other, the task of association in interpreting their import in eye- or skin-terms is a good deal simplified. Let the movement be, of a certain joint, derive its absolute space-value from the cutaneous feeling it is always capable of engendering; then the longer movement abed of the same joint will be judged to have a greater space-value, even though it may never have wholly merged with a skin-experience. So of differences of direction : so much joint-difference = so much skin-difference ; therefore, more joint-difference = more skin-difference. In fact, the joint-feeling can excellently serve as a map on a reduced scale, of a reality which the imagination can identify at its pleasure with this or that sensible extension simultaneously known in some other way. When the joint-feeling in itself acquires an emotional interest,—which happens whenever the joint is inflamed and painful,—the secondary suggestions fail to arise, and the movement is felt where it is, and in its intrinsic scale oi magnitude.* The localization of the joint-feeling in a space simulta- neously known otherwise (i.e. to eye or skin), is what is commonly called the extradition or eccentric projection of the feeling. In the preceding chapter I said a good deal on this subject; but we must now see a little more closely just what happens in this instance of it. The content of the joint- feeling, to begin with, is an object, and is in itself a place. For it to be placed, say in the elbow, the elbow as seen or han- dled must already have become another object for the mind, * I have said hardly anything about associations with visual space in the foregoing account, because I wished to represent a process which the blind and the seeing man might equally share. It is to be noticed that the space suggested to the imagination when the joint moves, and pro- jected to the distance of the finger-tip, is not represented as any specific skin-tract. What the seeing man imagines is a visible path; what the blind man imagines is rather a generic image, an abstraction from many skin- spaces whose local signs have neutralized each other, and left nothing but their common vastness behind. We shall see as we go on that this generic abstraction of space-magnitude from the various local peculiarities of feel- ing which accompanied it when it was for the first time felt, occurs on a considerable scale in the acquired perceptions of blind as well as of seeing men. 196 PSYCHOLOGY. and with its place as thus known, the place which the joint- feeling fills must coalesce. That the latter should be felt ‘ in the elbow ’ is therefore a ‘ projection ’ of it into the place of another object as much as its being felt in the finger-tip or at the end of a cane can be. But when we say ‘ projec- tion ’ we generally have in our mind the notion of a there as contrasted with a here. What is the here when we say that the joint-feeling is there ? The ‘ here ’ seems to be the spot which the mind has chosen for its own post of observation, usually some place within the head, but sometimes within the throat or breast—not a rigorously fixed spot, but a region from any portion of which it may send forth its vari- ous acts of attention. Extradition from either of these regions is the common law under which we perceive the whereabouts of the north star, of our own voice, of the con- tact of our teeth with each other, of the tip of our finger, of the point of our cane on the ground, or of a movement in our elbow-joint. But for the distance between .the ‘ here ’ and the ‘ there ’ to be felt, the entire intervening space must be itself an object of per- teption. The consciousness of this intervening space is the sine qua non of the joint-feeling’s projection to the farther end of it. When it is filled by our own bodily tissues (as where the projection only goes as far as the elbow or fin- ger-tip) we are sensible of its extent alike by our eye, by our exploring movements, and by the resident sensations which fill its length. When it reaches beyond the limits of our body, the resident sensations are lacking, but limbs and hand and eye suffice to make it known. Let me, for example, locate a feeling of motion coming from my elbow- joint in the point of my cane a yard beyond my hand. Either I see this yard as I flourish the cane, and the seen end of it then absorbs my sensation just as my seen elbow might absorb it, or I am blind and imagine the cane as an object continuing my arm, either because I have explored both arm and cane with the other hand, or because I have pressed them both along my body and leg. If I project my joint-feeling farther still, it is by a conception rather than a distinct imagination of the space. I think: ‘ farther,’ ‘ thrice as far,’ etc.; and thus get a symbolic image of a distant THE PERCEPTION OF SPACE. 197 path at which I point.* But the ‘ absorption ’ of the joint- feeling by the distant spot, in whatever terms the latter may be apprehended, is never anything but that coales- cence into one ‘ thing ’ already spoken of on page 184, of whatever different sensible objects interest our attention at once. Readers versed in psychological literature will have missed, in our account thus far, the usual invocation of ‘ the muscular sense.’ This word is used with extreme vagueness to cover all resident sensations, whether of motion or position, in our members, and even to designate the supposed feeling of efferent discharge from the brain. We shall later see good reason to deny the existence of the latter feeling. We have accounted for the better part at least of the resident feelings of motion in limbs by the sensibility of the articular surfaces. The skin and ligaments also must have feelings awakened as they are stretched or squeezed in flexion or extension. And I am inclined to think that the sensations of our contracting muscles themselves probably play as small a part in building up our exact knowledge of space as any doss of sensations which we possess. The muscles, indeed, play an all-important part, but it is through the remote effect of their contractions on other sensitive parts, not through their own resident sensations being aroused. In other words, muscular contraction is only indirectly instru- mental, in giving us space-perceptions, by its effects on surfaces. In skin and retina it produces a motion of the stimulus upon the surface ; in joints it produces a motion of the surfaces upon each other—such motion being by far the 2. Feelings of Muscular Contraction. * The ideal enlargement of a system of sensations by the mind is noth- ing exceptional. Vision is full of it; and in the manual arts, where a workman gets a tool larger than the one he is accustomed to and has sud- denly to adapt all his movements to its scale, or where he has to execute a familiar set of movements in an unnatural position of body; where a piano-player meets an instrument with unusually broad or narrow keys: where a man has to alter the size of his handwriting—we see how promptly the mind multiplies once for all, as it were, the whole series of its opera- tions by a constant factor, and has not to trouble itself after that with fur- ther adjustment of the details. 198 PSYCHOLOGY. most delicate manner of exciting the surfaces in question One is tempted to doubt whether the muscular sensibility as such plays even a subordinate part as sign of these more immediately geometrical perceptions which are so uniformly associated with it as effects of the contraction objectively viewed. For this opinion many reasons can be assigned. First, it seems a priori improbable that such organs as muscles should give us feelings whose variations bear any exact proportion to the spaces traversed when they contract. As G. E. Muller says,* their sensory nerves must be excited either chemically or by mechanical compression whilst the contractions last, and in neither case can the excitement be proportionate to the position into which the limb is thrown. The chemical state of the muscle depends on the previous work more than on the actually present contraction; and the internal pressure of it depends on the resistance offered more than on the shortening attained. The intrinsic mus- cular sensations are likely therefore to he merely those of massive strain or fatigue, and to carry no accurate discrimination with them of lengt hs of path moved through. Empirically we find this probability confirmed by many facts. The judicious A. W. Volkman observes + that: “ Muscular feeling gives tolerably fine evidence as to the existence of movement, but hardly any direct information about its extent or direction. We are not aware that the contractions of a supinator longus have a wider range than those of a supinator brevis; and that the fibres of a bipenniform muscle contract in opposite directions is a fact of which the muscular feeling itself gives not the slightest intimation. Muscle-feeling belongs to that class of general sensations which tell us of our inner states, but not of outer relations ; it does not belong among the space-perceiving senses. ” E. H. Weber in hia article Tastsinn called attention to the fact that muscular movements as large and strong as those of the diaphragm go on continually without our perceiving them as motion. G. H. Lewes makes the same remark. When we think of our muscular sensations as movements in space, it is * Pfltlger’s Archiv, xlv. 65. f Untersuchungen im Gebiete der Optik, Leipzig (1863), p. 188 THE PERCEPTION OF SPACE. 199 because we have ingrained with them in our imagination a movement on a surface simultaneously felt. “ Thus whenever we breathe there is a contraction of the muscles of the ribs and the diaphragm. Since we see the chest expanding, we know it as a movement and can only think of it as such. But the dia- phragm itself is not seen, and consequently by no one who is not physi- ologically enlightened on the point is this diaphragm thought of in movement. Nay, even when told by a physiologist that the diaphragm moves at each breathing, every one who has not seen it moving down- ward pictures it as an upward movement, because the chest moves upward.” * A personal experience of my own seems strongly to cor- roborate this view. For years I have been familiar, during the act of gaping, with a large, round, smooth sensation in the region of the throat, a sensation characteristic of gap- ing and nothing else, but which, although I had often wondered about it, never suggested to my mind the motion of anything. The reader probably knows from his own experience exactly what feeling I mean. It was not till one of my students told me, that I learned its objective cause. If we look into the mirror while gaping, we see that at the moment we have this feeling the hanging palate rises by the contraction of its intrinsic muscles. The contraction of these muscles and the compression of the palatine mu- cous membrane are what occasion the feeling; and I was at first astonished that, coming from so small an organ, it could appear so voluminous. Now the curious point is this—that no sooner had I learned by the eye its objective space-significance, than I found myself enabled mentally to feel it as a movement upwards of a body in the situation of the uvula. When I now have it, my fancy injects it, so to speak, with the image of the rising uvula; and it absorbs the image easily and naturally. In a word, a muscular contraction gave me a sensation whereof I was unable dur- ing forty years to interpret a motor meaning, of which two glances of the eye made me permanently the master. To my mind no further proof is needed of the fact that muscular contraction, merely as such, need not be perceived directly as so much motion through space. * Problems of Life and Mind, prob. vi. chap. nr. § 46. 200 PSYCHOLOGY. Take again the contractions of the muscles which make the eyeball rotate. The feeling of these is supposed by many writers to play the chief part in our perceptions of extent. The space seen between two things means, accord- ing to these authors, nothing but the amount of contraction which is needed to carry the fovea from the first thing to the second. But close the eyes and note the contractions in themselves (even when coupled as they still are with the delicate surface sensations of the eyeball rolling under the lids), and we are surprised at finding how vague their spacer import appears. Shut the eyes and roll them, and you can with no approach to accuracy tell the outer object which shall first be seen when you open them again.* Moreover, it our eye-muscle-contractions had much to do with giving us our sense of seen extent, we ought to have a natural illusion of which we find no trace. Since the feeling in the muscles grows disproportionately intense as the eyeball is rolled into an extreme eccentric position, all places on the extreme margin of the field of view ought to appear farther from the centre than they really are, for the fovea cannot get to them without an amount of this feeling altogether in excess of the amount of actual rotation.! When we turn to the * Volkmann, op. cit. p. 189. Compare also what Hering says of tbe in- ability in bis own case to make after-images seem to move when be rolls bis closed eyes in their sockets ; and of the insignificance of his feelings of convergence for the sense of distance (Beitr&ge zur Physiologie, 1861-2, pp. 81, 141). Helmholtz also allows to the muscles of convergence a very feeble share in producing our sense of the third dimension (Physiologische Optik, 649-59). f Compare Lipps, Psychologische Studien (1885), p. 18, and the other arguments given on pp. 12 to 27. The most plausible reasons for contrac- tions of the eye ball-muscles being admitted as original contributors to the perception of extent, are those of Wundt, Physiologische Psychologie, ii. 96-100. They are drawn from certain constant errors in our estimate of lines and angles ; which, however, are susceptible, all of them, of different interpretations (see some of them further on).—Just as my MS. goes to the printer, Herr Miinsterberg’s Beitrage zur experiraentellen Psy- chologie, Heft 2, comes into my hands with experiments on the measure- ment of space recorded in it, which, in the author’s view, prove the feeling of muscular strain to be a principal factor in our vision of extent. As Mtlnsterberg worked three hours a day for a year and a half at comparing the length of lines, seen with his eyes in different positions ; and as he care- fully averaged and ‘ percented ’ 20,000 observations, his conclusion must be listened to with great respect. Briefly it is this, that “ our judgments of THE PERCEPTION OF SPACE. 201 muscles of the body at large we find the same vagueness. Goldscheider found that the minimal perceived rotation of size depend on a comparison of the intensity of the feelings of movement which arise in our eyeball-muscles as we glance over the distance, and which fuse with the sensations of light ” (p. 142). The facts upon which the conclusion is based are certain constant errors which Mbnsterberg found according as the standard or given interval was to the right or the left of the interval to be marked off as equal to it, or as it was above or below it, or stood in some more complicated relation still. He admits that he cannot explain all the errors in detail, and that we “stand before results which seem surprising and not to be unravelled, because we cannot analyze the elements which enter into the complex sensation which we receive.’’ But he has no doubt whatever of the general fact ‘ ‘ that the movements of the eyes and the sense of their position when fixed exert so decisive an influence on our estimate of the spaces seen, that the errors cannot possi- bly be explained by anything else than the movement-feelings and their reproductions in the memory” (pp. 166, 167). It is presumptuous to doubt a man’s opinion when you haven’t had his experience ; and yet there are a number of points which make me feel like suspending judgment in regard to Herr M.’s dictum. He found, for example, a constant tendency to under- estimate intervals lying to the right, and to overestimate intervals lying to the left. He ingeniously explains this as a result of the habit of read- ing, which trains us to move our eyes easily along straight lines from left to right, whereas in looking from right to left we move them in curved lines across the page. As we measure intervals as straight lines, it costs more muscular effort to measure from right to left than the other way, and an interval lying to the left seems to us consequently longer than it really is. Now I have been a reader for more years than Herr Mtlnster- berg; and yet with me there is a strongly pronounced error the other way. It is the rightward-lying interval which to me seems longer than it really is. Moreover, Herr M. wears concave spectacles, and looked through them with his head fixed. May it not be that some of the errors were due to dis- tortion of the retinal image, as the eye looked no longer through the centre but through the margin of the glass ? In short, with all the presumptions which we have seen against muscular contraction being definitely felt as length, I think that there may be explanations of Herr M.’s results which have escaped even his sagacity ; and I call for a suspension of judgment until they shall have been confirmed by other observers. I do not myself doubt that our feeling of seen extent may be altered by concomitant mus- cular feelings. In Chapter XVII (pp. 28-80) we saw many examples of similar alterations, interferences with, or exaltations of, the sensory effect of one nerve-process by another. I do not see why currents from the muscles or eyelids, coming in at the same time with a retinal impression, might not make the latter seem bigger, in the same way that a greater in- tensity in the retinal stimulation makes it seem bigger; or in the way that a greater extent of surface excited makes the color of the surface seem stronger, or if it be a skin-surface, makes its heat seem greater ; or in the way that the coldness of the dollar on the forehead (in Weber’s old experi- ment*) made the dollar seem heavier. But this is a physiological way; and 202 PSYCHOLOGY. a limb about a joint was no less when the movement was ‘ active ’ or produced by muscular contraction than when it was ‘ passively ’ impressed.* The consciousness of active movement became so blunt when the joint (alone!) was made anaesthetic by faradization, that it became evident that the feeling of contraction could never be used for fine discrimination of extents. And that it was not used for coarse discriminations appeared clear to Goldscheider from certain other results which aye too circumstantial for me to quote in detail. + His general conclusion is that we feel our movements exclusively in our articular sur- faces, and that our muscular contractions in all probability hardly occasion this sort of perception at all. J My conclusion is that the ‘ muscular sense ’ must fall back to the humble position from which Charles Bell raised it, and no longer figure in Psychology as the leading organ in space-perception which it has been so long ‘ cracked up to be. Before making a minuter study of Space as apprehended by the eye, we must turn to see what we can discover of space as known to the blind. But as we do so, let us cast a glance upon the results of the last pages, and ask our- selves once more whether the building up of orderly space-perceptions out of primitive incoherency requires any mental powers beyond those displayed in ordinary in- tellectual operations. I think it is obvious—granting the spacial qucde to exist in the primitive sensations—that dis- crimination, association, addition, multiplication, and divi- sion, blending into generic images, substitution of similars, selective emphasis, and abstraction from uninteresting de- tails, are quite capable of giving us all the space-percep- the bigness gained is that of the retinal image after all. If I understand Mtlnsterberg’s meaning, it is quite different from this: the bigness be longs to the muscular feelings, as such, and is merely associated with those of the retina. This is what I deny. * Archiv f. (Anat. u.) Physiol. (1889), p. 542. f Ibid. p. 496. f Ibid. p. 497. Goldscheider thinks that our muscles do not even give us the feeling of resistance, that being also due to the articular surfaces: whilst weight is due to the tendons. Ibid. p. 541. THE PERCEPTION OF SPACE. 203 tions we have so far studied, without the aid of any mys- terious ‘mental chemistry’ or power of ‘ synthesis’ to create elements absent from the original data of feeling. It can- not be too strongly urged in the face of mystical attempts, however learned, that there is not a landmark, not a length, not a point of the compass in real space which is not some one of our feelings, either experienced directly as a presen- tation or ideally suggested by another feeling which has come to serve as its sign. In degrading some sensations to the rank of signs and exalting others to that of realities signified, we smooth out the wrinkles of our first chaotic impressions and make a continuous order of what was a rather incoherent multiplicity. But the content of the order remains identical with that of the multiplicity—sensational both, through and through. HOW THE BLIND PEHCEIVE SPACE. The blind man’s construction of real space differs from that of the seeing man most obviously in the larger part which synthesis plays in it, and the relative subordination of analysis. The seeing baby’s eyes take in the whole room at once, and discriminative attention must arise in him before single objects are visually discerned. The blind child, on the contrary, must form his mental image of the room by the addition, piece to piece, of parts which he learns to know successively. With our eyes we may ap- prehend instantly, in an enormous bird’s-eye view, a land- scape which the blind man is condemned to build up bit by bit after weeks perhaps of exploration. We are exactly in his predicament, however, for spaces which exceed our visual range. We think the ocean as a whole by multiply- ing mentally the impression we get at any moment when at sea. The distance between New York and San Francisco is computed in days’ journeys ; that from earth to sun is so many times the earth’s diameter, etc.; and of longer dis- tances still we may be said to have no adequate mental image whatever, but only numerical verbal symbols. But the symbol will often give us the emotional effect of the perception. Such expressions as the abysmal vault of heaven, the endless expanse of ocean, etc., summarize 204 PSYCHO LOOT. many computations to the imagination, and give the sense of an enormous horizon. So it seems with the blind. They multiply mentally the amount of a distinctly felt freedom to move, and gain the immediate sense of a vaster freedom still. Thus it is that blind men are never without the con- sciousness of their horizon. They all enjoy travelling, es- pecially with a companion who can describe to them the objects they pass. On the prairies they feel the great open- ness ; in valleys they feel closed in; and one has told me that he thought few seeing people could enjoy the view from a mountain-top more than he. A blind person on entering a house or room immediately receives, from the reverberations of his voice and steps, an impression of its dimensions, and to a certain extent of its arrangement. The tympanic sense noticed on p. 140, supra, comes in to help here, and possibly other forms of tactile sensibility not yet understood. Mr. W. Hanks Levy, the blind author of ‘ Blindness and the Blind ’ (London), gives the folio wing ac- count of his powers of perception : “Whether within a house or in the open air, whether walking 01 standing still, I can tell, although quite blind, when I am opposite ar, object, and can perceive whether it be tall or short, slender or bulky. I can also detect whether it be a solitary object or a continuous fence ; whether it be a close fence or composed of open rails ; and often whether it be a wooden fence, a brick or stone wall, or a quick-set hedge. I cannot usually perceive objects if much lower than my shoulder, but sometimes very low objects can be detected. This may depend on the nature of the objects, or on some abnormal state of the atmosphere. The currents of air can have nothing to do with this power, as the state of the wind does not directly affect it; the sense of hearing has nothing to do with it, as when snow lies thickly on the ground objects are more distinct, although the footfall cannot be heard. I seem to perceive objects through the skin of my face, and to have the impressions im- mediately transmitted to the brain. The only part of my body possess- ing this power is my face ; this I have ascertained by suitable experi- ments. Stopping my ears does not interfere with it, but covering my face with a thick veil destroys it altogether. None of the five senses have anything to do with the existence of this power, and the circum- stances above named induce me to call this unrecognized sense by the name of ‘ facial perception. ’ . . . When passing along a street I can distinguish shops from private houses, and even point out the doors and windows, etc., and this whether the doors be shut or open. When a window consists of one entire sheet of glass, it is more difficult to dia THE PERCEPTION OF SPACE. 205 cover than one composed of a number of small panes. From this it would appear that glass is a bad conductor of sensation, or at any rate of the sensation specially connected with this sense. When objects below the face are perceived, the sensation seems to come in an oblique line from the object to the upper part of the face. While walking with a friend in Forest Lane, Stratford, I said, pointing to a fence which separated the road from a field, ‘ Those rails are not quite as high as my shoulder.’ He looked at them, and said they were higher. We, however, measured, and found them about three inches lower than my shoulder. At the time of making this observation I was about four feet from the rails. Certainly in this instance facial perception was more accurate than sight. When the lower part of a fence is brick- work, and the upper part rails, the fact can be detected, and the line where the two meet easily perceived. Irregularities in height, and pro- jections and identations in walls, can also be discovered.” According to Mr. Levy, this power of seeing with the '‘ace is diminished by a fog, but not by ordinary dark- ness. At one time he could tell when a cloud obscured the horizon, but he has now lost that power, which he has known several persons to possess who are totally blind. These effects of aqueous vapor suggest immediately that fluctuations in the heat radiated by the objects may be the source of the perception. One blind gentleman, Mr. Kil- burne, an instructor in the Perkins Institution in South Boston, who has the power spoken of in an unusual degree, proved, however, to have no more delicate a sense of tem- perature in his face than ordinary persons. He himself supposed that his ears had nothing to do with the faculty until a complete stoppage of them, not only with cotton but with putty on top of it, by abolishing the perception entirely, proved his first impression to be erroneous. Many blind men say immediately that their ears are concerned in the matter. Sounds certainly play a far more prominent part in the mental life of the blind than in our own. In taking a walk through the country, the mutations of sound, far and near, constitute their chief delight. And to a great extent their imagination of distance and of objects moving from one distant spot to another seems to consist in thinking how a certain sonority would be modified by the change of place. It is unquestionable that the semi-circular-canal feelings play a great part in defining the points of the com- 206 PSYCHOLOGY. pass and the direction of distant spots, in the blind as in us. We start towards them by feelings of this sort; and so many directions, so many different-feeling starts.* The only point that offers any theoretic difficulty is the prolongation into space of the direction, after the start. We saw, ten pages back, that for extradition to occur beyond the skin, the portion of skin in question and the space beyond must form a common object for some other sensory surface. The eyes are for most of us this sensory surface ; for the blind it can only be other parts of the skin, coupled or not with motion. But the mere gropings of the hands in every direction must end by surrounding the whole body with a sphere of felt space. And this sphere must become en- larged with every movement of locomotion, these move- ments gaining their space-values from the semi-circular- canal feelings which accompany them, and from the farther and farther parts of large fixed objects (such as the bed, the wainscoting, or a fence) which they bring within the grasp. It might be supposed that a knowledge of space acquired by so many successive discrete acts would always retain a somewhat jointed and so to speak, granulated char- acter. When we who are gifted with sight think of a space too large to come into a single field of view, we are apt to imagine it as composite, and filled with more or less jerky stoppings and startings (think, for instance, of the space from here to San Francisco), or else we reduce the scale symbolically and imagine how much larger on a map the distance would look than others with whose totality we are familiar. I am disposed to believe, after interrogating many blind persons, that the use of imaginary maps on a reduced scale is less frequent with them than with the rest of us Possi- bly the extraordinary changeableness of the visual magni- tudes of things makes this habit natural to us, while the fixity of tactile magnitudes keeps them from falling into it. (When the blind young man operated on by Dr. Franz was * “ Whilst the memories which we seeing folks preserve of a man all centre round a certain exterior form composed of his image, his height, his gait, in the blind all these memories are referred to something quite different, namely, the sound of his voice.” (Dunau, Key. Phil., xxv. 357.) THE PERCEPTION OF BP ACE. 207 shown a portrait in a locket, he was vastly surprised that the face could be put into so small a compass : it would have seemed to him, he said, as impossible as to put a bushel into a pint.) Be this as it may, however, the space which each blind man feels to extend beyond his body is felt by him as one smooth continuum—all trace of those muscular startings and stoppings and reversals which presided over Its formation having been eliminated from the memory. It seems, in other words, a generic image of the space-element common to all these experiences, with the unessential par- ticularities of each left out. In truth, where in this space a start or a stop may have occurred was quite accidental. It may never occur just there again, and so the attention lets it drops altogether. Even as long a space as that traversed in a several-mile walk will not necessarily appear to a blind man’s thought in the guise of a series of locomo- tor acts. Only where there is some distinct locomotor diffi- culty, such as a step to ascend, a difficult crossing, or a disappearance of the path, will distinct locomotor images constitute the idea. Elsewhere the space seems continuous, and its parts may even all seem coexistent; though, as a very intelligent blind friend once remarked to me, ‘ To think of such distances involves probably more mental wear and tear and brain-waste in the blind than in the see- ing.’ This seems to point to a greater element of succes- sive addition and construction in the blind man’s idea. Our own visual explorations go on by means of innum- erable stoppings and startings of the eyeballs. Yet these are all effaced from the final space-sphere of our visual imagination. They have neutralized each other. We can oven distribute our attention to the right and left sides simultaneously, and think of those two quarters of space as coexistent. Does the smoothing out of the locomotor interruptions from the blind man’s tactile space-sphere offer any greater paradox ? Surely not. And it is curious to note that both in him and in us there is one particular locomotor feeling that is apt to assert itself obstinately to the last. We and he alike spontaneously imagine space as lying in front of us, for reasons too obvious to enumerate. If we think of the space behind us, we, as a rule, have to 208 PSYCHOLOGY. turn round mentally, and in doing so the front space van- ishes. But in this, as in the other things of which we have been talking, individuals differ widely. Some, in imagin- ing a room, can think of all its six surfaces at once. Others mentally turn round, or, at least, imagine the room in sev- eral successive and mutually exclusive acts (cf. p. 54, above). Sir William Hamilton, and J. S. Mill after him, have quoted approvingly an opinion of Platner (an eighteenth- century philosopher) regarding the space-perceptions of the blind. Platner says : 4 4 The attentive observation of a person born blind . . . has con- vinced me that the sense of touch by itself is altogether incompetent to afford us the representation of extension and space. ... In fact, to those born blind, time serves instead of space. Vicinity and distance mean in their mouths nothing more than the shorter or longer time . . . necessary to attain from some one feeling to some other.” After my own observation of blind people, I should hardly have considered this as anything but an eccentric opinion, worthy to pair off with that other belief that color is primitively seen without extent, had it not been for the remarkable Essay on Tactile and Visual Space by M. Ch. Dunan, which appeared in the Revue Philosophique for 1888. This author quotes * three very competent witnesses, all officials in institutions for the blind [it does not appear from the text that more than one of them was blind him- self], who say that blind people only live in time. M. Dunan himself does not share exactly this belief, but he insists that the blind man’s and the seeing man’s represen- tation of space have absolutely naught in common, and that we are deceived into believing that what they mean by space is analogous to what we mean, by the fact that so many of them are but semi-blind and still think in visual terms, and from the farther fact that they all talk in visual terms just like ourselves. But on examining M. Dunan’s reasons one finds that they all rest on the groundless logical as- sumption that the perception of a geometrical form which we get with our eyes, and that which a blind man gets with *Vol. xxr. pp. 867-6. THE PERCEPTION OF SPACE. 209 his fingers, must either be absolutely identical or absolutely unlike. They cannot be similar in diversity, “ for they are simple notions, and it is of the essence of such to enter the mind or leave it all at once, so that one who has a simple no- tion at all, possesses it in all its completeness. . . . There- fore, since it is impossible that the blind should have of the forms in question ideas completely identical with our see- ing ones, it follows that their ideas must be radically dif- ferent from and wholly irreducible to our own." * Hereupon M. Dunan has no difficulty in finding a blind man who still preserves a crude sensation of diffused light, and who says when questioned that this light has no extent. Having ‘ no extent ’ appears, however, on farther questioning, to signify merely not enveloping any particular tactile objects, nor being located within their outline; so that (allowing for latitude of expression) the result tallies perfectly with our own view. A relatively stagnant retinal sensation of diffused light, not varying when different objects are handled, would naturally remain an object quite apart. If the word ‘ex- tent ’ were habitually used to denote tactile extent, this sen- sation, having no tactile associates whatever, would natu- rally have ‘ extent ’ denied of it. And yet all the while it would be analogous to the tactile sensations in having the quality of bigness. Of course it would have no other tac- tile qualities, just as the tactile objects have no other opti- cal qualities than bigness. All sorts of analogies obtain between the spheres of sensibility. Why are ‘ sweet ’ and ‘ soft ’ used so synonymously in most languages ? and why are both these adjectives applied to objeets of so many sensible kinds. Bough sounds, heavy smells, hard lights, cold colors, are other examples. Nor does it follow from such analogies as these that the sensations compared need be composite and have some of their parts identical. We saw in Chapter XIII that likeness and difference are an ele- mentary relation, not to be resolved in every case into a mixture of absolute identity and absolute heterogeneity of content (cf. Vol. I, pp. 492-3). I conclude, then, that although in its more superficial *p.m 210 PSYCHOLOGY. determinations the blind man’s space is very different from our space, yet a deep analogy remains between the two. * Big ’ and ‘ little,’ ‘ far ’ and ‘ near,’ are similar contents of con- sciousness in both of us. But the measure of the bigness and the farness is very different in him and in ourselves. He, for example, can have no notion of what we mean by objects appearing smaller as they move away, because he must always conceive of them as of their constant tactile size. Nor, whatever analogy the two extensions involve, should we expect that a blind man receiving sight for the first time should recognize his new-given optical objects by their familiar tactile names. Molyneux wrote to Locke : “ Suppose a man born blind, and now adult, and taught by his touch to distinguish between a cube and a sphere, . . . so as to tell, when he felt one and the other, which is the cube, which the sphere. Suppose then the cube and sphere placed on a table ami the blind man to be made to see ; query, whether by his sight, before he touched them, he could now distinguish and tell which is the globe, which the cube ?” This has remained in literature as ‘ Molyneux’s query.’ Molyneux answered ‘No.’ And Locke says :* “ I agree with this thinking gentleman whom I am proud to call my friend, and am of opinion that the blind man at first sight would not be able to say which was the globe, which the cube, whilst he only saw them; though he could unerringly name them by his touch and certainly distinguish them by the difference of their figures felt.” This opinion has not lacked experimental confirmation. From Chesselden’s case downwards, patients operated for congenital cataract have been unable to name at first the things they saw. “ So, Puss, I shall know you another time," said Chesselden’s patient, after catching the cat, looking at her steadfastly, and setting her down. Some of this inca- pacity is unquestionably due to general mental confusion at the new experience, and to the excessively unfavorable con- ditions for perception which an eye with its lens just extir- pated affords. That the analogy of inner nature between the retinal and tactile sensations goes beyond mere exten- sity is proved by the cases where the patients were the most intelligent, as in the young man operated on by Dr. Franz, * Essay cone. Hum. Und., bk. n. chap. ix. § 8. THE PERCEPTION OF SPACE. 211 who named circular, triangular, and quadrangular figures at first sight.* VISUAL SPACE. It is when we come to analyze minutely the conditions of visual perception that difficulties arise which have made psychologists appeal to new and g'wcm-mythical mental powers. But I firmly believe that even here exact investi- gation will yield the same verdict as in the cases studied hitherto. This subject will close our survey of the facts ; and if it give the result I foretell, we shall be in the best of positions for a few final pages of critically historical review. If a common person is asked how he is enabled to see things as they are, he will simply reply, by opening his and looking. This innocent answer has, however, long since been impossible for science. There are various paradoxes and irregularities about what we appear to per- ceive under seemingly identical optical conditions, which immediately raise questions. To say nothing now of the time-honored conundrums of why we see upright with an inverted retinal picture, and why we do not see double ; and to leave aside the whole field of color-contrasts and ambiguities, as not directly relevant to the space-problem,— it is certain that the same retinal image makes us see quite differently-sized and differently-shaped objects at different times, and it is equally certain that the same ocular move- ment varies in its perceptive import. It ought to be pos- sible, were the act of perception completely and simply intelligible, to assign for every distinct judgment of size, shape, and position a distinct optical modification of some kind as its occasion. And the connection between the two ought to be so constant that, given the same modification, we should always have the same judgment. But if we * Philosophical Transactions, 1841. In T. K. Abbot’s Sight and Touch there is a good discussion of these cases. Obviously, positive cases are of more importance than negative. An under-witted peasant, Noe M., whose case is described by Dr. Dufour of Lausanne (Guerisou d’un Aveugle ne: 1876) is much made of by MM. Naville and Dunan ; but it seems to me only to show how little some people can deal with new experiences in which others find themselves quickly at home. This man could not even tell whether one of his first objects of sight moved or stood still (p. 9). 212 PSYCHOLOGY. study the facts closely we soon Jind no such constant con- nection between either judgment and retinal modification, or iudgment and muscular modification, to exist. The judgment seems to result from the combination of retinal, muscular and intellectual factors with each other ; and any one of them may occasionally overpower the rest in a way which seems tu leave the matter subject to no simple law. The scientific study of the subject, if we omit Descartes, began with Berkeley, and the particular perception he analyzed in his New Theory of Vision was that of distance or depth. Starting with the physical assumption that a difference in the distance of a point can make no difference in the nature of its retinal image, since “distance being a line directed endwise to the eye, it projects only one point in the fund of the eye—which point remains invariably the same, whether the distance be longer or shorter,” he con- cluded that distance could not possibly be a visual sensation, but must be an intellectual ‘ suggestion ’ from ‘ custom * of some non-visual experience. According to Berkeley this experience was tactile. His whole treatment of the subject was excessively vague,—no shame to him, as a breaker of fresh ground,—but as it has been adopted and enthusiasti- ally hugged in all its vagueness by nearly the whole line of British psychologists who have succeeded him, it will be well for us to begin our study of vision by refuting his notion that depth cannot possibly be perceived in terms of purely visual feeling. The Third Dimension. Berkeleyans unanimously assume that no retinal sensa- tion can primitively be of volume ; if it be of extension at all (which they are barely disposed to admit), it can be only of two-, not of three-, dimensional extension. At the begin- ning of the present chapter we denied this, and adduced facts to show that all objects of sensation are voluminous in three dimensions (cf. p. 136 ff.). It is impossible to lie on one’s back on a hill, to let the empty abyss of blue fill one’s whole visual field, and to sink deeper and deeper into the merely sensational mode of consciousness regarding it, without feeling that an indeterminate, palpitating, circling TEE PERCEPTION OF 8PA0K 213 depth is as indefeasibly one of its attributes as its breadth. We may artificially exaggerate this sensation of depth. .Rise and look from the hill-top at the distant view ; repre- sent to yourself as vividly as possible the distance of the uttermost horizon ; and then with inverted head look at the same. There will be a startling increase in the perspective, a most sensible recession of the maximum distance; and as you raise the head you can actually see the horizon- line again draw near.* Mind, I say nothing as yet about our estimate of the - real ’ amount of this depth or distance. I only want to confirm its existence as a natural and inevitable optical consort of the two other optical dimensions. The field of view is always a volume-unit. Whatever be supposed to be its absolute and ‘ real ’ size, the relative sizes of its dimen- sions are functions of each other. Indeed, it happens per- haps most often that the breadth- and height-feeling take their absolute measure from the depth-feeling. If we plunge our head into a wash-basin, the felt nearness of the bottom makes us feel the lateral expanse to be small. If, on the contrary, we are on a mountain-top, the distance of the horizon carries with it in our judgment a proportionate * What may be the physiological process connected with this increased sensation of depth is hard to discover. It seems to have nothing to do with the parts of the retina affected, since the mere inversion of the picture (by mirrors, reflecting prisms, etc.), without inverting the head, does not seem to bring it about; nothing with sympathetic axial rotation of the eyes, which might enhance the perspective through exaggerated disparity ot the two retinal images (see J. J. Milller, * Raddrehung u. Tiefendimen- sion,’ Leipzig Acad. Berichte, 1875, page 124), for one-eyed persons get it as strongly as those with two eyes. I cannot find it to be connected with any alteration in the pupil or with any ascertainable strain in the muscles of the eye, sympathizing with those of the body. The exaggera- tion of distance is even greater when we throw the head over backwards and contract our superior recti in getting the view, than when we bend forward and contract the inferior recti. Making the eyes diverge slightly by weak prismatic glasses has no such effect. To me, and to all whom 1 have asked to repeat the observation, the result is so marked that I do not well understand how such an observer as Helmholtz, who has carefully examined vision with inverted head, can have overlooked it. (See his Phys. Optik, pp. 433, 723, 728. 772.) I cannot help thinking that anyone who can explain the exaggeration of the depth-sensation in this case will at the same time throw much light on its normal constitution. 214 PSYCE0L007. height and length in the mountain-chains that bound it to our view. But as aforesaid, let us not consider the ques- tion of absolute size now,—it must later be taken up in a thorough way. Let us confine ourselves to the way in which the three dimensions which are seen, get their values fixed relatively to each other. Keid, in his Inquiry into the Human Mind, has a section * Of the Geometry of Visibles,’ in which he assumes to trace what the perceptions would be of a race of ‘ Idome- nians ’ reduced to the sole sense of sight. Agreeing with Berkeley that sight alone can give no knowledge of the third dimension, he humorously deduces various ingenious ab- surdities in their interpretations of the material appear- ances before their eyes. Now I firmly believe, on the contrary, that one of Reid’s Idomenians would frame precisely the same conception of the external world that we do, if he had our intellectual powers.* Even were his very eyeballs fixed and not mov- able like ours, that would only retard, not frustrate, his education. For the same object, by alternately covering in its lateral movements different parts of his retina, would determine the mutual equivalencies of the first two dimen- sions of the field of view ; and by exciting the physiological cause of his perception of depth in various degrees, it would establish a scale of equivalency between the first two and the third. First of all, one of the sensations given by the object is chosen to represent its * real ’ size and shape, in accord- ance with the principles laid down on pp. 178 and 179. One sensation measures the * thing ’ present, and the 1 thing ’ then measures the other sensations. The peripheral parts of the retina are equated with the central by receiving the image of the same object This needs no elucidation in case the * “ In Froriep’s Notizen (1838, July), No. 133, is to be found a detailed account, with a picture, of an Esthonian girl, Eva Lauk, then fourteen years old, born with neither arms nor legs, which concludes with the following words : ‘ According to the mother, her intellect developed quite as fast as that of her brother and sisters ; in particular, she came as quickly to a right judgment of the size and distance of visible objects, although, of course, she had no use of hands.’ ” (Schopenhauer, Welt ala Wille, n 44.) THE PERCEPTION OF SPACE. 215 object does not change its distance or its front. But sup- pose, to take a more complicated case, that the object is a stick, seen first in its whole length, and then rotated round one of its ends; let this fixed end be the one near the eye. In this movement the stick’s image will grow progressively shorter; its farther end will appear less and less sepa- rated laterally from its fixed near end; soon it will be screened by the latter, and then reappear on the opposite side, and finally on that side resume its original length. Suppose this movement to become a familiar experience ; the mind will presumably react upon it after its usual fash- ion (which is that of unifying all data which it is in any way possible to unify), and consider it the movement of a constant object rather than the transformation of a fluctuat- ing one. Now, the sensation of depth which it receives dur- ing the experience is awakened more by the far than by the near end of the object. But how much depth ? What shall measure its amount ? WThy, at the moment the far end is ready to be eclipsed, the difference of its distance from the near end’s distance must be judged equal to the stick’s whole length ; but that length has already been judged equal to a certain optical sensation of breadth. Thus we find that given amounts of the visual depth-feeling become signs of fixed amounts of the visual breadth-feeling. The measure- ment of distance is, as Berkeley truly said, a result of sugges- tion and experience. But visual experience alone is adequate to produce it, and this he erroneously denied. Suppose a colonel in front of his regiment at dress- parade, and suppose he walks at right angles towards the midmost man of the line. As he advances, and surveys the line in either direction, he looks more and more down it and less and less at it, until, when abreast of the mid- most man, he feels the end men to be most distant; then when the line casts hardly any lateral image on his retina at all, what distance shall he judge to be that of the end men? Why, half the length of the regiment as it wai originally seen, of course; but this length was a moment ago a retinal object spread out laterally before his sight. He has now merely equated a retinal depth-feeling with a retinal breadth-feeling. If the regiment moved, and the 216 P8YCH0L00T. colonel stood still, the result would be the same. In such ways as these a creature endowed with eyes alone could hardly fail of measuring out all three dimensions of the space he inhabited. And we ourselves, I think, although we may often ‘ realize ’ distance in locomotor terms (as Berkeley says we must always do), yet do so no less often in terms of our retinal map, and always in this way the more spontaneously. Were this not so, the three visual dimensions could not possibly feel to us as homogeneous as they do, nor as commensurable inter se. Let us then admit distance to he at least as genuinely optical a content of consciousness as either height or breadth. The question immediately returns, Can any of them he said in any strictness to he optical sensations ? We have contended all along for the affirmative reply to this question, but must now cope with difficulties greater than any that have as- sailed us hitherto. A sensation is, as we have seen in Chapter XVII, the mental affection that follows most immediately upon the stimulation of the sense tract. Its antecedent is di- rectly physical, no psychic links, no acts of memory, infer- ence, or association intervening. Accordingly, if we sup- pose the nexus between neural process in the sense-organ, on the one hand, and conscious affection, on the other, to be by nature uniform, the same process ought always to give the same sensation ; and conversely, if what seems to he a sen- sation varies whilst the process in the sense-organ remains un- changed, the reason is presumably that it is really not a sensa- tion but a higher mental product, whereof the variations depend on events occurring in the system of higher cerebral centres. Now the size of the field of view varies enormously in all three dimensions, without our being able to assign with any definiteness the process in the visual tract on which the variation depends. We just saw how impossible such assignment was in the case where turning down the head produces the enlargement. In general, the maximum feel- ing of depth or distance seems to take the lead in deter- mining the apparent magnitude of the whole field, and the Helmholtz and Reid on Sensations. THE PERCEPTION OF SPACE. 217 two other dimensions seem to follow. If, to use the former instance, I look close into a wash-basin, the lateral extent of the field shrinks proportionately to its nearness. If I look from a mountain, the tilings seen are vast in height and breadth, in proportion to the farness of the horizon. But when we ask what changes in the eye determine how great this maximum feeling of depth or distance (which is undoubt- edly felt as a unitary vastness) shall be, we find ourselves unable to point to any one of them as being its absolutely regular concomitant. Convergence, accommodation, double and disparate images, differences in the parallactic displacement when we move our head, faintness of tint, dimness of out- line, and smallness of the retinal image of objects named and known, are all processes that have something to do with the perception of ‘ far ’ and of ‘ near ’; but the effect of each and any one of them in determining such a perception at one moment may at another moment be reversed by the presence of some other sensible quality in the object, that makes us, evidently by reminding us of past experience, judge it to be at a different distance and of another shape. If we paint the inside of a pasteboard-mask like the out- side, and look at it with one eye, the accommodation- and parallax-feelings are there, but fail to make us see it hollow, as it is. Our mental knowledge of the fact that human faces are always convex overpowers them, and we directly perceive the nose to be nearer to us than the cheek instead of farther of. The other organic tokens of farness and nearness are proved by similar experiments (of which we shall ere long speak more in detail) to have an equally fluctuating import. They lose all their value whenever the collateral circum- stances favor a strong intellectual conviction that the object presented to the gaze is improbable—cannot be either what or where they would make us perceive it to be. Now the query immediately arises : Can the feelings of these processes in the eye, since they are so easily neutralized and reversed by intellectual suggestions, ever have been direct sensa- tions of distance at all? Ought we not rather to assume, since the distances which we see in spite of them are con- clusions from past experience, that the distances which we 218 PSYCHOLOGY. see by means of them are equally such conclusions ? Ought we not, in short, to say unhesitatingly that distance must be an intellectual and not a sensible content of consciousness ? and that each of these eye-feelings serves as a mere signal to awaken this content, our intellect being so framed that sometimes it notices one signal more readily and sometimes another ? Reid long ago (Inquiry, c. VL sec. 17) said : ‘ ‘ It may be taken for a general rule that things which are produced by custom may be undone or changed by disuse or by contrary custom. On the other hand, it is a strong argument that an effect is not owing to custom, but to the constitution of nature, when a contrary custom is found neither to change nor to weaken it.” More briefly, a way of seeing things that can be un- learned was presumably learned, and only what we cannot unlearn is instinctive. This seems to be Helmholtz’s view, for he confirms Reid’s maxim by saying in emphatic print: “No elements in our perception can be sensational which may be overcome or reversed by factors of demonstrably experimental origin. Whatever can be overcome by suggestions of experience must be re- garded as itself a product of experience and custom. If we follow this rule it will appear that only qualities are sensational, whilst almost all spatial attributes are results of habit and experience.”* This passage of Helmholtz’s has obtained, it seems to me, an almost deplorable celebrity. The reader will please observe its very radical import. Not only would he, and does he, for the reasons we have just been ourselves con- sidering, deny distance to be an optical sensation ; but, extending the same method of criticism to judgments of size, shape, and direction, and finding no single retinal or muscular process in the eyes to be indissolubly linked with any one of these, he goes so far as to say that all optical space-perceptions whatsoever must have an intellectual * Physiol. Optik, p. 438. Helmholtz’s reservation of ‘ qualities ’ is in- consistent. Our judgments of light and color vary as much as our judg- ments of size, shape, and place, and ought by parity of reasoning to be called intellectual products and not sensations. In other places he does treat color as if it were an intellectual product. THE PERCEPTION OF SPACE. 219 origin, and a content that no items of visual sensibility can account for.* As Wundt and others agree with Helmholtz here, and as their conclusions, if true, are irreconcilable with all the sensationalism which I have been teaching hitherto, it clearly devolves upon me to defend my position against this new attack. But as this chapter on Space is already so overgrown with episodes and details, I think it best to reserve the refutation of their general principle for the next chapter, and simply to assume at this point its untenability. This has of course an arrogant look; but if the reader will bear with me for not very many pages more, I shall hope to appease his mind. Meanwhile I affirm confidently that the same outer objects actually feel different to us according as our brain reacts on them in one way or another by making us perceive them as this or as that sort of thing. So true is this that one may well, with Stumpf,f reverse Helmholtz’s query, and ask: “ What would become of our sense-perceptions in case experience were not able so to transform them ? ” Stumpf adds : “ All wrong perceptions that depend on peculiarities in the organs are more or less perfectly cor- rected by the influence of imagination following the guid- ance of experience.” If, therefore, among the facts of optical space-perception (which we must now proceed to consider in more detail) we find instances of an identical organic eye-process, giving us different perceptions at different times, in consequence of diff erent collateral circumstances suggesting different objec- tive facts to our imagination, we must not hastily conclude, with the school of Helmholtz and Wundt, that the organic eye-process pure and simple, without the collateral circum- stances, is incapable of giving us any sensation of a spatial kind at all. We must rather seek to discover by what means the circumstances can so have transformed a space-sensa- tion, which, but for their presence, would probably have been felt in its natural purity. And I may as well say * It is needless at this point to consider what Helmholtz’s views of the nature of the intellectual space-yielding process may be. He vacillates— we shall later see how. t Op. eit. p. 214. 220 PSYCHOLOGY. now in advance that we shall find the means to be nothing more or less than association—the suggestion to the mind of optical objects not actually present, but more habitually asso- ciated with the ‘ collateral circumstances ’ than the sensa- tion which they now displace and being imagined now with a quasi-hallucinatory strength. But before this conclu- sion emerges, it will be necessary to have reviewed the most important facts of optical space-perception, in relation to the organic conditions on which they depend. Readers acquainted with German optics will excuse what is already familiar to them in the following section.* * Before embarking on this new topic it will be well to shelve, once for all, the problem of what is the physiological process that underlies the distance-feeling, Since one-eyed people have it, and are inferior to the two-eyed only in measuring its gradations, it can have no exclusive connec- tion with the double and disparate images produced by binocular parallax. Since people with closed eyes, looking at an after-image, do not usually see it draw near or recede with varying convergence, it cannot be simply constituted by the convergence-feeling. For the same reason it would appear non-identical with the feeling of accommodation. The differ- ences of apparent parallactic movement between far and near objects as we move our head cannot constitute the distance-sensation, for such dif- ferences may be easily reproduced experimentally (in the movements of visible spots against a background) without engendering any illusion of per- spective. Finally, it is obvious that visible faintness, dimness, and small- ness are not per se the feeling of visible distance, however much in the case of well-known objects they may serve as signs to suggest it. A certain maximum distance-value, however, being given to the field of view of the moment, whatever it be, the feelings that accompany the pro- cesses just enumerated become so many local signs of the gradation of distances within this maximum depth. They help us to subdivide and measure it. Itself, however, is felt as a unit, a total distance-value, deter- mining the vastness of the whole field of view, which accordingly appears as an abyss of a certain volume. And the question still persists, what neural process is it that underlies the sense of this distance-value ? Hering, who has tried to explain the gradations within it by the inter- action of certain native distance-values belonging to each point of the two retinae, seems willing to admit that the absolute scale of the space-volume within which the natively fixed relative distances shall appear is not fixed, but determined each time by ‘ experience in the widest sense of the word ’ (Beitrdge, p. 344). What he calls the Kernpunkt of this space-volume is the point we are momentarily fixating. The absolute scale of the whole volume depends on the absolute distance at which this Kernpunkt is judged to lie from the person of the looker. “By an alteration of the localization of the Kernpunkt, the inner relations of the seen space are nowise altered ; this space in its totality is as a fixed unit, so to speak, displaced with re- THE PERCEPTION OF SPACE. 221 Let us begin the long and rather tedious inquiry by tho most important case. Physiologists have long sought for spect to the self of the looker” (p. 345). But what constitutes the localiza- tion of the Kempunkt itself at any given time, except ‘ Experience,’ i.e., higher cerebral and intellectual processes, involving memory, Hering does not seek to define. Bturnpf, the other sensationalist writer who has best realized the diffi- culties of the problem, thinks that the primitive sensation of distance must have an immediate physical antecedent, either in the shape of “ an organic alteration accompanying the process of accommodation, or else given directly in the specific energy of the optic nerve.” In contrast with Hering, however, he thinks that it is the absolute distance of the spot fixated which is thus primitively, immediately, and physiologically given, and not the relative distances of other things about this spot. These, he thinks, are originally seen in what, broadly speaking, may be termed one plane with it. Whether the distance of this plane, considered as a phe- nomenon of our primitive sensibility, be an invariable datum, or suscepti- ble of fluctuation, he does not, if I understand him rightly, undertake dogmatically to decide, but inclines to the former view. For him then, as for Hering, higher cerebral processes of association, under the name of ‘ Experience,’ are the authors of fully one-half part of the distance-percep- tions which we at any given time may have. Hering’s and Stumpf’s theories are reported for the English reader by Mr. Sully (in Mind, hi. pp. 172-6). Mr. Abbott, in his Sight and Touch (pp. 96-8), gives a theory which is to me so obscure that I only refer the reader to its place, adding that it seems to make of distance a fixed func- vion of retinal sensation as modified by focal adjustment. Besides these three authors I am ignorant of any, except Panum, who may have attempt- ed to define distance as in any degree an immediate sensation. And with them the direct sensational share is reduced to a very small proportional part, in our completed distance-judgments. Professor Lipps, in his singularly acute Psychologische Studien (p. 69 ff.),argues, as Ferrier, in his review of Berkeley (Philosophical Remains, n. 330 ff.), had argued before him, that it is logically impossible we should perceive the distance of anything from the eye by sight; for a seen distance can only be between seen termini ; and one of the termini, in the case of dis- tance from the eye, is the eye itself, which is not seen. Similarly of the distance of two points behind each other : the near one hides the far one, no space is seen between them. For the space between two objects to be seen, both must appear beside each other, then the space in question will be visible. On no other condition is its visibility possible. The conclusion is that things can properly be seen only in what Lipps calls a surface, and that our knowledge of the third dimension must needs be conceptual, not sensational or visually intuitive. But no arguments in the world can prove a feeling which actually exists to be impossible. The feeling of depth or distance, of farness oi awayness, does actually exist as a fact of our visual sensibility. All that Professor Lipps’s reasonings prove concerning it is that it is not linear in 222 PSYCHOLOGY. a simple law by which to connect the seen direction and distance of objects with the retinal impressions they pro- duce. Two principal theories have been held of this mat- ter, the ‘ theory of identical points,’ and the ‘ theory of pro- jection,’—each incompatible with the other, and each beyond certain limits becoming inconsistent with the facts. The Theory of Identical Points. This theory starts from the truth that on both retinae an impression on the upper half makes us perceive an ob- ject as below, on the lower half as above, the horizon; and Fig. 54. on the right half an object to the left, on the left half one to the right, of the median line. Thus each quadrant of one retina corresponds as a whole to the similar quadrant of its character, or in its immediacy fully homogeneous and consubstantial with the feeling of literal distance between two seen termini ; in short, .hat there are two sorts of optical sensation, each inexplicably due to a peculiar neural process. The neural process is easily discovered, in the case of lateral extension or spreadoutness, to be the number of retinal nerve-ends affected by the light; in the case of protension or mere farness it is more complicated and, as we have concluded, is still to seek. The two sensible qualities unite in the primitive visual bigness. The measure- ment of their various amounts against each other obeys the general laws of all such measurements. We discover their equivalencies by means of objects, apply the same units to both, and translate them into each other so habitually that at last they get to seem to us even quite similar in kind. This final appearance of homogeneity may perhaps be facilitated by the fact that in binocular vision two points situated on the prolongation of the optical axis of one of the eyes, so that the near one hides the far one, are by the other eye seen laterally apart. Each eye has in fact a foreshortened lateral view of the other’s line of sight. In The London Times for Feb. 8, 1884, is an interesting letter by J. D. Dougal, who tries to explain by this reason why two-eyed rifle-shooting has such advantages over shooting with one eye closed. THE PERCEPTION OF SPACE. 223 the other; and within two similar quadrants, al and ar for example, there should, if the correspondence were consist- ently carried out, be geometrically similar points which, if impressed at the same time by light emitted from the same object, should cause that object to appear in the same direc- tion to either eye. Experiment verifies this surmise. If ws look at the starry vault with parallel eyes, the stars all seem single; and the laws of perspective show that under the circumstances the parallel light-rays coming from each star must impinge on points within either retina which are geometrically similar to each other. The same result may be more artificially obtained. If we take two exactly simi- lar pictures, smaller, or at least no larger, than those on an ordinary stereoscopic slide, and if we look at them as stereoscopic slides are looked at, that is, at one with each eye (a median partition confining the view of either eye to the picture opposite it), we shall see but one flat picture, all of whose parts appear sharp and single.* Identical points being impressed, both eyes see their object in the same direction, and the two objects consequently coalesce into one. The same thing may be shown in still another way. With fixed head converge the eyes upon some conspicuous objective point behind a pane of glass ; then close either eye alternately and make a little ink-mark on the glass, ‘ covering ’ the object as seen by the eye which is momen- tarily open. On looking now with both eyes the ink-marks will seem single, and in the same direction as the objective point. Conversely, let the eyes converge on a single ink- * Just so, a pair of spectacles held an Inch or so from the eyes seem like one large median glass. The faculty of seeing stereoscopic slides single without an instrument is of the utmost utility to the student of physio- logical optics, and persons with strong eyes can easily acquire it. The only difficulty lies in dissociating the degree of accommodation from the degree of convergence which it usually accompanies. If the right picture is focussed by the right eye, the left by the left eye, the optic axes must either be parallel or converge upon an imaginary point some distance behind the plane of the pictures, according to the size and distance apart of the pictures. The accommodation, however, has to be made for the plane of the pictures itself, and a near accommodation with a far-off con- vergence is something which the ordinary use of our eyes never teaches us to effect. 224 PSYCHOLOGY. spot on the glass, and then by alternate shutting of them let it be noted what objects behind the glass the spot covers to the right and left eye respectively. Now with both eyes open, both these objects and the spot will appear in the same place, one or other of the three becom- ing more distinct according to the fluctuations of retinal attention.* Now what is the direction of this common place ? The only way of defining the direction of an object is by point- ing to it. Most people, if asked to look at an object over the horizontal edge of a sheet of paper which conceals their hand and arm, and then to point their finger at it (raising the hand gradually so that at last a finger-tip will appear above the sheet of paper), are found to place the finger not between either eye and the object, but between the latter and the root of the nose, and this whether both eyes or either alone be used. Hering and Helmholtz express this by saying that we judge of the direction of objects as they would appear to an imaginary cyclopean eye, situated be- tween our two real eyes, and with its optical axis bisecting the angle of convergence of the latter. Our two retinae act, according to Hering, as if they were superposed in the place of this imaginary double-eye; we see by the corre- sponding points of each, situated far asunder as they really are, just as we should see if they were superposed and could both be excited together. The judgment of objective singleness and that of identi- cal direction seem to hang necessarily together. And that of identical direction seems to carry with it the necessity of a common origin, between the eyes or elsewhere, from which all the directions felt may seem to be estimated. This is why the cyclopean eye is really a fundamental part of the formulation of the theory of identical retinal points, and why Hering, the greatest champion of this theory, lays so much stress upon it. It is an immediate consequence of the law of identical pro- * These two observations prove the law of identical direction only for objects which excite the foveae or lie in the line of direct looking. Ob- servers skilled in indirect vision can, however, more or less easily verify the law for outlying retinal points. THE PERCEPTION OF SPACE. 225 jection of images on geometrically similar points that images which fall upon geometrically disparate points of the two retinae should, he projected in disparate directions, and that their objects should consequently appear in two places, or look double. Take the parallel rays from a star falling upon two eyes which converge upon a near object, O, instead of being parallel, as in the previously instanced case. If SL and SR in Fig. 55 be the parallel rays, each of them will fall upon the nasal half of the retina which it strikes. Fig. 66. But the two nasal halves are disparate, geometrically symmetrical, not geometrically similar. The image on the left one will therefore appear as if lying in a direction left- ward of the cyclopean eye’s line of sight; the image of the right one will appear far to the right of the same direction The star will, in short, be seen double,—‘ homonymously double. Conversely, if the star be looked at directly with parallel axes, O will be seen double, because its images will affect the outer or cheek halves of the two retinae, instead of one outer and one nasal half. The position of the images will here be reversed from that of the previous case. The right 226 PSYCHOLOOT. eye’s image will now appear to the left, the left eye’s to the right—the double images will be ‘ heteronymous.’ The same reasoning and the same result ought to apply where the object’s place with respect to the direction of the two optic axes is such as to make its images fall not on non- similar retinal halves, but on non-similar parts of similar halves. Here, of course, the directions of projection will be less widely disparate than in the other case, and the double images will appear to lie less widely apart. Careful experiments made by many observers according to the so-called haploscopic method confirm this law, and show that corresponding points, of single visual direction, exist upon the two retinas. For the detail of these one must con- sult the special treatises. Note now an important consequence. If we take a stationary object and allow the eyes to vary their direction and convergence, a purely geometrical study will show that there will be some positions in which its two images impress corresponding retinal points, but more in which they im- press disparate points. The former constitute the so-called horopter, and their discovery has been attended with great mathematical difficulty. Objects or parts of objects which lie in the eyes’ horopter at any given time cannot appear double. Objects lying out of the horopter icovld seem, if the theory of identical points ivere strictly true, necessarily and al- ivays to appear double. Here comes the first great conflict of the identity-theory with experience. Were the theory true, we ought all to have an intuitive knowledge of the horopter as the line oi distinctest vision. Objects placed elsewhere ought to seem, if not actually double, at least blurred. And yet no living man makes any such distinction between the parts of his field of vision. To most of us the whole field appears single, and it is only by rare accident or by special education that we ever catch a glimpse of a double image. In 1838, Wheat- stone, in his truly classical memoir on binocular vision and the stereoscope,* showed that the disparateness of the * This essay, published in the Philosophical Transactions, contains the germ of almost all the methods applied since to the study of optical percep- tion. It seems a pity that England, leading off so brilliantly the modern THE PERCEPTION OF SPACE. 227 points on which the two images of an object fall does not within certain limits affect its seen singleness at all, but rather the distance at which it shall appear. Wheatstone made an observation, moreover, which subsequently became the bone of much hot contention, in which he strove to show that not only might disparate images fuse, but im- ages on corresponding or identical points might be seen double.* I am unfortunately prevented by the weakness of my own eyes from experimenting enough to form a decided personal opinion on the matter. It seems to me, however, that the balance of evidence is against the Wheatstonian interpretation, and that disparate points may fuse, without identical points for that reason ever giving double images. The two questions, “Can we see single with disparate points?” and “ Can we see double with identical points?” although at the first blush they may appear, as to Helm- holtz they appear, to be but two modes of expressing the same inquiry, are in reality distinct. The first may quite well be answered affirmatively and the second negatively. Add to this that the experiment quoted from Helmholtz above by no means always succeeds, but that many indi- viduals place their finger between the object and one of their eyes, oftenest the right ;t finally, observe that the epoch of this study, should so quickly have dropped out of the field. Almost all subsequent progress has been made in Germany, Holland, and, longointervallo, America. * This is no place to report this controversy, but a few bibliographic references may not be inappropriate. Wheatstone’s own experiment is in section 12 of his memoir. In favor of hi* interpretation see Helmholtz, Phys. Opt.,pp. 737-9; Wundt, Physiol. Psychol., 2teAull. p. 144; Nagel, Sehen mit zwei Augen, pp. 78-82. Against Wheatstone see Volkmann, Arch. f. Ophth., v. 2-74, and Untersuchungen, p. 266 ; Hering, Beitrfigezui Physiologic, 29-45, also in Hermann’s Hdbch. d Physiol., Bd. nr. 1 Th. p. 435 ; Aubert, Physiologied. Netzhaut, p. 322 ; Schbn, Archiv f. Ophthal., xxiv. 1. pp. 56-65 ; and Donders, ibid, xni 1. p. 15 and note. f When we see the finger the whole time, we usually put it in the line joining object and left eye if it be the left finger, joining object and right eye if it be the right finger. Microscopists, marksmen, or persons one of whose eyes is much better than the other, almost always refer directions to a single eye, as may be seen by the position of the shadow on their face when they point at a candle-flame. 228 PSYCHOLOGY. identity-theory, with its Cyclopean starting point for all lines of direction, gives by itself no ground for the distance on any line at which an object shall appear, and has to be helped out in this respect by subsidiary hypotheses, which, in the hands of Hering and others, have become so complex as easily to fall a prey to critical attacks; and it will soon seem as if the law of identical seen directions by corresponding points, although a simple formula for expressing concisely many fundamental phenomena, is by no means an adequate account of the whole matter of retinal perception. * The Projection-Theory. Does the theory of projection fare any better? This theory admits that each eye sees the object in a different direction from the other, along the line, namely, passing from the object through the middle of the pupil to the retina. A point directly fixated is thus seen on the optical axes of both eyes. There is only one point, however, which these two optical axes have in common, and that is the point to which they converge. Everything directly looked at is seen at this point, and is thus seen both single and at its proper distance. It is easy to show the incom- patibility of this theory with the theory of identity. Take an objective point (like O in Fig. 50, when the star is looked at) casting its images It' and L' on geometrically dissimilar parts of the two retinae and affecting the outer half of each eye. On the identity-theory it ought necessarily to appear double, whilst on the projection-theory there is no reason whatever why it should not appear single, provided only it be located by the judgment on each line of visible direc- * Professor Joseph Le Conte, who believes strongly in the identity- theory, has embodied the latter in a pair of laws of the relation between positions seen single and double, near or far, on the one hand, and con vergences and retinal impressions, on the other, which, though compli- cated, seems to me by far the best descriptive formulation yet made of the normal facts of vision. His account is easily accessible to the reader in his volume * Sight ’ in the International Scientific Series, bk. n. c. 8, so I say no more about it now, except that it does not solve any of the difficulties we are noting in the identity-theory, nor account for the other fluctuating perceptions of which we go on to treat. THE PERCEPTION OF SPACE. 229 tion, neither nearer nor farther than its point of intersection with the other line. Every point in the field of view ought, in truth, if the pro- jection-theory were uniformly valid, to appear single, entirely irrespective of the varying positions of the eyes, for from every point of space two lines of visible direction pass to the two retinae; and at the intersection of these lines, or just where the point is, there, according to the theory, it should appear. The objection to this theory is thus precisely the reverse of the objection to the identity-theory. If the latter ruled, we ought to see most things double all the time. If the projection-theory ruled, ice ought never to see anything double. As a matter of fact we get too few double images for the iden- tity-theory, and too many for the projection-theory. The partisans of the projection-theory, beginning with Aguilonius, have always explained double images as the result of an erroneous judgment of the distance of the object, the images of the latter being projected by the imagination along the two lines of visible direction either nearer or farther than the point of intersection of the latter. A diagram will make this clear. Fio. 56. 230 PSYCHOLOGY. Let O be the point looked at, M an object farther, and N an object nearer, than it. Then M and N will send the lines of visible direction MM and NN to the two retinae. If N be judged as far as 0, it must necessarily lie where the two lines of visible direction NN intersect the plane of the arrow, or in two places, at N' and at N". If M be judged as near as 0, it must for the same reason form two images at M' and M". It is, as a matter of fact, true that we often misjudge the distance in the way alleged. If the reader will hold his forefingers, one beyond the other, in the median line, and fixate them alternately, he will see the one not looked at, double ; and he will also notice that it appears nearer to the plane of the one looked at, whichever the latter may be, than it really is. Its changes of apparent size, as the con- vergence of the eyes alter, also prove the change of appa- rent distance. The distance at which the axes converge seems, in fact, to exert a sort of attraction upon objects situated elsewhere. Being the distance of which we are most acutely sensible, it invades, so to speak, the whole field of our perception. If two half-dollars be laid on the table an inch or two apart, and the eyes fixate steadily the point of a pen held in the median line at varying dis- tances between the coins and the face, there will come a distance at which the pen stands between the left half- dollar and the right eye, and the right half-dollar and the left eye. The two half-dollars will then coalesce into one ; and this one will show its apparent approach to the pen- point by seeming suddenly much reduced in size.* Yet, in spite of this tendency to inaccuracy, we are never actually mistaken about the half-dollar being behind the pen-point. It may not seem far enough off, but still it is farther than the point. In general it may be said that where the objects are known to us, no such illusion of dis- tance occurs in any one as the theory would require. And in some observers, Hering for example, it seems hardly to occur at all. If I look into infinite distance and get my finger in double images, they do not seem infinitely far off. * Naturally it takes a smaller object at a less distance to cover by its image a constant amount of retinal surface. THE PERCEPTION OF SPACE. 231 To make objects at different distances seem equidistant, careful precautions must be taken to have them alike in appearance, and to exclude all outward reasons for ascrib- ing to the one a different location from that ascribed to the other. Thus Donders tries to prove the law of projection by taking two similar electric sparks, one behind the other on a dark ground, one seen double; or an iron rod placed so near to the eyes that its double images seem as broad as that of a fixated stove-pipe, the top and bottom of the objects being cut off by screens, so as to prevent all suggestions of perspective, etc. The three objects in each experiment seem in the same plane.* Add to this the impossibility, recognized by all observ- ers, of ever seeing double with the fovea, and the fact that authorities as able as those quoted in the note on Wheat- stone’s observation deny that they can see double then with identical points, and we are forced to conclude that the projection-theory, like its predecessor, breaks doivn. Neither formulates exactly or exhaustively a law for all our perceptions. Ambiguity of Retinol Impressions. What does each theory try to do ? To make of seen location a fixed function of retinal impression. Other facts may be Fio. 57. brought forward to show how far from fixed are the perceptive functions of retinal impressions. We alluded a while ago to the extraordinary ambiguity of the retinal image as a re- vealer of magnitude. Produce an after-image of the sun and look at your finger-tip : it will be smaller than your nail. Project it on the table, and it will be as big as a strawberry; on the wall, as large as a plate; on yonder mountain, bigger than a house. And yet it is an unchanged * Archiv f. Ophthal., Bd. xvn. Abth. 2, pp. 44-6 (1871). 232 PSYCHOLOGY. retinal impression. Prepare a sheet with the figures shown in Fig. 57 strongly marked upon it, and get by direct fixa- tion a distinct after-image of each. Project the after-image of the cross upon the upper left- hand part of the wall, it will appear as in Fig. 58 ; on the upper right-hand it will appear as in Fig. 59. The circle Fig. 58. Fig. 59. similarly projected will be distorted into two different ellipses. If the two parallel lines be projected upon the ceiling or floor far in front, the farther ends will diverge ; and if the three parallel lines be thrown on the same sur- faces, the upper pair will seem farther apart than the lower. Adding certain lines to others has the same distorting effect. In what is known as Zollner’s pattern (Fig. 60), the long parallels tip towards each other the moment we draw the short slanting lines over them yet their retinal images Fig. 60. are the same they always were. A similar distortion of parallels appears in Fig 61. Drawing a square inside the circle (Fig. 52) gives to the outline of the latter an indented appearance where the square’s corners touch it. Drawing the radii inside of one THE PERCEPTION OP SPACE. 233 Fio. 61. Fie. 68. Fie. 68. 234 PSYCHOLOGY. of the right angles in the same figure makes it seem larger than the other. In Fig. 63, the retinal image of the space between the extreme dots is in all three lines the same, yet it seems much larger the moment it is filled up with other dots. In the stereoscope certain pairs of lines which look single under ordinary circumstances immediately seem double when we add certain other lines to them.* These facts show the indeterminateness of the space- import of various retinol impressions. Take now the eye's movements, and we find a similar vacillation. When we follow a moving object with our gaze, the motion is * volun- tary ’; when our eyes oscillate to and fro after we have made ourselves dizzy by spinning around, it is ‘ reflex ’; and when the eyeball is pushed with the finger, it is ‘ pas- sive.’ Now, in all three of these cases we get a feeling from the movement as it effects itself. But the objective perceptions to which the feeling assists us are by no means the same. In the first case we may see a stationary field of view with one moving object in it; in the second, the total field swimming more or less steadily in one direction; in the third, a sudden jump or twist of the same total field. The feelings of convergence of the eyeballs permit of the same ambiguous interpretation. When objects are near we converge strongly upon them in order to see them ; when far, we set our optic axes parallel. But the exact degree of convergence fails to be felt; or rather, being felt, fails to tell us the absolute distance of the object we are regarding. Wheatstone arranged his stereoscope in such a way that the size of the retinal images might change without the con- vergence altering ; or conversely, the convergence might change without the retinal image altering. Under these circumstances, he says,t the object seemed to approach or recede in the first case, without altering its size , in the second, to change its size without altering its distance—just Ambiguous Import of Eye-movements. *A. W. Volkmann, Untersuchungen, p. 253. f Philosophical Transactions, 1852, p. 4. THE PERCEPTION OF SPACE. 235 the reverse of what might have been expected. Wheatstone adds, however, that ‘ fixing the attention ’ converted each of these perceptions into its opposite. The same perplexity occurs in looking through prismatic glasses, which alter the eyes’ convergence. We cannot decide whether the object has come nearer, or grown larger, or both, or neither; and our judgment vacillates in the most surprising way. We may even make our eyes diverge, and the object will none the less appear at a finite distance. When we look through the stereoscope, the picture seems at no determinate dis- tance. These and other facts have led Helmholtz to deny that the feeling of convergence has any very exact value as a distance-measurer.* With the feelings of accommodation it is very much the same. Donders has shown t that the apparent magnifying power of spectacles of moderate convexity hardly depends at all upon their enlargement of the retinal image, but rather on the relaxation they permit of the muscle of accommoda- tion. This suggests an object farther off, and consequently a much larger one, since its retinal size rather increases than diminishes. But in this case the same vacillation of judgment as in the previously mentioned case of converg- ence takes place. The recession made the object seem larger, but the apparent growth in size of the object now makes it look as if it came nearer instead of receding. The effect thus contradicts its own cause. Everyone is conscious, on first putting on a pair of spectacles, of a doubt whether the field of view draws near or retreats.:}: There is still another deception, occurring in persons who have had one eye-muscle suddenly paralyzed. This deception * Physiol. Optik, 649-664. Later this author is led to value converg- ence more highly. Arch. f. (Anat. u.) Physiol. (1878), p, 322. f Anomalies of Accommodation and Refraction (New Sydenham Soc. Transl., London, 1864), p. 155. t These strange contradictions have been called by Aubert ‘secondary ’ deceptions of judgment. See Grundzllge d. Physiologischen Optik (Leip- zig, 1876), pp. 601, 615, 627. One of the best examples of them is the small size of the moon as first seen through a telescope. It is larger and brighter, so we see its details more distinctly and judge it nearer. But because we judge it so much nearer we think it must have grown smaller. Of. Char- pentier in Jahresbericht, x. 430. 236 PSYCHOLOGY. has led Wundt to affirm that the eyeball-feeling proper, the incoming sensation of effected rotation, tells us only of the direction of our eye-movements, but not of their whole ex- tent.* For this reason, and because not only Wundt, but many other authors, think the phenomena in these partial paralyses demonstrate the existence of a feeling of innerva- tion, a feeling of the outgoing nervous current, opposed to every afferent sensation whatever, it seems proper to note the facts with a certain degree of detail. Suppose a man wakes up some morning with the exter- nal rectus muscle of his right eye half paralyzed, what will be the result? He will be enabled only with great effort to rotate the eye so as to look at objects lying far off to the right. Something in the effort he makes will make him feel as if the object lay much farther to the right than it really is. If the left and sound eye be closed, and he be asked to touch rapidly with his finger an object situated towards his right, he will point the finger to the right of it. The current explanation of the ‘ something ’ in the effort which causes this deception is that it is the sensation of the out- going discharge from the nervous centres, the * feeling of innervation,’ to use Wundt’s expression, requisite for bring- ing the open eye with its weakened muscle to bear upon the object to be touched. If that object be situated 20 degrees to the right, the patient has now to innervate as powerfully to turn the eye those 20 degrees as formerly he did to turn the eye 30 degrees. He consequently believes as before that he has turned it 30 degrees ; until, by a newly-acquired custom, he learns the altered spatial import of all the discharges his brain makes into his right abducens nerve. The ‘ feeling of innervation,’ maintained to exist by this and other observations, plays an immense part in the space-theories of certain philosophers, especial- ly Wundt. I shall elsewhere try to show that the observa- tions by no means warrant the conclusions drawn from them, and that the feeling in question is probably a wholly fictitious entity, t Meanwhile it suffices to point out that even those who set most store by it are compelled, by the * Revue Philosophique, m. 9, p. 220. f See Chapter XXIV. THE PERCEPTION OF SPACE. 237 readiness with which the translocation of the field of view becomes corrected and further errors avoided, to admit that the precise space-import of the supposed sensation of outgoing energy is as ambiguous and indeterminate as that of any other of the eye-feelings we have considered hitherto. I have now given what no one will call an understate- ment of the facts and arguments by which it is sought to banish the credit of directly revealing space from each and every kind of eye-sensation taken by itself. The reader will confess that they make a very plausible show, and most likely wonder whether my own theory of the matter can rally from their damaging evidence. But the case is far from being hopeless; and the introduction of a discrimi- nation hitherto unmade will, if I mistake not, easily vindi- cate the view adopted in these pages, whilst at the same time it makes ungrudging allowance for all the ambiguity and illusion on which so much stress is laid by the advo- cates of the intellectualist-theory. The Choice of the Visual Reality. We have native and fixed optical space-sensations; but experience leads us to select certain ones from among them to be the exclusive bearers of reality : the rest become mere signs and suggesters of these. The factor of selection, on which we have already laid so much stress, here as elsewhere is the solving word of the enigma. If Helmholtz, Wundt, and the rest, with an ambiguous retinal sensation before them, meaning now one size and distance, and now another, had not con- tented themselves with merely saying:—The size and dis- tance are not this sensation, they are something beyond it which it merely calls up, and whose own birthplace is afar —in ‘synthesis’ (Wundt) or in ‘experience’ (Helmholtz) as the case may be ; if they had gone on definitely to ask and definitely to answer the question, What are the size and distance in their proper selves ? they would not only have escaped the present deplorable vagueness of their space- theories, but they would have seen that the objective spatial attributes ‘ signified ’ are simply and solely certain 238 PSYCHOLOGY. other optical sensations now absent, but which the present sensations suggest. What, for example, is the slant-legged cross which we think we see on the wall when we project the rectangular after-image high up towards our right or left (Figs. 58 and 59) ? Is it not in very sooth a retinal sensation itself ? An imagined sensation, not a felt one, it is true, but none the less essentially and originally sensational or retinal for that, —the sensation, namely, which we should receive if a ‘ real ’ slant-legged cross stood on the wall in front of us and threw its image on our eye. That image is not the one our retina now holds. Our retina now holds the image which a cross of square shape throws when in front, but which a cross of the slant-legged pattern would throw, provided it were actually on the wall in the distant place at which we look. Call this actual retinal image the ‘ square ’ image. The square image is then one of the innumerable images the slant-legged cross can throw. Why should another one, and that an absent one, of those innumerable images be picked out to represent exclusively the slant-legged cross’s ‘ true ’ shape ? Why should that absent and imagined slant-legged image displace the present and felt square image from our mind? Why, when the objective cross gives us so many shapes, as it varies its position, should we think we feel the true shape only when the cross is directly in front? And when that question is answered, how can the absent and represented feeling of a slant-legged figure so successfully intrude itself into the place of a presented square one ? Before answering either question, let us be doubly sure about our facts, and see how true it is that in our dealings with objects toe always do pick out one of the visual images they yield, to constitute the real form or size. The matter of size has been already touched upon, so that no more need be said of it here. As regards shape, almost all the retinal shapes that objects throw are perspec- tive ‘ distortions.’ Square table-tops constantly present two acute and two obtuse angles; circles drawn on our wall- papers, our carpets, or on sheets of paper, usually show like ellipses ; parallels approach as they recede ; human bodies THE PERCEPTION OF SPACE. 239 are foreshortened ; and the transitions from one to another of these altering forms are infinite and continual. Out of the flux, however, one phase always stands prominent. It is the form the object has when we see it easiest and best: and that is when our eyes and the object both are in what may be called the normal position. In this position our head is upright and our optic axes either parallel or sym- metrically convergent; the plane of the object is perpen- dicular to the visual plane; and if the object is one containing many lines it is turned so as to make them, as far as possible, either parallel or perpendicular to the visual plane. In this situation it is that we compare all shapes with each other; here every exact measurement and decision is made.* It is very easy to see why the normal situation should have this extraordinary pre-eminence. First, it is the position in which we easiest hold anything we are examining in our hands ; second, it is a turning-point between all right- and all left-hand perspective views of a given object; third, it is the only position in which symmetrical figures seem sym- metrical and equal angles seem equal; fourth, it is often that starting-point of movements from which the eye is least troubled by axial rotations, by which superposition f of the retinal images of different lines and different parts of the same line is easiest produced, and consequently by which the eye can make the best comparative measure- ments in its sweeps. All these merits single the normal position out to be chosen. No other point of view offers so many aesthetic and practical advantages. Here we be- lieve we see the object as it is ; elsewhere, only as it seems. Experience and custom soon teach us, however, that the seeming appearance passes into the real one by continuous gradations. They teach us, moreover, that seeming and being may be strangely interchanged. Now a real circle may slide into a seeming ellipse ; now an ellipse may, by sliding in the same direction, become a seeming circle; now * The only exception seems to be when we expressly wish to abstract from particulars, and to judge of the general ‘effect.’ Witness ladies trying on new dresses with their heads inclined and their eyes askance ; or painters in the same attitude judging of the ‘ values ’ in their pictures, f The importance of Superposition will appear later on. 240 PSYCHOLOGY. a rectangular cross grows slant-legged; now a slant-legged one grows rectangular. Almost any form in oblique vision may be thus a deriva- tive of almost any other in ‘ primary ’ vision; and we must learn, when we get one of the former appearances, to trans- late it into the appropriate one of the latter class ; we must learn of what optical ‘ reality ’ it is one of the optical signs. Having learned this, we do but obey that law of economy or simplification which dominates our whole psychic life, when we attend exclusively to the ‘ reality ’ and ignore as much as our consciousness will let us the ‘ sign ’ by which we came to apprehend it. The signs of each probable real thing being multiple and the thing itself one and fixed, we gain the same mental relief by abandoning the former for the latter that we do when we abandon mental images, with all their fluctuating characters, for the definite and unchangeable names which they suggest. The selection of the several ‘ normal ’ appearances from out of the jungle of our optical experiences, to serve as the real sights of which we shall think, is psychologically a parallel phenom- enon to the habit of thinking in words, and has a like use. Both are substitutions of terms few and fixed for terms manifold and vague. Sensations which we Ignore. This service of sensations as mere signs, to be ignored when they have evoked the other sensations which are their significates, was noticed first by Berkeley and remarked in many passages, as the following: “Signs, being little considered in themselves, or for their own sake, but only in their relative capacity and for the sake of those things whereof they are signs, it comes to pass that the mind overlooks them, so as to carry its attention immediately on to the things signified . . . which in truth and strictness are not seen, but only suggested and ap- prehended by means of the proper objects of sight which alone are seen.” (Divine Visual Language, § 12.) Berkeley of course erred in supposing that the thing suggested was not even originally an object of sight, as the sign now is which calls it up. Reid expressed Berkeley’s principle in yet clearer language : “ The visible appearances of objects are intended by nature only as signs or indications, and the mind passes instantly to the things sig- THE PERCEPTION OF SPACE. 241 trifled, without making the least reflection upon the sign, or even per- ceiving that there is any such thing. . . . The mind has acquired a con- firmed and inveterate habit of inattention to them (the signs). For they no sooner appear than, quick as lightning, the thing signified suc- ceeds and engrosses all our regard. They have no name in language ; and although we are conscious of them when they pass through the mind, yet their passage is so quick and so familiar that it is absolutely unheeded ; nor do they leave any footsteps of themselves, either in the memory or imagination.” (Inquiry, chap. v. §§ 2, 3.) If we review the facts we shall find every grade of non- attention between the extreme form of overlooking men- tioned by Reid (or forms even more extreme still) and com- plete conscious perception of the sensation present. Some- times it is literally impossible to become aware of the latter. Sometimes a little artifice or effort easily leads us to discern it together, or in alternation, with the ‘ object ’ it reveals. Sometimes the present sensation is held to be the object or to reproduce its features in undistorted shape, and then, of course, it receives the mind’s full glare. The deepest inattention is to subjective optical sensa- tions, strictly so called, or those which are not signs of outer objects at all. Helmholtz’s treatment of these phe- nomena, mu8cce volitantes, negative after-images, double images, etc., is very satisfactory. He says: “We only attend with any ease and exactness to our sensations in so far forth as they can be utilized for the knowledge of outward things; and we are accustomed to neglect all those portions of them which have no significance as regards the external world. So much is this the case that for the most part special artifices and practice are required for the observation of these latter more subjective feelings. Although it might seem that nothing should be easier than to be conscious of one’s own sensations, experience nevertheless shows that often enough either a special talent like that showed in eminent degree by Purkinje, or acci- dent or theoretic speculation, are necessary conditions for the discovery of subjective phenomena. Thus, for example, the blind spot on the retina was discovered by Mariotte by the theoretic way ; similarly by me the existence of ‘ summation ’-tones in acoustics. In the majority of cases accident is what first led observers whose attention was espe- cially exercised on subjective phenomena to discover this one or that; only where the subjective appearances are so intense that they inter- fere with the perception of objects are they noticed by all men alike. But if they have once been discovered it is for the most part easy for subsequent observers who place themselves in proper conditions and bend their attention in the right direction to perceive them. But in 242 PSYGHOLOG Y. many cases—for example, in the phenomena of the blind spot, in the discrimination of over-tones and combination-tones from the ground- tone of musical sounds, etc.—such a strain of the attention is required, even with appropriate instrumental aids, that most persons fail. The very after-images of bright objects are by most men perceived only under exceptionally favorable conditions, and it takes steady practice to see the fainter images of this kind. It is a commonly recurring ex- perience that persons smitten with some eye-disease which impairs vision suddenly remark for the first time the muscce volitantes which all through life their vitreous humor has contained, but which they now firmly believe to have arisen since their malady ; the truth being that the latter has only made them more observant of all their visual sensa- tions. There are also cases where one eye has gradually grown blind, and the patient lived for an indefinite time without knowing it, until, through the accidental closure of the healthy eye alone, the blindness of the other was brought to attention. “Most people, when first made aware of binocular double images, are uncommonly astonished that they should never have noticed them before, although all through their life they had been in the habit of see- ing singly only those few objects which were about equally distant with the point of fixation, and the rest, those nearer and farther, which con- stitute the great majority, had always been double. “We must then learn to turn our attention to our particular sensa- tions, and we learn this commonly only for such sensations as are means of cognition of the outer world. Only so far as they serve this end have our sensations any importance for us in ordinary life. Subjective feelings are mostly interesting only to scientific investigators ; were they remarked in the ordinary use of the senses, they could only cause disturbance. Whilst, therefore, we reach an extraordinary degree of firmness and security in objective observation, we not only do not reach this where subjective phenomena are concerned, but we actually attain in a high degree the faculty of overlooking these altogether, and keep- ing ourselves independent of their influence in judging of objects, even in cases where their strength might lead them easily to attract our at- tention.” (Physiol. Optik, pp. 431-2.) Even where the sensation is not merely subjective, as in the cases of which Helmholtz speaks, but is a sign of some- thing outward, we are also liable, as Reid says, to overlook its intrinsic quality and attend exclusively to the image of the ‘ thing ’ it suggests. But here everyone can easily notice the sensation itself if he will. Usually we see a sheet of paper as uniformly white, although a part of it may be in shadow. But we can in an instant, if we please, notice the shadow as local color. A man walking towards us does not usually seem to alter his size; but we can, by setting THE PERCEPTION OF SPACE. 243 our attention in a peculiar way make him appear to do so. The whole education of the artist consists in his learning to see the presented signs as well as the represented things. No matter what the field of view means, he sees it also as it feels—that is, as a collection of patches of color bounded by lines—the whole forming an optical diagram of whose intrinsic proportions one who is not an artist has hardly a conscious inkling. The ordinary man’s attention passes over them to their import; the artist’s turns back and dwells upon them for their own sake. ‘ Don’t draw the thing as it is, but as it looks ! ’ is the endless advice of every teacher to his pupil; forgetting that what it ‘ is ’ is what it would also * look,’ provided it were placed in what we have called the ‘ normal ’ situation for vision. In this situation the sensation as ‘ sign ’ and the sensation as ‘ object ’ co- alesce into one, and there is no contrast between them. Sensations which seem Suppressed. But a great difficulty has been made of certain peculiar cases which we must now turn to consider. They are cases in which a present sensation, whose existence is supposed, to bt proved by its outward conditions being there, seems absolutely suppressed or changed by the image of the ‘ thing ’ it suggests. This matter carries us back to what was said on p. 218. The passage there quoted from Helmholtz refers to these cases. He thinks they conclusively disprove the original and intrinsic spatiality of any of our retinal sensations ; for if such a one, actually present, had an immanent and essential space-determination of its own, that might well be added to and overlaid or even momentarily eclipsed by suggestions of its signification, but how could it possibly be altered or completely suppressed thereby ? Of actually present sensations, he says, being suppressed by suggestions of experience— “We have not a single well-attested example. In all those illusions which are provoked by sensations in the absence of their usually excit- ing objects, the mistake never vanishes by the better understanding of the object really present, and by insight into the cause of deception. Phosphenes provoked by pressure on the eyeball, by traction on the en- trance of the optic nerve, after-images, etc., remain projected into their apparent place in the field of vision, just as the image projected from 244 PSYCHOLOGY. a mirror’s surface continues to be seen behind the mirror, although we know that to all these appearances no outward reality corresponds. True enough, we can remove our attention, and keep it removed, from sensations that have no reference to the outer world, those, e.g., of the weaker after-images, and of entoptic objects, etc. . . . But what would become of our perceptions at all if we had the power not only of ignor- ing, but of transforming into their opposites, any part of them that differed from that outward experience, the image of which, as that of a present reality, accompanies them in the mind ? ” * And again: “ On the analogy of all other experience, we should expect that the conquered feelings would persist to our perception, even if only in the shape of recognized illusions. But this is not the case. One does not see how the assumption of originally spatial sensations can explain our optical cognitions, when in the last resort those who believe in these very sensations find themselves obliged to assume that they are over- come by our better judgment, based on experience.” These words, coming from such a quarter, necessarily carry great weight. But the authority even of a Helmholtz ought not to shake one’s critical composure. And the mo- ment one abandons abstract generalities and comes to close quarters with the particulars, I think one easily sees that no such conclusions as those we have quoted follow from the latter. But profitably to conduct the discussion we must divide the alleged instances into groups. (a) With Helmholtz, color-perception is equally with space- perception an intellectual affair. The so-called simulta- neous color-contrast, by which one color modifies another alongside of which it is said, is explained by him as an unconscious inference. In Chapter XVII we discussed the color-contrast problem ; the principles which applied to its solution will prove also applicable to part of the present problem. In my opinion, Hering has definitively proved that, when one color is laid beside another, it modifies the sensation of the latter, not by virtue of any mere mental suggestion, as Helmholtz would have it, but by actually exciting a new nerve - process, to which the modified feeling of color immediately corresponds. The explanation is physiological, not psychological. The transformation of ♦Physiol. Optik, p. 817. TEE PERCEPTION OF SPACE. 245 the original color by the inducing color is due to the dis- appearance of the physiological conditions under which the first color was produced, and to the induction, under the new conditions, of a genuine new sensation, with which the ‘ suggestions of experience ’ have naught to do. Fig. 64. That processes in the visual apparatus propagate them- selves laterally, if one may so express it, is also shown by the phenomena of contrast which occur after looking upon motions of various kinds. Here are a few examples. If, over the rail of a moving vessel, we look at the water rush- ing along the side, and then transfer our gaze to the deck, a band of planks will appear to us, moving in the opposite 246 PSYCHOLOGY. direction to that in which, a moment previously, we had been seeing the water move, whilst on either side of this band another band of planks will move as the water did. Looking at a waterfall, or at the road from out of a car- window in a moving tram, produces the same illusion, which may be easily verified in the laboratory by a simple piece of apparatus. A board with a window five or six inches wide and of any convenient length is supported upright on two feet. On the back side of the board, above and below the window, are two rollers, one of which is provided with a crank. An endless band of any figured stuff is passed over these rollers (one of which can be so adjusted on its bearings as to keep the stuff always taut and not liable to slip), and the surface of the front board is also covered with stuff or paper of a nature to catch the eye. Turning the crank now sets the central band in continuous motion, whilst the margins of the field remain really at rest, but after a while appear moving in the contrary way. Stopping the crank results in an illusory appearance of motion in reverse directions all over the field. A disk with an Archimedean spiral drawn upon it, whirled round on an ordinary rotating machine, produces still more startling effects. Fig. 65. “If the revolution is in the direction in which the spiral lint approaches the centre of the disk the entire surface of the latter seems to expand during revolution and to contract after it has ceased; and THE PERCEPTION OF SPACE. 247 vice versd if the movement of revolution is in the opposite direction. If in the former case the eyes of the observers are turned from the rotat- ing disk towards any familiar object—e.g. the face of a friend—the latter seems to contract or recede in a somewhat striking manner, and to expand or approach after the opposite motion of the spiral. ” * An elementary form of these motor illusions seems to be the one described by Helmholtz on pp. 568-571 of his Optik. The motion of anything in the field of vision along an acute angle towards a straight line sensibly distorts Flo. 66. that line. Thus in Fig. 66: Let AB be a line drawn on paper, CDE the tracing made over this line bj the point of a compass steadily followed by the eye, as it moves. As the compass-point passes from C to D, the line appears to move downwards ; as it passes from D to E, the line appears to move upwards; at the same time the whole line seems to incline itself in the direction FG during the first half of the compass’s movement; and in the direction HI dur- ing its last half; the change from one inclination to an- other being quite distinct as the compass-point passes over D. Any line across which we draw a pencil-point appears to be animated by a rapid movement of its own towards the pencil-point. This apparent movement of both of two things in relative motion to each other, even when one of them is absolutely still, reminds us of the instances quoted * Bowditch and Hall, in Journal of Physiology, vol. in. p. 299. Helm- holtz tries to explain this phenomenon by unconscious rotations of the eye- ball. But movements of the eyeball can only explain such appearances of movements as are the same over the whole field. In the windowed board one part of the field seems to move in one way, another part in an- other. The same is true when we turn from the spiral to look at the wall —the centre of the field alone swells out or contracts, the margin does the reverse or remains at rest. Mach and Dvorak have beautifully proved the impossibility of eye-rotations in this case (Sitzungsber. d. Wiener Akad., Bd. txi.). See also Bowditch and Hall’s paper as above, p. 300. 248 PSYCHOLOGY. from Vierordt on page 188, and seems to take ns back to a primitive stage of perception, in which the discriminations we now make when we feel a movement have not yet been made. If we draw the point of a pencil through ‘ Zollner’s pattern ’ (Fig. 60, p. 232), and follow it with the eye, the whole figure becomes the scene of the most singular apparent unrest, of which Helmholtz has very carefully noted the conditions. The illusion of Zollner’s figure van- ishes entirely, or almost so, with most people, if they steadily look at one point of it with an unmoving eye ; and the same is the case with many other illusions. Now all these facts taken together seem to show—vaguely it is true, but certainly—that present excitements and after- effects of former excitements may alter the result of processes occurring simultaneously at a distance from them in the retina or other portions of the apparatus for optical sensation. In the cases last considered, the moving eye, as it sweeps the fovea over certain parts of the figure, seems thereby to determine a modification in the feeling which the other parts confer, which modification is the figure’s ‘distortion.’ It is true that this statement explains nothing. It only keeps the cases to which it applies from being explained spuri- ously. The spurious account of these illusions is that they are intellectual, not sensational, that they are secondary, not primary, mental facts. The distorted figure is said to be one which the mind is led to imagine, by falsely drawing an uncon- scious inference from certain premises of which it is not distinctly aware. And the imagined figure is supposed to be strong enough to suppress the perception of whatever real sensations there may be. But Helmholtz, Wundt, Delboeuf, Zollner, and all the advocates of unconscious in- ference are at variance with each other when it comes to the question what these unconscious premises and infer- ences may be. That small angles look proportionally larger than larger ones is, in brief, the fundamental illusion to which almost all authors would reduce the peculiarity of Fig. 67, as of Figs. 60, 61, 62 (pp. 232, 233). This peculiarity of small angles is by Wundt treated as the case of a filled space seeming larger than an empty one, as in Fig. 68 ; and this, according THE PERCEPTION OF SPACE. 249 to both Delbceuf and Wundt, is owing to the fact that more muscular innervation is needed for the eye to traverse a filled space than an empty one, because the points and lines Fig. 67. in the filled space inevitably arrest and constrain the eye, and this makes us feel as if it were doing more work, i.e. traversing a longer distance.* When, however, we recol- lect that muscular movements are positively proved to have no share in the waterfall and revolving-spiral illusions, and that it is hard to see how Wundt’s and Delboeuf’s particular form of muscle-explanation can possibly apply to the com- pass-point illusion considered a moment ago, we must con- clude that these writers have probably exaggerated, to say the least, the reach of their muscle-explanation in the case Fig. 68 * Bulletins de l’Acad. de Belgique, xxi. 2; Revue Philosophique, yl pp. 228-6; Physiologische Psychologie, 2te Aufl. p. 103. Compare Mttn- aterberg's views, Beitrftge.'Heft 2, p. 174. 250 PSYCHOLOGY. of the subdivided angles and lines. Never do we get such strong muscular feelings as when, against the course of na- ture, we oblige our eyes to be still; but fixing the eyes on one point of the figure, so far from making that part of the latter seem larger, dispels, in most persons, the illusion of these diagrams altogether. As for Helmholtz, he invokes, to explain the enlarge- ment of small angles,* what he calls a ‘ law of contrast ’ between directions and distances of lines, analogous to that between colors and intensities of light. Lines cutting another line make the latter seem more inclined away from them than it really is. Moreover, clearly recognizable mag- nitudes appear greater than equal magnitudes which we but vaguely apprehend. But this is surely a sensational- istic law, a native function of our seeing-apparatus. Quite as little as the negative after-image of the revolving spiral could such contrast be deduced from any association of ideas or recall of past objects. The principle of contrast is criticised by Wundt, f who says that by it small spaces ought to appear to us smaller, and not larger, than they really are. Helmholtz might have retorted (had not the retort been as fatal to the uniformity of his own principle as to Wundt’s) that if the muscle-explanation were true, it ought not to give rise to just the opposite illusions in the skin. We saw on p. 141 that subdivided spaces appear shorter than empty ones upon the skin. To the instances there given add this : Divide a line on paper into equal halves, puncture the extremities, and make punctures all along one of the halves ; then, with the finger-tip on the opposite side of the paper, follow the line of punctures; the empty half will seem much longer than the punctured half. This seems to bring things back to unanalyzable laws, by reason of which our feeling of size is determined differently in the skin and in the retina, even when the objective conditions are the same. Hering’s explanation of Zollner’s figure is to be found in Hermann’s Handb. d. Physiologie, hi. 1. p. 579. Lipps X gives another reason * Physiol. Optik, pp. 563-71. f Physiol. Psych., pp. 107-8. | Grundtatsaehen des Seelenlebens, pp. 526-80. THE PERCEPTION OF SPACE. 251 rrhy lines cutting another line make the latter seem to bend away from them more than is really the case. If, he says, we draw (Fig. 69) the line pm upon the line ab, and follow the latter with our eye, we shall, on reaching the point m, tend for a moment to slip off ab and to follow mp, without distinctly realizing that we are not still on the main line. This makes us feel as if the remainder mb of the main line were bent a little away from its original direc- tion. The illusion is apparent in the shape of a seeming Fig. 89. approach of the ends b, b, of the two main lines. This to my mind would be a more satisfactory explanation of this class of illusions than any of those given by previous au- thors, were it not again for what happens in the skin. Considering all the circumstances, I fed justified in dis- carding his entire batch of illusions as irrelevant to our pres- ent inquiry. Whatever they may prove, they do not prove that our visual percepts of form and movement may not be sensations strictly so called. They much more probably fall into line with the phenomena of irradiation and of color-contrast, and with Yierordt’s primitive illusions of movement. They show us, if anything, a realm of sen- sations in which our habitual experience has not yet made traces, and which persist in spite of our better knowledge, tmsuggestive of those other space-sensations which we all the time know from extrinsic evidence to constitute the real space-determinations of the diagram. Very likely, if these sensations were as frequent and as practically important as they now are insignificant and rare, we should end by sub- stituting their significates—the real space-values of the diagrams—for them. These latter we should then seem to 252 PSYCHOLOGY. see directly, and the illusions would disappear like that of the size of a tooth-socket when the tooth has been out 9 week. (b) Another batch of cases which we may discard is that of double images. A thoroughgoing anti-sensationalist ought to deny all native tendency to see double images when disparate retinal points are stimulated, because, he should say, most people never get them, but see all things single which experience has led them to believe to be single. “ Can a doubleness, so easily neutralized by our knowledge, ever be a datum of seijsation at all ? ” such an anti-sensa- tionalist might ask. To which the answer is that it is a datum of sensation, but a datum which, like many other data, must first be discriminated. As a rule, no sensible qualities are criminated without a motive.* And those that later we learn to discriminate were originally felt confused. As well pretend that a voice, or an odor, which we have learned to pick out, is no sensation now. One may easily acquire skill in discriminating double images, though, as Hering somewhere says, it is an art of which one cannot become master in one year or in two. For masters like Hering himself, or Le Conte, the ordinary stereoscopic dia- grams are of little use. Instead of combining into one solid appearance, they simply cross each other with their doubled Fig. 70. lines. Volkmann has shown a great variety of ways in which the addition of secondary lines, differing in the two * Cf. tupra, p. 515 ff. THE PERCEPTION OF SPACE. 253 fields, helps us to see the primary lines double. The effect is analogous to that shown in the cases which we despatched a moment ago, where given lines have their space-value changed by the addition of new lines, without our being able to say why, except that a certain mutual adhesion of the lines and modification of the resultant feeling takes place by psychophysiological laws. Thus, if in Fig. 70, l and r be crossed by an horizontal line at the same level, and viewed stereoscopically, they appear as a single pair of lines, s, in space. But if the horizontal be at different levels, as in l', ■/, three lines appear, as in s'.* Let us then say no more about double images. All that the facts prove is what Volkm.ann says,+ that, although there may be sets of retinal fibres so organized as to give an impression of two separate spots, yet the excitement of other retinal fibres may inhibit the effect of the first ex- citement, and prevent us from actually making the dis- crimination. Still farther retinal processes may, however, bring the double ness to the eye of attention; and, once there, it is as genuine a sensation as any that our life affords.:): (c) These groups of {Hustons being diminated, either as cases of defective discrimination, or as changes of one space- sensation into another when the total retinal process chamges, there remain but two other groups to puzzle us. The first is that of the after-images distorted by projection on to oblique planes; the second relates to the instability of our judgments of relative distance and size by the eye, and includes especially what are known as pseudoscopic illusions. * See Archiv f. Ophthalm., v. 2, 1 (1859), where many more example* are given. f Untersuchungen, p. 250 ; see also p. 242. % 1 pass over certain difficulties about double images, drawn from the perceptions of a few squinters (e.g. by Schweigger, Klin. Untersuch tlber das Schielen, Berlin, 1881; by Javal, Annales d’Oculistique, lxxxv. p. 217), because the facts are exceptional at best and very difficult of inter- pretation. In favor of the sensationalistic or nativistic view of one such case, see the important paper by Yon Kries, Archiv f. Ophthalm., xxxv. 4, p. 117. 254 PSYCHOLOGY. The phenomena of the first group were described on page 232. A. W. Yolkmann has studied them with his accustomed clearness and care. * Even an imaginarily inclined wall, in a picture, will, if an after-image be thrown upon it, distort the shape thereof, and make us see a form of which our after-image would be the natural projection on the retina, were that form laid upon the wall. Thus a signboard is painted in perspective on a screen, and the eye, after steadily looking at a rectangular cross, is turned to the painted signboard. The after-image appears as an oblique-legged cross upon the signboard. It is the converse phenomenon of a perspective drawing like Fig. 71, in which really oblique-legged figures are seen as rectangular crosses. The unstable judgments of relative distance and size were also mentioned on pp. 231-2. Whatever the size may be of the retinal image which an object makes, the object is seen as of its own normal size. A man moving towards us is not sensibly perceived to grow, for example; and my finger, of which a single joint may more than conceal him from my view, is nevertheless seen as a much smaller object than the man. As for distances, it is often possible to make the farther part of an object seem near and the nearer part far. A human profile in intaglio, looked at steadily with one eye, or even both, soon appears irresistibly as a bas- relief. The inside of a common pasteboard mask, painted like the outside, and viewed with one eye in a direct light, also looks convex instead of hollow. So strong is the illu- Fig. 71. # Physiologische Untereuchungen im Gebiete der Optik, ▼. THE PERCEPTION OF SPACE. 255 sion, after long fixation, that a friend who painted such a mask for me told me it soon became difficult to see how to apply the brush. Bend a visiting-card across the middle, so that its halves form an angle of 90° more or less; set it upright on the table, as in Fig. 72, and view it with one eye. Fig. 72. You can make it appear either as if it opened towards you or away from you. In the former case, the angle ab lies upon the table, b being nearer to you than a; in the latter case ab seems vertical to the table—as indeed it really is— with a nearer to you than b* Again, look,with either one or Fig. 13. * Cf. E. Mach, Beitx&ge zur Analyse der Empfindungen, p. 87. 256 PSYCHOLOGY. two eyes, at the opening of a wine-glass or tumbler (Fig. 73), held either above or below the eye’s level. The retinal image of the opening is an oval, but we can see the oval in either of two ways,—as if it were the perspective view of a circle whose edge b were farther from us than its edge a (in which case we should seem to be looking down on the circle), or as if its edge a were the more distant edge (in which case we should be looking up at it through the b side of the glass). As the manner of seeing the edge changes, the glass itself alters its form in space and looks straight or seems bent towards or from the eye,* according as the latter is placed beneath or above it. Plane diagrams also can be conceived as solids, and that in more than one way. Figs. 74, 75, 76, for example, are am- biguous perspective projections, and may each of them re- mind us of two different natural objects. Whichever of these Fig. 76. * Cf. V. Egger, Revue Philos., xx. 488. THE PERCEPTION OF SPACE. 257 objects we conceive clearly at the moment of looking at the figure, we seem to see in all its solidity before us. A little prac- tice will enable us to flap the figures, so to speak, backwards and forwards from one object to the other at will. We need only attend to one of the angles represented, and imagine it either solid or hollow—pulled towards us out of the plane of the paper, or pushed back behind the same—and the whole figure obeys the cue and is instantaneously trans- formed beneath our gaze.* The peculiarity of all these cases is the ambiguity of the perception to which the fixed retinal impression gives rise. With our retina excited in exactly the same way, whether by after-image, mask or diagram, we see now this object and now that, as if the retinal image per se had no essential space-import. Surely if form and length were originally retinal sensations, retinal rectangles ought not to become acute or obtuse, and lines ought not to alter their relative lengths as they do. If relief were an optical feeling, it ought not to flap to and fro, with every optical con- dition unchanged. Here, if anywhere, the deniers of space- sensation ought to be able to make their final stand, f It must be confessed that their plea is plausible at first sight. But it is one thing to throw out retinal sensibility altogether as a space-yielding function the moment we find an ambiguity in its deliverances, and another thing to examine candidly the conditions which may have brought the ambiguity about. The former way is cheap, wholesale, shallow; the latter difficult and complicated, but full of instruction in the end. Let us try it for ourselves. In the case of the diagrams 72, 73, 74, 75, 76, the real object, lines meeting or crossing each other on a plane, is * Loeb (Pfltiger’s Archiv, xl. 274) has proved that muscular changes of adaptation in the eye for near and far distance are what determine the form of the relief. f The strongest passage in Helmholtz’s argument against sensations of space is relative to these fluctuations of seen relief: “Ought one not to conclude that if sensations of relief exist at all, they must be so faint and ▼ague as to have no influence compared with that of past experience? Ought we not to believe that the perception of the third dimension may have arisen without them, since we now see it taking place as well against them as with them?” (Physiol. Optik, p. 817.) 258 PSYCHOLOGY. replaced by an imagined solid which we describe as seen. Really it is not seen but only so vividly conceived as to approach a vision of reality. We feel all the while, however, that the solid suggested is not solidly there. The reason why one solid may seem more easily suggested than another, and why it is easier in general to perceive the diagram solid than flat, seems due. to probability.* Those lines have countless times in our past experience been drawn on our retina by solids for once that we have seen them flat on paper. And hundreds of times we have looked down upon the upper surface of parallelopipeds, stairs and glasses, for once that we have looked upwards at their bottom-—hence we see the solids easiest as if from above. Habit or probability seems also to govern the illusion of the intaglio profile, and of the hollow mask. We have never seen a human face except in relief—hence the case with which the present sensation is overpowered. Hence, too, the obstinacy with which human faces and forms, and other extremely familiar convex objects, refuse to appear hollow when viewed through Wheatstone’s pseudoscope. Our perception seems wedded to certain total ways of seeing certain objects. The moment the object is suggested at all, it takes possession of the mind in the fulness of its stereotyped habitual form. This explains the suddenness of the transformations when the perceptions change. The object shoots back and forth completely from this to that familiar thing, and doubtful, indeterminate, and composite things are excluded, apparently because we are unused to their existence. W'hen we turn from the diagrams to the actual folded visiting-card and to the real glass, the imagined form seems fully as real as the correct one. The card flaps over; the glass rim tilts this way or that, as if some inward spring suddenly became released in our eye. In these changes the actual retinal image receives different complements from the mind. But the remarkable thing is that the complement * Cf. E. Mach, Beit rage, etc., p. 90, and the preceding chapter of the present work, p. 86 ff. THE PERCEPTION OF SPACE. 259 and the image combine so completely that the twain are one flesh, as it were, and cannot be discriminated in the result. If the complement be, as we have called it (on pp. 237-8), a set of imaginary absent eye-sensations, they seem no whit less vividly there than the sensation which the eye now receives from without. The case of the after-images distorted by projection upon an oblique plane is even more strange, for the imagined perspective figure, lying in the plane, seems less to combine with the one a moment previously seen by the eye than to suppress it and take its place.* The point needing explana- tion, then, in all this, is how it comes to pass that, when imagined sensations are usually so inferior in vivacity to real ones, they should in these few experiences prove to be almost or quite their match. The mystery is solved when we note the class to which all these experiences belong. They are ‘ perceptions ’ of definite ‘things,’ definitely situated in tridimensional space. The mind uniformly uses its sensations to identify things by. The sensation is invariably apperceived by the idea, name, or ‘ normal ’ aspect (p. 238) of the thing. The peculiarity of the optical signs of things is their extraordinary mutability. A ‘ thing ’ which we follow with the eye, never doubting of its physical identity, will change its retinal image inces- santly. A cross, a ring, waved about in the air, will pass through every conceivable angular and elliptical form. All the while, however, as we look at them, we hold fast to the perception of their * real ’ shape, by mentally combining the pictures momentarily received with the notion of peculiar positions in space. It is not the cross and ring pure and simple which we perceive, but the cross so held, the ring so held. From the day of our birth we have sought every hour of our lives to correct the apparent form of things, and trans- * I ought to say that I seem always able to see the cross rectangular at will. But this appears to come from an imperfect absorption of the rectangular after-image by the inclined plane at which the eyes look. The cross, with me, is apt to detach itself from this and then look square. I get the illusion better from the circle, whose after-image becomes in various ways elliptical on being projected upon the different surfaces of the room, sad cannot then be easily made to look circular again. 260 PSYCHOLOGY. late it into the real form by keeping note of the way they are placed or held. In no other class of sensations does this incessant correction occur. What wonder, then, that the notion ‘ so placed ’ should invincibly exert its habitual corrective effect, even when the object with which it com- bines is only an after-image, and make us perceive the latter under a changed but more ‘ real ’ form ? The ‘ real ’ form is also a sensation conjured up by memory ; but it is one so probable, so habitually conjured up when we have just this combination of optical experiences, that it partakes of the invincible freshness of reality, and seems to break through that law which elsewhere condemns reproductive processes to being so much fainter than sensations. Once more, these cases form an extreme. Somewhere, in the list of our imaginations of absent feelings, there must be found the vividest of all. These optical reproductions of real form are the vividest of all. It is foolish to reason from cases lower in the scale, to prove that the scale can contain no such ex- treme cases as these ; and particularly foolish since we can definitely see why these imaginations ought to be more vivid than any others, whenever they recall the forms of habitual and probable things. These latter, by incessantly repeated presence and reproduction, will plough deep grooves in the nervous system. There will be developed, to correspond to them, paths of least resistance, of unstable equilibrium, liable to become active in their totality when any point is touched off. Even when the objective stimulus is imperfect, we shall still see the full convexity of a human face, the correct inclination of an angle or sweep of a curve, or the distance of two lines. Our mind will be like a poly- hedron, whose facets are the attitudes of perception in which it can most easily rest. These are worn upon it by habitual objects, and from one of these it can pass only by tumbling over into another.* Hering has well accounted for the sensationally vivid character of these habitually reproduced forms. He says, * In Chapter XVIII, p. 74, I gave a reason why imaginations ought not to be as vivid as sensations. It should be borne in mind that that reason does not apply to these complemental imaginings of the real shape of tilings actually before our eyes. THE PERCEPTION OF SPACE. 261 after reminding ns that every visual sensation is correlated to a physical process in the nervous apparatus : “ If this psychophysical process is aroused, as usually happens, by light-rays impinging on the retina, its form depends not only on the na- ture of these rays, but on the constitution of the entire nervous appa- ratus which is connected with the organ of vision, and on the state in which it finds itself. The same stimulus may excite widely different sensations according to this state. “ The constitution of the nervous apparatus depends naturally in part upon innate predisposition ; but the ensemble of effects wrought by stimuli upon it in the course of life, whether these come through the eyes or from elsewhere, is a co-factor of its development. To express it otherwise, involuntary and voluntary experience and exercise assist in determining the material structure of the nervous organ of vision, and hence the ways in which it may react on a retinal image as an outward stimulus. That experience and exercise should be possible at all in vision is a consequence of the reproductive power, or memory, of its nerve-substance. Every particular activity of the organ makes it more suited to a repetition of the same ; ever slighter touches are required to make the repetition occur. The organ habituates itself to the repeated activity. . . . “ Suppose now that, in the first experience of a complex sensation produced by a particular retinal image, certain portions were made the special objects of attention. In a repetition of the sensible experience it will happen that notwithstanding the identity of the outward stimulus these portions will be more easily and strongly reproduced ; and when this happens a hundred times the inequality with which the various constituents of the complex sensation appeal to consciousness grows ever greater. “Now in the present state of our knowledge we cannot assert that in both the first and the last occurrence of the retinal image in question the same pure sensation is provoked, but that the mind interprets it differently the last time in consequence of experience ; for the only given things we know are on the one hand the retinal image which is both times the same, and on the other the mental percept which is both times different; of a third thing, such as a pure sensation, interpolated between image and percept, we know nothing. We ought, therefore, if we wish to avoid hypotheses, simply to say that the nervous apparatus reacts the last time differently from the first, and gives us in conse- quence a different group of sensations. “ But not only by repetition of the same retinal image, but by that of similar ones, will the law obtain. Portions of the image common to the successive experiences will awaken, as it were, a stronger echo in the nervous apparatus than other portions. Hence it results that repro- duction is usually elective: the more strongly reverberating parts of the picture yield stronger feelings than the rest. This may result in the 262 PSYCHOLOGY. latter being quite overlooked and, as it were, eliminated from perception. It may even come to pass that instead of these parts eliminated by elec- tion a feeling of entirely different elements comes to consciousness— elements not objectively contained in the stimulus. A group of sensa- tions, namely, for which a strong tendency to reproduction has become, by frequent repetition, ingrained in the nervous system will easily revive as a whole when, not its whole retinal image, but only an essential part thereof, returns. In this case we get some sensations to which no ade- quate stimulus exists in the retinal image, and which owe their being solely to the reproductive power of the nervous apparatus. This is complementary (ergdnzende) reproduction. “Thus a few points and disconnected strokes are sufficient to make us see a human face, and without specially directed attention we fail to note that we see much that really is not drawn on the paper. Attention will show that the outlines were deficient in spots where we thought them complete. . . . The portions of the percept supplied by comple- mentary reproduction depend, however, just as much as its other por- tions, on the reaction of the nervous apparatus upon the retinal image, indirect though this reaction may, in the case of the supplied portions, be. And so long as they are present, we have a perfect right to call them sensations, for they differ in no wise from such sensations as cor- respond to an actual stimulus in the retina. Often, however, they are not persistent; many of them may be expelled by more close observa- tion, but this is not proved to be the case with all. ... In vision with one eye . . . the distribution of parts within the third dimension is essentially the work of this complementary reproduction, i.e. of former experience. . . . When a certain way of localizing a particular group of sensations has become with us a second nature, our better knowl- edge, our judgment, our logic, are of no avail. . . . Things actually diverse may give similar or almost identical retinal images; e.g., an object extended in three dimensions, and its flat perspective picture. In such cases it often depends on small accidents, and especially on our Will, whether the one or the other group of sensations shall be excited. . . . We can see a relief hollow, as a mould, or vice versd; for a relief illuminated from the left can look just like its mould illuminated from the right. Reflecting upon this, one may infer from the direction of the shadows that one has a relief before one, and the idea of the relief will guide the nerve-processes into the right path, so that the feeling of the relief is suddenly aroused. . . . Whenever the retinal image is of such a nature that two diverse modes of reaction on the part of the nervous apparatus are, so to speak, equally, or nearly equally, immi- nent, it must depend on small accidents whether the one or the other reaction is realized. In these cases our previous knowledge often has a decisive effect, and helps the correct perception to victory. The bare idea of the right object is itself a feeble reproduction which with the help of the proper retinal picture develops into clear and lively sensa- tion. But if there be not already in the nervous apparatus a dispoe* THE PERCEPTION OF SPACE. 263 tion to the production of that percept which our judgment tells us is right, our knowledge strives in vain to conjure up the feeling of it; we then know that we see something to which no reality corresponds, but we see it all the same.” * Note that no object not probable, no object which we are not incessantly practised in reproducing, can acquire this vividness in imagination. Objective corners are ever changing their angles to the eyes, spaces their apparent size, lines their distance. But by no transmutation of position in space does an objective straight line appear bent, and only in one position out of an infinity does a broken line look straight. Accordingly, it is impossible by projecting the after-image of a straight line upon two surfaces which make a solid angle with each other to give the line itself a sensible ‘kink.’ Look with it at the corner of your room: the after-image, which may overlap all three surfaces of the corner, still continues straight. Volkmann constructed a complicated surface of projection like that drawn in Fig. 77, but he found it impossible so to throw a straight after- image upon it as to alter its visible form. Fia. 77. * Hermann’s Handb. der Physiologie, m. 1, p. 565-71. 264 PSYCHOLOGY. One of the situations in which we oftenest see things is spread out on the ground before us. We are incessantly drilled in making allowance for this perspective, and reduc- ing things to their real form in spite of optical foreshorten- ing. Hence if the preceding explanations are true, we ought to find this habit inveterate. The lower half of the retina, which habitually sees the farther half of things spread out on the ground, ought to have acquired a habit of enlarging its pictures by imagination, so as to make them more than equal to those which fall on the upper retinal surface; and this habit ought to be hard to escape from, even when both halves of the object are equidistant from the eye, as in a vertical line on paper. Delbceuf has found, accordingly, that if we try to bisect such a line we place the point of division about of its length too high.* Similarly, a square cross, or a square, drawn on paper, should look higher than it is broad. And that this is actu- ally the case, the reader may verify by a glance at Fig. 78. For analogous reasons the upper and lower halves of the letter S, or of the figure 8, hardly seem to differ. But when turned upside down, as g, 9, the upper half looks much the larger, t Fig. 78. * Bulletin de l’Academie de Belgique, 2me Serie, xix. 2. f Wundt seeks to explain all these illusions by the relatively stronger * feeling of innervation ’ needed to move the eyeballs upwards,—a careful study of the muscles concerned is taken to prove this,—and a consequently greater estimate of the distance traversed. It suffices to remark, however, with Lipps, that were the innervation all, a column of S’s placed on top of each other should look each larger than the one below it, and a weather- cock on a steeple gigantic, neither of which is the case. Only the halves of the tame object look different in size, beoause the customary correction THE PERCEPTION OF SPACE. 265 Hering has tried to explain our exaggeration of small angles in the same way. We have more to do with right angles than with any others: right angles, in fact, have an altogether unique sort of interest for the human mind. Nature almost never begets them, but we think space by means of them and put them everywhere. Consequently obtuse and acute ones, liable always to be the images of right ones foreshortened, particularly easily revive right ones in memory. It is hard to look at such figures as a, b, c, in Fig. 79, without seeing them in perspective, as approximations, at least, to foreshortened rectangular forms. * At the same time the genuine sensational form of the lines before us can, in all the cases of distortion by sug- gested perspective, be felt correctly by a mind able to ab- stract from the notion of perspective altogether. Individ- uals differ in this abstracting power. Artistic training im- proves it, so that after a little while errors in vertical bi- section, in estimating height relatively to breadth, etc., be- come impossible. In other words, we learn to take the optical sensation before us pure, f Fia. 79. for foreshortening bears only on the relations of the parts of special things spread out before us. Cf. Wundt, Physiol. Psych., 2te Aufl. n. 96-8; Th. Lipps, Grundtatsachen, etc., p. 535. * Hering would partly solve in this way the mystery of Figs. 60, 61, and 67. No doubt the explanation partly applies; but the strange cessation of the illusion when we fix the gaze fails to be accounted for thereby. f Helmholtz has sought (Physiol. Optik, p. 715) to explain the diverg- ence of the apparent vertical meridians of the two retinae, by the manner in which an identical line drawn on the ground before us in the median plane will throw its images on the two eyes respectively. The matter is too technical for description here ; the unlearned reader may be referred for it to J. Le Conte’s Sight in the Internat. Scient. Series, p. 198 ff. But, for the benefit of those to whom verbum sat, I cannot help saying that it seema to me that the exactness of the relation of the two meridians—whether diver- 266 PSYCHOLOGY. We may then sum up our study of illusions by saying that they in no wise undermine our view that every spatial determi- nation of things is originally given in the shape of a sensation of the eyes. They only show how very potent certain imagined sensations of the eyes may become. These sensations, so far as they bring definite forms to the mind, appear to be retinal exclusively. The move- ments of the eyeballs play a great part in educating our perception, it is true; but they have nothing to do with constituting any one feeling of form. Their function is limited to exciting the various feelings of form, by tracing retinal streaks ; and to comparing them, and measuring them off against each other, by applying different parts of the retinal surface to the same objective thing. Helmholtz’s analysis of the facts of our ‘ measurement of the fidd of view ’ is, bating a lapse or two, masterly, and seems to prove that the movements of the eye have had some part in bringing our sense of retinal equivalencies about—equivalencies, mind, of different retinal forms and sizes, not forms and sizes themselves. Superposition is the way in which the eye- movements accomplish this result. An object traces the line AB on a peripheral tract of the retina. Quickly we move the eye so that the same object traces the line ab on a central tract. Forthwith, to our mind, AB and ab are judged equivalent. But, as Helmholtz admits, the equiv- alence-judgment is independent of the way in which we may feel the form and length of the several retinal pic- tures themselves : “The retina is like a pair of compasses, whose points we apply in succession to the ends of several lines to see whether they agree or not in length. All we need know meanwhile about the compasses is that the distance of their points remains unchanged. What that distance is, and what is the shape of the compasses, is a matter of no account.”* gent or not, for their divergence differs in individuals and often in one in- dividual at diverse times—precludes its being due to the mere habitual falling-off of the image of one objective line on both. Le Conte, e.g., measures their position down to a sixth of a degree, others to tenths. This indicates an organic identity in the sensations of the two retinae, which the experience of median perspective horizontals may roughly have agreed with, but hardly can have engendered. Wundt explains the divergence as usual, by the lnnervation&gefuhl {op. cit. n. 99 ff.). •Physiol. Optik, p. 547. THE PERCEPTION OF SPACE. 267 Measurement implies a stuff to measure. Retinal sensa- tions give the stuff; objective things form the yardstick; mo- tion does the measuring operation; which can, of course, be well performed only where it is possible to make the same object fall on many retinal tracts. This is practically im- possible where the tracts make a wide angle with each other. But there are certain directions in the field of view, certain retinal lines, along which it is particularly easy to make the image of an object slide. The object then be- comes a ‘ruler’ for these lines, as Helmholtz puts it,* making them seem straight throughout if the object looked straight to us in that part of them at which it was most distinctly seen. But all this need of superposition shows how devoid of exact space-import the feelings of movement are per se. As we compare the space-value of two retinal tracts by super- posing them successively upon the same objective line, so we also have to compare the space-value of objective angles and lines by superposing them on the same retinal tract. Neither procedure would be required if our eye-movements were apprehended immediately, by pure muscular feeling or innervation, for example, as distinct lengths and direc- tions in space. To compare retinal tracts, it would then suffice simply to notice how it feels to move any image over them. And two objective lines could be compared as well by moving different retinal tracts along them as by laying them along the same. It would be as easy to com- * “We can with a short ruler draw a line as long as we please on a plane surface by first drawing one as long as the ruler permits, and then sliding the ruler somewhat along the drawn line and drawing again, etc. If the ruler is exactly straight, we get in this way a straight line. If it is somewhat curved we get a circle. Now, instead of the sliding ruler we use in the field of sight the central spot of distinctest vision impressed with a linear sensation of sight, which at times may be intensified till it becomes an after-image. We follow, in looking, the direction of this line, and in so doing we slide the line along itself and get a prolongation of its length. On a plane surface we can carry on this procedure on any sort of a straight or curved ruler, but in the field of vision there is for each direction and movement of the eye only one sort of line which it is possible for us to slide along in its own direction continually. ” These are what Helmholta calls the * circles of direction ’ of the visual field—lines which he has studied with his usual care. Cf. Physiol. Optifc, p. 548 ff. 268 PSYCHOLOGY. pare non-parallel figures as it now is to judge of those which are parallel.* Those which it took the same amount of movement to traverse would be equal, in whatever direc- tion the movement occurred. GENERAL SUMMARY With this we may end our long and, I fear to many readers, tediously minute survey. The facts of vision form a jungle of intricacy; and those who penetrate deeply into physiological optics will be more struck by our omissions than by our abundance of detail. But for students who may have lost sight of the forest for the trees, I will re- capitulate briefly the points of our whole argument from the beginning, and then proceed to a short historical survey, which will set them in relief. All our sensations are positively and inexplicably exten- sive wholes. The sensations contributing to space-perception seem exclusively to be the surface of skin, retina, and joints. ‘ Muscular ’ feelings play no appreciable part in the genera- tion of our feelings of form, direction, etc. The total bigness of a cutaneous or retinal feeling soon becomes subdivided by discriminative attention. Movements assist this discrimination by reason of the peculiarly exciting quality of the sensations which stimuli moving over surfaces arouse. once discriminated, acquire definite rela- tions of position towards each other within the total space. These ‘relations’ are themselves feelings of the subdivis- ions that intervene. When these subdivisions are not the seat of stimuli, the relations are only reproduced in imagi- nary form. The various sense-spaces are, in the first instance, inco- herent with each other ; and primitively both they and their subdivisions are but vaguely comparable in point of bulk and form. The education of our space-perception consists largely of two processes—reducing the various sense-feelings to a * Cf. Hering in Hermann’s Handb. der Physiol., in. 1, pp. 553-4. THE PERCEPTION OF SPACE. 269 common measure, and adding them together into the single all-including space of the real world. Both the measuring and the adding are performed by the aid of things. The imagined aggregate of positions occupied by all the actual or possible, moving or stationary, things which we know, is our notion of ‘real’ space—a very incomplete and vague conception in all minds. The measuring of our space-feelings against each other mainly comes about through the successive arousal of dif- ferent ones by the same thing, by our selection of certain ones as feelings of its real size and shape, and by the deg- radation of others to the status of being merely signs of these. For the successive application of the same thing to dif- ferent space-giving surfaces motion is indispensable, and hence plays a great part in our space-education, especially in that of the eye. Abstractly considered, the motion of the object over the sensitive surface would educate us quite as well as that of the surface over the object. But the self- mobility of the organ carrying the surface accelerates im- mensely the result. In completely educated space-perception, the present sensation is usually just what Helmholtz (Physiol. Optik, p. 797) calls it, ‘ a sign, the interpretation of whose mean- ing is left to the understanding.’ But the understanding is exclusively reproductive and never productive in the pro- cess ; and its function is limited to the recall of previous space-sensations with which the present one has been as- sociated and which may be judged more real than it. Finally, this reproduction may in the case of certain visual forms be as vivid, or almost so, as actual sensation is. The third dimension forms an original element of all our space-sensations. In the eye it is subdivided by various discriminations. The more distant subdivisions are often shut out altogether, and, in being suppressed, have the effect of diminishing the absolute space-value of the total field of view.* * This shrinkage and expansion of the absolute space-value of the total optical sensation remains to my mind the most obscure part of the whole 270 PSYCHO LOOT. Let us now close with a brief historical survey. The first achievement of note in the study of space-perception was Berkeley’s theory of vision. This undertook to establish two points, first that distance was not a visual but a tactile form of consciousness, suggested by visual signs ; secondly, that there is no one quality or * idea ’ common to the sensa- tions of touch and sight, such that prior to experience one might possibly anticipate from the look of an object any- thing about its felt size, shape, or position, or from the touch of it anything about its look. In other words, that primitively chaotic or semi-chaotic condition of our various sense-spaces which we have demonstrated, was established for good by Berkeley; and he bequeathed to psychology the problem of describing the manner in which the deliverances are harmonized so as all to refer to one and the same extended world. His disciples in Great Britain have solved this problem after Berkeley’s own fashion, and to a great extent as we have done ourselves, by the ideas of the various senses sug- gesting each other in consequence of Association. But, either because they were intoxicated with the principle of associa- tion, or because in the number of details they lost their general bearings, they have forgotten, as a rule, to state under what sensible form the primitive spatial experiences are found which later became associated with so many other sensible signs. Heedless of their master Locke’s precept, that the mind can frame unto itself no one new simple idea, they seem for the most part to be trying to explain the extensive quality itself, account for it, and evolve it, by the mere asso- ciation together of feelings which originally possessed it not. They first evaporate the nature of extension by making it tantamount to mere ‘ coexistence,’ and then they explain coexistence as being the same thing as succession, provided it HISTORICAL. subject. It is a real optical sensation, seeming introspectively to have nothing to do with locomotor or other suggestions. It is easy to say that ‘ the Intellect produces it, ’ but what does that mean ? The investigator who will throw light on this one point will probably clear up other diffi- culties as well. THE PERCEPTION OF SPACE. 271 be an extremely rapid or a reversible succession. Space- perception thus emerges without being anywhere postulated. The only things postulated are unextended feelings and time. Says Thomas Brown (lecture xxiii.) : “ I am inclined to re- verse exactly the process commonly supposed ; and instead of deriving the measure of time from extension, to derive the knowledge and original measure of extension from time.” Brown and both the Mills think that retinal sensations, colors, in their primitive condition, are felt with no extension and that the latter merely becomes inseparably associated with them. John Mill says : “ Whatever may be the retinal impression conveyed by a line which bounds two colors, I see no ground for thinking that by the eye alone we could acquire the conception of what we now mean when we say that one of the colors is outside [beside] the other.” * Whence does the extension come which gets so insepa- rably associated with these non-extended colored sensations ? From the ‘ sweep and movements ’ of the eye—from mus- cular feelings. But, as Prof. Bain says, if movement-feel- ings give us any property of things, “ it would seem to be not space, but time.” t And John Mill says that “ the idea of space is, at bottom, one of time.” $ Space, then, is not to be found in any elementary sensation, but, in Bain’s words, “ as a quality, it has no other origin and no other meaning than the association of these different [non-spatial] motor and sensitive effects.” § This phrase is mystical-sounding enough to one who understands association as producing nothing, but only as knitting together things already produced in separate ways. The truth is that the English Associationist school, in trying to show how much their principle can accomplish, have altogether overshot the mark and espoused a kind of theory in respect to space-perception which the general tenor of their philosophy should lead them to abhor. Really there are but three possible kinds of theory concerning space. Either (1) there is no spatial quality of sensation at all, and * Examination of Hamilton, 3d ed. p. 283. t Senses and Intellect, 3d ed. p. 183. $ Exam, of Hamilton, 3d ed. p. 283. § Senses and Intellect, p. 372. 272 PSYCHO LOOT. space is a mere symbol of succession ; or (2) there is an ex- tensive quality given immediately in certain particular sen- sations ; or, finally, (3) there is a quality produced out of the inward resources of the mind, to envelop sensations which, as given originally, are not spatial, but which, on being cast into the spatial form, become united and orderly. This last is the Kantian view. Stumpf admirably designates it as the ‘ psychic stimulus ’ theory, the crude sensations being considered as goads to the mind to put forth its slumbering power. Brown, the Mills, and Bain, amid these possibilities, seem to have gone astray like lost sheep. With the * men- tal chemistry ’ of which the Mills speak—precisely the same thing as the ‘ psychical synthesis ’ of Wundt, which, as we shall soon see, is a principle expressly intended to do what Association can never perform—they hold the third view, but again in other places imply the first. And, be- tween the impossibility of getting from mere association anything not contained in the sensations associated and the dislike to allow spontaneous mental productivity, they flounder in a dismal dilemma. Mr. Sully joins them there in what I must call a vague and vacillating way. Mr. Spencer of course is bound to pretend to ‘ evolve * all mental qualities out of antecedents different from them- selves, so that we need perhaps not wonder at his refusal to accord the spatial quality to any of the several elemen- tary sensations out of which our space-perception grows. Thus (Psychology, n. 168, 172, 218): “ No idea of extension can arise from a simultaneous excitation ” of a multitude of nerve-terminations like those of the skin or the retina, since this would imply a “ knowledge of their relative positions ”—that is, “ a pre-existent idea of a special extension, which is absurd.” “ No relation between successive states of consciousness gives in itself any idea of extension.” “ The muscular sensations accompanying motion are quite distinct from the notions of space and time associated with them. ” Mr. Spencer none the less inveighs vociferously against the Kantian position that space is produced by the mind’s own resources. And yet he nowhere denies space to be a specific affection of consciousness different from time! THE PERCEPTION OF SPACE. 273 Such incoherency is pitiful. The fact is that, at bottom, all these authors are really ‘ psychical stimulists,’ or Kant- ists. The space they speak of is a super-sensational mental product. This position appears to me thoroughly mytho- logical. But let us see how it is held by those who know more definitely what they mean. Schopenhauer expresses the Kantian view with more vigor and clearness than any- one else. He says: “ A man must be forsaken by all the gods to dream that the world we see outside of us, filling space in its three dimensions, moving down the inexorable stream of time, governed at each step by Causality’s invariable law,—but in all this only following rules which we may prescribe for it in advance of all experience,—to dream, I say, that such a world should stand there outside of us, quite objectively real with no complicity of ours, and thereupon by a subsequent act, through the instrumentality of mere sensation, that it should enter our head and reconstruct a dupli- cate of itself as it was outside. For what a poverty-stricken thing is this mere sensation ! Even in the noblest organs of sense it is nothing more than a local and specific feeling, susceptible within its kind of a few variations, but always strictly subjective and containing in itself noth- ing objective, nothing resembling a perception. For sensation of every sort is and remains a process in the organism itself. As such it is limited to the territory inside the skin and can never, accordingly, per se con- tain anything that lies outside the skin or outside ourselves. . . . Only when the Understanding ... is roused to activity and brings its sole and only form, the law of Causality, into play, only then does the mighty transformation take place which makes out of subjective sensa- tion objective intuition. The Understanding, namely, grasps by means of its innate, a priori, ante-experiential form, the given sensation of the body as an effect which as such must necessarily have a cause. At the same time the Understanding summons to its aid the form of the outer sense which similarly lies already preformed in the intellect (or brain), and which is Space, in order to locate that cause outside of the organ- ism. ... In this process the Understanding, as I shall soon show, takes note of the most minute peculiarities of the given sensation in order to construct in the outer space a cause which shall completely account for them. This operation of the Understanding is, however, not one that takes place discursively, reflectively, in abstractor by means of words and concepts; but is intuitive and immediate. . . . Thus the Under- standing must first create the objective world ; never can the latter, already complete in se, simply promenade into our heads through the senses and organic apertures. For the senses yield us nothing further than the raw material which must be first elaborated into the objective conception of an orderly physical world-system by means of the afore- said simple forms of Space, Time, and Causality. . . . Let me show the 274 PSYCHOLOGY. great chasm between sensation and perception by showing how raw the material is out of which the fair structure is upreared. Only two senses serve objective perception : touch and sight. They alone furnish the data on the basis whereof the Understanding, by the process indicated, erects the objective world. . . . These data in themselves are still no perception ; that is the Understanding’s work. If I press with my hand against the table, the sensation I receive has no analogy with the idea of the firm cohesion of the parts of this mass: only when my Under- standing passes from the sensation to its cause does it create for itself a body with the properties of solidity, impenetrability, and hardness. When in the dark I lay my hand on a surface, or grasp a ball of three inches diameter, in either case the same parts of the hand receive the impression : but out of the different contraction of the hand in the two cases my Understanding constructs the form of the body whose contact caused the feeling, and confirms its construction by leading me to move my hand over the body. If one born blind handles a cubical body, the sensations of his hand are quite uniform on all sides and in ail direc- tions,—only the corners press upon a smaller part of his skin. In these sensations, as such, there is nothing whatever analogous to a cube. But from the felt resistance his Understanding infers immediately and intuitively a cause thereof, which now presents itself as a solid body; and from the movements of exploration which the arms made whilst the feelings of the hands remained constant he constructs, in the space known to him a priori, the body’s cubical shape. Did he not bring with him ready-made the idea of a cause and of a space, with the laws thereof, there never could arise, out of those successive feelings in his hand, the image of a cube. If we let a string run through our closed hand, we immediately construct as the cause of the friction and its dura- tion in such an attitude of the hand, a long cylindrical body moving uniformly in one direction. But never out of the pure sensation in the hand could the idea of movement, that is, of change of position in space by means of time, arise : such a content can never lie in sensation, nor come out of it. Our Intellect, antecedently to all experience, must bear in itself the intuitions of Space and Time, and therewithal of the possi- bility of motion, and no less the idea of Causality, to pass from the empirically given feeling to its cause, and to construct the latter as a so moving body of the designated shape. For how great is the abyss between the mere sensation in the hand and the ideas of causality, materiality, and movement through Space, occurring in Time! The feeling in the hand, even with different contacts and positions, is some- thing far too uniform and poor in content for it to be possible to con- struct out of it the idea of Space with its three dimensions, of the action of bodies on each other, with the properties of extension, impen- etrability, cohesion, shape, hardness, softness, rest, and motion—in short, the foundations of the objective world. This is only possible through Space, Time, and Causality . . . being preformed in the Intellect itself, . . . from whence it again follows that the perception THE PERCEPTION OF SPA OR. 275 of the external world is essentially an intellectual process, a work of the Understanding, to which sensation furnishes merely the occasion, and the data to be interpreted in each particular case.” * I call this view mythological, because I am conscious of no such Kantian machine-shop in my mind, and feel no call to disparage the powers of poor sensation in this merci- less way. I have no introspective experience of mentally producing or creating space. Mv space-intuitions occur not in two times but in one. There is not one moment of passive inextensive sensation, succeeded by another of ac- tive extensive perception, but the form I see is as immedi- ately felt as the color which fills it out. That the higher parts of the mind come in, who can deny ? They add and subtract, they compare and measure, they reproduce and abstract. They inweave the space-sensations with intel- lectual relations ; but these relations are the same when they obtain between the elements of the space-system as when they obtain between any of the other elements of which the world is made. The essence of the Kantian contention is that there are not spaces, but Spaxie—one infinite continuous Unit—and that our knowledge of this cannot be a piecemeal sensa- tional affair, produced by summation and abstraction. To which the obvious reply is that, if any known thing bears on its front the appearance of piecemeal construction and abstraction, it is this very notion of the infinite unitary space of the world. It is a notion, if ever there was one ; and no intuition. Most of us apprehend it in the barest symbolic abridgment: and if perchance we ever do try to make it more adequate, we just add one image of sensible extension to another until we are tired. Most of us are obliged to turn round and drop the thought of the space in front of us when we think of that behind. And the space represented as near to us seems more minutely subdivisible than that we think of as lying far away. The other prominent German writers on space are also ‘ psychical stimulists.’ Herbart, whose influence has been widest, says ‘ the resting eye sees no space,’t and ascribes * Vierfache Wurzel desSatzes vora zureichenden Grunde, pp. 52-7. f Psychol, als Wisseuschaft, § 111. 276 PSYCHOLOGY. visual extension to the influence of movements combining with the non-spatial retinal feelings so as to form gradated series of the latter. A given sensation of such a series reproduces the idea of its associates in regular order, and its idea is similarly reproduced by any one of them with the order reversed. Out of the fusion of these two con- trasted reproductions comes the form of space*—Heaven knows how. The obvious objection is that mere serial order is a genus, and space-order a very peculiar species of that genus ; and that, if the terms of reversible series became by that fact coexistent terms in space, the musical scale, the degrees of warmth and cold, and all other ideally graded series ought to appear to us in the shape of extended corporeal aggre- gates,—which they notoriously do not, though we may of course symbolize their order by a spatial scheme. W. Yolkmann von Volkmar, the Herbartian, takes the bull here by the horns, and says the musical scale is spatially ex- tended, though he admits that its space does not belong to the real world, f I am unacquainted with any other Her- bartian so bold. To Lotze we owe the much-used term ‘local sign.’ He insisted that space could not emigrate directly into the mind from without, but must be reconstructed by the soul ; and he seemed to think that the first reconstructions of it by the soul must be super-sensational. But why sensa- tions themselves might not be the soul’s original spatial re- constructive acts Lotze fails to explain. Wundt has all his life devoted himself to the elaboration of a space-theory, of which the neatest and most final ex- pression is to be found in his Logik (n. 457-60). He says: “In the eye, space-perception has certain constant peculiarities which prove that no single optical sensation by itself possesses the ex- tensive form, but that everywhere in our perception of space heterogene- * Psychol, als Wissenschaft, § 113. f Lehrbuch d. Psychol., 2te Auflage, Bd. n. p. 66. Volkmann’s fifth chapter contains a really precious collection of historical notices concern- ing space-perception theories. THE PERCEPTION OF SPACE. 277 ous feelings combine. If we simply suppose that luminous sensations per se feel extensive, our supposition is shattered by that influence of movement in vision which is so clearly to be traced in many normal errors in the measurement of the field of view. If we assume, on the other hand, that the movements and their feelings are alone possessed of the extensive quality, we make an unjustified hypothesis, for the phenomena compel us, it is true, to accord an influence to movement, but give us no right to call the retinal sensations indifferent, for there are no visual ideas without retinal sensations. If then wre wish rigor- ously to express the given facts, we can ascribe a spatial constitution only to combinations of retinal sensations with those of movement. ” Thus Wundt, dividing theories into ‘nativistic’ and ‘ genetic,’ calls his own a genetic theory. To distinguish it from other theories of the same class, he names it a ‘ theory of complex local signs.’ “ It supposes two systems of local signs, whose relations—taking the eye as an example—we may think as . . . the measuring of the mani- fold ’ocal-sign system of the retina by the simple local-sign system of the movements. In its psychological nature this is a process of associa- tive synthesis : it consists in the fusion of both groups of sensations into a product, whose elementary components are no longer separable from each other in idea. In melting wholly away into the product which they create they become consciously undistinguishable, and the mind apprehends only their resultant, the intuition of space. Thus there obtains a certain analogy between this psychic synthesis and that chemical synthesis which out of simple bodies generates a compound that appears to our immediate perception as a homogeneous whole with new properties.” Now let no modest reader think that if this sounds ob- scure to him it is because he does not know the full con- text; and that if a wise professor like Wundt can talk so fluently and plausibly about ‘ combination ’ and ‘ psychic synthesis,’ it must surely be because those words convey & so much greater fulness of positive meaning to the scholar- ly than to the unlearned mind. Really it is quite the re- verse ; all the virtue of the phrase lies in its mere sound and skin. Learning does but make one the more sensible ol its inward unintelligibility. Wundt’s‘theory’ is the flim- siest thing in the world. It starts by an untrue assump- tion, and then corrects it by an unmeaning phrase. Retinal sensations are spatial; and were they not, no amount of ‘synthesis’ with equally spaceless motor sensations could 278 PSYCHOLOGY. intelligibly make them so. Wundt’s theory is, in short, but an avowal of impotence, and an appeal to the inscru- table powers of the soul.* It confesses that we cannot analyze the constitution or give the genesis of the spatial quality in consciousness. But at the same time it says the antecedents thereof are psychical and not cerebral facts. In calling the quality in question a sensational quality, our own account equally disclaimed ability to analyze it, but said its antecedents were cerebral, not psychical—in other words, that it was a first psychical thing. This is merely a question of probable fact, which the reader may decide. And now what shall be said of Helmholtz ? Can I find fault with a book which, on the whole, I imagine to be one of the four or five greatest monuments of human genius in the scientific line? If truth impels I must fain try, and take the risks. It seems to me that Helmholtz’s genius moves most securely when it keeps close to particular facts. At any rate, it shows least strong in purely speculative passages, which in the Optics, in spite of many beauties, seem to me fundamentally vacillating and obscure. The ‘empiristic’ view which Helmholtz defends is that the space-determinations we perceive are in every case pro- ducts of a process of unconscious inference, f The infer- ence is similar to one from induction or analogy. | We al- ways see that form before us which habitually would have caused the sensation we now have. § But the latter sensa- tion can never be intrinsically spatial, or its intrinsic space- determinations would never be overcome as they are so often by the ‘ illusory ’ space-determinations it so often suggests.! Since the illusory determination can be traced to a suggestion of Experience, the ‘ real ’ one must also be such a suggestion : so that all space intuitions are due sole- * Why talk of ‘ genetic theories ’ ? when we have in the next breath to write as Wundt does: “If then we must regard the intuition of space as a product that simply emerges from the conditions of our mental and physi- cal organization, nothing need stand in the way of our designating it asone of the a priori functions with which consciousness is endowed.” (Logik, II. 460.) f P. 430. t Pp. 430. 448. § P. 428. I P 442. THE PERCEPTION OF SPACE. 279 ly to Experience.* The only psychic activity required for this is the association of ideas, f But how, it may be asked, can association produce a space-quality not in the things associated ? How can we by induction or analogy infer what we do not already generically know ? Can ‘ suggestions of experience * repro- duce elements which no particular experience originally contained ? This is the point by which Helmholtz’s ‘ em- piristic ’ theory, as a theory, must be judged. No theory is worthy of the name which leaves such a point obscure. Well, Helmholtz does so leave it. At one time he seems to fall back on inscrutable powers of the soul, and to range himself with the ‘ psychical stimulists.’ He speaks of Kant as having made the essential step in the matter in dis- tinguishing the content of experience from that form— space, course—which is given it by the peculiar faculties of the mind. \ But elsewhere, again, § speaking of sensa- tionalists theories which would connect spatially determi- nate feelings directly with certain neural events, he says it is better to assume only such simple psychic activities as we know to exist, and gives the association of ideas as an instance of what he means. Later, || he reinforces this re- mark by confessing that he does not see how any neural process can give rise without antecedent experience to a ready-made (fertige) perception of space. And, finally, in a single momentous sentence, he speaks of sensations of touch as if they might be the original material of our space- percepts—which thus, from the optical point of view, ‘ may be assumed as given Of course the eye-man has a right to fall back on the skin-man for help at a pinch. But doesn’t this mean that he is a mere eye-man and not a complete psychologist ? In other words, Helmholtz’s Optics and the ‘ empiristic theory ’ therein professed must not be understood as attempts at answering the general question of how space-consciousness enters the mind. They simply deny that it enters with the * Pp. 442, 818. f P. 798. Cf. also Popular Scientific Lectures, pp. 301-8. X P. 456; see also 428, 441. § P. 797. | P. 812. T Bottom of page 797. 280 PS YOHOLOO Y. first optical sensations.* Our own account has affirmed stoutly that it enters then; but no more than Helmholtz have we pretended to show why. Who calls a thing a first sensation admits he has no theory of its production. Helm- holtz, though all the while without an articulate theory, makes the world think he has one. He beautifully traces the immense part which reproductive processes play in our vision of space, and never—except in that one pitiful little sentence about touch—does he tell us just what it is they reproduce. He limits himself to denying that they repro- duce originals of a visual sort. And so difficult is the subject, and so magically do catch-words work on the popular-scientist ear, that most likely, had he written ‘ physiological ’ instead of ‘ nativistic,’ and ‘ spiritualistic ’ instead of ‘ empiristic ’ (which synonyms Hering suggests), numbers of his present empirical evolutionary followers would fail to find in his teaching anything worthy of praise. But since he wrote otherwise, they hurrah for him as a sort of second Locke, dealing another death-blow at the old bugaboo of ‘ innate ideas.’ His ‘ nativistic ’ adversary Hering they probably imagine—Heaven save the mark !— to be a scholastic in modern disguise. After Wundt and Helmholtz, the most important anti- sensationalist space-philosopher in Germany is Professor Lipps, whose deduction of space from an order of non- spatial differences, continuous yet separate, is a wonderful piece of subtlety and logic. And yet he has to confess that continuous differences form in the first instance only a logi- cal series, which need not appear spatial, and that wher- ever it does so appear, this must be accounted a ‘ fact,’ due merely ‘to the nature of the soul.’t Lipps, and almost ail the anti-sensationalist theorists except Helmholtz, seem guilty of that confusion which Mr. *In fact, to borrow a simile from Prof. G. E. Miiller (Theorie der sinnl. Aufmerksamkeit, p. 38), the various senses bear in the Helmholtzian phi- losophy of perception the same relation to the ‘ object ’ perceived by their means that a troop of jolly drinkers bear to the landlord’s bill, when no one has any money, but each hopes that one of the rest will pay. f Grundtatsachen des Seelenlebens (1883), pp. 480, 591-2. Psycholo- gische Studien (1885), p. 14. THE PERCEPTION OF SPACE. 281 Shad worth Hodgson has done so much to clear away, viz., the confounding the analysis of an idea with the means of its production. Lipps, for example, finds that every space we think of can be broken up into positions, and concludes that in some undefined way the several positions must have pre-existed in thought before the aggregate space could have appeared to perception. Similarly Mr. Spencer, de- fining extension as an ‘ aggregate of relations of coexistent position,’ says “ every cognition of magnitude is a cogni- tion of relations of position,”* and “ no idea of extension can arise from the simultaneous excitation ” of many nerves “ unless there is a knowledge of their relative positions. ”+ Just so Prof. Bain insists that the very meaning of space is scope for movement, | and that therefore distance and mag- nitude can be no original attributes of the eye’s sensibility. Similarly because movement is analyzable into positions occupied at successive moments by the mover, philoso- phers (e.g. Schopenhauer, as quoted above) have repeatedly denied the possibility of its being an immediate sensation. We have, however, seen that it is the most immediate of all our space-sensations. Because it can only occur in a defi- nite direction the impossibility of perceiving it without perceiving its direction has been decreed—a decree which the simplest experiment overthrows. § It is a case of what I have called the ‘ psychologist’s fallacy ’: mere acquaint- ance with space is treated as tantamount to every sort of knowledge about it, the conditions of the latter are de- manded of the former state of mind, and all sorts of mytho- logical processes are brought in to help. || As well might one say that because the world consists of all its parts, there- * Psychology, n. p. 174. f Ibid. p. 168. | Senses and Intellect, 3d ed. pp. 366-76. § Cf. Hall and Donaldson in Mind, x. 659. | As other examples of the confusion, take Mr. Sully : “ The fallacious assumption that there can be an idea of distance in general, apart from particular distances” (Mind, m. p. 177); and Wundt: “An indefinite localization, which waits for experience to give it its reference to real space, stands in contradiction with the very idea of localization, which means the reference to a determinate point of space ” (Physiol. Psych., lte Aufl. p. 480). 282 PSYCHOLOGY. fore we can only apprehend it at all by having unconsciously summed these up in our head. It is the old idea of our actual knowledge being drawn out from a pre-existent potentiality, an idea which, whatever worth it may meta- physically possess, does no good in psychology. My own sensationalistic account has derived most aid and comfort from the writings of Hering, A. W. Yolkmann, Stumpf, Leconte, and Schon. All these authors allow ample scope to that Experience which Berkeley’s genius saw to be a present factor in all our visual acts. But they give Experience some grist to grind, which the soi-distant ‘ empiristic ’ school forgets to do. Stumpf seems to me the most philosophical and profound of all these waiters ; and I owe him much. I should doubtless have owed almost as much to Mr. James Ward, had his article on Psychology in the Encyclopaedia Britannica appeared before my own thoughts were written down. The literature of the question is in all languages very voluminous. I content myself with referring to the bibliography in Helmholtz’s and Aubert’s works on Physiological Optics for the visual part of the subject, and with naming in a note the ablest works in the English tongue which have treated of the subject in a gen- eral way.* * G. Berkeley : Essay towards a new Theory of Vision ; Samuel Bailey : A Review of Berkeley’s Theory of Vision (1842); J. S. Mill’s Review of Bailey, in his Dissertations and Disquisitions, vol. n ; Jas. Ferrier: Re- view of Bailey, in ‘Philosophical Remains,’ vol. n ; A. Bain : Senses and Intellect, ‘Intellect,’ chap. I ; H. Spencer : Principles of Psychology, pt. vi. chaps, nv, xvi ; J. S. Mill : Examination of Hamilton, chap, xm (the best statement of the so-called English empiricist position); T. K. Abbott: Sight and Touch, 1861 (the first English book to go at all mi- nutely into facts; Mr. Abbott maintaining retinal sensations to be originally of space in three dimensions); A. C. Fraser : Review of Abbott, in North British Review for Aug. 1864 ; another review in Macmillan’s Magazine, Aug. 1866 ; J. Sully : Outlines of Psychology, chap, vi ; J. Ward : En- cyclop. Britannica, 9th Ed., article ‘ Psychology,’ pp. 53-6 ; J. E. Walter: The Perception of Space and Matter (1879)—I may also refer to a ‘ discus- sion ’ between Prof. G. Groom Robertson, Mr. J. Ward, and the present writer, in Mind, vol. xm.—The present chapter is only the filling out with detail of an article entitled ‘ The Spatial Quale, ’ which appeared in the Journal of Speculative Philosophy for January 1879 (xm. 64). CHAPTER XXI* THE PERCEPTION OF REALITY. belief. Everyone knows the difference between imagining a thing and believing in its existence, between supposing a proposition and acquiescing in its truth. In the case of acquiescence or belief, the object is not only apprehended by the mind, but is held to have reality. Belief is thus the mental state or function of cognizing reality. As used in the following pages, ‘ Belief ’ will mean every degree of as- surance, including the highest possible certainty and con- viction. There are, as we know, two ways of studying every psychic state. First, the way of analysis: What does it consist in ? What is its inner nature ? Of what sort of mind-stuff is it composed ? Second, the way of history: What are its conditions of production, and its connection with other facts ? Into the first way we cannot go very far. In its inner nature, belief, or the sense of reality, is a sort of feding more allied to the emotions than to anything else. Mr. Bagehot dis- tinctly calls it the ‘ emotion ’ of conviction. I just now spoke of it as acquiescence. It resembles more than any- thing what in the psychology of volition we know as con- sent. Consent is recognized by all to be a manifestation of our active nature. It would naturally be described by such terms as ‘ willingness ’ or the * turning of our dispo- sition.’ What characterizes both consent and belief is the cessation of theoretic agitation, through the advent of an idea which is inwardly stable, and fills the mind solidly to the exclusion of contradictory ideas. When this is the ease, motor effects are apt to follow. Hence the states of * Reprinted, with additions, from ‘Mind’ for July 1889. 283 284 PSYCHOLOGY. oonsent and belief, characterized by repose on the purely intellectual side, are both intimately connected with subse- quent practical activity. This inward stability of the mind’s content is as characteristic of disbelief as of belief. But we shall presently see that we never disbelieve anything ex- cept for the reason that we believe something else which contradicts the first thing.* Disbelief is thus an incidental complication to belief, and need not be considered by itself. The true opposites of belief \ psychologically considered, ore doubt and inquiry, not disbelief In both these states the content of our mind is in unrest, and the emotion engen- dered thereby is, like the emotion of belief itself, perfectly distinct, but perfectly indescribable in words. Both sorts of emotion may be pathologically exalted. One of the charms of drunkenness unquestionably lies in the deepen- ing of the sense of reality and truth which is gained therein. In whatever light things may then appear to us, they seem more utterly what they are, more ‘ utterly utter ’ than when we are sober. This goes to a fully unutterable extreme in the nitrous oxide intoxication, in which a man’s very soul will sweat with conviction, and he be all the while unable to tell what he is convinced of at all.f The pathological state opposed to this solidity and deepening has been called the questioning mania (GrubdsuxM by the Germans). It is sometimes found as a substantive affection, paroxysmal or chronic, and consists in the inability to rest in any concep- tion, and the need of having it confirmed and explained. ‘ Why do I stand here where I stand ? ’ ‘ Why is a glass a glass, a chair a chair ? ’ ‘ How is it that men are only of the size they are ? Why not as big as houses,’ etc., etc.J * Compare this psychological fact with the corresponding logical truth that all negation rests on covert assertion of something else than the thing denied. (See Bradley’s Principles of Logic, bk. i. ch. 8.) f See that very remarkable little work, ‘ The Anaesthetic Revelation and the Gist of Philosophy,’ by Benj. P. Blood (Amsterdam, N. Y., 1874). Compare also Mind, vn. 206. J “ To one whose mind is healthy thoughts come and go unnoticed; with me they have to be faced, thought about in a peculiar fashion, and then disposed of as finished, and this often when I am utterly wearied and would be at peace; but the call is imperative. This goes on to the hin- THE PERCEPTION OF REALITY. 285 There is, it is true, another pathological state which is as far removed from doubt as from belief, and which some may prefer to consider the proper contrary of the latter state of mind. I refer to the feeling that everything is hollow, unreal, dead. I shall speak of this state again upon a later page. The point I wish to notice here is sim- ply that belief and disbelief are but two aspects of one psychic state. John Mill, reviewing various opinions about belief, comes to the conclusion that no account of it can be given: “ What,” he says, “is the difference to our minds between thinking of a reality and representing to ourselves an imaginary picture ? I con- fess I can see no escape from the opinion that the distinction is ultimate and primordial. There is no more difficulty in holding it to be so than in holding the difference between a sensation and an idea to be primor- dial. It seems almost another aspect of the same difference. ... I cannot help thinking, therefore, that there is in the remembrance of a real fact, as distinguished from that of a thought, an element which does not consist ... in a difference between the mere ideas which are present to the mind in the two cases. This element, howsoever we de- fine it, constitutes belief, and is the difference between Memory and Imagination. From whatever direction we approach, this difference seems to close our path. When we arrive at it, we seem to have reached, as it were, the central point of our intellectual nature, presupposed and built upon in every attempt we make to explain the more recondite phenomena of our mental being. ” * drance of all natural action. If I were told that the staircase was on fire and I had only a minute to escape, and the thought arose—‘ Have they sent for fire-engines? Is it probable that the man who has the key is on hand ? Is the man a careful sort of person? Will the key be hanging on a peg? Am I thinking rightly? Perhaps they don’t lock the depot’— my foot would be lifted to go down ; I should be conscious to excitement that I was losing my chance ; but I thould be unable to stir until all these absurdities were entertained and disposed of. In the most critical moments of my life, when I ought to have been so engrossed as to leave no room for any secondary thoughts, I have been oppressed by the inability to be at peace. And in the most ordinary circumstances it is all the same. Let me instance the other morning I went to walk. The day was biting cold, but I was unable to proceed except by jerks. Once I got arrested, my feet in a muddy pool. One foot was lifted to go, knowing that it was not good to be standing in water, but there I was fast, the cause of detention being the discussing with myself the reasons why I should not stand in that pool.” (T. S. Clouston, Clinical Lectures on Mental Diseases, 1883, p. 43. See aiao Berger, in Archiv f. Psychiatrie, vi. 217.) * Mote to Jas. Mill’s Analysis, I. 412-423. 286 PSYCHOLOGY. If the words of Mill be taken to apply to the mere sub- jective analysis of belief—to the question, What does it feel like when we have it ?—they must be held, on the whole, to be correct. Belief, the sense of reality, feels like itself— that is about as much as we can say. Prof. Brentano, in an admirable chapter of his Psycho- logy, expresses this by saying that conception and belief (which he names judgment) are two different fundamental psychic phenomena. What I myself have called (Yol. I, p. 275) the ‘ object ’ of thought may be comparatively simple, like “Ha! what a pain,” or “It-thunders”; or it may be complex, like “ Columbus-discovered-America-in-1492,” or “ There-exists-an-all-wise-Creator-of-the-world.” In either case, however, the mere thought of the object may exist as something quite distinct from the belief in its reality. The belief, as Brentano says, presupposes the mere thought: “ Every object comes into consciousness in a twofold way, as simply thought of [vorgestellt] and as admitted [anerkannt] or denied. The relation is analogous to that which is assumed by most philosophers (by Kant no less than by Aristotle) to obtain between mere thought and desire. Nothing is ever desired without being thought of; but the desiring is nevertheless a second quite new and peculiar form of rela- tion to the object, a second quite new way of receiving it into consciousness. No more is anything judged [i.e., believed or disbelieved] which is not thought of too. But we must insist that, so soon as the object of a thought becomes the object of an assenting or rejecting judgment, our consciousness steps into an entirely new relation to- wards it. It is then twice present in consciousness, as thought of, and as held for real or denied ; just as when desire awakens for it, it is both thought and simultaneously desired.” (P. 266.) The commonplace doctrine of ‘ judgment ’ is that it consists in the combination of ‘ ideas ’ by a ‘ copula ’ into a ‘ proposition,’ which may be of various sorts, as affir- mative, negative, hypothetical, etc. But who does not see that in a disbelieved or doubted or interrogative or condi- tional proposition, the ideas are combined in the same identical way in which they are in a proposition which is solidly believed ? The way in which the ideas are combined is a part of the inner constitution of the thought's object or content. That object is sometimes an articulated whole with relations between its parts, amongst which relations, that of predicate THE PERCEPTION OF REALITY. 287 to subject may be one. But when we have got our object with its inner constitution thus defined in a proposition, then the question comes up regarding the object as a whole : * Is it a real object ? is this proposition a true proposition or not ? ’ And in the answer Yes to this question lies that new psychic act which Brentano calls ‘judgment,’ but which T prefer to call ‘ belief.’ In every proposition, then, so far as it is believed, ques- tioned, or disbelieved, four elements are to be distinguished, the subject, the predicate, and their relation (of whatever sort it be)—these form the object of belief—and finally the psychic attitude in which our mind stands towards the proposition taken as a whole—and this is the belief itself.* Admitting, then, that this attitude is a state of conscious- ness sui generis, about which nothing more can be said in the way of internal analysis, let us proceed to the second way of studying the subject of belief: Under what circum- stances do toe think things real ? We shall soon see how much matter this gives us to discuss. Suppose a new-born mind, entirely blank and waiting for experience to begin. Suppose that it begins in the form of a visual impression (whether faint or vivid is im- material) of a lighted candle against a dark background, and nothing else, so that whilst this image lasts it consti- tutes the entire universe known to the mind in question. Suppose, moreover (to simplify the hypothesis), that the candle is only imaginary, and that no ‘ original ’ of it is recognized by us psychologists outside. Will this hallu- cinatory candle be believed in, will it have a real existence for the mind ? What possible sense (for that mind) would a suspicion have that the candle was not real ? What would doubt or disbelief of it imply ? When we, the onlooking psycholo- gists, say the candle is unreal, we mean something quite definite, viz., that there is a world known to us which is THE VARIOUS ORDERS OP REALITY. # For an excellent account of the history of opinion on this subject •ee A. Marty, in Vierteljahrsch. f. wiss. Phii., vm. 161 II. (1884j. 288 PSYCHOLOGY. real, and to which we perceive that the candle does not belong ; it belongs exclusively to that individual mind, has no status anywhere else, etc. It exists, to be sure, in a fashion, for it forms the content of that mind’s hallucina- tion ; but the hallucination itself, though unquestionably it is a sort of existing fact, has no knowledge of other facts; and since those other facts are the realities par excellence for us, and the only things we believe in, the candle is simply outside of our reality and belief altogether. By the hypothesis, however, the mind which sees the candle can spin no such considerations as these about it, for of other facts, actual or possible, it has no inkling whatever. That candle is its all, its absolute. Its entire faculty of attention is absorbed by it. It is, it is that ; it is there : no other possible candle, or quality of this candle, no other possible place, or possible object in the place, no alterna- tive, in short, suggests itself as even conceivable ; so how can the mind help believing the candle real ? The suppo- sition that it might possibly not do so is, under the sup- posed conditions, unintelligible.* This is what Spinoza long ago announced: “Let us conceive a boy,” he said, “ imagining to himself a horse, and taking note of nothing else. As this imagination involves the ex- istence of the horse, and the boy has no perception which annuls its existence, he will necessarily contemplate the horse as present, nor will he be able to doubt of its existence, however little certain of it he may be. I deny that a man in so far as he imagines [percipit] affirms noth- ing. For what is it to imagine a winged horse but to affirm that the horse [that horse, namely] has wings ? For if the mind had nothing before it but the winged horse it would contemplate the same as pres- ent, would have no cause to doubt of its existence, nor any power of dissenting from its existence, unless the imagination of the winged horse were joined to an idea which contradicted [tollit] its existence.” (Ethics, II. 49, Scholium.) The sense that anything we think of is unreal can only come, then, when that thing is contradicted by Some other * We saw near the end of Chapter XIX that a candle-image taking ex- clusive possession of the mind in this way would probably acquire the sensational vividness. But this physiological accident is logically im- material to the argument in the text, which ought to apply as well to the dimmest sort of mental image as to the brightest sensation. TRB PERCEPTION OF REALITY. 289 thing of which we think. Any object which remains uncon- tradicted is ipso facto believed and posited as absolute reality. Now, how comes it that one thing thought of can be con- tradicted by another ? It cannot unless it begins the quar- rel by saying something inadmissible about that other. Take the mind with the candle, or the boy with the horse. If either of them say, ‘ That candle or that horse, even when I don’t see it, exists in the outer world,' he pushes into * the outer world ’ an object which may be incompatible with everything which he otherwise knows of that world. If so, he must take his choice of which to hold by, the present perceptions or the other knowledge of the world. If he holds to the other knowledge, the present perceptions are contradicted, so far as their relation to that world goes. Can- dle and horse, whatever they may be, are not existents in outward space. They are existents, of course ; they are mental objects ; mental objects have existence as mental objects. But they are situated in their own spaces, the space in which they severally appear, and neither of those spaces is the space in which the realities called ‘ the outer world’ exist. Take again the horse with wings. If I merely dream of a horse with wings, my horse interferes with nothing else and has not to be contradicted. That horse, its wings, and its place, are all equally real. That horse exists no other- wise than as winged, and is moreover really there, for that place exists no otherwise than as the place of that horse, and claims as yet no connection with the other places of the world. But if with this horse I make an inroad into the world otherwise known, and say, for example, ‘ That is my old mare Maggie, having grown a pair of wings where she stands in her stall,’ the whole case is altered ; for now the horse and place are identified with a horse and place otherwise known, and what is known of the latter objects is incompatible with what is perceived with the former. ‘ Maggie in her stall with wings ! Never! ’ The wings are unreal, then, visionary. I have dreamed a lie about Mag- gie in her stall. The reader will recognize in these two cases the two sorts of judgment called in the logic-books existential and 290 PSYCHOLOGY. attributive respectively. ‘ The candle exists as an outer reality ’ is an existential, ‘ My Maggie has got a pair of wings ’ is an attributive, proposition ;* and it follows from what was first said that all propositions, whether attributive or existential, are believed through the very fact of being con- ceived, unless they dash with other propositions believed at the same time, by affirming that their terms are the same with the terms of these other propositions. A dream-candle has exist- ence, true enough ; but not the same existence (existence for itself, namely, or extra mentem meam) which the candles of waking perception have. A dream-horse has wings ; but then neither horse nor wings are the same with any horses or wings known to memory. That we can at any moment think of the same thing which at any former moment we thought of is the ultimate law of our intellectual constitu- tion. But when we now think of it incompatibly with our other ways of thinking it, then we must choose which way to stand by, for we cannot continue to think in two contra- dictory ways at once. The whole distinction of real and un- real, the whole psychology of bdief, disbdief, and doubt, is thus grounded on two mental facts—-first, that we are liable to think differently of the same ; and second, that when we have done so, we can choose which way of thinking to ad,here to and tvhich to disregard. The subjects adhered to become real subjects, the at- tributes adhered to real attributes, the existence adhered to real existence ; whilst the subjects disregarded become imaginary subjects, the attributes disregarded erroneous * In both existential and attributive judgments a synthesis is repre- sented. The syllable ex in the word Existence, da in the word Dasein, ex- press it. ‘ The candle exists ’ is equivalent to ‘ The candle is over there' And the ‘ over there’ means real space, space related to other reals. The proposition amounts to saying: ‘ The candle is in the same space with other reals.’ It affirms of the candle a very concrete predicate—namely, this relation to other particular concrete tilings. Their real existence, as we shall later see, resolves itself into their peculiar relation to ourselvee. Existence is thus no substantive quality when we predicate it of any ob- ject ; it is a relation, ultimately terminating in ourselves, and at the mo- ment when it terminates, becoming a practical relation. But of this more anon. I only wish now to indicate the superficial nature of the distinction between the existential and the attributive proposition. THE PERCEPTION OF REALITY. 291 attributes, and the existence disregarded an existence in no man’s land, in the limbo ‘ where footless fancies dwell.’ The real things are, in M. Taine’s terminology, the reduc- tives of the things judged unreal. THE MANY WORLDS. Habitually and practically we do not count these disre- garded things as existents at all. For them Vce victis is the law in the popular philosophy; they are not even treated as appearances; they are treated as if they were mere waste, equivalent to nothing at all. To the genuinely philosophic mind, however, they still have existence, though not the same existence, as the real things. As objects of fancy, as errors, as occupants of dreamland, etc., they are in their way as indefeasible parts of life, as undeniable features of the Universe, as the realities are in their way. The total world of which the philosophers must take account is thus composed of the realities 'plus the fancies and illusions. Two sub-universes, at least, connected by relations which philosophy tries to ascertain ! Really there are more than two sub-universes of which we take account, some of us of this one, and others of that. For there are various categories both of illusion and of reality, and alongside of the world of absolute error (i.e., error confined to single individuals) but still within the world of absolute reality (i.e., reality believed by the complete philosopher) there is the world of collective error, there are the worlds of abstract reality, of relative or practical reality, of ideal relations, and there is the supernatural world. The popular mind conceives of all these sub-worlds more or less discon- nectedly ; and when dealing with one of them, forgets for the time being its relations to the rest. The complete phi- losopher is he who seeks not only to assign to every given object of his thought its right place in one or other of these sub-worlds, but he also seeks to determine the relation ot each sub-world to the others in the total world which is. The most important sub-universes commonly discrimi- nated from each other and recognized by most of us as existing, each with its own special and separate style of existence, are the following : 292 PSYCHOLOGY. (1) The world of sense, or of physical * things ’ as we instinctively apprehend them, with such qualities as heat, color, and sound, and such ‘ forces ’ as life, chemical affinity, gravity, electricity, all existing as such within or on the surface of the things. (2) The world of science, or of physical things as the learned conceive them, with secondary qualities and ‘ forces ’ (in the popular sense) excluded, and nothing real but solids and fluids and their * laws ’ (i.e., customs) of motion.* (3) The world of ideal relations, or abstract truths be- lieved or believable by all, and expressed in logical, mathe- matical, metaphysical, ethical, or aesthetic propositions. (4) The world of ‘ idols of the tribe,’ illusions or preju- dices common to the race. All educated people recognize these as forming one sub-universe. The motion of the sky round the earth, for example, belongs to this world. That motion is not a recognized item of any of the other worlds; but as an ‘ idol of the tribe ’ it really exists. For certain philosophers ‘ matter ’ exists only as an idol of the tribe. For science, the ‘ secondary qualities ’ of matter are but ‘ idols of the tribe.’ (5) The various supernatural worlds, the Christian heaven and hell, the world of the Hindoo mythology, the world of Swedenborg’s visa et audita, etc. Each of these is a consistent system, with definite relations among its own parts. Neptune’s trident, e.g., has no status of reality what- ever in the Christian heaven; but within the classic Olym- pus certain definite things are true of it. whether one believe in the reality of the classic mythology as a whole or not The various worlds of deliberate fable may be ranked with these worlds of faith—the world of the Iliad, that of King Lear, of the Pickwick Papers, etc.f * I define the scientific universe here in the radical mechanical way. Practically, it is oftener thought of in a mongrel way and resembles in more points the popular physical world. f It thus comes about that we can say such things as that Ivanhoe did not really marry Rebecca, as Thackeray falsely makes him do. The real Ivanhoe-world is the one which Scott wrote down for us. In that world Ivanhoe does not marry Rebecca. The objects within that world are knit together by perfectly definite relations, which can be affirmed or denied. Whilst absorbed in the novel, we turn our backs on all othet THE PERCEPTION OF REALITY. 293 (6) The various worlds of individual opinion, as numer- ous as men are. (7) The worlds of sheer madness and vagary, also in- definitely numerous. Every object we think of gets at last referred to one ivorld or another of this or of some similar list. It settles into our be- lief as a common-sense object, a scientific object, an abstract object, a mythological object, an object of some one’s mis- taken conception, or a madman’s object; and it reaches this state sometimes immediately, but often only after be- ing hustled and bandied about amongst other objects until it finds some which will tolerate its presence and stand in relations to it which nothing contradicts. The molecules and ether-waves of the scientific world, for example, simply kick the object’s warmth and color out, they refuse to have any relations with them. But the world of * idols of the tribe ’ stands ready to take them in. Just so the world of classic myth takes up the winged horse ; the world of individual hallucination, the vision of the candle; the world of abstract truth, the proposition that justice is kingly, though no actual king be just. The various worlds themselves, however, appear (as aforesaid) to most men’s minds in no very definitely conceived relation to each other, and our attention, when it turns to one, is apt to drop the others for the time being out of its account. Pro- positions concerning the different worlds are made from ‘different points of view’; and in this more or less chaotic state the consciousness of most thinkers remains to the end. Each world whilst it is attended to is real after its own fashion; only the reality lapses with the attention. Each thinker, however, has dominant habits of atten- tion ; and these practically elect from among the various worlds some one to be for him the world of ultimate realities. From this world’s objects he does not appeal. Whatever THU WORLD OP ‘PRACTICAL REALITIES.’ worlds, and, for the time, the Ivanhoe-world remains our absolute reality. When we wake from the spell, however, we find a still more real world, which reduces Ivanhoe, and all things connected with him, to the Active status, and relegates them to one of the sub-universes grouped under No. 5. 294 P8YCH0L0G7. positively contradicts them must get into another world or die. The horse, e.g., may have wings to its heart’s content, so long as it does not pretend to be the real world’s horse— that horse is absolutely wingless. For most men, as we shall immediately see, the ‘ things of sense ’ hold this prerogative position, and are the absolutely real world’s nucleus. Other things, to be sure, may be real for this man or for that— things of science, abstract moral relations, things of the Christian theology, or what not. But even for the special man, these things are usually real with a less real reality than that of the things of sense. They are taken less seriously; and the very utmost that can be said for any- one’s belief in them is that it is as strong as his ‘ belief in his own senses.’ * In all this the everlasting partiality of our nature shows itself, our inveterate propensity to choice. For, in the strict and ultimate sense of the word existence, everything which can be thought of at all exists as some sort of object, whether mythical object, individual thinker’s object, or ob- ject in outer space and for intelligence at large. Errors, fictions, tribal beliefs, are parts of the whole great Universe which God has made, and He must have meant all these things to be in it, each in its respective place. But for us finite creatures, “ ’tis to consider too curiously to consider * The world of dreams is our real world whilst we are sleeping, because our attention then lapses from the sensible world. Conversely, when we wake the attention usually lapses from the dream-world and that becomes unreal. But if a dream haunts us and compels our attention during the day it is very apt to remain figuring in our consciousness as a sort of sub- universe alongside of the waking world. Most people have probably had dreams which it is hard to imagine not to have been glimpses into an actually existing region of being, perhaps a corner of the ‘ spiritual world.’ And dreams have accordingly in all ages been regarded as revelations, and have played a large part in furnishing forth mythologies and creating themes for faith to lay hold upon. The ‘larger universe,’ here, which helps us to believe both in the dream and in the waking reality which is its immediate reductive, is the total universe, of Nature plus the Super- natural. The dream holds true, namely, in one half of that universe ; the waking perceptions in the other half. Even to-day dream-objects figure among the realities in which some ‘ psychic-researchers ’ are seeking to rouse our belief. All our theories, not only those about the supernatural, but our philosophic and scientific theories as well, are like our dreams in rous- ing such different degrees of belief in different minds. THE PERCEPTION OF REALITY. 295 so.” The mere fact of appearing as an object at all is not enough to constitute reality. That may be metaphysical reality, reality for God; but what we need is practical reality, reality for ourselves; and, to have that, an object must not only appear, but it must appear both interesting and important. The worlds whose objects are neither in- teresting nor important we treat simply negatively, we brand them as unreal. In the relative sense, then, the sense in which we contrast reality with simple unreality, and in which one thing is said to have more reality than another, and to be more be- lieved, reality means simply relation to our emotional and active life. This is the only sense which the word ever has in the mouths of practical men. In this sense, whatever ex- cites and stimulates our interest is real; whenever an object so appeals to us that we turn to it, accept it, fill our mind with it, or practically take account of it, so far it is real for us, and we believe it. Whenever, on the contrary, we ignore it, fail to consider it or act upon it, despise it, reject it, forget it, so far it is unreal for us and disbelieved. Hume’s account of the matter was then essentially correct, when he said that belief in anything was simply the having the idea of it in a lively and active manner: “ I say, then, that belief is nothing but a more vivid, lively, forcible, firm, steady conception of an object than the imagination alone is ever able to attain. ... It consists not in the peculiar nature or order of the ideas, but in the manner of their conception and in their feeling to the mind. I confess that it is impossible perfectly to explain this feel- ing or manner of conception. ... Its true and proper name ... is belief; which is a term that everyone sufficiently understands in common life. And in philosophy we can go no farther than assert that belief is something felt by themind, which distinguishes the idea of the judg- ment from the fictions of the imagination.* It gives them more weight and influence ; makes them appear of greater importance; enforces them in the mind ; gives them a superior influence on the passions, and renders them the governing principle in our actions. ” t * Distinguishes realities from unrealities, the essential from the rubbishy and neglectable. f Inquiry concerning Hum. Understanding, sec. v. pt. 2 (slightly trails' posed in my quotation). 296 PSYCHOLOGY. Or as Prof. Bain puts it: “In its essential character, belief is a phase of our active nature—otherwise called the Will.” * The object of belief, then, reality or real existence, is something quite different from all the other predicates which a subject may possess. Those are properties intellectually or sensibly intuited. When we add any one of them to the subject, we increase the intrinsic content of the latter, we enrich its picture in our mind. But adding reality does not enrich the picture in any such inward way ; it leaves it inwardly as it finds it, and only fixes it and stamps it in to us. , “ The real,” as Kant says, “ contains no more than the possible. A hundred real dollars do not contain a penny more than a hundred pos- sible dollars. ... By whatever, and by however many, predicates I may think a thing, nothing is added to it if I add that the thing exists. . . . Whatever, therefore, our concept of an object may contain, we must always step outside of it in order to attribute to it existence. ” t The ‘ stepping outside ’ of it is the establishment either of immediate practical relations between it and ourselves, or of relations between it and other objects with which we have immediate practical relations. Relations of this sort, which are as yet not transcended or superseded by others, are ipso facto real relations, and confer reality upon their objective term. The fons et origo of all reality, whether from * Note to Jas. Mill’s Analysis, i. 394. f Critique of Pure Reason, trans. Miiller, n. 515-17. Hume also: “ When, after the simple conception of anything, we would conceive it as existent, we in reality make no addition to, or alteration of, our first idea. Thus, when we affirm that God is existent, we simply form the idea of such a being as He is represented to us ; nor is the existence which we at- tribute to Him conceived by a particular idea, which we join to His other qualities, and can again separate and distinguish from them. . . . The be- lief of the existence joins no new idea to those which compose the ideas of the object. When I think of God, when I think of Him as existent, and when I believe Him to be existent, my idea of Him neither increases nor diminishes. But as ’tis certain there is a great difference betwixt the sim- ple conception of the existence of an object and the belief of it, and as this difference lies not in the facts or compositions of the idea which we con- ceive, it follows that it must lie in the manner in which we conceive it/' (Treatise of Human Nature, pt. in. sec. 7.) THE PERCEPTION OF REALITY. 297 the absolute or the practical point of view, is thus subjective, is ourselves. As bare logical thinkers, without emotional re- action, we give reality to whatever objects we think of, for they are really phenomena, or objects of our passing thought, if nothing more. But, as thinkers with emotional reaction, we give what seems to us a still higher degree of reality to whatever things we select and emphasize and turn to with a will. These are our living realities; and not only these, but all the other things which are intimately connected with these. Reality, starting from our Ego, thus sheds itself from point to point—first, upon all objects which have an immediate sting of interest for our Ego in them, and next, upon the objects most continuously related with these. It only fails when the connecting thread is lost. A whole system may be real, if it only hang to our Ego by one immediately stinging term. But what contra- dicts any such stinging term, even though it be another stinging term itself, is either not believed, or only believed after settlement of the dispute. We reach thus the important conclusion that our oum reality, that sense of our own life which we at every moment pos- sess, is the ultimate of ultimates for our belief * As sure as I exist! *—this is our uttermost warrant for the being of all other things. As Descartes made the indubitable reality of the cogito go bail for the reality of all that the cogito in- volved, so we all of us, feeling our own present reality with absolutely coercive force, ascribe an all but equal degree of reality, first to whatever things we lay hold on with a sense of personal need, and second, to whatever farther things continuously belong with these. “ Mein Jetzt und Hier,” as Prof. Lipps says, “ ist der letzte Angelpunkt fur alle Wirklichkeit, also alle Erkenntniss.” The world of living realities as contrasted with unreali- ties is thus anchored in the Ego, considered as an active and emotional term.* That is the hook from which the rest dangles, the absolute support. And as from a painted * I use the notion of the Ego here, as common-sense uses it. Nothing is prejudged as to the results (or absence of results) of ulterior attempts to analyze the notion. 298 PSYCHOLOGY. hook it has been said that one can only hang a painted chain, so conversely, from a real hook only a real chain can properly be hung. Whatever things have intimate and continuous connection with my life are things of whose reality I cannot doubt. Whatever things fail to establish this con- nection are things which are practically no better for me than if they existed not at all. In certain forms of melancholic perversion of the sensi- bilities and reactive powers, nothing touches us intimately, rouses us, or wakens natural feeling. The consequence is the complaint so often heard from melancholic patients, that nothing is believed in by them as it used to be, and that all sense of reality is fled from life. They are sheathed in india-rubber; nothing penetrates to the quick or draws blood, as it were. According to Griesinger, “ I see, I hear!” such patients say, * but the objects do not reach me, it is as if there were a wall between me and the outer world!” ‘ ‘ In such patients there often is an alteration of the cutaneous sen- sibility. such that things feel indistinct or sometimes rough and woolly. But even were this change always present, it would not completely ex- plain the psychic phenomenon . . . which reminds us more of the altera- tion in our psychic relations to the outer world which advancing age on the one hand, and on the other emotions and passions, may bring about. In childhood we feel ourselves to be closer to the world of sensible phenomena, we live immediately with them and in them; an intimately vital tie binds us and them together. But with the ripening of reflec- tion this tie is loosened, the warmth of our interest cools, things look differently to us, and we act more as foreigners to the outer world, even though we know it a great deal better. Joy and expansive emotions in general draw it nearer to us again. Everything makes a more lively impression, and with the quick immediate return of this warm recep- tivity for sense-impressions, joy makes us feel young again. In depress- ing emotions it is the other way. Outer things, whether living or in- organic, suddenly grow cold and foreign to us, and even our favorite objects of interest feel as if they belonged to us no more. Under these circumstances, receiving no longer from anything a lively impression, we cease to turn towards outer things, and the sense of inward loneliness grows upon us. . . . Where there is no strong intelligence to control this blast condition, this psychic coldness and lack of interest, the issue of these states in which all seems so cold and hollow, the heart dried up, the world grown dead and empty, is often suicide or the deeper forms of insanity.* * Griesinger, Mental Diseases, §§ 50, 98. The neologism we so often THE PERCEPTION OF REALITY. 299 But dow we are met by questions of detail. What does this stirring, this exciting power, this interest, consist in, which some objects have ? which are those ‘ intimate rela- tions ’ with our life which give reality ? And what things stand in these relations immediately, and what others are so closely connected with the former that (in Hume’s lan- guage) we * carry our disposition ’ also on to them ? In a simple and direct way these questions cannot be answered at all. The whole history of human thought is but an unfinished attempt to answer them. For what have men been trying to find out, since men were men, but just those things : “ Where do our true interests lie—which re- lations shall we call the intimate and real ones—which things shall we call living realities and which not ?” A few psychological points can, however, be made clear. Any relation to our mind at all, in the absence of a stronger relation, suffices to make an object real. The barest appeal to our attention is enough for that. Revert to the begin- ning of the chapter, and take the candle entering the vacant mind. The mind was waiting for just some such object to make its spring upon. It makes its spring and the candle is believed. But when the candle appears at the same time with other objects, it must run the gauntlet of their rivalry, and then it becomes a question which of the various candi- dates for attention shall compel belief. As a rule we be- lieve as much as we can. We would believe everything if we only could. When objects are represented by us quite unsystematically they conflict but little with each other, and the number of them which in this chaotic manner we can believe is limitless. The primitive savage’s mind is a jungle in which hallucinations, dreams, superstitions, con- ceptions, and sensible objects all flourish alongside of each other, unregulated except by the attention turning in this way or in that. The child’s mind is the same. It is only as objects become permanent and their relations fixed that THE PARAMOUNT REALITY OF SENSATIONS. hear, that an experience * gives us a realizing seme ’ of the truth of some proposition or other, illustrates the dependence of the sense of reality upon meitement. Only what stirs us is ‘ realized.’ 300 PSTOffOLOOT. discrepancies and contradictions are felt and must be set- tled in some stable way. As a rule, the success with which a contradicted object maintains itself in our belief is pro- portional to several qualities which it must possess. Of these the one which would be put first by most people, because it characterizes objects of sensation, is its— (1) Coerciveness over attention, or the mere power to possess consciousness : then follow— (2) Liveliness, or sensible pungency, especially in the way of exciting pleasure or pain ; (3) Stimulating effect upon the will, i.e., capacity to arouse active impulses, the more instinctive the better; (4) Emotional interest, as object of love, dread, admira- tion, desire, etc.; (5) Congruity with certain favorite forms of contempla- tion—unity, simplicity, permanence, and the like; (6) Independence of other causes, and its own causal importance. These characters run into each other. Coerciveness is the result of liveliness or emotional interest. What is lively and interesting stimulates eo ipso the will; congruity holds of active impulses as well as of contemplative forms ; causal independence and importance suit a certain contemplative demand, etc. I will therefore abandon all attempt at a formal treatment, and simply proceed to make remarks in the most convenient order of exposition. As a whole, sensations are more lively and are judged more real than conceptions; things met with every hour more real than things seen once ; attributes perceived when awake, more real than attributes perceived in a dream. But, owing to the diverse rdations contracted by the various objects with each other, the simple rule that the lively and permanent is the real is often enough disguised. A con- ceived thing may be deemed more real than a certain sen- sible thing, if it only be intimately related to other sensible things more vivid, permanent, or interesting than the first one. Conceived molecular vibrations, e.g., are by the physicist judged more real than felt warmth, because so intimately related to all those other facts of motion in the THE PERCEPTION OF REALITT. 301 world which he has made his special study. Similarly, a rare thing may be deemed more real than a permanent thing if it be more widely related to other permanent things. All the occasional crucial observations of science are examples of this. A rare experience, too, is likely to be judged more real than a permanent one, if it be more in- teresting and exciting. Such is the sight of Saturn through a telescope; such are the occasional insights and illumi- nations which upset our habitual ways of thought. But no mere floating conception, no mere disconnected rarity, ever displaces vivid things or permanent things from our belief. A conception, to prevail, must terminate in the world of orderly sensible experience. A rare phenomenon, to displace frequent ones, must belong with others more frequent still. The history of science is strewn with wrecks and ruins of theory—essences and principles, fluids and forces—once fondly clung to, but found to hang together with no facts of sense. And exceptional phenomena solicit our belief in vain until such time as we chance to conceive them as of kinds already admitted to exist. What science means by ‘ verification ’ is no more than this, that no object of conception shall be believed which sooner or later has not some permanent and vivid object of sensation for its term. Compare what was said on pages 3-7, above. Sensible objects are thus either our realities or the tests of our realities. Conceived objects must show sensible effects or else be disbelieved. And the effects, even though reduced to relative unreality when their causes come to view (as heat, which molecular vibrations make unreal), are yet the things on which our knowledge of the causes rests. Strange mutual dependence this, in which the appearance needs the reality in order to exist, but the reality needs the appearance in order to be known ! Sensible vividness or pungency is then the vital factor in reality when once the conflict between objects, and the connecting of them together in the mind, has begun. No object which neither possesses this vividness in its own right nor is able to borrow it from anything else has a chance of making headway against vivid rivals, or of rousing in us that re- action in which belief consists. On the vivid objects w® 302 PSYCHOLOGY. pin, as the saying is, our faith in all the rest; and our belief returns instinctively even to those of them from which reflection has led it away. Witness the obduracy with which the popular world of colors, sounds, and smjlls holds its own against that of molecules and vibrations. Let the physicist himself but nod, like Homer, and the world of sense becomes his absolute reality again.* That things originally devoid of this stimulating power should be enabled, by association with other things which have it, to compel our belief as if they had it themselves, is a remarkable psychological fact, which since Hume’s time it has been impossible to overlook. “The vividness of the first conception,” he writes, “diffuses itself along the relations and is conveyed, as by so many pipes or channels, to every idea that has any communication with the primary one. . . . Superstitious people are fond of the relics of saints and holy men, for the same reason that they seek after types and images, in order to enliven their devotion and give them a more intimate and strong conception of those exemplary lives. . . . Now, ’tis evident one of the best relics a devotee could procure would be the handiwork of a saint, and if his clothes and furniture are ever to be considered in this light, ’tis because they were once at his disposal, and were moved and affected by him; in which respect they are . . . connected with him by a shorter train of consequences than any of those from which we learn the reality of his * The way in which sensations are pitted against systematized concep- tions, and in which the one or the other then prevails according as the sensations are feit by ourselves or merely known by report, is interestingly illustrated at the present day by the state of public belief about ‘ spiritual- istic ’ phenomena. There exist numerous narratives of movement without contact on the part of articles of furniture and other material objects, in the presence of certain privileged individuals called mediums. Such move- ment violates our memories, and the whole system of accepted physical ‘science.’ Consequently those who have not seen it either brand the narratives immediately as lies or call the phenomena 1 illusions ’ of sense, produced by fraud or due to hallucination. But one who has actually seen such a phenomenon, under what seems to him sufficiently ‘ test-conditions,’ will hold to his sensible experience through thick and thin, even though the whole fabric of ‘ science ’ should be rent in twain. That man would be a weak-spirited creature indeed who should allow any fly-blown gener- alities about ‘ the liability of the senses to be deceived ’ to bully him out of his adhesion to what for him was an indubitable experience of sight. A man may err in this obstinacy, sure enough, in any particular case. But the spirit that animates him is that on which ultimately the very life and health of Science rest. THE PERCEPTION OF REALITY. 303 existence. This phenomenon clearly proves that a present impression, with a relation of causation, may enliven any idea, and consequently produce belief or assent, according to the precedent definition of it. . . . It has been remarked among the Mahometans as well as Christians that those pilgrims who have seen Mecca or the Holy Land are ever after more faithful and zealous believers than those who have not had that advantage. A man whose memory presents him with a lively image of the Red Sea and the Desert and Jerusalem and Galilee can never doubt of any miraculous events which are related either by Moses or the Evangelists. The lively idea of the places passes by an easy transition to the facts which are supposed to have been related to them by contiguity, and increases the belief by increasing the vivacity of the conception. Tho remembrance of those fields and rivers has the same influence as a new argument. . . . The ceremonies of the Catholic religion may be considered as instances of the same nature. The devotees of that strange superstition usually plead in excuse for the mummeries with which they are upbraided that they feel the good effect of external motions and postures and actions in enlivening their devotion and quickening their fervor, which otherwise would decay, if directed entirely to distant and immaterial objects. We shadow out the objects of our faith, say they, in sensible types and images, and render them more present to us by the immediate presence of these types than it is possible for us to do merely by an intellectual view and contemplation.” * Hume’s cases are rather trivial; and the things which associated sensible objects make us believe in are supposed by him to be unreal. But all the more manifest for that is the fact of their psychological influence. Who does not ‘ realize ’ more the fact of a dead or distant friend’s existence, at the moment when a portrait, letter, garment or other material reminder of him is found ? The whole notion of him then grows pungent and speaks to us and shakes us, in a manner unknown at other times. In chil- dren’s minds, fancies and realities live side by side. But however lively their fancies may be, they still gain help from association with reality. The imaginative child identifies its dramatis persons with some doll or other material object, and this evidently solidifies belief, little as it may resemble what it is held to stand for. A thing not too interesting by its own real qualities generally does the best service here. The most useful doll I ever saw was a large cucumber in the hands of a little Amazonian-Indian * Treatise of Human Nature, bk. i. pt. in. sec. 7. 304 PSYCHOLOGY. girl; she nursed it and washed it and rocked it to sleep in a hammock, and talked to it all day long—there was no part in life which the cucumber did not play. Says Mr. Tylor: ‘ ‘ An imaginative child will make a dog do duty for a horse, or a sol- dier for a shepherd, till at last the objective resemblance almost disap- pears, and a bit of wood may be dragged about, resembling a ship on the sea or a coach on the road. Here the likeness of the bit of wood to a ship or coach is very slight indeed; but it is a thing, and can be moved about, . . . and is an evident assistance to the child in enabling it to arrange and develop its ideas. ... Of how much use . . . may be seen by taking it away, and leaving the child nothing to play with. . . . In later years and among highly educated people the mental process which goes on in a child’s playing with wooden soldiers and horses, though it never disappears, must be sought for in more complex phe- nomena. Perhaps nothing in after-life more closely resembles the effect of a doll upon a child than the effect of the illustrations of a tale upon a grown reader. Here the objective resemblance is very indefinite . . . yet what reality is given to the scene by a good picture. . . . Mr. Back- house one day noticed in Van Diemen’s Land a woman arranging several stones that were flat, oval, and about two inches wide, and marked in various directions with black and red lines. These, he learned, represented absent friends, and one larger than the rest stood for a fat native woman on Flinder’s Island, known by the name of Mother Brown. Similar practices are found among far higher races than the ill-fated Tasmanians. Among some North American tribes a mother who has lost a child keeps its memory ever present to her by filling its cradle with black feathers and quills, and carrying it about with her for a year or more. When she stops anywhere, she sets up the cradle and talks to it as she goes about her work, just as she would have done if the dead body had been still alive within it. Here we have an image; but in Africa we find a rude doll representing the child, kept as a memorial. . . . Bastian saw Indian women in Peru -who had lost an infant carrying about on their backs a wooden doll to represent it.”* To many persons among us, photographs of lost ones seem to be fetishes. They, it is true, resemble ; but the fact that the mere materiality of the reminder is almost as important as its resemblance is shown by the popularity a hundred years ago of the black taffeta ‘ silhouettes ’ which are still found among family relics, and of one of which Fichte could write to his affianced : ‘ Die Farbe fehlt, das Auge fehlt, es fehlt der himmlische Ausdruck deiner lieblichen * Early Hist, of Mankind, p. 108- THE PERCEPTION OF REALITY. 305 ZUge ’—and yet go on worshipping it all the same. The opinion so stoutly professed by many, that language is es- sential to thought, seems to have this much of truth in it, that all our inward images tend invincibly to attach them- selves to something sensible, so as to gain in corporeity and life. Words serve this purpose, gestures serve it, stones, straws, chalk-marks, anything will do. As soon as anyone of these things stands for the idea, the latter seems to be more real. Some persons, the present writer among the number, can hardly lecture without a black-board : the ab- stract conceptions must be symbolized by letters, squares or circles, and the relations between them by lines. All this symbolism, linguistic, graphic, and dramatic, has other uses too, for it abridges thought and fixes terms. But one of its uses is surely to rouse the believing reaction and give to the ideas a more living reality. As, when we are told a story, and shown the very knife that did the murder, the very ring whose hiding-place the clairvoyant revealed, the whole thing passes from fairy-land to mother-earth, so here we believe all the more, if only we see that ‘ the bricks are alive to tell the tale.’ So much for the prerogative position of sensations in regard to our belief. But among the sensations themselves all are not deemed equally real. The more practically important ones, the more permanent ones, and the more aesthetically apprehensible ones are selected from the mass, to be believed in most of all; the others are degraded to the position of mere signs and suggestions of these. This fact has already been adverted to in former chapters.* The real color of a thing is that one color-sensation which it gives us when most favorably lighted for vision. So of its real size, its real shape, etc.—these are but optical sensations selected out of thousands of others, because they have aesthetic characteristics which appeal to our convenience or delight. But I will not repeat what I have already written about this matter, but pass on to our treatment of tactile and muscular sensations, as * primary * See Vol. I. pp. 285-6; Vol. II. pp. 237 if. 306 PSYCHOLOGY. qualities,’ more real than those * secondary ’ qualities which eye and ear and nose reveal. Why do we thus so markedly select the tangible to be the real ? Our motives are not far to seek. The tangible qualities are the least fluctuating. When we get them at all we get them the same. The other qualities fluctuate enormously as our relative position to the object changes. Then, more decisive still, the tactile properties are those most intimately connected with our weal or woe. A dagger hurts us only when in contact with our skin, a poison only when we take it into our mouths, and we can only use an object for our advantage when we have it in our muscular control. It is as tangibles, then, that things concern us most; and the other senses, so far as their practical use goes, do but warn us of what tangi- ble things to expect. They are but organs of anticipa- tory touch, as Berkeley has with perfect clearness ex- plained.* Among all sensations, the most belief-compelling are those productive of pleasure or of pain. Locke expressly makes the pleasure- or pam-giving quality to be the ultimate human criterion of anything’s reality. Discussing (with a supposed Berkeleyan before Berkeley) the notion that all our perceptions may be but a dream, he says: “ He may please to dream that I make him this answer . . . that I believe he will allow a very manifest difference between dreaming of being in the Are and being actually in it. But yet if he be resolved to appear so sceptical as to maintain that what I call being actually in the fire is nothing but a dream, and that we cannot thereby certainly know that any such thing as fire actually exists without us, I answer that we, certainly finding that pleasure or pain [or emotion of any sort] follows upon the application of certain objects to us, whose existence we per- ceive, or dream that we perceive by our senses, this certainly is as great as our happiness or misery, beyond which we have no concernment to know or to be. ” f * See Theory of Vision, § 59. f Essay, bk. iv. chap. 2, § 14. In another place: “He that sees a candle burning and hath experimented the force of its flame by putting his finger into it, will little doubt that this is something existing without him, which does him harm and puts him to great pain. . . . And if our dreamer pleases to try whether the glowing heat of a glass furnace be barely a wandering imagination in a drowsy man’s fancy by putting his Hand into it, he may, perhaps, be awakened into a certainty greater than THE PERCEPTION OF REALITY. 307 THE INFLUENCE OF EMOTION AND ACTIVE IMPULSE ON BELIEF. The quality of arousing emotion, of shaking, moving us or inciting us to action, has as much to do with our belief in an object’s reality as the quality of giving pleasure or pain. In Chapter XXIY I shall seek to show that our emotions probably owe their pungent quality to the bodily sensations which they involve. Our tendency to believe in emotionally exciting objects (objects of fear, desire, etc.) is thus ex- plained without resorting to any fundamentally new prin- ciple of choice. Speaking generally, the more a conceived object excites us, the more reality it has. The same object excites us differently at different times. Moral and religious truths come ‘ home ’ to us far more on some occasions than on others. As Emerson says, “ There is a difference between one and another hour of life in their authority and subse- quent effect. Our faith comes in moments, . . . yet there is a depth in those brief moments which constrains us to ascribe more reality to them than to all other experiences.” The ‘ depth ’ is partly, no doubt, the insight into wider sys- tems of unified relation, but far more often than that it is the emotional thrill. Thus, to descend to more trivial ex- amples, a man who has no belief in ghosts by daylight will temporarily believe in them when, alone at midnight, he feels his blood curdle at a mysterious sound or vision, his heart thumping, and his legs impelled to flee. The thought of falling when we walk along a curbstone awakens no emo- tion of dread; so no sense of reality attaches to it, and we are sure we shall not fall. On a precipice’s edge, however, the sickening emotion which the notion of a possible fall engenders makes us believe in the latter’s imminent reality, and quite unfits us to proceed. he could wish, that it is something more than bare imagination. So that the evidence is as great as we can desire, being as certain to us as our pleas- ure or pain, i.e. happiness or misery; beyond which we have no concern- ment, either of knowledge or being. Such an assurance of the existence of things without us is sufficient to direct us in the attaining the good and avoiding the evil which is caused by them, which is the important con- cernment we have of being made acquainted with them. ” (Ibid, bk. iv chap. 11, § 8.) 308 PSYCHOLOGY. The greatest proof that a man is sui compos is his ability to suspend belief in presence of an emotionally exciting idea. To give this power is the highest result of education. In untutored minds the power does not exist. Every excit- ing thought in the natural man carries credence with it. To conceive with passion is eo ipso to affirm. As B age hot says : “The Caliph Omar burnt the Alexandrian Library, saying: ‘All books which contain what is not in the Koran are dangerous. All which contain what is in it are useless ! ’ Probably no one ever had an intenser belief in anything than Omar had in this. Yet it is impossible to imagine it preceded by an argument. His belief in Mahomet, in the Koran, and in the sufficiency of the Koran, probably came to him in spontaneous rushes of emotion ; there may have been little vestiges of argument floating here and there, but they did not justify the strength of the emotion, still less did they create it, and they hardly even excused it. . . . Probably, when the subject is thoroughly examined, conviction will be found to be one of the intensest of human emotions, and one most closely connected with the bodily state, . . . accompanied or pre- ceded by the sensation that Scott makes his seer describe as the prelude of a prophecy: ‘ At length the fatal answer came. In characters of living flame— Not spoke in words, nor blazed in scroll, But borne and branded on my soul.’ A hot flash seems to burn across the brain. Men in these intense states of mind have altered all history, changed for better or worse the creed of myriads, and desolated or redeemed provinces or ages. Nor is this intensity a sign of truth, for it is precisely strongest in those points in which men differ most from each other. John Knox felt it in his anti- Catholicism ; Ignatius Loyola in his anti-Protestantism; and both, I suppose, felt it as much as it is possible to feel it. ” * Tlie reason of the belief is undoubtedly the bodily com- motion which the exciting idea sets up. ‘ Nothing which I can feel like that can be false.’ All our religious and supernatural beliefs are of this order. The surest warrant for immortality is the yearning of our bowels for our dear ones ; for God, the sinking sense it gives us to imagine no such Providence or help. So of our political or pecuniary hopes and fears, and things and persons dreaded and * W. Bagehot, ‘ The Emotion of Conviction, ’ Literary Studies, i 413-17. THE PERCEPTION OP REALITY. 309 desired. “ A grocer has a full creed as to foreign policy, a young lady a complete theory of the sacraments, as to which neither has any doubt. ... A girl in a country par- sonage will be sure that Paris never can be taken, or that Bismarck is a wretch ”—all because they have either con- ceived these things at some moment with passion, or asso- ciated them with other things which they have conceived with passion. M. Renouvier calls this belief of a thing for no other reason than that we conceive it with passion, by the name of mentcl vertigo.* Other objects whisper doubt or dis- belief ; but the object of passion makes us deaf to all but itself, and we affirm it unhesitatingly. Such objects are the delusions of insanity, which the insane person can at odd moments steady himself against, but which again return to sweep him off his feet. Such are the revelations of mysti- cism. Such, particularly, are the sudden beliefs which ani- mate mobs of men when frenzied impulse to action is involved. Whatever be the action in point—whether the stoning of a prophet, the hailing of a conqueror, the burn- ing of a witch, the baiting of a heretic or Jew, the- starting of a forlorn hope, or the flying from a foe—the fact that to believe a certain object will cause that action to explode is a sufficient reason for that belief to come. The motor im- pulse sweeps it unresisting in its train. The whole history of witchcraft and early medicine is a commentary on the facility with which anything which chances to be conceived is believed the moment the belief chimes in with an emotional mood. ‘The cause of sickness?’ When a savage asks the cause of anything he means to ask exclusively ‘ WThat is to blame ? ’ The theoretic curiosity starts from the practical life’s demands. Let some one then accuse a necromancer, suggest a charm or spell which has been cast, and no more ‘ evidence ’ is asked for. What evi- dence is required beyond this intimate sense of the culprit’s responsibility, to which our very viscera and limbs reply ?t * Psychologie Rationnelle, ch. 12. f Two examples out of a thousand : Reid, Inquiry, ch. 11. § 9: “I remember, many years ago, a white ox vu brought into the country, of so enormous size that people came many 310 PSYCHOLOGY. Human credulity in the way of therapeutics has similar psychological roots. If there is anything intolerable (espe- cially to the heart of a woman), it is to do nothing when a miles to see him. There happened, some months after, an uncommon fatality among women in child-bearing. Two such uncommon events, fol- lowing one another, gave a suspicion of their connection, and occasioned a common opinion among the country people that the white ox was the cause of this fatality. ” H. M. Stanley, Through the Dark Continent, ix. 388 : “ On the third day of our stay at Mowa, feeling quite comfortable amongst the people, on account of their friendly bearing, I began to write in my note-book the terms for articles, in order to improve my already copious vocabulary of native words. I had proceeded only a few minutes when I observed i strange commotion amongst the people who had been flocking about me, and presently they ran away. In a short time we heard war-cries ringing loudly and shrilly over the table-land. Two hours afterwards a long line of warriors were seen descending the table-land and advancing towards our camp. Thei’e may have been between five and six hundred of them. We, on the other hand, had made but few preparations except such as would justify us replying to them in the event of the actual commence- ment of hostilities. But I had made many Arm friends among them, and I firmly believed that I should be able to avert an open rupture. When they had assembled at about a hundred yards in front of our camp, Safeni and I walked up towards them and sat down midway. Some half-dozen of the Mowa people came near, and the sliauri began. “‘What is the matter, my friends?’ I asked. ‘ Why do you come with guns in your hands, in such numbers, as though you were coming to fight ? Fight ? fight us, your friends ! Tut! this is some great mis- take, surely.’ “ Mundele,’replied one of them, . . . ‘our people saw you yesterday make marks on some tara-tara [paper]. This is very bad. Our country will waste, our goats will die, our bananas will rot, and our women will dry up. What have we done to you that you should wish to kill us? We have sold you food and we have brought you wine each day. Your people are allowed to wander where they please without trouble. Why is the Mundele so wicked? We have gathered together to fight you if you do not burn that tara-tara now before our eyes. If you bum it we go away, and shall be your friends as heretofore.’ ‘ ‘ I told them to rest there, and left Safeni in their hands as a pledge that I should return. My tent was not fifty yards from the spot, but while going towards it my brain was busy in devising some plan to foil this superstitious madness. My note-book contained a vast number of val- uable notes. ... I could not sacrifice it to the childish caprice of savages. As I was rummaging my book-box, I came across a volume of Shakespeare [Chaudos edition] much worn, and well thumbed, and which was of the same size as my field-book ; its cover was similar also, and it might be passed for the field-book, provided that no one remembered its appearance THE PERCEPTION OF REALITY. 311 loved one is sick or in pain. To do anything is a relief. Accordingly, whatever remedy may be suggested is a spark on inflammable soil. The mind makes its spring towards action on that cue, sends for that remedy, and for a day at least believes the danger past. Blame, dread, and hope are thus the great belief-inspiring passions, and cover among them the future, the present, and the past. These remarks illustrate the earlier heads of the list on page 292. Whichever represented objects give us sensa- tions, especially interesting ones, or incite our motor im- pulses, or arouse our hate, desire, or fear, are real enough for us. Our requirements in the way of reality terminate in our own acts and emotions, our own pleasures and pains. These are the ultimate fixities from which, as we formerly observed, the whole chain of our beliefs depends, object hanging to object, as the bees, in swarming, hang to each other until, de proche en proche, the supporting branch, the Self, is reached and held. BELIEF IN OBJECTS OF THEORY. Now the merely conceived or imagined objects which our mind represents as hanging to the sensations (causing them, etc.), filling the gaps between them, and weaving their interrupted chaos into order are innumerable. Whole sys- tems of them conflict with other systems, and our choice of too well. I took it to them. * Is this the tara-tara, friends, that you wish burned? ’ ‘“Yes, yes, that is it.’ “ * Well, take it, and burn it, or keep it.’ “ ‘ M—m No, no, no. We will not touch it. It is fetish. You must bum it.’ “ ‘ I! Well, let it be so. I will do anything to please my good friends of Mowa.’ “ We walked to the nearest fire. I breathed a regretful farewell to my genial companion, which, during my many weary hours of night, had assisted to relieve my mind when oppressed by almost intolerable woes, and then gravely consigned the innocent Shakespeare to the flames, heap- ing the brush fuel over it with ceremonious care. “ ‘ A h-h,’ breathed the poor deluded natives sighing their relief. . . . ‘ There is no trouble now.’ . . . And something approaching to a cheer was shouted among them, which terminated the episode of the burning of Shakespeare. ” 312 PSYCHOLOGY. which system shall carry our belief is governed by princi- ples which are simple enough, however subtle and difficult may be their application to details. The conceived system, to pass for true, must at least include the reality of the sensible objects in it, by explaining them as effects on us, if nothing more. The system which includes the most of them, and definitely ex- plains or pretends to explain the most of them, will, ceteris paribus, prevail. It is needless to say how far mankind still is from having excogitated such a system. But the various materialisms, idealisms, and liylozoisms show with what in- dustry the attempt is forever made. It is conceivable that several rival theories should equally well include the actual order of our sensations in their scheme, much as the one- fluid and two-fluid theories of electricity formulated all the common electrical phenomena equally well. The sciences are full of these alternatives. Which theory is then to be believed ? That theory will be most generally believed which, besides offering us objects able to account satisfactorily for our sensible experience, also offers those which are most interesting, those which appeal most urgently to our (esthetic, emotional, and active needs. So here, in the higher intellectual life, the same selection among general conceptions goes on which went on among the sensations themselves. First, a word of their relation to our emotional and active needs—and here I can do no better than quote from an article pub- lished some years ago :* “A philosophy may be unimpeachable in other respects, but either of two defects will be fatal to its universal acceptance. First, its ulti- mate principle must not be one that essentially baffles and disappoints our dearest desires and most cherished powers. A pessimistic principle like Schopenhauer’s incurably vicious Will-substance, or Hartmann’s wicked jack-at-all-trades, the Unconscious, will perpetually call forth essays at other philosophies. Incompatibility of the future with their desires and active tendencies is, in fact, to most men a source of more fixed disquietude than uncertainty itself. Witness the attempts to overcome the ‘problem of evil,’ the ‘mystery of pain.’ There is no problem of ‘good.’ “ But a second and worse defect in a philosophy than that of con- tradicting our active propensities is to give them no Object whatever •‘Rationality, Activity, and Faith’ (Princeton Review, July 1882, PP 64-9). THE PERCEPTION OF REALITY. 313 to press against. A philosophy whose principle is so incommensurate with our most intimate powers as to deny them all relevancy in univer- sal affairs, as to annihilate their motives at one blow, will be even more unpopular than pessimism. Better face the enemy than the eternal Void ! This is why materialism will always fail of universal adoption, however well it may fuse things into an atomistic unity, however clearly it may prophesy the future eternity. For materialism denies reality to the objects of almost all the impulses which we most cherish. The real meaning of the impulses, it says, is something which has no emotional interest for us whatever. But what is called extradition is quite as characteristic of our emotions as of our sense. Both point to an Object as the cause of the present feeling. What an intensely objective reference lies in fear ! In like manner an enraptured man, a dreary- feeling man, are not simply aware of their subjective states; if they were, the force of their feelings would evaporate. Both believe there is outward cause why they should feel as they do : either ‘It is a glad world ! how good is life ! ’ or ‘ What a loathsome tedium is existence ! ’ Any philosophy which annihilates the validity of the reference by ex- plaining away its objects or translating them into terms of no emo- tional pertinency leaves the mind with little to care or act for. This is the opposite condition from that of nightmare, but when acutely brought home to consciousness it produces a kindred horror. In night- mare we have motives to act, but no power ; here we have powers, but no motives. A nameless Unheimlichkeit comes over us at the thought of there being nothing eternal in our final purposes, in the objects of those loves and aspirations which are our deepest energies. The mon- strously lopsided equation of the universe and its knower, which we postulate as the ideal of cognition, is perfectly paralleled by the no less lopsided equation of the universe and the doer. We demand in it a character for which our emotions and active propensities shall be a match. Small as we are, minute as is the point by which the Cosmos impinges upon each one of us, each one desires to feel that his reaction at that point is congruous with the demands of the vast whole, that he balances the latter, so to speak, and is able to do what it expects of him. But as his abilities to ‘ do ’ lie wholly in the line of his natural propensities ; as he enjoys reaction with such emotions as fortitude, hope, rapture, admiration, earnestness, and the like; and as he very unwillingly reacts with fear, disgust, despair, or doubt,—a philosophy which should legitimate only emotions of the latter sort would be sure to leave the mind a prey to discontent and craving. “It is far too little recognized how entirely the intellect is built up of practical interests. The theory of Evolution is beginning to do very good service by its reduction of all mentality to the type of reflex action. Cognition, in this view, is but a fleeting moment, a cross-section at a certain point of what in its totality is a motor phenomenon. In the lower forms of life no one will pretend that cognition is anything more than a guide to appropriate action. The germinal question concerning 314 PSYCHOLOGY. things brought for the first time before consciousness is not the theo- retic ‘ What is that ?’ but the practical * Who goes there ? ’ or rather, as Horwicz has admirably put it, ‘What is to be done?’—‘ Was fang' ich an ?’ in all our discussions about the intelligence of lower animals the only test we use is that of their acting as if for a purpose. Cognition, in short, is incomplete until discharged in act. And although it is true that the later mental development, which attains its maximum through the hypertrophied cerebrum of man, gives birth to a vast amount of theoretic activity over and above that which is immediately ministerial to practice, yet the earlier claim is only postponed, not effaced, and the active nature asserts its rights to the end. “ If there be any truth at all in this view, it follows that however vaguely a philosopher may define the ultimate universal datum, he can- not be said to leave it unknown to us so long as he in the slightest degree pretends that our emotional or active attitude towards it should be of one sort rather than another. He who says, ‘ Life is real, life is earnest,’ however much he may speak of the fundamental mysterious- ness of things, gives a distinct definition to that mysteriousness by ascribing to it the right tc claim from us the particular mood called seriousness, which means the willingness to live with energy, though energy bring pain. The same is true of him who says that all is vanity. Indefinable as the predicate vanity may be in se, it is clearly enough something which permits anaesthesia, mere escape from suffering, to be our rule of life. There is no more ludicrous incongruity than for agnostics to proclaim with one breath that the substance of things is unknowable, and with the next that the thought of it should inspire us with admiration of its glory, reverence, and a willingness to add our co- operative push in the direction towards which its manifestations seem to be drifting. The unknowable may be unfathomed, but if it make such distinct demands upon our activity, we surely are not ignorant of its essential quality. “If we survey the field of history and ask what feature all great periods of revival, of expansion of the human mind, display in common, we shall find, I think, simply this : that each and all of them have said to the human being, ‘ The inmost nature of the reality is congenial to powers which you possess.’ In what did the emancipating message of primitive Christianity consist, but in the announcement that God rec- ognizes those weak and tender impulses which paganism had so rudely overlooked ? Take repentance: the man who can do nothing rightly can at least repent of his failures. But for paganism this faculty of re- pentance was a pure supernumerary, a straggler too late for the fair. Christianity took it and made it the one power within us which appealed straight to the heart of God. And after the night of the Middle Ages had so long branded with obloquy even the generous impulses of the flesh, and defined the Reality to be such that only slavish natures could com- mune with it, in what did the Sursum corda ! of the Renaissance lie but in the proclamation that the archetype of verity in things laid claim THE PERCEPTION OF REALITY. 315 on the widest activity of oar whole aesthetic being? What were Luther’s mission and Wesley’s but appeals to powers which even the meanest of men might carry with them, faith and self-despair, but which were personal, requiring no priestly intermediation, and which brought their owner face to face with God ? What caused the wild-fire influence of Rousseau but the assurance he gave that man’s nature was in harmony with the nature of things, if only the paralyzing cor- ruptions of custom would stand from between ? How did Kant and Fichte, Goethe and Schiller, inspire their time with cheer, except by saying, 4 Use all your powers ; that is the only obedience which the uni- verse exacts’? And Carlyle with his gospel of Work, of Fact, of Ve- racity, how does he move us except by saying that the universe imposes no tasks upon us but such as the most humble can perform ? Emerson’s creed that everything that ever was or will be is here in the enveloping Now ; that man has but, to obey himself—4 He who will rest in what he is, is a part of Destiny ’— is in like manner nothing but an exorcism of all scepticism as to the pertinency of one’s natural faculties. 44 In a word, 4 Son of Man, stand upon thy feet and I will speak unto thee ! ’ is the only revelation of truth to which the solving epochs have helped the disciple. But that has been enough to satisfy the greater part of his rational need. In se and per se the universal essence has hardly been more defined by any of these formulae than by the agnostic x ; but the mere assurance that my powers, such as they are, are not irrelevant to it, but pertinent, that it speaks to them and will in some way recognize their reply, that I can be a match for it if I will, and not a footless waif, suffices to make it rational to my feeling in the sense given above. Nothing could be more absurd than to hope for the definitive triumph of any philosophy which should refuse to legitimate, and to legitimate in an emphatic manner, the more powerful of our emotional and practical tendencies. Fatalism, whose solving word in all crises of behavior is 4 All striving is vain,’ will never reign supreme, for the impulse to take life strivingly is indestructible in the race. Moral creeds which speak to that impulse will be widely successful in spite of inconsistency, vagueness, and shadowy determination of expec- tancy. Man needs a rule for his will, and will invent one if one be not given him.” After the emotional and active needs come the intellec- tual and aesthetic ones. The two great aesthetic principles, of richness and of ease, dominate our intellectual as well as our sensuous life. And, ceteris paribus, no system which should not be rich, simple, and harmonious would have a chance of being chosen for belief, if rich, simple, and har- monious systems were also there. Into the latter we should unhesitatingly settle, with that welcoming attitude of the will 316 PSYCHOLOGY. in which belief consists. To quote from a remarkable book: “This law that our consciousness constantly tends to the minimum of complexity and to the maximum of definiteness, is of great impor- tance for all our knowledge. . . . Our own activity of attention will thus determine what we are to know and what we are to believe. If things have more than a certain complexity, not only will our limited powers of attention forbid us to unravel this complexity, but we shall strongly desire to believe the things much simpler than they are. For our thoughts about them will have a constant tendency to become as simple and definite as possible. Put a man into a perfect chaos of phenomena —sounds, sights, feelings—and if the man continued to exist, and to be rational at all, his attention would doubtless soon find for him away to make up some kind of rhythmic regularity, which he would impute to the things about him, so as to imagine that he had discovered some laws of sequence in this mad new world. And thus, in every case where we fancy ourselves sure of a simple law of Nature, we must re- member that a great deal of the fancied simplicity may be due, in the given case, not to Nature, but to the ineradicable prejudice of our own minds in favor of regularity and simplicity. All our thoughts are de- termined, in great measure, by this law of least effort, as it is found exemplified in our activity of attention. . . . The aim of the whole process seems to be to reach as complete and united a conception of reality as possible, a conception wherein the greatest fulness of data shall be combined with the greatest simplicity of conception. The effort of consciousness seems to be to combine the greatest richness of content with the greatest definiteness of organization.” * The richness is got by including all the facts of sense in the scheme ; the simplicity, by deducing them out of the smallest possible number of permanent and independent primordial entities : the definite organization, by assimi- lating these latter to ideal objects between which relations of an inwardly rational sort obtain. What these ideal ob- jects and rational relations are will require a separate chapter to show.f Meanwhile, enough has surely been said to justify the assertion made above that no general offhand answer can be given as to which objects mankind shall choose as its realities. The fight is still under way. Our minds are yet chaotic; and at best we make a mixture and * J. Royce, The Religious Aspect of Philosophy (Boston, 1885). pp 317-57. f Chapter XXVII. THE PERCEPTION OF REALITY. 317 a compromise, as we yield to the claim of this interest or that, and follow first one and then another principle in turn. It is undeniably true that materialistic, or so-called * scientific,’ conceptions of the universe have so far gratified the purely intellectual interests more than the mere senti- mental conceptions have. But, on the other hand, as already remarked, they leave the emotional and active interests cold. The perfect object of belief would be a God or ‘ Soul of the World.' represented both optimistically and moral- istically (if such a combination could be), and ivithal so defi- nitdy conceived as to show us why our phenomenal experiences should be sent to us by Him in just the very ivay in which they come. All Science and all History would thus be accounted for in the deepest and simplest fashion. The very room in which I sit, its sensible walls and floor, and the feeling the air and fire within it give me, no less than the ‘ scientific ’ conceptions which I am urged to frame concerning the mode of existence of all these phenomena when my back is turned, would then all be corroborated, not de-realized, by the ultimate principle of my belief. The World-soul sends me just those phenomena in order that I may react upon them; and among the reactions is the intellectual one of spinning these conceptions. What is beyond the crude experiences is not an alternative to them, but something that means them for me here and now. It is safe to say that, if ever such a system is satisfactorily excogitated, mankind will drop all other systems and cling to that one alone as real. Meanwhile the other systems coexist with the attempts at that one, and, all being alike fragmentary, each has its little audience and day. I have now, I trust, shown sufficiently what the psycho- logic sources of the sense of reality are. Certain postulates are given in our nature ; and whatever satisfies those pos- tulates is treated as if real.* I might therefore finish the •Prof. Royce puts this well in discussing idealism and the reality of an 'external ’ world. “ If the history of popular speculation on these topics could be written, how much of cowardice and shuffling would be found in the behavior of the natural mind before the question, ‘ How dost thou know of an external reality V Instead of simply and plainly answering: * I mean by the external world in the first place something that I accept 318 PSYCHOLOGY. chapter here, were it not that a few additional words will set the truth in a still clearer light. DOUBT. There is hardly a common man who (if consulted) would not say that things come to us in the first instance as ideas; and that if we take them for realities, it is because we add something to them, namely, the predicate of having also ‘ real existence outside of our thought.’ This notion that a higher faculty than the mere having of a conscious con- tent is needed to make us know anything real by its means has pervaded psychology from the earliest times, and is the tradition of Scholasticism, Kantism, and Common-sense. Just as sensations must come as inward affections and then be ‘ extradited; ’ as objects of memory must appear at first as presently unrealities, and subsequently be ‘projected’ backwards as past realities; so conceptions must be entia rationis till a higher faculty uses them as windoHvs to look beyond the ego, into the real eatfra-mental world ;—so runs the orthodox and popular account. And there is no question that this is a true account of the way in which many of our later beliefs come to pass. The logical distinction between the bare thought of an object and belief in the object’s reality is often a chronological distinction as well. The having and the crediting of an or demand, that I posit, postulate, actively construct on the basis of sense- data,’ the natural man gives us all kinds of vague compromise answers. . . . Where shall these endless turnings and twistings have an end? All these lesser motives are appealed to, and the one ultimate motive is neglected. The ultimate motive with the man of every-day life is the will to have an external world. Whatever consciousness contains, reason will persist in spontaneously adding the thought: ‘ But there shall be something beyond this.’ . . . The popular assurance of an external world is thcfixed determination to make one, now and henceforth.” (Religious Aspect of Philosophy, p. 304—the italics are my own.) This immixture of the will appears most flagrantly in the fact that although external matter is doubted commonly enough, minds external to our own are never doubted. We need them too much, are too essentially social to dispense with them. Semblances of matter may suffice to react upon, but not semblances of communing souls. A psychic solipsism is too hideous a mockery of our wants, and, so far'as I know, has never been seriously entertained.— Chapters ix and x of Prof. Royce’s work are on the whole the clearest account of the psychology el belief with which lam acquainted. THE PERCEPTION OF REALITY. 319 idea do not always coalesce; for often we first suppose and then believe ; first play with the notion, frame the hypoth- esis, and then affirm the existence, of an object of thought. And we are quite conscious of the succession of the two mental acts. But these cases are none of them primitive cases. They only occur in minds long schooled to doubt by the contradictions of experience. The primitive impulse is to affirm immediately the reality of all that is conceived* When we do doubt, however, in what does the subsequent resolution of the doubt consist? It either consists in a purely verbal performance, the coupling of the adjectives * real ’ or ‘ outwardly existing ’ (as predicates) to the thing originally conceived (as subject); or it consists in the per- ception in the given case of that for which these adjectives, ab- stracted from other similar concrete cases, stand. But what these adjectives stand for, we now know well. They stand for certain relations (immediate, or through intermediaries) to ourselves. Whatever concrete objects have hitherto stood in those relations have been for us ‘ real,’ ‘ outwardly exist- ing.’ So that when we now abstractly admit a thing to be ‘ real ’ (without perhaps going through any definite percep- * ‘ ‘ The leading fact in Belief, according to my view of it, is our Primi- tive Credulity. We begin by believing everything ; whatever is, is true. . . . The animal born in the morning of a summer day proceeds upon the fact of daylight; assumes the perpetuity of that fact. Whatever it is disposed to do, it does without misgivings. If in the morning it began a round of operations continuing for hours, under the full benefit of day- light, it would unhesitatingly begin the same round in the evening. Its state of mind is practically one of unbounded confidence ; but, as yet, it does not understand what confidence means. ‘ ‘ The pristine assurance is soon met by checks ; a disagreeable experience leading to new insight. To be thwarted and opposed is one of our earliest and most frequent pains. It develops the sense of a distinction between free and obstructed impulses; the unconsciousness of an open way is ex- changed for consciousness; we are now said properly to believe in what has never been contradicted, as we disbelieve in what has been contradicted. We believe that, after the dawn of day, there is before us a continuance of light; we do not believe that this light is to continue forever. “ Thus, the vital circumstance in belief is never to be contradicted—never to lose prestige. The number of repetitions counts for little in the process: we are as much convinced after ten as after fifty; we are more convinced by ten unbroken than by fifty for and one against.” (Bain ; The Emotions and the Will, pp. 511, 512.) 320 PSYCHOLOGY. tion of its relations), it is as if we said “ it belongs in the same world with those other objects.” Naturally enough, we have hourly opportunities for this summary process of belief. All remote objects in space or time are believed in this way. When I believe that some prehistoric savage chipped this flint, for example, the reality of the savage and of his act makes no direct appeal either to my sensation, emotion, or volition. What I mean by my belief in it is simply my dim sense of a continuity between the long dead savage and his doings and the present world of which the flint forms part. It is pre-eminently a case for applying our doctrine of the ‘ fringe ’ (see Vol I. p. 258). When I think the savage with one fringe of relationship, I believe in him; when I think him without that fringe, or with another one (as, e.g., if I should class him with ‘ scientific vagaries ’ in general), I disbelieve him. The word ‘ real ’ itself is, in short, a fringe. RELATIONS OP BELIEF AND WILL. We shall see in Chapter XXV that will consists in nothing but a manner of attending to certain objects, or consenting to their stable presence before the mind. The objects, in the case of will, are those whose existence depends on our thought, movements of our own body for example, or facts which such movements executed in future may make real. Objects of belief, on the contrary, are those which do not change according as we think regarding them. I will to get up early to-morrow morning; I believe that I got up late yesterday morning; I will that my foreign bookseller in Boston shall procure me a German book and write to him to that effect. I believe that he will make me pay three dollars for it when it comes, etc. Now the im- portant thing to notice is that this difference between the objects of will and belief is entirely immaterial, as far as the relation of the mind to them goes. All that the mind does is in both cases the same ; it looks at the object and consents to its existence, espouses it, says ‘ it shall be my reality.’ It turns to it, in short, in the interested active emotional way. The rest is done by nature, which in some cases makes the objects real which we think of in this THE PERCEPTION OF REALITY. 321 manner, and in other cases does not. Nature cannot change the past to suit our thinking. She cannot change the stars or the winds; but she does change our bodies to suit our thinking, and through their instrumentality changes much besides ; so the great practical distinction between objects which we may will or unwill, and objects which we can merely believe or disbelieve, grows up, and is of course one of the most important distinctions in the world. Its roots, how- ever, do not lie in psychology, but in physiology; as the chapter on Volition will abundantly make plain. WiU and Belief, in short, meaning a certain relation between objects and the Self, are two names for one and the same psychological phenomenon. All the questions which arise concerning one are questions which arise concerning the other. The causes and conditions of the peculiar relation must be the same in both. The free-will question arises as regards belief. If our wills are indeterminate, so must our beliefs be, etc. The first act of free-will, in short, would naturally be to believe in free-will, etc. In Chapter XXVI, I shall mention this again. A practical observation may end this chapter. If belief consists in an emotional reaction of the entire man on an object, how can we believe at will? We cannot control our emotions. Truly enough, a man cannot believe at will abruptly. Nature sometimes, and indeed not very infre- quently, produces instantaneous conversions for us. She suddenly puts us in an active connection with objects of which she had till then left us cold. “ I realize for the first time,” we then say, “ what that means!” This happens often with moral propositions. We have often heard them; but now they shoot into our lives; they move us; we feel their living force. Such instantaneous beliefs are truly enough not to be achieved by will. But gradually our will can lead us to the same results by a very simple method: we need only in cold blood act as if the thing in question were real, and keep acting as if it were real, and it will infallibly end by grouping into such a connection with our life that it ivill become real. It will become so knit with habit and emotion that our interests in it will be those which characterize belief. 322 PSYCHOLOGY. Those to whom ‘ God ’ and ‘ Duty ’ are now mere names can make them much more than that, if they make a little sacrifice to them every day. But all this is so well known in moral and religious education that I need say no more.* * Literature. D. Hume : Treatise on Human Nature, part m. §§ vii- x. A. Bain: Emotions and Will, chapter on Belief (also pp. 20 ff). J. Sully: Sensation and Intuition, essay iv. J. Mill: Analysis of Human Mind, chapter xi. Ch. Renouvier: Psychologie Rationnelle, vol. n. pt. n; and Esquisse d’une Classification systematique des Doctrines Philosophiques, part vi. J. H. Newman: The Grammar of Assent. J. Venn: Some Characteristics of Belief. V. Brochard: De l’Erreur, part ii. chap, vi, ix; and Revue Philosophique, xxviu. 1. E. Rabier: Psy- chologie, chap xxi. Appendix. OlleLaprune: La Certitude Morale (1881). G. F. Stout: On Genesis of Cognition of Physical Reality, in ‘ Mind,’ Jan. 1890. J. Pikler: The Psychology of the Belief in Objective Existence (London, 1890).—Mill says that we believe present sensations; and makes our belief in all other things a matter of association with these. So far so good; but as he makes no mention of emotional or volitional reaction, Bain rightly charges him with treating belief as a purely intellectual state. For Bain belief is rather an incident of our active life. When a thing is such as to make us act on it, then we believe it, according to Bain. “ But how about past things, or remote things, upon which no reaction of ours is pos- sible? And how about belief in things which check action?” says Sully; who considers that we believe a thing only when “the idea of it has an in- herent tendency to approximate in character and intensity to a sensation.” It is obvious that each of these authors emphasizes a true aspect of the question. My own account has sought to be more complete, sensation, association, and active reaction all being acknowledged to be concerned. The most compendious possible formula perhaps would be that our belief and attention are the same fact. For the moment, what we attend to is reality ; Attention is a motor reaction; and we are so made that sensations force attention from us. On Belief and Conduct see an article by Leslie Stephen, Fortnightly Review, July 1888. A set of facts have been recently brought to my attention which I hardly know how to treat, so I say a word about them in this footnote. I refer to a type of experience which has frequently found a place amongst the ‘Yes’ answers to the ‘ Census of Hallucinations,’ and which is gener- ally described by those who report it as an ‘ impression of the presence ’ of someone near them, although no sensation either of sight, hearing, or touch is involved. From the way in which this experience is spoken of by those who have had it, it would appear to be an extremely definite and positive state of mind, coupled with a belief in the reality of its object quite as strong as any direct sensation ever gives. And yet no sensation seems to be connected with it at all. Sometimes the person whose nearness is thus impressed is a known person, dead or living, sometimes an unknown one. His attitude and situation are often very definitely impressed, and so, some- times (though not by way of hearing), are words which he wishes to sa}r. The phenomenon would seem to be due to a pure conception becoming THE PERCEPTION OF REALITY. 323 saturated with the sort of stinging urgency which ordinarily only sens* tions bring. But I cannot yet persuade myself that the urgency in ques- tion consists in concomitant emotional and motor impulses. The ' impres- sion ’ may come quite suddenly and depart quickly; it may carry no emotional suggestions, and wake no motor consequences beyond those involved in attending to it. Altogether, the matter is somewhat paradoxical, and no conclusion can be come to until more dehuite data are obtained. Perhaps the most curious case of the sort which I have received is the following. The subject of the observation, Mr. P., is an exceptionally ■ntelligent witness, though the words of the narrative are his wife’s. “ Mr. P has all his life been the occasional subject of rather singular delusions or impressions of various kinds. If I had belief in the existence of latent or embryo faculties, other than the five senses, I should explain them on that ground. Being totally blind, his other perceptions are abnormally keen and developed, and given the existence of a rudimentary sixth sense, it would be only natural that this also should be more acute in him than in others. One of the most interesting of his experiences in this line was the frequent apparition of a corpse some years ago, which may be worth the attention of your Committee on that subject. At the time Mr. P. had a music-room in Boston on Beacon Street, where he used to do severe and protracted practice with little interruption. Now, all one season it was a very familiar occurrence with him while in the midst of work to feel 8 crld draft of air suddenly upon his face, with a prickling sensation ai the mots of his hair, when he would turn from the piano, and a figure which he knew to be dead would come sliding under the crack of the door from without, flattening itself to squeeze through and rounding out again to the human form. It was of a middle-aged man, and drew itself along the carpet on hands and knees, but with head thrown back till it reached the sofa, upon which it stretched itself. It remained some moments, but vanished always if Mr. P. spoke or made a decided movement. The most singular point in the occurrence was its frequent repetition. He might expect it on any day between two and four o’clock, and it came always heralded by the same sudden cold shiver, and was invariably the same fig ure which went through the same movements. He afterwards traced the whole experience to strong tea. He was in the habit of taking cold tea, which always stimulates him, for lunch, and on giving up this practice he never saw this or any other apparition again. However, even allowing, as is doubtless true, that the event was a delusion of nerves first fatigued by overwork and then excited by this stimulant, there is one point which is still wholly inexplicable and highly interesting to me. Mr. P. has no memory whatever of sight, nor conception of it. It is impossible for him to form any idea of what we mean by light or color, consequently he has no cognizance of any object which does not reach his sense of hearing or of touch, though these are so acute as to give a contrary impression some- times to other people. When he becomes aware of the presence of a person or an object, by means which seem mysterious to outsiders, he can always trace it naturally and legitimately to slight echoes, perceptible only to his keen ears, or to differences in atmospheric pressure, perceptible only to his acute nerves of touch; but with the apparition described, for the only time in his xperience, he was aware of presence, size, and appearance, without 324 PSYCHOLOGY. the use of either of these mediums. The figure never produced the least sound nor came within a number of feet of his person, yet he knew that it was a man, that it moved, and in what direction, even that it wore a full beard, which, like the thick curly hair, was partially gray ; also that it was dressed in the style of suit known as ‘pepper and salt.’ These points were all perfectly distinct and invariable each time. If asked how he perceived them, he will answer he cannot tell, he simply knew it, and so strongly and so distinctly that it is impossible to shake his opinion as to the exact details of the man’s appearance. It would seem that in this de* lusion of the senses he really saw, as he has never done in the actual ex periences of life, except in the first two years of childhood.” On cross-examining Mr. P., I could not make out that there was any- thing like visual imagination involved, although he was quite unable to describe in just what terms the false perception was carried on. It seemed to be more like an intensely definite conception than anything else, a con- ception to which the feeling of present reality was attached, but in no suet shape as easily to fall under the heads laid down in my text. CHAPTER XXII * REASONING. We talk of man being the rational animal; and the tra- ditional intellectualist philosophy has always made a great point of treating the brutes as wholly irrational creatures. Nevertheless, it is by no means easy to decide just what is meant by reason, or how the peculiar thinking process called reasoning differs from other thought-sequences which may lead to similar results. Much of our thinking consists of trains of images sug- gested one by another, of a sort of spontaneous revery of which it seems likely enough that the higher brutes should be capable. This sort of thinking leads nevertheless to rational conclusions, both practical and theoretical. The links between the terms are either ‘ contiguity ’ or * similar- ity,’ and with a mixture of both these things we can hard- ly be very incoherent. As a rule, in this sort of irrespon- sible thinking, the terms which fall to be coupled together are empirical concretes, not abstractions. A sunset may call up the vessel’s deck from which I saw one last summer, the companions of my voyage, my arrival into port, etc.; or it may make me think of solar myths, of Hercules’ and Hector’s funeral pyres, of Homer and whether he could write, of the Greek alphabet, etc. If habitual contiguities predominate, we have a prosaic mind ; if rare contiguities, or similarities, have free play, we call the person fanciful, poetic, or witty. But the thought as a rule is of matters taken in their entirety. Having been thinking cf one, we find later that we are thinking of another, to which we have been lifted along, we hardly know how. If an abstract * The substance of this chapter, and a good many pages of the text, originally appeared in an article entitled ‘ Brute and Human Intellect,’ in the Journal of Speculative Philosophy for July 1878 (vol. xu. p. 236). 325 326 PSYCHOLOGY. quality figures in the procession, it arrests our attention but for a moment, and fades into something else ; and is never very abstract. Thus, in thinking of the sun-myths, we may have a gleam of admiration at the gracefulness of the primitive human mind, or a moment of disgust at the nar- rowness of modern interpreters. But, in the main, we think less of qualities than of whole things, real or possi- ble, just as we may experience them. The upshot of it may be that we are reminded of some practical duty: we write a letter to a friend abroad, or we take down the lexicon and study our Greek lesson. Our thought is rational, and leads to a rational act, but it can hardly be called reasoning in a strict sense of the term. There are other shorter flights of thought, single coup- lings of terms which suggest one another by association, which approach more to what would commonly be classed as acts of reasoning proper. Those are where a present sign suggests an unseen, distant, or future reality. Where the sign and what it suggests are both concretes which have been coupled together on previous occasions, the inference is common to both brutes and men, being really nothing more than association by contiguity. A and B, dinner-bell and dinner, have been experienced in immediate succes- sion. Hence A no sooner falls upon the sense than B is anticipated, and steps are taken to meet it. The whole education of our domestic beasts, all the cunning added by age and experience to wild ones, and the greater part of our human knowingness consists in the ability to make a mass of inferences of this simplest sort. Our ‘perceptions,’ or recognitions of what objects are before us, are inferences of this kind. We feel a patch of color, and we say ‘ a dis- tant house,’ a whiff of odor crosses us, and we say ‘ a skunk,’ a faint sound is heard, and we call it ‘ a railroad train.’ Examples are needless ; for such inferences of sen- sations not presented form the staple and tissue of our perceptive life, and our Chapter XIX was full of them, illusory or veracious. They have been called unconscious inferences. Certainly we are commonly unconscious that we are inferring at all. The sign and the signified melt into what seems to us the object of a single pulse of REASONING. 327 thought. Immediate inferences would be a good name for these simple acts of reasoning requiring but two terms,* were it not that formal logic has already appropriated the expression for a more technical use. 1 RECEPTS.’ In these first and simplest inferences the conclusion may follow so continuously upon the ‘ sign ’ that the latter is not discriminated or attended to as a separate object by the mind. Even now we can seldom define the optical signs which lead us to infer the shapes and distances of the ob- jects which by their aid we so unhesitatingly perceive. The objects, too, when thus inferred, are general objects. The dog crossing a scent thinks of a deer in general, or of another dog in general, not of a particular deer or dog. To these most primitive abstract objects Dr. G. J. Romanes gives the name of receipts or generic ideas, to distinguish them from concepts and general ideas properly so called, t They are not analyzed or defined, but only imagined. “ It requires but a slight analysis of our ordinary mental processes to prove that all our simpler ideas are group-arrangements which have been formed spontaneously or without any of that intentionally com- paring, sifting, and combining process which is required in the higher departments of ideational activity. The comparing, sifting, and com- bining is here done, as it were, for the conscous agent, not by him. Recepts are received ; it is only concepts that require to be conceived. ... If I am crossing a street and hear behind me a sudden shout, I do not require to wait in order to predicate to myself that there is prob- ably a hansom-cab just about to run me down : a cry of this kind, and in those circumstances, is so intimately associated in my mind with its * I see no need of assuming more than two terms in this sort of reason- ing—first, the sign, and second, the thing inferred from it. Either may be complex, but essentially it is but A calling up B, and no middle term is involved. M. Binet, in his most intelligent little book, La Psychologie du Raisonnement, maintains that there are three terms. The present sensa- tion or sign must, according to him, first evoke from the past an image which resembles it and fuses with it, and the things suggested or inferred are always the contiguous associates of this intermediate image, and not of the immediate sensation. The reader of Chapter XIX will see why I do not believe in the * image ’ in question as a distinct psychic fact. f Mental Evolution in Man (1889), chapters iii and iv. See especially pp. 68-80, and later 363, 396. 328 P8 YCHOLOQ T. purpose, that the idea which it arouses need not rise above the level ol a recept; and the adaptive movements on my part which that idea im- mediately prompts are performed without any intelligent reflection. Yet, on the other hand, they are neither reflex actions nor instinctive actions ; they are what may be termed receptual actions, or actions de- pending on recepts.” * “ How far can this kind of unnamed or non-conceptional ideation extend ?” Dr. Romanes asks; and answers by a variety of examples taken from the life of brutes, for which I must refer to his book. One or two of them, however, I will quote : “ Houzeau writes that while crossing a wide and arid plain in Texas, his two dogs suffered greatly from thirst, and that between thirty and forty times they rushed down the hollows to search for water. The hol- lows were not valleys, and there were no trees in them, or any other difference in the vegetation ; and as they were absolutely dry, there could have been no smell of damp earth. The dogs behaved as if they knew that a dip in the ground offered them the best chance of finding water, and Houzeau has often witnessed the same behavior in other ani- mals. . . . “ Mr. Darwin writes : ‘ When I say to my terrier in an eager voice (and I have made the trial many times), “ Hi! hi! where is it ? ” she at once takes it as a sign that something is to be hunted, and generally first looks quickly all round, and then rushes into the nearest thicket, to scout for any game, but finding nothing she looks up into any neigh- boring tree for a squirrel. Now do not these actions clearly show that she had in her mind a general idea, or concept, that some animal is to be discovered and hunted ? ’ ” f They certainly show this. But the idea in question is of an object about which nothing farther may be articulately known. The thought of it prompts to activity, but to no theoretic consequence. Similarly in the following ex- ample : “Water-fowl adopt a somewhat different mode of alighting upon land, or even upon ice, from that which they adopt when alighting upon water; and those kinds which dive from a height (such as terns and gannets) never do so upon land or upon ice. These facts prove that the animals have one recept answering to a solid surface, and an- other answering to a fluid. Similarly a man will not dive from a height over hard ground or over ice, nor will he jump into water in the same way as he jumps upon dry land. In other words, like the water-fowl * Lac. cit. p. 50. f P. 52. REASONING. 329 he has two distinct recepts, one of which answers to solid ground, and the other to an unresisting fluid. But unlike the water-fowl he is able to bestow upon each of these recepts a name, and thus to raise them both to the level of concepts. So far as the practical purposes of loco- motion are concerned, it is of course immaterial whether or not he thus raises his recepts into concepts ; but ... for many other purposes it it of the highest importance that he is able to do this. ” * IN REASONING, WE PICK OUT ESSENTIAL QUALITIES. The chief of these purposes is predication, a theoretic function which, though it always leads eventually to some kind of action, yet tends as often as not to inhibit the imme- diate motor response to which the simple inferences of which we have been speaking give rise. In reasoning, A may suggest B ; but B, instead of being an idea which is simply obeyed by us, is an idea which suggests the distinct additional idea C. And where the train of suggestion is one of reasoning distinctively so called as contrasted with mere revery or ‘ associative ’ sequence, the ideas bear certain inward relations to each other which we must proceed to examine with some care. The result C yielded by a true act of reasoning is apt to be a thing voluntarily sought, such as the means to a proposed end, the ground for an observed effect, or the effect of an assumed cause. All these results may be thought of as concrete things, but they are not suggested im- mediately by other concrete things, as in the trains of simply as- sociative thought. They are linked to the concretes which precede them by intermediate steps, and these steps are formed by general characters articulately denoted and ex- pressly analyzed out. A thing inferred by reasoning need neither have been an habitual associate of the datum from which we infer it, nor need it be similar to it. It may be a thing entirely unknown to our previous experience, some- thing which no simple association of concretes could ever have evoked. The great difference, in fact, between that simpler kind of rational thinking which consists in the con- crete objects of past experience merely suggesting each other, and reasoning distinctively so called, is this, that * Loe. eit. p. 74. 330 PSYCHOLOGY. whilst the empirical thinking is only reproductive, reason- ing is productive. An empirical, or ‘ rule-of-thumb,’ thinker can deduce nothing from data with whose behavior and associates in the concrete he is unfamiliar. But put a reasoner amongst a set of concrete objects which he has neither seen nor heard of before, and with a little time, if he is a good reasoner, he will make such inferences from them as will quite atone for his ignorance. Reasoning helps us out of unprecedented situations—situations for which all our common associative wisdom, all the ‘ educa- tion ’ which we share in common with the beasts, leaves us without resource. Let us make this ability to deal with novel data the tech- nical differentia of reasoning. This will sufficiently mark it out from common associative thinking, and will immedi- ately enable us to say just what peculiarity it contains. It contains analysis and abstraction. Whereas the merely empirical thinker stares at a fact in its entirety, and remains helpless, or gets ‘ stuck,’ if it suggests no concomitant or similar, the reasoner breaks it up and notices some one of its separate attributes. This attribute he takes to be the essential part of the whole fact before him. This attribute has properties or consequences which the fact until then was not known to have, but which, now that it is noticed to contain the attribute, it must have. Call the fact or concrete datum S; the essential attribute M ; the attribute’s property P. Then the reasoned inference of P from 8 cannot be made without M’s intermediation. The * essence ’ M is thus that third or middle term in the reasoning which a moment ago was pronounced essential. For his origirwl concrete S the reasoner substitutes its abstract property, M. What is true of M, what is coupled with M, then holds true of S, is coupled with S. As M is properly one of the parts of the entire S, reasoning may then be very well defined as the substitution of parts and their implications or consequences for whales. And the art of the reasoner will consist of two stages: REASONING. 331 First, sagacity,* or the ability to discover what part, M, lies embedded in the whole S which is before him ; Second, learning, or the ability to recall promptly M’s consequences, concomitants, or implications, t If we glance at the ordinary syllogism— M is P; S is M; S is P * J. Locke, Essay cone. Hum Understanding, bk. iv. chap. n. § 3. f To be sagacious is to be a good observer. J. S. Mill has a passage which is so much in the spirit of the text that 1 cannot forbear to quote it. “The observer is net he who merely sees the thing which is before his eyes, but he who sees what parts that thing is composed of. To do this well is a rare talent. One person, from inattention, or attending only in the wrong place, overlooks half of what he sees ; another sets down much more than he sees, confounding it with what he imagines, or with what he infers; another takes note of the kind of all the circumstances, but being inexpert in estimating their degree, leaves the quantity of each vague and uncertain ; another sees indeed the whole, but makes such an awkward division of it into parts, throwing things into one mass which require to be separated, and separating others which might more conveniently be considered as one, that the result is much the same, sometimes even worse, than if no analysis had been attempted at all. It would be possible to point out what qualities of mind, and modes of mental culture, fit a person for being a good observer: that, however, is a question not of Logic, but of the Theory of Education, in the most en- larged sense of the term. There is not properly an Art of Observing. There may be rules for observing. But these, like rules for inventing, are properly instructions for the preparation of one’s own mind ; for putting it into the state in which it will be most fitted to observe, or most likely to invent. They are, therefore, essentially rules of self-education, which is a different thing from Logic. They do not teach how to do the thing, but how to make ourselves capable of doing it. They are an art of strengthening the limbs, not an artof using them. The extent and minute- ness of observation which may be requisite, and the degree of decomposi- tion to which it may be necessary to carry the mental analysis, depend on the particular purpose in view. To ascertain the state of the whole uni- verse at any particular moment is impossible, but would also be useless. In making chemical experiments, we do not think it necessary to note the position of the planets ; because experience has shown, as a very superficial experience is sufficient to show, that in such cases that circumstance is not material to the result: and accordingly, in the ages when man believed in the occult influences of the heavenly bodies, it might have been unphilo- sophical to omit ascertaining the precise condition of those bodies at the moment of the experiment,.(Logic, bk. hi. chap. vn. § 1. Cf. also bk. iv. chap, ii.) 332 P6TOHOLOOT. —we see that the second or minor premise, the * subsump- tion ’ as it is sometimes called, is the one requiring the sa- gacity ; the first or major the one requiring the fertility, or fulness of learning. Usually the learning is more apt to be ready than the sagacity, the ability to seize fresh aspects in concrete things, being rarer than the ability to learn old rules; so that, in most actual cases of reasoning, the minor premise, or the way of conceiving the subject, is the one that makes the novel step in thought. This is, to be sure, not always the case ; for the fact that M carries P with it may also be unfamiliar and now formulated for the first time. The perception that S is M is a mode of conceiving S. The statement that M is P is an abstract or general proposi- tion. A word about both is necessary. WHAT IS MEANT BY A MODE OP CONCEIVING. When we conceive of S merely as M (of vermilion merely as a mercury-compound, for example), we neglect all the other attributes which it may have, and attend exclusively to this one. We mutilate the fulness of S’s reality. Every reality has an infinity of aspects or properties. Even so simple a fact as a line which you trace in the air may be considered in respect to its form, its length, its direction, and its location. When we reach more complex facts, the number of ways in which we may regard them is literally endless. Vermilion is not only a mercury-compound, it is vividly red, heavy, and expensive, it comes from China, and so on, in infinitum. All objects are well-springs of properties, which are only little by little developed to our knowledge, and it is truly said that to know one thing thoroughly would be to know the whole universe. Mediately or immediately, that one thing is re- lated to everything else ; and to know all about it, all its relations need be known. But each relation forms one of its attributes, one angle by which some one may conceive it, and while so conceiving it may ignore the rest of it. A man is such a complex fact. But out of the complexity all that an army commissary picks out as important for his purposes is his property of eating so many pounds a day; the general, BMABOUllfO. 333 of marching so many miles; the chair-maker, of having such a shape; the orator, of responding to such and such feelings ; the theatre-manager, of being willing to pay just such a price, and no more, for an evening’s amusement. Each of these persons singles out the particular side of the entire man which has a bearing on his concerns, and not till this side is distinctly and separately conceived can the proper practical conclusions for that reasoner be drawn ; and when they are drawn the ruin’s other attributes may be ig- nored. All ways of conceiving a concrete fact, if they are true ways at all, are equally true ways. There is no property absolutely essential to any one thing. The same property which figures as the essence of a thing on one occasion be- comes a very inessential feature upon another. Now that I am writing, it is essential that I conceive my paper as a surface for inscription. If I failed to do that, I should have to stop my work. But if I wished to light a fire, and no other materials were by, the essential way of conceiving the paper would be as combustible material; and I need then have no thought of any of its other destinations. It is really all that it is: a combustible, a writing surface, a thin thing, a hydrocarbonaceous thing, a thing eight inches one way and ten another, a thing just one furlong east of a certain stone in my neighbor’s field, an American thing, etc., etc., ad infinitum. Whichever one of these aspects of its being I temporarily class it under, makes me unjust to the other aspects. But as I always am classing it under one aspect or another, I am always unjust, always partial, always ex- clusive. My excuse is necessity—the necessity which my finite and practical nature lays upon me. My thinking is first and last and always for the sake of my doing, and I can only do one thing at a time. A God, who is supposed to drive the whole universe abreast, may also be supposed, without detriment to his activity, to see all parts of it at once and without emphasis. But were our human attention so to disperse itself we should simply stare vacantly at things at large and forfeit our opportunity of doing any particular act Mr. Warner, in his Adirondack story, shot a bear by aiming, not at his eye or heart, but * at him gen- 334 PSYCHOLOGY. erally.’ But we cannot aim ‘ generally ’ at the universe; or if we do, we miss our game. Our scope is narrow, and we must attack things piecemeal, ignoring the solid fulness in which the elements of Nature exist, and stringing one after another of them together in a serial way, to suit our little interests as they change from hour to hour. In this, the partiality of one moment is partly atoned for by the different sort of partiality of the next. To me now, writing these words, emphasis and selection seem to be the essence of the human mind. In other chapters other qualities have seemed, and will again seem, more important parts of psy- chology. Men are so ingrainedly partial that, for common-sense and scholasticism (which is only common-sense grown artic- ulate), the notion that there is no one quality genuinely, absolutely, and exclusively essential to anything is almost unthinkable. “ A thing’s essence makes it what it is. With- out an exclusive essence it would be nothing in particular, would be quite nameless, we could not say it was this rather than that. What you write on, for example,—why talk of its being combustible, rectangular, and the like, when you know that these are mere accidents, and that what it really is, and was made to be, is just paper and nothing else?” The reader is pretty sure to make some such comment as this. But he is himself merely insisting on an aspect of the thing which suits his own petty purpose, that of naming the thing; or else on an aspect which suits the manufacturer’s purpose, that of producing an article for which there is a vulgar demand. Meanwhile the reality overflows these purposes at every pore. Our usual purpose with it, our commonest title for it, and the properties which this title suggests, have in reality nothing sacramental. They characterize ns more than they characterize the thing. But we are so stuck in our prejudices, so petrified intellec- tually, that to our vulgarest names, with their suggestions, we ascribe an eternal and exclusive worth. The thing must be, essentially, what the vulgarest name connotes ; what less usual names connote, it can be only in an ‘ accidental ’ and relatively unreal sense.* * Readers brought up on Popular Science may think that the molecular REASONING. 335 Locke undermined the fallacy. But none of his succes- sors, so far as I know, have radically escaped it, or seen that the only meaning of essence is teleological, and that classi- fication and conception are purely teleological weapons of the mind. The essence of a thing is that one of its properties which is so important for my interests that in comparison with it I may neglect the rest. Amongst those other things which have this important property I class it, after this property I name it, as a thing endowed with this property I conceive it; and whilst so classing, naming, and conceiv- ing it, all other truths about it become to me as naught.* The properties which are important vary from man to man and from hour to hour.f Hence divers appellations and structure of things is their real essence in an absolute sense, and that water is H-O-H more deeply and truly than it is a solvent of sugar or a slaker of thirst. Not a whit! It is all of these things with equal reality, and the only reason why/